Tuesday, November 21, 2017

The gospel of white fascism (Part 23)...What do Jill Scott, Halle Berry and Black Men's Right's Activists (BMRA's) have in common? (Special Thanksgiving week edition)


To the readers of this Blog: I need to remind everyone who cared enough to read this, that I always regret neglecting my duties here—but what I can promise is I'll always be back better and more focused than when I left off. Again, everyone's busy, so there's no excuse for the dearth of posts here lately. But I ask that you hang in there with me, cause I'm planning to expand this Blog in ways I'm sure everyone will enjoy. So do stay tuned, cause a project I've been contemplating for years is nearly finished—and you definitely won't want to miss this. Also, you can imagine after such a long absence, I've got a lot to say—thus, this post may be a tad long-winded—and that's something else I regret, but trust that you won't be bored by this editorial. And in the end, as always, you'll definitely learn something.

And once again, to everyone who cared enough to come back to this Blog, I sincerely say thank you, thank you and thank you!

Now, with that outta' the way—let's get down...

Jill Scott was born on April 4th, 1972 in Philadelphia, Pennsylvania. She grew up an only child in North Philly and was raised by her mother and grandmother. And according to published reports, Jill recalls having a “happy childhood”.

After graduating from the 'Philadelphia School for Girls', Jill attended Temple University. There, she majored in secondary education and planned to become an English teacher. Unfortunately, after a couple of years of being a teacher's “aide”, she found herself unhappy with the position and left school. Afterwards, Jill worked a variety of odd jobs to make ends meet, up to and including: retail positions, construction site administration and working in an ice cream parlor.

From an early age, Jill says she had a love of singing and performing, and she began plying her trade at local poetry readings, where she'd showcase her work. Eventually, Amir “Questlove” Thomposon, the drummer from the Hip-Hop band, “The Roots”, heard one of Jill's soliloquies—and her singing. Shortly after, he began collaborating with her and his band in the studio. This resulted in a co-writing credit for Jill on The Roots song, “You got me”. The song went on to win a Grammy in 2000, for “Best Rap Performance by Duo or Group”.

A short time later, Jill worked with the likes of Eric Benet, Common, and Will Smith. But it was her meetings with Jazzy Jeff (Will Smith's Jazzy Jeff), and her recordings in his studio, 'A Touch of Jazzy Studios', that really got a buzz going around her music. And all of this resulted in Jill securing a spot on a touring production of the play, “Rent”, in Canada.

And behind the aforementioned goings-on, Jill was the first artist signed to music svengali, Steve McKeever's “Hidden Beach Recordings” label. Jill's debut album, “Who is Jill Scott” included the song, “Long Walk”—and it was this song, which she'd cut in Jazzy Jeff's studio, that ultimately catapulted her career into it's current celebrity status.

Since then, Jill's expanded her repertoire of creative endeavors to include several acting roles in movies like, 2007's “Why Did I get Married?” and 2014's “Get On Up”. And Jill's done some acting roles for TV, like “The No. 1 Ladies Detective Agency” for 'HBO', as well as making an appearance on NBC's, “Law and Order”.

Maria Halle Berry was born on August 14th, 1966 in Cleveland, Ohio and her name was legally changed to Halle Berry at age five. Her white mother Judith Ann was a psychiatric nurse, and her father Jerome Jesse Berry was an African-american attendant working at the same hospital.

Halle's parents divorced when she was four years old, and from that point on, she and her sister Heidi were raised by their mother. Halle recounted the tumultuous years of her parent's marriage in the press, saying she continually witnessed her father being abusive to her mother. Also, Halle was quoted as saying in published reports that she'd been estranged from her father since her parents divorced. “I haven't heard from him,” Halle was quoted as saying, “...maybe he's not alive.”

