Saturday, November 21, 2015

3 reasons why Black men should not date fat white women (Part 2)...sandy young: portrait of an angry white female...

At approximately 5:06 P.M. yesterday, I was in a pizzeria waiting for my order, while staring at the store's flat-screen TV. The TV flashed a news report about a white woman who said she'd been raped by Black men...and lo and behold, it was found out that she'd made the whole thing up.

The news report failed to mention whether the Black men who were falsely accused had been released from prison.

An hour before this, I received a set of venomous comments from a white woman calling herself 'sandy young'. Now, I don't know whether this woman's name is a pseudonym or not, but it seems good ole' sandy wasn't too pleased about my original post in this series titled, '3 reasons why Black men should not date fat white women'.

And judging by the way these comments were written, either sandy was asleep during her english classes or she had steam rushing out of her ears when she wrote this, or both. But rather than trying to decipher her sentiments for her, I'll let you read them for yourself. So here's the first of sandy's comments:

'I read all of this an I'm a white woman an every bit of this is bullshit. I have a biracial son he's never bn made of because of his color an I'm not fat unintelligent or any other egatibe things,to b thought of. I think it's really sad that who or what black person wrote this is a straight racist an obviously very jealous of the white woman. .which I can really understand why? We (i) don't wear weave, I don't wear fake nails, an I don't have to put my ass in Eva ones face to b noticed. So w that being said let's down grade each other an make it bigger than what it is,cause it's not worth it. No one can control who another person loves'

Now, I also want everyone reading this to know that miss sandy published this same comment three times, back to back, beneath my post. So I guess she wanted me to know how strongly she stood behind these sentiments.

But sandy didn't stop there, here's more of her comments:

'An one other thing ever black man I have been w has used me I can't believe that 1 race is so lazy that they jump from woman to,woman just to have a place to live an whoever thinks that white women are w black men because of there genitals!!!!!. Guess what. Everyone I HAVE BEEN W SHOULD BE A MEMBER OF THE ITTY BITTY DICK COMMITTEE. So believe me pens size has nothing to do w it. If I want something bigger I'll go to my own race ....'

And miss sandy was so pissed, she actually published this comment twice, back to back, behind the last three. And then, she republished her first comment again after this one.

Now, originally, I had planned to publish a different post...but when I saw these comments, I felt obligated to address miss sandy's opinions immediately.

So without further ado...let's go in...*wringing hands*

First off, after sancho, sandy, or whatever she's calling herself, says she's a white woman and everything I've written in my first post is B.S.; she says some unintelligable things about her bi-ethnic son and states emphatically that she's not fat. Then she says it's sad that I'm a 'straight racist' and I'm obviously jealous of white women. Then she goes on to expound on reasons why I'm jealous, saying white women don't wear weaves, fake nails and have no penchant for putting their 'ass in everyone's face to be noticed'.

Now let me just state for the record, that sandy thought I was a Black woman. But notice how she went after both Black men AND women. So she's basically exposing how she feels about Black PEOPLE on the whole!

Right off the rip, the reason sandy doesn't put her 'ass in everyone's face to be noticed', is because she, and the overwhelming majority of white women, DON'T HAVE AN ASS!

Basically, the average white woman is built like a boy. Her back extends down her legs, without a hint of a curve.

Now you might say, we'll MontUHURU, I've seen a lot of white women with nice posteriors. I have to. But the reason this is happening, is the majority of them bought 'em off some plastic surgeon.

And as for white women not wearing fake hair and nails...what?!

The fake nails thing is pretty much common knowledge, but I've seen, especially in the last couple of years, white women wearing hair extensions. Why? 'Cause Black women made them popular.

And I'm not even gonna' talk about how white women inject silicone into their lips, along with their butts. And once again, why are they doing this? Because white women are the ones who are really jealous...they're jealous of the Black woman's shape. So they're doing every unnatural thing in the world to copy it. And I won't even go into how white women continue to tan themselves brown.

The last line of the first dumb-founded comment, is how no one can control who they love. Then on the very next comment, sandy talks about how EVERY Black man has used her for easy sex and a place to live.

Let me do a little decoding for everyone reading this. The reason this woman says she can't control who she loves, while speaking so disparagingly about Black men and women, is because this is/was a fat white woman who was rejected by white and other non-Black men. Cause if one Black man was abusing you, and you clearly feel superior to them, and you have white men courting you, at what point wouldn't you just be with one of your own kind?

