The gospel of white fascism (Part 21)...Prince, Black 'Roots', Issa Rae, and the cult of well-bred 'insecurities'...

 "I'm rooting for everybody Black."
--Issa Rae, at the Emmys

"How we gonna' let the elevator break us down? Oh no, let's go..."
--Prince, from the song, 'Let's go crazy'

Prince released his seventh studio album, 'Around the World in a Day' (left), on April 22^nd, 1985. And the bulk of this recording was done during the six months of touring he and his band, 'the Revolution', completed behind Prince's most successful album and movie, “Purple Rain”.

Now, according to the media, the inspiration for the album's sound came from a demo that Dave Coleman, brother of band member, Lisa Coleman, recorded that eventually became the album's title track. And for the uninitiated, sonically, this album explored the psychedelic and more ethereal music genres, and was hailed as Prince's 'Sgt. Pepper's'—this being a reference to the Beatles' Sgt. Pepper's Lonely Hearts Club Band, which is lauded as an absolute classic in the annals of Rock and Roll.

Also the album's cover art, has an amorphous, multi-colored, and tie-dyed 60's feel, reminiscent of that decade's mainstreamed psychedelia. And when asked about this, Prince responded by saying, “The cover art came about cause I though people were tired of looking at me. Who wants another picture of me? I would want only so many pictures of my woman, then I'd want the real thing...”

And even with the album's 'leftist' sensibilities and a dearth of label promotion, it went double platinum. It also spawned two top ten hits with, 'Raspberry Beret' and 'Pop Life'. In addition, the album wound up selling seven million copies worldwide.

Now, myself and every other Prince fan at the time thought, why would a bonafide superstar-of-a-recording-artist like Prince, seemingly wreck his career by putting out some weird album like this? Of course, being a Prince fan, I understand he was an eclectic artist, and I thought, well, he's going left, just for the sake of going left—still, this record seemed completely disassociated with his funk-rock aesthetic.

What I know now, that I didn't then, was the freemasonic order that Prince belonged to commissioned this style of album from him. The goal behind that being the continual reminding of americans, and the free world, that the Beatles (4 white men), were the greatest Rock and Roll band that ever existed. This is also why less than a decade ago, I saw Justin Bieber singing the Beatles song, “Let it Be”.

Anecdotally, I'll never forget when I documented the fact that Black people created Rock and Roll on a YouTube video, featuring the group, 'Earth, Wind and Fire'.

One liberal white person literally wrote: “LOL! What?” And I had to explain to him and another genetic dead-ender (white person), who declared that the Rock and Roll genre started in europe, that the 'Rolling Stones' actually named themselves after the 'Muddy Waters' song, “Mannish Boy”.

Cause in that song, Muddy openly declares: “I'm a rolling stone...” And the Beatles song, “I couldn't dance with another” (google this if you've never heard it), where John and Paul sing, “And I couldn't dance with another—whoooo!” Well, the 'whooo' sound they're mimicking, is one created by none other than Little Richard. Moreover, it was brothas like Chuck Berry, Bo Diddley and Richard, who were the real kings and creators of Rock and Roll music.

Moving on...

Now, back in the 80's Prince was complicit with the freemasonic order he belonged to, cause they'd made him a star. Still, he couldn't help but see the scandalous amounts of money record execs were making off his music, and the music of other artists. Thus, he went about the difficult task of not only opening his own record label (Paisley Park), but he fought tooth and nail to get back the rights to his master recordings. *Note: This was in the 90's when Prince changed his name to an unpronounceable glyph and he was writing 'Slave' on his cheek.

Fortunately, Prince won back the rights to his masters in 2014. Unfortunately, two years later, he was found dead.

Now, rumors and speculation spread about Prince dying from a drug overdose and/or from an acute case of the Flu. But here's how I know he was murdered by the same freemasons who made him a star.