In high school Halle was a cheerleader, honor student, editor of her school newspaper and prom queen. While studying in Cayahoga Community College, she entered several beauty contests. She had previously won the 'Miss Teen' beauty pageant in 1985 and she'd also won the 'Miss Ohio' pageant in 1986. She was also the first Black woman to enter the 'Miss World' beauty pageant in 1986 (maybe this matters to someone, so I thought I'd include this bit of info.). There she came in sixth place.

Halle went to New York to pursue an acting career in 1989 and quickly ran out of money after she arrived. Behind this, she briefly slept in a homeless shelter. During this time, she did land a role in the short-lived TV series 'Living Dolls' which was shot in NYC. During the taping of Living Dolls, Halle lapsed into a coma and was diagnosed with type 2 diabetes. After she recovered, she continued working on the TV series before she moved to Los Angeles where she went on to have a recurring role in the television series, 'Knots Landing'.

Now, we all know how the rest of Halle's story goes in terms of her film career—her movie debut was in Spike Lee's 'Jungle Fever' in 1991, and afterwards she was in the movie 'Strictly business'. She eventually went on to play roles in other flicks like: 'Catwoman', 'Swordfish', 'Monster's Ball', etc. But this post is dedicated to looking at Halle's relationship fiascoes.


Most recently, Halle and Oliver Martinez had filed for a divorce. As a result, their lawyers hashed out how their assets would be divided. Mind you, this is Halle's third failed marriage and she has two kids by different fathers. With that said, here's where I wanna' point out what Jill and Halle have in common.

Now, I remember one documentary I saw featuring Jill Scott, where she talked about being disciplined by her mother, Joyce, for some misdeed she'd done as a child—and how, according to Jill, her mother swung back her open hand and slapped her unconscious.

Mind you, this runs completely counter to Jill's talks of a “happy” childhood. Also, Jill's mother, on a different documentary talks about a pre-adolescent Jill, sneaking into bars to watch female “Go-Go” dancers perform. And when Jill's mother questioned her about what she wanted to do with her life, a young Jill declared: “I wanna' be a Go-Go dancer.” What I'm attempting to convey here, is that unbeknownst to Jill, she's suffered deep traumas in her life, which affect her relationships with men to this day. One of which, was growing up without a father.

Now, in Halle's case, she fully understands the kind of trauma she comes from, but she's clueless as to how to recondition herself out of it. Thus, she continues, and ultimately will keep being in unsuccessful relationships because of it.

But back to Jill...

Earlier this month, Jill filed for divorce from her husband, Mike Dobson, who she'd been married to for 13 months. And Mike came out publicly saying: “She’s got issues. There’s no men in that family, there’s only women. And when a man comes in, it’s like a challenge.” He added, “She’s made other men look bad, but I’m not the one. I said (to her) you’ve met your match.” She likes to have men that she can control. You’re not gonna control me. What’s right is right, and what’s wrong is wrong.”

Now to that, I'll say this: I, in my heart of hearts, believe that Jill (and Halle) both want to find “good” Black men they can marry and live happily ever after with.

Now, I can hear the Black men reading this sayin', c'mon bruh, that's more of that “simptastic” stuff you “Pro-Black, Hotepin', Black Nationalist” brothas are known for.

And trust me, I do get where these brothas are comin' from.

Still, I need everyone to understand, I think Jill (and Halle), based on their words and deeds, sincerely want to find and be with that one 'good' Black man for the rest of their lives—consciously. Now, question is: what are these sistas thinking subconsciously?

What I'm saying is, both Jill and Halle are sistas who are conditioned to hate Black men subconsciously—and they don't know it.

And that means what?

It means, they've been so conditioned to despise Black men, that they'll never be in a successful relationship with one—PERIOD! Moreover, if they ever recognize this problem at subconscious levels, because of their success (i.e. the recognition of white folks), they'd never do the work necessary to recondition themselves out of their hatred for us.