In my original post, I talk about how fat white women treat Black men deplorably, because they feel both superior to us and slighted by the fact that they're not with one of their own men. They feel they have to settle for dating a Black man because the white or non-Black dating pool, has been closed off to them. Now, whether or not this white woman realizes how she treated Black men because of her superiority complex, is the question. And I doubt sandy is, or ever will be, that self-aware.

Furthermore, the reason I wrote my original post, is because in 9 out of 10 instances, when I saw fat white women dealing with Black men on a dating website, I saw how beligerent, argumentative, abrasive and cantankerous they were to us. These white women did things around Black men they wouldn't dare do around non-Black men. They showed us no respect, and when the Black man left them because of it, these white woman said something was wrong with the whole of Black men.

Then she says there's no reason a white woman would be with a Black man just for his sexual prowess, or penis size. She also says every Black man she's dated had a small penis, and if she wanted a man with a large phallus, she would date one of her own kind.

Once again, I ask, if just one under-endowed Black man was abusing you, at what point wouldn't you just dump him and be with one of your own kind?

This obvious bit of common sense, and the fact that sandy has shown she feels superior to Black people, says she never had a chance to date one of her own kind. At least not for more than a night.

But let me speak to the mythology of the Black man's phallus/sexual prowess for a sec'. Now, anyone who's looked at this Blog for a hot minute knows that I never talk about Black men having larger phallus' than any other kind of man. That's a myth. Conversely, what is true, is that EVERY BLACK MAN has the MOST genetic power to breed white people, and every other kind of non-Black person, out of existence. AND THIS is the reason why the bulls-eye of white fascism is on our backs most exclusively.

Now, do I aggrandize the Black man's genetic power in my posts?


Listen, at least ten times a day, I remind myself that no other man can create one of me, but I can create every other kind of man. You know why? 'Cause every facet of this and every other white fascist social order says, I should hate myself and everyone who looks like me.

So do I hold my chin up a little higher when I walk down the street?


And 'til the day I die, I'll hold my genetic power as a Black man in the highest esteem!

Moving on...

Now, ultimately, my question for fat ole' sancho, or sandy is, if all the societal chips are stacked in your favor, especially when it comes to standards of beauty...WHY THE HELL ARE YOU MAD?!

What, it's not enough that every person on the planet has been conditioned to think women who look like you are the prettiest on earth? You need more of an advantage?

I'm one man, with one Blog, and one you can't justify getting this emotional, when you've got scores of people and circumstances stroking your ego as a white woman.

Or are you just that stupid, that you don't realize what kind of advantage the white privilege affords you?

You've NEVER had to deal with being made to hate yourself and everyone who looks like you in the american educational system, or in america's media.

You've NEVER had guns and drugs flown and floated into your neighborhood, with the intent of killing off as many of your people as possible.

And whether you realize it or not, you've NEVER had this government do everything in its power to destroy families that looked like yours.

Now, to all the Black men and women reading this, I wanna' let you know that sandy's comments are showing you the real face of white womanhood. Not the liberal or feminist face white media wants you to see.

I want you to see how sancho, or sandy, went after Black men AND women. Now If she thought I was a Black woman, she could have gone after Black women exclusively, but she made it her business to go after Black men too.

Furthermore, in regards to Black women and the 'Angry Black woman' syndrome; I think it's important to see what the 'Angry white woman' looks like to bring some balance to this feminine equation. And mind you, if sandy were any kind of deep thinker, she'd realize, shes got NOTHING to be mad about.

When I encounter an angry Black woman, I can connect her attitude directly to the white fascist agenda to destroy the Black family. This is what seperated the Black man from the Black woman, and this is why for decades, she's had to 'fend for herself. THAT'S WHY SHE'S MAD!

Now, if you're a Black man reading this, am I saying this woman is easy to get along with...NO!


'Cause if you don't, here's what happens...

First, you'll think ALL Black women are that way, and you'll wind up hating the whole of Black women.

Second, you'll reinforce reasons why you don't like being around Black people on the whole.

And third, ultimately, what the first and second thoughts will reinforce, is why you should hate yourself for being Black.

So once again, the moral of this story Black man, is if you're not gonna' put up with the bad attitude of a Black woman, don't put up with a fat white woman's bad attitude either.

With this post, you should have a better understanding of where a Black woman's attitude is coming from. And now, you should also understand that a fat white woman's attitude is coming from a place of pure conceit, superficiality, and ultimately from a place of false superiority.