Prince was found dead in an elevator at his Paisley Park recording studio/home. Now, in his song, “Let's Go Crazy”, the chorus of the song says, “How we gonna' let the elevator break us down?” Now, the elevator Prince refers to is actually Satan. And this song is all about getting through life, (Thus, the song opens with: “Dearly beloved—we are gathered here today to get through this thing we call life...”) and our dealing with the battle(s) against evil. This is also why the song starts out with chords of organ music, cause Prince is taking on a 'preacher persona'—especially at the beginning of the movie Purple Rain.

Prince was saying, not only shouldn't we allow the devil to break us down, but we should also take the initiative, being that we're in an elevator (Satan's world), to punch the elevator's button to get to a higher floor (spiritual edification), so we can get with God. Now, freemasons are notorious for liking to leave their mark by hiding things in plain sight (Michael Jackson wearing his nazi arm band back in the day). Thus, they essentially identified themselves by killing Prince and leaving his body in an elevator. So in one fatal swoop, they let us know that they're representing the elevator, i.e. Luciferian white fascist freemasonry.

Now, it was on February 3^rd, 2011, that the African-American actress, Issa Rae, debuted her web series, “The Misadventures of Awkward Black Girl”. Her inspiration to start this series was drawn from her experiences working at New York City's, New Federal Theater, where she'd had difficulties meeting and interacting with people in an unfamiliar place. So, she thought it would be fun to depict the uncomfortable situations people might encounter with one another, especially from an African-American woman's point of view.

We should also note that Pharell Williams (yeah, the star music producer from the group, 'The Neptunes') was an executive producer of this series. So, she did have some clout with industry execs right off the bat.

Fast forward to 2013, when Issa began working with co-creator Larry Wilmore, on a comedy-drama pilot based on her web-series. HBO picked up the pilot, and debuted the show with it's new name, 'Insecure', on October 9^th, of 2016. Since it's release, the show's not only gone on to receive critical acclaim, but it was renewed for a second season on November 14^th, 2016. And on August 8^th, of this year, it was renewed for a third season.

Now, even though this series is supposed to showcase the awkward travails of Black women in america's social order, what it's really designed to do, is show how dysfunctional Black people and our relationships are. Cause quiet as it's kept, the execs at HBO are just white bigots, who are hell-bent on portraying our people in the worst light possible (The Sopranos).

The lead character, 'Issa', played by Issa Rae, and her friend, Molly (played by Yvonne Orji), prove themselves to be untrustworthy and unscrupulous in every conceivable way, when it comes to their relationships with Black men. Thus, more than anything, this series serves as a cautionary tale to any Black man who hopes to pursue any kind of relationship with a Black woman. And I know I've said this at least 100 times, but white fascists have to keep 'pure-bred' Black men and women away from each other, cause we have the most genetic power to breed their kind out of existence. And white birth rates have fallen below replacement levels for at least the last half-century. On top of that, whites are overdosing on drugs in droves and committing suicide like crazy.

Additionally, this show adheres to the stereotype of Black women being perpetually stuck, and kept by white fascists, in three states-of-being: well-paid, oversexed and alone (Olivia Pope).

Now, on September 17^th, 2017, the head inbreds at the academy of Televised Arts and Sciences, were settled in to congratulate themselves once more, like they do every year, by putting on the annual Emmy Awards ceremony.

And on the red carpet of this event, a journalist from 'Variety' magazine asked Issa pointedly, “Who are you rooting for?” And Issa replied, “I'm rooting for everybody Black.”

Now, you may think this is hyperbolic, but in my opinion, Issa's statement is and was just as revolutionary as when President Barack Obama said of the cops who arrested Harvard Professor Henry Louis Gates Jr., “The police acted stupidly...”

Now, let me tell you why...

Like Prince (and I'm not comparing Issa's ingenuity to Prince's), Issa showed she understood how to placate the white fascists who own the media, while knowing, or at least imbibing in, the zeitgeist of Black 'consciousness' that's affecting every Black person in america. And in more layman's terms, Issa not only showed how she's got whitey's number, but how she's ultimately down for her people.