And this is no theory, cause I've seen this happen plenty of times in my own life. One stark example of this was a particular Black woman who I knew a decade ago—(more like two decades ago *smiles*), who I'll call “Tamira”. Now, men found Tamira exceptionally attractive. But she couldn't understand for the life of her, why she wasn't in any long-term relationships. She'd ask out loud: “How come I don't have a man—even the ugly women have men.” Unfortunately what this woman didn't know, was every time she'd start seeing a brotha regularly, within a month, she'd start saying some of the most egregiously offensive things to him, and she'd drive him away. And she had no idea she was doing this. That's how conditioned she was to hate Black men—subconsciously. Now consciously, when I knew her, she'd just got finished reading the autobiography of Malcolm X. And she would tell me how it felt like Malcolm was talking directly to her as she read those pages. Now, I contacted this woman recently—and she's still got the same opinion of Black men. And sadly, she'll take her opinion of us, and the consequences that go with it, to her grave.

And that's but one example of how much more powerful the subconscious mind is, compared to our consciousness.

Now, this encapsulates the dilemma of Black men who are progressive, gainfully-employed, relationship and marriage-minded, and who prefer to date Black women exclusively—question is: can we find a Black woman who's not conditioned to hate Black men? And unfortunately, I have to say, the overwhelming majority of Black women are.

Now, I can see sistas pursing their lips and saying—please—the ratio of Black women to men is like 4 to 1. So any sane, sober and financially secure Black man shouldn't have a problem finding a respectable Black woman to be with. But again, what you're not factoring into this equation is that 9 out of 10 Black women feel the same way about us that “Tamira” does. And what's worse is, they don't know it.

Now, let me throw another question out there for Black women to consider. If you knew you were conditioned to hate Black men—would you care? Additionally, would you care enough to recondition yourself out of that mental state?

Mind you, if you're a Black woman reading this, who subscribes to the tenets of “swirling”, then I already know the answer to that one.

Now, according to Census Bureau statistics, the percentage of Black women married to white men is at 0.3%, now I can already hear swirling sistas saying, that's a crock—as a Black man, you've picked the lowest percentage rate that you could find, cause you guys are mad that so many sistas are dating white men. And actually, I say to those sistas, that you should find love wherever you can get it—cause truthfully, it's better that you date outside our ethnic group, since your types are toxic to our community.

Now, not only did I get the aforementioned stats from the census bureau, but I see Black women's collective frustrations at not being able to get into long-term relationships or marriages with more white men. One prime example of this, is a novel from the “Black Women white Men” (BWWM) genre—and the book's title is: “Just marry me already”.

This gives voice to the quandary Black women are in about why more white and non-Black men, won't get into relationships and/or marriages with them, even in the wake of TV shows like “Scandal” and “How to get away with murder”. And please understand, I'm not talking about how many sexual encounters a Black woman's had with white and non-Black men—I'm talking about being in relationships with them.

Case in point, I was talking with one Black woman who made it her business to tell me that she's dated several white men. And when I asked her what those experiences were like, this Black woman became hyper-animated, and then blurted out: “Well, you're not gonna' like what you hear, but they treated me better. They took me out more, and they bought me things...” Then I replied, “Well, why aren't you still with one of these men?”

*crickets*

Now, oddly enough, I know a method that would have white and non-Black men marrying Black women at three and four times the rate they are now. And for any Black women who's interested, I'll share that secret with you—and the secret's this: Black women should go out of their way to be lady-like around Black men.

Now I can really hear the boo's and hisses behind this suggestion. And if you're a Black woman reading this, you're probably thinking or saying, bruh, you just want us to act more respectfully around Black men, so we can foster more relationships with them. And that's true. But, this would not only get more of you in long-term relationships with us, but with every other kind of man.

Here's how...

If white and non-Black men saw more of you being congenial, less combative and abrasive, demure and quieter around us, they'd consider more of you for longer-termed relationships and marriages. But because they see more of you than not being condescending, insulting and foul-mouthed around us, what they think to themselves is—man, I'd never get into a relationship with one of them. I'd have sex with them, but they're just not marriage-material.