MontUHURU Mimia

Saturday, November 14, 2015

The insidious ingenuity of Kehinde Wiley...

Kehinde Wiley was born in Los Angeles, California in 1977. His mother is African-american and his father is Nigerian.

Showing an early interest in painting, Kehinde's mother enrolled him in art classes as a youth. At age 12, Kehinde spent a short time in a Russian art school. He went on to earn his BFA from the San Francisco Art Institute in 1999, and eventually attained an MFA from Yale University in 2001.

Now, what makes Kehinde's paintings so groundbreaking, is how he takes the portraiture of european Renaissance artists and places young Black men and women in these works. Not only does he place these young Black and brown men and women in these 'classical' european settings, but he also infuses these paintings with artifacts of modern day culture. Take for instance a painting like Jacques-Louis David's 'Napoleon crossing the Alps' (above); not only has Kehinde replaced Napoleon's image with that of a brotha on horseback, but what he also does, is have the brotha in the painting wear baggy combat fatigue pants and Timberland boots (you can click on the painting to see this a bit more clearly). So essentially, Kehinde's breathing new life into these stuffy, centuries old painting's for a new generation.

And might I add, as a former art student myself, I can't help but swoon at this brotha's level of artistic virtuosity and celebrity. I've always had a fondness for portraiture and 'high art' stylings. And this is what I would've pursued had I not found my love for the written word. I also love that the brotha has traditionally African facial features. And I guess this is one of the reasons why he wanted to represent 'real life' brothas in his paintings.

On top of all this, Kehinde speaks french and chinese fluently. And he has a better command of the english language than I do.

But as I scanned Kehinde's oeuvre of art pieces, I noticed a disturbing trend.

I saw that throughout his many works, we see two or more brothas and sistas in his paintings, but what we don't see is a Black man and woman together in any of his portraits. And what we never see in his paintings, are Black men and women in a loving embrace.

If you look at my triptyched header, you'll see two more of Kehinde's paintings. On Kehinde's left, we have his painting of three brothas, and to his right, we have a couple of Black women embracing.

Now, what Kehinde does to find models is something he calls, 'street casting'. Where he literally goes into city streets and finds Black men and women for his art pieces. And in a PBS documentary done on him called, 'An economy of grace', I noticed when he picked Black women for his paintings, he especially picked females who had multiple facial piercings and extremely short cropped hair. Basically, he was looking for sexually conflicted or gay Black women.

Now, Kehinde is gay himself; and I knew this, but in this documentary he actually professed this openly. Also, Kehinde is a white fascist freemason. And I'll show you him flashing a freemasonic hand signal in the short vid at the end of this.

So ultimately, what does this mean?

Understand, Kehinde's work is probably the only time, or one of the only times, a Black man or woman will see themselves represented in a museum. Usually, what we see in museums are white walls, with white people, who drink white wines. So this is really beneficial to our Diaspora in terms of seeing ourselves in a splendid, or more exalted light. But in the context of white fascism, what Kehinde's paintings are doing is sending the message that Black men and women should be with themselves exclusively; meaning our Diaspora in no way should endeavor to be with members of the opposite sex. So Kehinde's art is being used as yet another tool to mainstream homosexuality for Black people.

Now, in the past on this Blog, I've said that Black love is revolutionary. And that's not hyperbole. 'Cause at every instance, we see white fascists attempts to destroy it. And every Black man and woman reading this should understand how Black love is revolutionary, if for no other reason than we are the people with the most genetic power to breed our oppressors, i.e. white people, out of existence.

So am I saying that you should avoid a Kehinde Wiley exhibit if one comes to your town? No. But if you do decide to attend one of his functions, understand what's being reinforced psychologically with his art. Don't passively imbibe in the beauty of these paintings. It's incumbent on 'conscious' or deep-thinking Black men and women to decode and decipher every piece of entertainment that's created for us. Especially ones coming out of white institutions like national museums.

Cause we should know by now, that a white fascist's perfect world view, means every Black person has been gotten rid of. Remember, to white fascists, a Black person existing anywhere is a threat to them everywhere.

So let's be about the work of getting rid of our white fascist-induced self-hatred, so we can effectively fight the machinations working to destroy the Black nuclear family.

'Cause at the end of the day, all we got is us fam!

And like Sam Jackson said in the movie 'Do the Right Thing': “That's the triple truth, Ruth.”

Kem Wesir!