Now, this doesn't completely absolve Issa from reinforcing the mores of Black dysfunction on her show. But, if anyone's thinking I've got several problems with 'Insecure', I'd tell you I have only one. And that problem is the same one I have with Black men's rights activists—that being, how they talk ad nauseam about Black dysfunction outside the context of the white fascism that created it.

Understand, as a Black man or woman, if you spend an inordinate amount of time talking disparagingly about Black people, or indulging in the media's portrayal of us in a negative light, how could you not hate yourself for being Black?

And I get the fact that most Black people who do this say, well, I'm critiquing Black people who aren't like me. Now, there's absolutely a time for that, but what makes this dangerous is, so many Black people denigrate other factions of Blacks in our Diaspora, to show white and non-Black folks how they're not like them. And this never works. Cause what winds up happening is, if whites and non-Blacks do think you're somehow more educated, or upper-scale than the rest of us, they'll start making bigoted jokes about Blacks around you. And I can't tell you how many acquaintances I've had to cut off behind that happening.

However, one other bone I have to pick with Issa, is how she vehemently denigrates the image of Black men who treat her like the tramp she portrays herself to be on her show. Now, I'm not an avid watcher of this series, but I remember one instance where she gets in the car of one brotha who sees the scowl on her face and asks her whats wrong. To which Issa exclaims, “Niggas!” She even wears a shirt that dons this word on her show.

Now, if I had a chance to talk with Issa, I'd tell her that it's these same brothas you're slandering on your show, that made it possible for you to comfortably make your statement at the Emmys. And right now, you might be scratching your head thinking, bruh—what the hell are you talking about?

So let me answer that real quick...

Brothas like Dr. Umar Johnson, Tariq Nasheed, and Brother Jabari (from the House of Konsciousness—google the brotha if you've never heard of him), would be considered “niggas” to Issa. Or at least to her character. And these are the same brothas who she, and the whole of Black american women, owe a debt of gratitude towards, for being able to express themselves so openly about being proud of who they are. Now, I'd be remiss if I didn't say there aren't sistas like the late Queen, Dr. Frances Cress Welsing, who contributed to this too, but overwhelmingly, the people baring the slings and arrows for being “Pro-Black” have been brothas like the aforementioned ones.

But ultimately, the moral of this story is, even though Issa portrayed herself as a “negro nerd” in terms of calling herself the awkward Black girl, to win points with whites, she's seeing that the true power, especially in terms of creating any kind of cool culture(s), belongs to us.

So if you're a brotha or sista reading this, you need to understand that 'negro nerdom' will never lead you to anything that's culturally cool. Meaning, if you wanna' be legitimately on the cutting edge, at least in terms of cultural creation(s), the spiritual tools to build those kinds of social constructs belong to us exclusively. Moreover, Issa's statement is further proof that we need to be a monolithic group—cause it works to our benefit, not our detriment.

UNITY Y'ALL!—now and forever, that's what's really up!!

Later...

MontUHURU Mimia

P.S.

9/27/17 - *Addendum: For those under 30 who are reading this post, here's the 'official' Warner Brother's issued video for Prince's song, "Let's Go Crazy". Note at 1:33 minutes of this video, Prince quotes the lyrics, "(Maybe it's cause) 'we're all gonna' die...'" Now, the 33rd degree of freemasonry just happens to be the highest in their fraternity. And that's cause it represents the 33 vertebrate of the spinal column leading up to the 'Pineal Gland', and this is supposedly where our sentient 'consciousness' is kept. So this song's all about our 'hue-man' mortality fam. Beyond that, it's a cool tune, so enjoy this clip.