Moreover, I remember a Black woman who frequented this Blog who called herself “Nina”. And she claimed to like the theme of Black Nationalism on this Blog so much, that she wanted to start one herself. Then, she asked me for pointers about creating and curating a Blog. After I gave her the “pointers” she asked for and she started her Blog, I noticed how in it, she'd aggrandize Black women, while using the most excoriating language she could in reference to Black men. And in one particular instance when I called her on it, and told her I'm trying to heal the rift between Black men and women so we can form more families, she wrote back: ”The rift between Black men and women is irreparable, and the campaign to save the Black nuclear family is dead.”

I was shocked.

And when I asked her why she'd ask me for pointers on starting this kind of Blog if that's how she she felt, her response was: “Who else was I gonna' ask?”

So if you're a Black woman reading this, especially if you're saying there's no good Black men out there, you really need to do some soul-searching to see if you subscribe to the tenets of hating Black men yourself. And once again, to swirling Black women, if you've done that soul-search and come to the realization that you really wanna' be with white and non-Black men exclusively, I just ask one favor—and that's this...if you find yourself between white and non-Black men to date and mate with, just double and triple your efforts to be with one. Whatever you do, PLEASE DON'T DATE A BLACK MAN!! 

Here's why...

What I've noticed about a lot of Black female swirlers—or Black females period, is that unbeknownst to them, consciously, they're still physically attracted to Black men. And when the well runs dry for white and non-Black men for them to date and mate with, at least a third of them will resort to dating a Black man so they won't be alone.

Now, what always winds up happening is this Black woman, who's conditioned to hate Black men, will proceed to be condescending, abrasive and insulting to this Black man, and eventually, the brotha will leave.

And what happens after this is the same Black woman will use the brotha's departure to reinforce reasons why Black men can't handle a strong Black woman, and why there's no good Black men.

Conversely, the brotha's thinking, there's no way I'll ever date a sista again. So what this swirling sista just did, and is doing, is lessening the pool of available brothas who genuinely want to be with Black women.

Now, let me also tell you how anglophilic brothas contribute to this as well...

The other day, I watched two videos about Jill's break-up that were curated by brothas who consider themselves, “Black Men's Rights Activists” (BMRA's). Now, I essentially like the mission-statement of BMRA's, cause what they say is that no Black woman, or woman period, should get in the way of a Black man attaining his goals and/or reaching a point of financial security. And that's completely positive.

Moreover, I know of a young brotha who subscribes to the tenets of BMRA's named “Kevin”—I call him “Kev”, and this brotha is not only educated, but he's smart and has a lot of information that our people need. So when I listen to BMRA's, I want to give them the benefit of the doubt—but everytime I do, I realize why I'd never be one of them.

Here's why...

Yesterday, I clicked onto two vids by brothas with the YouTube handles of “BGS IBMOR” and “Oshay Duke Jackson”. And these brothas are considered to be two leaders of this movement.

Now, their take on the Jill Scott divorce was that Jill's husband, Mike, was a “bi@ch” cause he basically married Jill for her money. And now that she's divorced him, they say, his rants are sour grapes over his not getting any loot out of the deal.

Moreover, Oshay makes it a point to say: “...gone are the days where Black men are willing to build their own empires...today's Black man is looking to cohabitate with a rich woman to build his empire...”

Now, if Oshay would have done five minutes worth of research, he'd have found out about brothas like, Shareef Abdul-Malik, the founder of “We Buy Black” which is the largest online marketplace for Black-owned businesses, or Darial Clewis, the CEO of “Blaqspot”, which is a social networking site that is our community's alternative to “Facebook” and “YouTube”—and these are just two examples I'm giving you off the top of my head.

Also, many sistas out there might have the same opinion of Jill's former husband—which is, he only married Jilly for her money.