MontUHURU Mimia


Here's the vid I promised showing Kehinde flashing his freemasonic hand signal, and this vid also includes a clip where he openly speaks about his homosexuality. And if you'd like to see the larger version of this vid on my YouTube channel, you can do that here.


Saturday, November 7, 2015

Halle Berry and the spectre of failed marriages...

Maria Halle Berry was born on August 14th, 1966 in Cleveland, Ohio and her name was legally changed to Halle Berry at age five. Her white mother Judith Ann was a psychiatric nurse, and her father Jerome Jesse Berry was an African-american attendant working at the same hospital.

Halle's parents divorced when she was four years old, and from that point on, she and her sister Heidi were raised by their mother. Halle recounted the tumultuous years of her parent's marriage in the press, saying she continually witnessed her father being abusive to her mother. Also, Halle was quoted as saying in published reports that she'd been estranged from her father since her parents divorced. “I haven't heard from him,” Halle was quoted as saying, “...maybe he's not alive.”

In high school Halle was a cheerleader, honor student, editor of her school newspaper and prom queen. While studying in Cayahoga Community College, she entered several beauty contests. She had previously won the 'Miss Teen' beauty pageant in 1985 and she'd also won the 'Miss Ohio' pageant in 1986. She was also the first Black woman to enter the 'Miss World' beauty pageant in 1986 (maybe this matters to someone, so I thought I'd include this tid-bit of info.), and there she came in sixth place. 

Halle went to New York to pursue an acting career in 1989 and quickly ran out of money after she arrived. Behind this, she briefly slept in a homeless shelter. During this time, she did land a role in the short-lived TV series 'Living Dolls' which was shot in NYC. During the taping of Living Dolls, Halle lapsed into a coma and was diagnosed with type 2 diabetes. After she recovered, she continued working on the TV series before she moved to Los Angeles where she went on to have a recurring role in the television series, 'Knots Landing'.

Now, we all know how the rest of Halle's story goes in terms of her film career...her movie debut was in Spike Lee's 'Jungle Fever' in 1991, after that she was in the movie 'Strictly business'; she went on to play roles in other flicks like 'Catwoman', 'Swordfish', 'Monster's Ball', etc. But what I want to talk about here is Halle's relationship fiascoes.

Now recently, it was reported that Halle and Oliver Martinez had filed for a divorce. As a result, their lawyers are now hashing out how their assets will be divided. Mind you, this is Halle's third failed marriage and she has two kids by different fathers. With that said, here's two things I'm speculating about Halle's marriage to Oliver...

One: Being that Oliver Martinez is a fair-skinned latino, Halle probably thought their marriage had a better chance of going the distance than her marriages to Dave Justice and Eric Benet. She probably also thought this about her relationship with her 'rainbeau' Gabriel Aubry.

Two: Halle probably did everything she could to make her marriage to Oliver work, and she probably put everything she had into finalizing some kind of wedding plans between her and Gabriel.

Now, with that being said, I'm sure Halle did everything she could to save every one of her relationships hoping they'd result in life-long marriages. That is, she did everything except the one thing that would have truly saved them. And that certain thing is resolving the childhood traumas that are wrecking, and will continue to ruin her relationships with men.

And I'd also like to note two other points about Halle and her relationships...those being: one, even though I'm a Black Nationalist who prefers to see Black women with Black men, I really do feel more empathy than glee behind Halle's marriage troubles. And two, this type of thing doesn't just happen to Black female celebrities, just ask the singer Seal, he'll tell you all about the lowly nature of white women.

But in regards to Halle's marriage misadventures, I think she feels/felt that her beauty (at least by european standards) and celebrity, would shield her from these types of relationship problems. But no one can avoid the all important question that I keep bringing up on this Blog in reference to relationships, and that question is: Do you know who you're attracting and who you're attracted to?

I hope at some point Halle understands that all the childhood traumas she suffered are directly rooted to her marriage problems. Cause until Halle does the subconscious work to heal and resolve what she saw her mother go through, and the absence of her father, she'll never be in the stable relationship or marriage she's so desperately seeking.

And I hope Halle also understands the legacy of bad relationships that resulted in her father and mother divorcing. I'm willing to bet money that Halle's father and mother came from unstable and abusive households, so there's no way they could have created a stable one for her.

And the bottom line to all these relationship mishaps is this universal rule: if you come from an unstable and abusive household, you're gonna' attract and be attracted to people from unstable and abusive households.