In case you missed it, here's Obama telling whitey (and white cops especially) how stupid they are. Moreover, a Black man simply being the american president, is why whites in america, especially white women, voted for Donald Trump. And for those brothas and sistas who didn't like Obama (Mind you, I used to be one of them), we especially should understand that if he showed whitey he was all the way down for us, they'd have killed him a long time ago. Hell, white fascists nearly blew JFK's head off—and they liked him. Enjoy the vid!

Prince Rogers Nelson (June 7,1958-April 21,2016)

Prince was murdered.

Point blank period.

And it pisses me off.

Now, the question you’re probably asking is: Ya’ got any proof of that bruh?

And my answer would be: Do you think it’s a coincidence that Prince was found dead two years almost to the day that he got his master recordings back from Warner Brothers Records?

Now you might follow up my answer with this comment: Bruh…that don’t mean he was murdered.

To that I’d reply: I’m positive Prince was killed cause the white fascist freemasons who run the record industry are notorious for killing Black musicians who reclaim the rights to their music.

Don’t believe me?

Then reference what happened to Jimi Hendrix when he was about to take his manager Mike Jeffries to court over royalties he never received. Mind you, Mike not only worked for british intelligence, but he also had ties to organized crime families. After that, look up what happened to Sam Cooke when he created his own record label in an effort to keep his publishing. Then read up on what happened to Michael Jackson after executives at Sony Music told him he was in debt to them for the ‘Invincible’ album under-selling, and how they’d cancel the debt if Mike gave up his ownership of the Beatles and Elvis music catalogues. Now besides Mike being a masterful performer, he was also a savvy business man and told them those catalogues were worth more than his debt. So, Mike went on the ‘This Is It’ tour to pay off what he allegedly owed Sony. And when Sony executives saw how quickly those tickets sold, they knew Mike would clear his debt to them…and we know what happened to Mike after that. 

Besides these facts, ‘Billboard’ magazine released an article on Prince getting back his masters on April 25^th, of 2014 titled: ‘Prince Gets Masters Back, Which Labels Say 'Scares Us Silly'.

Now, you’re next question after the above fact might be: Well, if Prince hated Warner Brothers so much, why did he sign another contract with them in 2014? 

Answer: He signed a new deal with Warner’s so he could have access to their large distribution network(s). Difference is, under the terms of Prince’s new contract, he would’ve had full rights to his back catalogue. Meaning, he would have gotten the lion’s share of any profits from his old and new hits. Thus, he wouldn’t have had to write the word ‘slave’ on his cheek anymore. And what he also did was strike a deal with Jay-Z’s ‘Tidal’ music steaming service, which gave Prince an outlet to put out music whenever he wanted. Warner’s would often criticize Prince for putting out too many albums. They said he’d flood the market with his product, thus making it less profitable. 

But more than anything, white fascists killed Prince to send a message to other artists who want to follow his lead in regards to master recordings. Young artists especially. 

Prince’s murder tells them that if they join a freemasonic fraternity to become a celebrity musician, they shouldn’t even think about trying to buck the system. And more than likely, what they’re saying to themselves now is: Well damn, if they’d kill an icon like Prince, then they won’t think twice about takin’ me out. 

But beyond all of the aforementioned goings-on, I have to say that Prince’s death hit me the hardest of all the musicians who’ve passed recently. 

And here’s why… 

On July 27^th, of 1984, the film ‘Purple Rain’ was released into american theaters. 

Now, at the time I was in my mid-teens, and I would immediately wave the film off if anyone mentioned it. Then, after I talked disparagingly about the flick around my brother, he declared: “Nah, that movie’s dope.” I was immediately taken aback. Cause my brother was the harshest of cultural critics. So after pondering what my brother said, I thought, well maybe I should go see it. 

So my friend and I went to the theater. And about half-way through the film my friend casually looked at the movie, while I was in my seat having a religious experience. The narrative of Prince (who played ‘the Kid’) enduring an unstable and abusive household and feeling like a complete pariah resonated with me instantly. And suddenly Prince’s ‘freak factor’ was not only embraced by me, but his film showed me that I should involve myself with, and make some kind of living in, a community of artists. And I’ve never had that kind of experience with another artist since. 