Now, one thing these new millennium negroes failed to realize is this...Jill said that being in a marriage with Mike was “dangerous”. And we can take her comment several ways—first, we can this to mean that Jill's former husband Mike, was physically abusive towards her. But, any Black man with a bit of common sense knows that if any one of us puts his hands on a (Black) woman, the first thing that woman's gonna' do is call the cops. So if Mike had laid his hands on Jill, he'd be in jail right now. Another way to look at Jill's comment is that Mike was taking or selling drugs, and quite frankly, he's too fat to be a drug user, and if he were a drug dealer, he'd probably have more money than he does now—and more than likely, he wouldn't wanna' heighten his profile by marrying a celebrity.

So let me help these brothas out—what Jill meant by Mike's being “dangerous”, is he had the audacity to not let himself be abused by a woman who made more money than him. Mike said that there aren't any men in that family, just women. Meaning, Jill was raised thinking that any and every man, especially every Black man, should be complicitous and totally deferential to any and every Black woman. And Mike's speaking out against that, should be what these BMRA's are focused on.

Mike is a man. And he's got no qualms about letting Jill and everyone else know it. 

So what Mike was really saying is, the fact that Jill's got more money than him, is not gonna' change him. And this should be applauded. But it just goes to show that these BMRA's are really anglophiles dressed up as proud Black men. And let me ask anyone out there a question: if you think that Black men are no longer out to build their own empires, but are only interested in shacking up with rich women, then how could you not hate yourself for being a Black man? Moreover, if Black men and women keep talking about our dysfunction outside of the context of the white fascism that created it, how could we not hate ourselves for being Black? 

But more importantly, I need every Black man and woman reading this to know that this was the plan white fascists had for us, up to and especially after we fell for the trick of integration.

Now, you might be thinkin'—damn bruh, not everything's a conspiracy. And what does integration have to do with this?

Welp, you need to understand that under segregation, especially in places like 'The Black Wall Street', our people were getting too powerful. It's said about the Black Wall Street that the town's economic infrastructure was so robustly strong, that one of our dollars could circulate literally 100 times in that community, before it went elsewhere.

So after integration got us to walk away from our businesses—and by the way, the question you're probably asking yourselves is: If our people are so smart, than can you tell me why we walked away from our businesses bruh?

Well, the answer lies in the same reason Jill and Halle are having such difficulties being in successful relationships with “good” Black men—or any kind of man for that matter—it's cause the white fascist social order we grew up in conditioned us to hate ourselves more than any other kind of person on the planet, since we have the most genetic power to breed whites out of existence. And while doing that, they programmed us to think of all white people as divine—just like jesus.

Ya' dig?

So here's the real question: Once integration got signed into law, what wouldn't Black people do to be closer to their real god(s)?

And post-integration, a group of white fascists decided that they would do everything in their power to disenfranchise and incarcerate Black men, while empowering Black women. Thus, they proceeded to keep Black men out of jobs and labor unions, while offering Black women gov't programs that would pay for their food, clothing and shelter—under one condition: they couldn't have a man in the house.

Now, in all fairness, every Black man and woman reading this needs to know that more than half of Black women, DIDN'T take this deal.

And for brothas who think I'm just sayin' this to get in the good graces of sistas, understand, in the 70's there was still a sliver of cohesion between Black men and women. So much so, that even in the midst of falling for the integration trick, collectively, the income of Black men, women and our families, began to stabilize and rise. And whitey couldn't have that. Thus, in the 80's, white fascists attempted to put the final nail in the coffin of the Black nuclear family with initiatives like “Reganomics”, “Crack” and “AIDS”.

So I've said all that to say this, white fascists have plotted since before I was born to keep us away from the one resource that would help us defeat them—UNITY!

Now, not only am I a Black Nationalist, but I'm also a “realist”. And realistically, I know that the overwhelming majority of Black men and women over 35, are not gonna' do the subconscious work necessary to pluck the anglophilic tendencies out of them.