And even if Halle seeks out some form of traditional therapy, she's more than likely not gonna' have this problem resolved; because therapists rarely do any work at subconscious levels and they're usually more interested in putting people on prescription drugs than anything else.

But regardless of the method, I hope Halle is soon able to reconcile and recognize what's going on in her subconscious mind, so she can indeed find Mr. right one day and live happily ever after. 


MontUHURU Mimia

Thursday, November 5, 2015

Saturday, October 31, 2015

The illusion of time...

The reason I wear this clock is because it represents time being the most important element in our life. Time can't afford to be wasted (cause) God only gave us one life. Each minute we live, we got to live each second to our best value. Time brought us up in here, and time can also take us out. I always say, I'm 'clockin', I'm 'clockin'; that means I'm paying attention... so you can't pull a fast one on me, cause I know what time it is.”
--William Drayton a.k.a. Flavor Flav

William Johnathan Drayton Jr. a.k.a. Flavor Flav, was born in Roosevelt, New York. He grew up in the nearby municipality of Freeport, New York and both these locales are ensconced in the town of Hempstead, Long Island. He was a member of a church's youth choir and was considered a prodigious musician who also played piano, drums and guitar. Chuck D is quoted as saying that William is proficient in 15 instruments.

Even though William didn't enjoy the rote academics of the american educational system, he graduated from culinary school in 1978. He's cooked in several restaurants, thus, when he pursued a career in music, he gave himself the moniker 'Flavor Flav'.

In his young adulthood, William attended Adelphi university. There he met graphic design student Chuck Ridenhour, who would eventually become 'Chuck D'.

William and Chuck, along with the Shocklee brothers, who would eventually become the musical production team called the 'bomb squad', would go on to form the rap group 'Public Enemy'. They named themselves after the single they put out called 'Public Enemy #1'.

In 1984, the Public Enemy #1 track brought the group to the attention of 'Def Jam' record executive Rick Rubin. Rick only wanted to sign Chuck to a solo artist's deal, but Chuck was insistent that if Rick and Russell Simmons wanted him, they'd have to take his 'posse'. Thus, the whole of 'Public Enemy', including William as Flavor Flav, was signed to Def Jam in 1986.

The group's first album, Yo! Bum rush the show, was released in 1987. Although it put the group on the commercial music map, by the time the record was released, it sounded dated compared to the emerging rap stylings of master emcees like Rakim. So Public Enemy (PE) went back into the studio and created their magnum opus.

'It takes a nation of millions to hold us back' was PE's second album, and this record is nothing short of a masterpiece. Released in 1988, this album spoke directly to the american government's campaign to flood poor and working class Black neighborhoods with rock cocaine, i.e. 'crack'. PE put this crisis to music with songs like, 'Night of the living baseheads' and 'Black steel in the hour of chaos' (“a cell is hell, I'm a rebel, so I re-bel”). Their single 'Fight the power', which came out in 1989 for the 'Do the Right Thing' movie soundtrack, was the sonic masterwork that quickly made them a household name.

Now, while PE's star shined brightly, several pseudo-scholars working in the music industry, namely Rick Rubin and Public Enemy's publicist Bill Adler, didn't understand what function William as 'Flavor' played in the group. Well, this happens when whitebois are in the Hip-Hop culture but not 'of' it.

A wise brotha once said that Flavor Flav was, “The spoonful of sugar that made PE's bitter medication go down more effectively.” This brotha understood that Chuck's delivery was so powerful that Flav was needed to attract the general masses of casual Black listeners who just wanted to party and dance. In essence, Flav was PE's stealthy secret weapon.

Now, several years after PE's monumental run in mainstream music, Flav became a household name to a whole new generation with his 'reality' TV show 'Flavor of Love'. At this show's zenith, 7.5 million viewers tuned in for the Season Finale of 'Flavor of Love 2'; and this propelled the episode to the #1 telecast on cable for that night, and gave the show the accolades of being the #1 non-sports telecast in all of basic cable for the entire year.

William parlayed his TV success into retail franchises, namely 'Flavor Flav's house of flavor' in Las Vegas which opened on his birthday in March of 2012, and a restaurant called 'Flavor Flav's Chicken and Ribs' which opened in December of that same year.

Now, you may be asking why I'm aggrandizing a buffoon like Flav when I'm a Black Nationalist. Well, the answer is because I know, as should every Black person, that Flavor Flav is the illusionary character William Drayton created to make himself rich.