I especially remember the scene in the film where Prince finds his mother sitting on the sidewalk after being assaulted by his father (played by the masterful thespian Clarence Williams III). After Prince rushes into his house, he screams out for his father, who suddenly starts playing the piano. Prince forgets his anger momentarily and follows the sound of his father’s playing. He sits down besides his father and asks: “You got that music written down somewhere?” 

‘Francis L.’ played by Clarence Williams III replies: “Nah man, I don’t write ‘em down cause I don’t have to. That’s a big difference between you and me.” 

Prince takes offense and replies: “I seen mom up the street. She looks pretty bad…got any idea how she got that way?” 

Francis L. asks Prince: “You got a girlfriend?” 

Prince: “Yeah, I got a girlfriend.” 

“You gonna’ get married?” 

“I don’t know.” 

Francis L. says wearily: “Never get married.” 

A beat after Francis makes this statement, the song ‘Computer Blue’ starts. The scene then cuts to a masked, bare-chested Prince on stage and we see how he’s masterfully created the song’s main guitar riff from what he heard his father playing on piano. And that’s before he launches into the salaciously charged ‘Darling Nikki’. Shouts out to the film’s cinematographer Donald Thorin, cause during Darling Nikki, the stage is literally bathed in devilishly red lights, adding to the scene’s power. And besides the movie’s musical performances being intoxicating, the movie’s one sex scene is scalding hot. At least by that decade’s standards. 

And when Prince performed the song ‘The Beautiful Ones’, I think every young woman felt her loins ignite when Prince yelled: “Do you want him? Or do you want me? Cause I want you.” 

Now, this film won’t win many accolades with hard-core cinephiles, but its status as a bona-fide cult classic is irrefutable. 

And it was about two decades after this movie’s debut that I started looking at it from a Black Nationalist/Pan-Africanist perspective. 

I distinctly remember one white movie critic saying that Prince was suffering ‘prettily’, he then went on to say Prince’s troubles weren’t realistic cause he wasn’t ‘ugly and poor’. So literally, this film critic was telling anyone reading his review that all he knew about Black people (and all he wanted to know), was what he saw on TV. I guess he watched several episodes of ‘Good Times’ and thought it was impossible for any Black family, dysfunctional or not, to be financially stable enough to live in a two-story house. 

Also, I remember being puzzled for years about why Prince would put out the album ‘Around the World In A Day’ right after ‘Purple Rain’. I mean, I understood he wanted to be ‘eclectic’ and all, but it didn’t make sense to me that he’d put out an album so ‘left of center’ after he worked so hard to get to the success of ‘Purple Rain’. Then I found out why Prince did what he did… 

The same fascist freemasons who killed Prince, always want the public to be reminded that ‘The Beatles’ were the world’s greatest rock and roll band. Even though the Beatles were copying the stylings of Little Richard and Chuck Berry. Thus, they tasked Prince with making an album that sounded like the Beatles ‘Sgt. Pepper’s Lonely Hearts Club Band’. And that’s why Prince put out ‘Around the World In a Day’ after Purple Rain. 

This was but one price Prince had to pay to stay in the good graces of white fascists, while they kept him at the top of the charts. And anyone listening to that album could tell that the funkiest tracks, like ‘Tambourine’, were where Prince’s heart was really at, not in that album’s ‘quasi-psychedelic’ overtures. And I’d be remiss if I didn’t mention that ‘Tambourine’ is my favorite Prince song of all time. 

Now, all of Prince’s movies outside of ‘Purple Rain’ were pretty much b-rated flops, but one thing I can say in all honesty is his soundtrack albums were always slammin’! 