So the best thing we can do is make sure our kids don't get the self-hating (mis)education we got as children. That's why our priority should be to home school our children as opposed to sending them to P.S. (pick a number) in american neighborhoods.

Fortunately, a lot of us are currently doing that, and there are Black homeschooling networks dedicated to this goal. I've supported some of these schools in the past, and I suggest any Black man or woman who wants to give our children a fighting chance at loving themselves or each other should follow suit. And if you can't donate any money, then donate your time. And I'll dedicate future posts to this topic. 

So once again, UNITY is the answer y'all—and there is NO QUESTION!

Later...

MontUHURU Mimia

P.S.

Here's Jill talking about her disliking of "inter-ethnic" or interracial dating, and it's effects on Black women. Mind you, this is a prime example of how Jill feels consciously, while not understanding how much she's conditioned to hate Black men subconsciously.

Monday, October 16, 2017

The end of white people (Part 4)...Black extremists, the Las Vegas shooting, fair-skinned inferiority complexes and the one thing Jim Jones and Stephen Paddock have in common...


To the readers of this Blog: First off, I'd like to apologize about the long-windiness of this particular post, but due to a whole host of new information I'd gotten about the Las Vegas Shooting, I felt it necessary to include what I'd found here.

Also, there have been some odd occurrences as it pertains to this Blog's feature functions. More specifically, I can no longer see the “Google +” likes at the bottom of my Blog posts. And I was not the one who turned off this feature. Moreover, this and other functions were turned off right after the last editorial I wrote about Dr. Umar Johnson—and if you're curious about what's in that post, I'll leave a link for it at the end of this one.

So if you value the content of this particular Blog, I ask that you be sure to subscribe to one of my other social media platforms. Cause if this Blog disappears one day, I'll use one of my other social media sites to let people know where I'll be posting next.

Thanks in advance,
MontUHURU Mimia

James Warren Jones (a.k.a. Jim Jones), was born on May 13, 1931, in the rural town of Crete, Indiana. His father, James Thurman Jones, was a World War II veteran, and his mother, Lynetta Putnam, was quoted as saying, that when she had Jim, she thought she'd given birth to a “messiah”.

The Great Depression-era economy, forced the Jones family to move to the nearby town of Lynn, Indiana, where Jim grew up in a home without indoor plumbing.

In his spare time, Jones was known to read copious tomes on the lives of Karl Marx, Joseph Stalin, Ghandi and Hitler—and it was believed he fixated on religion in his pre-teens, due to his difficulties making friends.

Jim's parents would separate a couple of years later, and he'd live with his mother in Richmond, Indiana, where he'd graduate from Richmond High School early, with honors, in 1948. A year later, Jim would marry a nurse named Marceline Baldwin, and the couple would move to Bloomington, Indiana. Neither one of them could foresee how they'd perish in Jonestown, while Jim attended night school at Butler University, where he'd earn a degree in secondary education in 1961.

In spite of the fact that Jim began attending meetings with an organization called the “Communist Party USA”, a “Methodist superintendent” decided to help him start a church. And in 1952, he became a student Pastor at Southside Summerset Methodist. Jim was quoted as saying that he left that church cause it's leaders barred him from integrating Black members into the congregation.

A few years later, in 1956, is when Jim organized a massive religious revival with the Pastor William M. Branham as headliner—at the time, William was as revered a preacher as Oral Roberts. And following this revival, Jim had the funds necessary to open his own sanctuary, which he would go on to name, “The Peoples Temple Christian Church.”

Now, Jim first started building “Jonestown”, which was known as the “People's Temple Agricultural Project”, as a means to create both a ”socialist paradise” and a “sanctuary” from the media's increasing scrutiny of the nearby, counter-culturally friendly city of San Francisco.

So in the summer of 1977, Jim, with hundreds of Temple members in tow, abruptly left the u.s. headed for their socialist utopia—Jonestown, Guyana.