Basically, the TV show 'Flavor of Love' was an interpretation of the whole Hugh Hefner/Playboy mansion mythos, and William showed he was able to capitalize on his former culinary experience with his 'chicken and ribs' franchise. We should understand that William is not the happy-go-lucky, buck-dancing minstrel that he's selling to mainstream audiences...again, Flavor Flav, the character William created, is an illusion. The real William Drayton is the man that waxed philosophic about the meaning of time under this post's header, which answered the question of why he wears those colossal clocks on his chest.

Then Flav's clocks got me thinking about the illusion of time itself.

And it also got me thinking about when I used to take the train to work. In my city, music is pumped into the subway system. And what's played exclusively in this system, is up-tempo european classical music. Now, the average commuter probably doesn't even notice this music playing half the time, and if they do, they don't realize the sublime conditioning they're ingesting during their commute.

Firstly, the playing of european classical music sends the message that this is the soundtrack of urbane, upper-scale people; so in essence, we should all acquaint and associate ourselves with this stuffy old music that lost its relevance centuries ago. Second, it says that europeans are superior because they listen to and create the majority of this music. And third, these up-tempo songs are meant to get the commuter to their job, school or place of worship, more quickly...or in a more 'timely' fashion.

This eventually got me thinking about the white fascist construct of hours, minutes and seconds.

Now, you may be thinking, c'mon MontUHURU, fascist concept of hours, minutes and seconds? You're reachin' for stuff now bruh!

So let me expound on what I mean...

There's a difference between the earth's 'natural' time, and the 'constructed' time of white fascists. We need to understand that once white fascists got rid of the 'barter system' and replaced that paradigm of trading goods for services with their 'currency' or money, they had to devise a way to get the proletariat into some sort of orthodoxy where they could toil to make their currency.

In order to accomplish this and have more control over the proletariat and nature itself, they instituted an artificial time to not only get the working classes to their jobs regularly, but to keep our minds mired in this white fascist system from the cradle to the grave. Remember, if the working masses didn't have a job, a school or a house of worship to go to; or a million channels of cable to watch, some of us might start to think. And the conclusion we might draw is, this whole fascist system is built on our backs, so if we just refuse to participate, it will collapse. This would actually give the power back to its rightful owners, the proletariat.

So the white fascist's artificial time keeps us toiling over jobs, makes sure we get 'educated' and keeps us watching an assortment of movies, sporting events, fashion shows, reality TV programs, etc. while we're raising children. So in the white fascist social order, there's NO time to really think. Again, we're purposely kept busy so we don't have any moments to reflect on rebelling against this system.

Now, the earth's natural time doesn't run in hours, minutes, seconds, etc. The earth's natural time is SEASONAL. So while you're toiling on a job and raising children, you and your neighbors actually have time to think about which direction you want your life to go in. Rather than having your life plotted out before you're even born. In this paradigm, you're not stuck obsessing over getting dressed in a half hour, so you can make the train or bus that'll get you to your job in forty-five minutes,etc.

So I've said all this to say, we need to realize that the LAST place you're gonna' find out the truth about any white fascist social order, is IN that white fascist social order.

You have to come up out of it mentally, to get an objective perspective on it and decide which parts of it you'll abide by, and which parts you won't.

And this is especially crucial for Black men and women, here's why...

We're made to hate ourselves more than any other kind of person on the planet because we have the most genetic power to breed our oppressors (i.e. white people) out of existence.

And because of this, it's imperative that we know that the LAST place we're gonna' find out the truth about the white fascist social order that produced our self-hatred, is IN that white fascist social order. We have to come up out of this social order mentally, to look objectively at our white-fascist induced self-hatred, so we can ultimately get rid of it.

Now, what does this mean?

It means the first way, or the most immediate way, any Black man or woman can get out of our conditioned self-hatred is by realizing that WE ARE NOT BORN HATING OURSELVES AND EACH OTHER!

We need to understand at a very conscious and visceral level that Black people go through a very intensive conditioning process, more than any other kind of person, over the course of decades, that turns us into self-hating men and women.

And we also need to realize that any dysfunction we see, especially collectively in the Black Diaspora, is a direct result of our being conditioned to hate ourselves more than any other ethnic group.

Once we do this, then we can look at ourselves and each other with more affectionate eyes, thus, we'll begin the healing process that will not only end the rift between Black men and women, but will begin the process of saving the Black 'nuclear' family.