If you look at the ‘Parade’ album apart from the Black and white flick meant to accompany it, you’ll hear some of Prince’s best work. Songs like ‘Anotherloverholeinyourhead’ are nothing short of sonic masterpieces, and that whole album is one of those rare records you can put on and just let play from beginning to end. It’s that good. And I can’t forget to mention the album’s sweetly melancholic and brilliant song, ‘Sometimes it snows in April’. Which ironically enough, is what I was gonna’ title this post. Oddly, this song is reminiscent of how Prince’s own life was cut short. The last lyrics of this track are: “I often dream of heaven and I know that Tracy’s there (Prince plays Christopher Tracy), I know that he has found another friend. Maybe he’s found the answer to all the April snow. And maybe one day I’ll see my Tracy again.” 

Another of Prince’s movies, ‘Grafitti Bridge’, was just a laughable excuse for a film, but damn that album was DOPE! Songs like ‘Elephants and flowers’ with its main guitar riff, the raw power of the George Clinton-influenced ‘We can funk’, and the wholly intoxicating ‘Joy in repetition’, tell the movie’s story better than the film does. 

In addition, the ‘Batman’ soundtrack album was very under-rated. Songs like ‘Lemon Crush’ had Prince returning to his funk roots, even though he was more invested in his rock-guitar stylings at the time (Love the song’s lyric: “When I’m workin’ at my jobba’, I’m the victim and you’re the robber.”) The song ‘Trust’, showed how Prince could slip his advanced musicality into a commercial pop song, and ‘Batdance’ had him in full-on Hendrix mode with that guitar solo. And also, it showed Prince’s embracing of technology. In the song’s latter section, Prince samples a line of the movie’s dialogue: “I gotta’ go to work.” Then he loops that with the refrain: “Work, work.” And in the midst of that comes the lyric: “If a man is considered guilty for what goes on in his mind, then give me the electric chair for all my future crimes, oh.” 

Now, many would argue that the album, ‘Sign O’ the Times’, was Prince’s real masterwork. And I’d agree, but the album, ‘LoveSexy’ was also very under-rated…at least to me. To start off with, the guitar riff on ‘Alphabet St.’ sounded like it came directly from heaven. I liken that riff to the masterful ‘vamp’ in the ‘Muddy Waters’ song, ‘Mannish Boy’. In so much as, in Prince’s chords you can hear several musical genres playing at once. It harkened back to the beginnings of Rock and Roll and R&B ala Chuck Berry, Little Richard and Bo Diddley. Then you had the funk elements of James Brown thrown in for good measure. And the album’s stand out track, ‘Anna Stesia’, is preceded by a keyboard solo that sets the song up beautifully. 

So I’ve said all that to say, I was really a fan of this man’s music. 

And now he’s gone before his time. 

Ponder this for a sec’. Stevie Wonder is still living, Smokey Robinson is still alive and so is Berry Gordy. But Prince and Michael Jackson are both dead. 

What’s wrong with this picture? 

Both Prince and Mike died young cause they had the testicular fortitude to take on the white fascist status quo. Regardless of how they looked. 

So finally I’ll say . . . goodnight sweet Prince. 

You added so many vibrant colors to my life, in a world where some fair-skinned folks are literally still dreaming in Black and white. 

You also provided sweetness in my times of suffering with lyrics like… 

“Have you ever been so lonely that you felt like you were the only one in this world? Have you ever wanted to play with someone so much, you’d take any one boy or girl?” 

--(The song ‘Anna Stesia’ from ‘LoveSexy’) 

“Don’t sleep ‘til the sunrise, listen to the falling rain, don’t worry about tomorrow, don’t worry about your pain.” 

--(1999’s song, “Free”) 

“Do I believe in God, do I believe in me. Some people wanna’ die just so they can be free.” 

--(The album ‘Controversy’s’ title track) 

And now you are free. 

And it must be wonderful. 