Mind you, 68% of Jonestown's residents were Black.

Long story short, on November 8th, 1978, Jim Jones forced 909 inhabitants of the People's Temple, 304 of them children, to drink and/or ingest cyanide, in what was at the time, the greatest loss of civilian life in america's history. And after Temple members had perished, Jim himself was found dead from a single gunshot wound to the head. Authorities ruled his death a suicide.

Stephen Craig Paddock, was born in Clinton, Iowa, on April 9th, 1953. He grew up in the towns of Tuscon, Arizona, and Sun Valley, California, and was one of four sons born to Stephen's father, Benjamin Hoskins Paddock. Coincidentally, Stephen's father Ben, was a convicted bank robber who was on america's FBI's most wanted list—and after being caught and incarcerated, Ben escaped prison in 1969. Stephen was 15 at the time.

Stephen graduated from John H. Francis Polytechnic High School in 1971, and obtained a degree in business administration from California State Univesity (CSU), Northridge, in 1977.

After graduating from CSU, Stephen held several government jobs over the course of a decade from 1975 to 1985—first of which was being a “letter carrier” for the U.S. Postal Office. Thereafter, in 1985, he was a federal auditor for a year, with a focus on defense contracting. And for three years, he worked as an internal auditor for a company that merged with Lockheed Martin.

After the new millennium, Stephen became a real estate investor who seemingly set down roots in L.A. There, he acquired properties in Panorama City, Cerritos and North Hollywood, California. He also owned several other apartment complexes, which according to his family, put Stephen's net worth at somewhere north of 2 million dollars.

On October 1st, of this year, Stephen was identified as the gunman responsible for the Las Vegas mass shooting. This mass murder took 59 lives, including Stephen's, and wounded 489 other spectators at a 'Jason Aldean' concert. And for the uninitiated, Jason is a country artist, who just recently resumed his tour after this tragedy. Stephen's motives are unknown and he was found dead in his hotel room of a single, self-inflicted gun shot wound to the head.

Now, this is what white fascists want you to think happened to Jim Jones and Stephen Paddock—but let me give you the straight dope on why they really did what they did...

In the case of Jim Jones, he was actually a CIA agent tasked with gathering as many of San Francisco's Black population into his church as he could, for the expressed purpose of moving them out of the country, so they could be more easily killed. And the reasons for this were: one, the counter-cultural allure of nearby San Fransisco was inspiring too many americans to rebel against america's white fascist status quo, and two, Black people have the most genetic power to breed whites out of existence.

So not only were these people moved to Guyana for the purposes of them "commiting suicide", but people who actually escaped the Jonestown “massacre”, said they saw people being forced to drink cups of Jim's cyanide-laced concoction at gunpoint. And those who still refused to drink, were either injected with this poison, or shot dead.

Now, you may ask, bruh—how would you know if Jim actually worked for the CIA? Well, Richard Dwyer, who was not only a well-known, but a high-ranking member of the CIA (he was also the deputy chief of mission at the american embassy in Guyana), was seen several times conversing with Jim and accompanying him on various plane trips. Additionally, during the actual Jonestown massacre, Jim is caught on audio tape saying, “Get 'Dwyer' out of here before something happens to him.” On top of that, journalists found out that the Guyanase locale that Jonestown was built on, was actually a CIA training camp for green berets who were plotting an operation in Angola.

Now, in the case of Stephen Paddock, journalists and “conspiracy theorists” found that on September 27th, of this year, Stephen met up with a man named Scott Edminson—and Scott has been identified as a CIA arms dealer, who's technical title was a “machinist”.
In addition, Mandalay Bay hotel room-service receipts confirm that on September 27th, “2 guests” were served meals in Stephen's hotel room.