Now, if we wanted to do this with more permanency, we could go about the work of reconditioning ourselves at sub-conscious levels. This would require more intensive work rituals that would probably include methods of traditional meditation, chanting, breathing exercises, self-hypnosis, etc. But for the Black man and woman who's not ready to go there yet, the first step is recognizing what's been done to us and why.

Now, if we don't get an outsider's objective view of what's been done to us, here's three things that'll happen:

One: a Black man or woman who doesn't realize how they've been conditioned to hate themselves and everyone who looks like them will see some kind of dysfunction displayed in a member of the opposite sex, and condemn ALL Black men or women for the dysfunction they see.

Two: at some point this same person, seeing this dysfunction displayed in their own gender will draw the conclusion that ALL Black people are born like this, and will cast an aspersion on ALL Black people.

Three: this same person consciously or sub-consciously, will have these experiences reinforce reasons why they should hate themselves for being Black.

And you and I know this happens all day, every day.

I remember recently, I was talking to a young Black woman at a gas station, and when she saw another Black person smoking a cigarette near the gas pump, she said: “...don't they know that's a fire hazard? That's why no one likes Black people.” A second later, I pointed out a white person doing the same thing.

Then I remember an older Black man and I were discussing something about the Black Diaspora, to which he stated: “Well, Black people destroy each other.” When I told him that white fascists have conditioned us to destroy each other, he nodded his head realizing the statement made sense.

And that's the white fascist plan for us, to keep us in cycles of self-hatred from the cradle to the grave, just like this young Black woman and this older Black man.

So, the real question is do we ultimately want to get rid of our self-hatred?

Have we become so comfortable thinking our dysfunction(s) are natural to us, that we'll never recondition ourselves out of them?

That's the question every Black man and woman needs to ask themselves.

And we need to do it in a timely fashion!



Wednesday, October 28, 2015

The ancient future (Part 6)...

If you're a Black man or woman reading this, every time you use your cell phone you should think of this person 'here'.

Saturday, October 24, 2015

The gospel of white fascism (Part 1)...Polygamy, 'open' relationships and the reason Brother Polight has five wives...

"...sitting here contemplating if we should even be, see I'm in love with a man who loves me, for me he'd do anything easily, oh his heart knows no boundaries...but he needs sometimes, to write with a different pen, on different paper."
--Excerpt from the song, 'The Lighthouse' by Jill Scott

Recently, I watched an interview with the singer Jill Scott that was broadcast on New York's 'Power 105' radio station. She was on their early morning talk show called the 'Breakfast Club'.

Now, I've had a crush on Jill for the better part of a decade and a half, so I settled in to listen to what she had to say. And in this interview, she waxed philosophic on her recent tour and her past relationships. And I'm always curious to know whether she's gotten married or is currently in a relationship. Turns out, she's in neither situation.

And it was towards the end of the interview, that she recited the words from her song, 'The Lighthouse', that I've written at the beginning of this post.

Now, these words and this song are basically endorsing the tenets of 'open' relationships. But I can't say Jill is the only one endorsing this, cause I think the majority of us know how Will and Jada-Pinkett Smith and Monique co-sign on this particular lifestyle too. A moment later, I reminded myself that all these people are white fascist freemasons and they're just carrying out the agenda of their white handlers. Mind you, they need to do this to maintain their celebrity status and stay in the good graces of those fraternities.

But even after reciting these lyrics, Jill seemed genuinely hurt and perplexed by the fact that she couldn't figure out why she's been single for so long. I myself always thought Jill, with her New Bohemian/Earth Mother vibe and air of exquisite femininity, would have easily fell into a decades long marriage by now. Then I had to remind myself again, of the main principle in the 'Willie Lynch letter' (if you don't know what this is, google it); and that is how white fascists must keep the Black woman away from the Black man.

So behind the Willie Lynch letter, Black men and women have been fed study diets of self-hatred in the american social order. And as a result of being taught to hate ourselves and each other, the rates of being single for both Black men and women are above 60%.

Now, even though Jill seems deeply affected by being single, I hope she understands, for her sake, how her participation in the white fascist agenda behind writing and reciting those lyrics, is directly related to her difficulties maintaining a stable relationship.

So one fact should be emphatically clear when Black men and women listen to celebrity interviews like this, and that is: the american social order has been engineered to destroy the relationship between Black men and women, with the end-goal of killing off the Black 'nuclear' family entirely.