So Rest in Peace and Power, Prince Rogers Nelson…you rocked my world and I’ll never forget you. 

Oh…and say hello to Vanity for me. 

Later… 

MontUHURU Mimia

What do Prince, Miquel and Michael Jackson have in common?

In the summer of 1984, the movie 'Purple Rain' was released into theaters. 

It was of little consequence to me since I wasn't a fan of Prince's music in my mid-teens, and I kind of pursed my lips whenever the film was mentioned. To me, Prince was some kind of androgynous, sexually conflicted freak, and the movie looked too much like some sort of bad b-rated musical.

That was until I relayed these sentiments to my older brother; who quickly retorted, "Yo...that movie's dope." 

I was shocked. You see, my brother was such a harsh critic when it came to what was culturally cool, that if he liked it, that meant it had to be something special. So with my big bro's stamp of approval, I hurried to the theater to check this flick out.

I went to see this film with a friend. And while he casually watched this movie, I was having a religious experience. 

I always fancied myself a bit of an iconoclast...or at least some sort of an outsider; and this movie not only reassured me that other people felt the same way, but it bonded me to Prince in a way I'd never quite experienced before. It almost made Prince my mentor, and if nothing else, it definitely informed me that I needed to pursue a career in the arts. 

What I didn't know--but would find out decades later is, that evening, I'd fallen into a carefully laid trap crafted by white supremacists. And here's the reasons why... 

Prince Rogers Nelson released his first album for Warner Brothers records in 1978; the LP was titled 'For You' and he played every instrument on it and wrote all the songs with the exception of 'Soft and Wet' which he co-wrote with his friend/mentor Chris Moon. Several albums later, he released 'Purple Rain' as the title of a movie and an LP. Now in the movie we see what pretty much resembles Prince's real troubled childhood home-life. And one element of the film that really appealed to people, especially a lot of younger folks, was that they'd come from a similar home. This instantly endeared Prince to a certain moviegoer, and this was done by design. And if any young movie-goer ever felt like a pariah, this movie said all you have to do is find someone, or someone(s) like you. 

What's also worth mentioning is Prince's style of dress; throughout Prince's career, he's worn high heels, eye-liner and women's attire; and became sort of a fashion icon. I'll talk about what impact this had on young movie-goers in a second.

*Side note: I remember reading a review of the movie Purple Rain years ago, and a white journalist said Prince's suffering wasn't genuine because he wasn't ugly and poor. You gotta' love those wiley caucasians. 

Now let's talk about this man, Michael Jackson. I still can't believe Mike is gone, and I don't think the world will see an entertainer this talented for years to come. 

He was more than exceptionally talented; the man was a flat out genius. Those movements he performed were and are legendary. I can still remember him moonwalking during the Motown 25 special, and myself, along with my family, were simply mesmerized by what he did that night. 

And in case anyone is still pondering about Mike's death, I'll tell you straight out that he was murdered. And the circumstances went something like this:

Michael Jackson's last full studio album was 'Invincible', and it was released on October 30th, 2001. It was his last album for Sony records and it was a fast seller; problem was, Sony didn't promote the album. Not only that, but Sony returned thousands of copies of the record that the public wanted to buy. 

This was done because Sony's goal was to get back Michael Jackson's musical catalog which included all of the Beatles music. They figured by sabotaging the album, Mike would be in such dire financial straits that he'd have no choice but to give back this catalog. But Mike was smart enough to know that the catalog was worth more than his debt to Sony. 

So Mike announced he was going back on tour...that was the purpose for the european 'This is it' concerts. Those tickets sold like hot cakes. Mind you, the tour was originally slated for ten shows; but tickets sold out so fast that the greedy promoters added forty more...thus, the fifty shows Mike was going to perform. But then Sony and the promoters had a revelation. They and Sony knew that if Mike performed these shows, he'd get out of debt to Sony. And, if he made it a 'world' tour, he'd clear a substantial profit. 

So the only way they were gonna' get that catalog back, was to kill him. And you know the rest.

*Another side note: Michael Jackson's catalog also included Little Richard's publishing catalog. Yep...the 'Good golly Miss Molly' Little Richard. So what Mike did was give Richard back the rights to his music. Remember when Little Richard complained about not getting any accolades for his contribution to music; well the reason he's been so quiet lately, is because Mike hooked the brotha up; and now, Little Richard is set for life. 

But before Mike had a change of heart about Sony and the industry, he too was part of the white elite's agenda. 

But before I tell you the part Mike played, let's talk about an artist by the name of Miquel Jontel Pimentel--better known as "Miquel". 

Miquel was signed to Jive records in 2007, and he looked quite different when he first made his way onto the music scene.

To the left is a picture of Miquel when he first started gaining notoriety in the music industry. He was being billed as the typical R & B crooner. Note the short hair and hoodie. Miquel was being sold as the next Usher until Jive wanted to change his image; and believe it or not, he's yet another cog in the wheel of the white elite's agenda machine. 

So now that we have all the culprits accounted for, let's see what white secret societies have them tasked to do, and what outstanding trait all these artists have in common. 

The one trait all three of these artists share is...they're all exceptionally effeminate and have been tasked with making homosexuality acceptable to Black men. 

Not only have these three worn hyper-effeminate articles of clothing and long processed hair, but their mannerisms smack of men who are bi-sexual or openly gay. I even saw Prince in a full-on women's dress once. This is the reason the white elites ALLOWED them to be the most popular artists of their time. Now, don't get me wrong, ALL these brothers are very talented; Prince and Michael especially are/were extraordinarily talented--but this sends the message to everyday Black men that the only way to be an 'acceptable' Black man is to model yourself after a woman. 

And quite frankly, this is the same message of Black christian churches on every corner of our community, that everything positive is feminine and everything negative is masculine.  

Another trend with Mike and Miquel is, or was, 'high water' pants. The reason for this is high water pants are emasculating. They send a message that a man, regardless of his age, is a 'geek'; and notice the word geek rhymes with meek and weak. As you can see to the left, the man in high water pants is wearing what looks like a purse; and the brotha behind him is like...Oh hell no! High waters generally send a message that a man is undersexed and/or sexually conflicted; or he's at least very easy to push around.

As we all know Michael was famous for wearing high waters, and he was also famous for wearing his arm-band on every one of his various jackets.

*Note: The reason Mike wore an arm-band and military styled jackets like the one in the picture below is, it was his way of showing allegiance to the white elite's Nazi party.
 

See, the Nazi's never went anywhere, they've just morphed into corporate executives. And they're the ones who control the music industry; they're also the ones who killed Mike when he went against them. 

Coincidentally, that's why Mike almost always wore the colors red, white and Black; 'cause these are the colors of the Nazi flag. And the artist who's wearing the Nazi arm-band these days is Will-i-am. Also note that Nazi's were famous for their rampant homosexuality.

You see, the white elites know that Black people, and Black men especially, set the standard for what's culturally cool. And if Black men say being gay is cool, then that'll be the final stamp of approval gay culture needs to be accepted by everyone in the u.s. Because whatever we do culturally, is accepted universally. 

So when you see Miquel's styles of hair and fashion, know what you're looking at has been carefully crafted by white supremacists.  

It is one more attempt at getting Black men to adopt, adapt and engage in the 'death-style' of homosexuality. 

'Cause regardless of what anyone says...if everyone, or a large amount of the population became gay, the next generation(s) won't be born. 

That's why homosexuality is a 'death-style', not a lifestyle.

And that's why we need to think twice before we download or pick up music from one of these hyper-effeminate brothas. 

Later...

MontUHURU Mimia

P.S.
If you want to read my older post that delves a little deeper into why the Black diaspora should reject the mainstreaming of homosexuality, you can find it here.