Now, as an antidote to this, some Black 'conscious' activists have suggested that the we look into 'polygamy' as a viable alternative to traditional 'western-cultured' marriages.

And within the ranks of Sa Neter's 'House of Konsciousness' (HOK), the person chosen to exemplify this more than any other, is Brother Polight.

Now, Brother Polight has taken over the top spot as the leader of the religious order of 'Nuwaupians', and has succeeded the likes of their former cult leader, Dr. York. And Brother Polight currently has five wives. Now, I wanna' make one thing emphatically clear, this is a choice these adults fully consented to, and if Brother Polight can afford to have five wives who agree to that arrangement, then hopefully, they can overcome any travails that come with that lifestyle.

But beyond this, Brother Polight and others in the HOK say it only makes sense for us to adopt this lifestyle when the numbers of Black women are so much larger than those of available Black men.

Now, that does make a lot of practical sense...but let me tell you the real reason Brother Polight is practicing and endorsing polygamy...

Firstly, let me start off by saying that Brother Polight is a white fascist freemason himself. Now don't take my word for this, do your own research and you'll find out how you can't be down with the HOK unless you are one. In addition to that, anyone studying the sordid history of Dr. York will find out he's a 33rd degree freemason. Now, if you're wondering why Dr. York is currently in prison if he's a 33rd degree mason, understand that there's a 33 and a third degree of freemasonry that's designated exclusively for white masons. Thus, they are the ones who are beyond reproach. So as a Black mason, if you fall out of the good graces of these white fascist fraternities, you have to know that you'll always be expendable to these organizations.

And to further speak on the plight of Dr. York, he was sentenced to 135 years in prison on child molestation charges and violations of the Racketeer Influenced and Corrupt Organizations Act. And I'm pretty sure everyone reading this is familiar with the Nation of Islam's Elijah Muhammad and his several affairs with women besides his wife. These trysts actually created several children. And this resulted in an air of scandal in and outside of the Nation of Islam.

Now understand, in the case of Brother Polight, the white fascist fraternities who control the HOK picked him because of his high I.Q. And I'll say myself, that Brother Polight is a genius. You can see this when he expounds on the the minutiae of exotic financial instruments and the workings of the human anatomy. The speed at which he's able to elucidate and break down these concepts speaks to his exceptional mental capabilities, and this shows how he's the real deal...mentally.

But the reason(s) these white fraternities have him conforming to the polygamous lifestyle, is so Brother Polight can produce children with his same levels of mental capability. And being that the women he's doing this with are his wives, he'll have less worries about any kind of legal repercussions that befell Dr. York or Elijah Muhammad. 

We also need to understand that white fascists know their Black front-persons are gonna' grow old and die. So they're always concerned about having successors to people like Al Sharpton (Dr. Umar Johnson) and Dr. York (Brother Polight). And what these white fraternities will do is pick from the mental litter of Brother Polight's children, so they can groom the best minds among them to carry out their agenda for the future.

On top of this, white fascists know that the overwhelming majority of Black women, especially ones raised in a western culture, aren't gonna' agree to an open relationship or a polygamous one. Even if they verbally agree to it, in their hearts, they'll feel slighted by having to share a man with another woman, or other women. Thus, the majority of these arrangements amongst Black people in the western world will ultimately fail.

So essentially, these arrangements are just another method of keeping the Black man and women in failing relationships...just like Jill Scott. 

Now, let me make one more thing emphatically clear, if a Black woman is born and raised in a culture that endorses polygamy, she'll have more of a chance at being successful in these kinds of arrangements. So all these relationships are not doomed to fail. But once again, any Black women born into a paradigm of traditional western-cultured relationships, is not likely to thrive in this kind of environment.

So if you're a Black man or woman reading this, think twice before you take the leap into one of these kinds of arrangements. Especially if you site Brother Polight as an example of this being able to work. Understand why open and polygamous relationships are being mainstreamed, especially towards our community, so you can make a more informed choice as to whether or not you wanna' be in one. 

Trust me, your future happiness and the Black Diaspora's fate will depend on it.

Ma'at Hotep.

MontUHURU Mimia


I'm renaming the 'gospel of white supremacy' Blog post series, the 'gospel of white fascism'. This is because I'm realizing if Black men and women keep repeating mentally or verbally, the term 'white supremacy', it's gonna' embed itself into our subconscious without us realizing it. And the last thing we need is more negative subliminal messages. We've gotten enough of those in the american (mis)educational system.