Also, on October 1st, of this year (four days after he met with Stephen), Scott was stopped by troopers in Washington County, Tennessee, where it was discovered that he had several “bump-stopped” semi-automatic weapons and 900 rounds of ammunition in his car's trunk. On top of that, none of the weapons had serial numbers on them. Mind you, the gun's serial numbers weren't filed off—they were manufactured without them.

Also, when it came to the night of the Las Vegas shooting, Las Vegas sheriff, Joseph Lombardo, was quoted as saying that Stephen, “...did not act alone.”

Lastly, it's said that the reason Stephen gambled so much, is because that's how arms dealers launder their money.

But ultimately, what Jim and Stephen had in common, was this: neither one of them knew that the white fascist freemasons who hired them, were tasked with killing them after their assignments were over. Cause ultimately, they were expendable.

Now, you may be saying—well, I realize what might have motivated Jim Jones to do what he did—but I'm still wondering, what the motive behind Stephen's shooting was.

Well, let me break that down right quick...

This month, a “declassified” FBI memo, dated from August of this year, says that a new type of domestic terrorist is coming to the fore of american culture—and this newly-appointed menace, who just happens to come from the ranks of the “Pro-Black/Black Lives Matter” community, is being called a “Black Identity Extremist (BIE)”.

Now, white fascists say they predict an increase of violence against police officers by these factions, in the wake of Micah Johnson's July 7th, 2016 shooting in Dallas, Texas, where 5 cops were allegedly killed. And I say allegedly, cause you and I both know the white media's famous for its bold-faced lies—especially when it comes to us. And I'll do more research on that incident in another post.

Still, the FBI are citing six incidents of violence against police from 2014 to 2016, to justify their BIE theory. And in the span of those two years, they're saying 8 cops have been killed. But according to the Washington Post's database, in 2015 alone, cops killed 259 Black people—38 of which were unarmed. And of those, less than 40% of them were listed as an “attack in progress”.

In other words—american cops are the real domestic terrorists, not BIE's!

Now, if we group incidents of BIE “terrorism” with the Las Vegas shooting, and the white nationalist rally that turned violent on August 12th of this year, behind confederate monuments being taken down—and then add to that, varying rumors about the faces of Mount Rushmore being removed, then any sane person will have to come to one conclusion—and that's this: white fascists are running a major campaign to keep working-class white folks in a state of outright fear.

Now, that's really nothing new. A white fascist's stock-in-trade is fear-mongering. But here's 3 facts about whitey's latest fear-inducing campaign that working class white folks don't know—and even white fascists themselves would be slow to admit to.

Fact#3: Working-class whites have no idea that Trump and his constituents are behind the removal of those “confederate” monuments. 

And to keep it even “real-er”, working-class whites are dumb as a box of rocks when it comes to this kind of political maneuvering. Meaning, they couldn't fathom the white man they voted for could be manipulating them in such insidious ways.

One reason being, of course, that Trump would never openly admit to this, cause he and his coterie know that would be tantamount to political suicide. And it wouldn't get them any closer to their intended goal—which leads us to the next fact...

Fact#2: Trump and his white fascist handlers, are trying to get working-class whites to start an ethnic war. 

This is the real reason all those confederate monuments are coming down, even though Trump could sign an executive order to stop any of those initiatives from happening tomorrow. Also, another way white fascists are keeping working-class whites deliriously fearful, is evidenced by the fact that Stephen and his cohorts, shot up a Jason Aldean (i.e. a country artist's) concert.

Now, why would this be any different than shooting up any other kind of concert? Cause white country artists and fans, pride themselves on their “whiteness”—meaning, they're proud of their bigoted stance towards Black folks. Thus, a lot of them probably feel that not only are their lives in danger, but their culture (i.e. their bigoted “way of life”) is in danger as well.

Fact#1: And the number one fact that neither working class whites nor white fascists will admit to is this: ultimately, whitey's too scared to go toe-to-toe wit' us in any kind of ethnic war. 

No white person—and I mean no white person, will admit this to themselves.

And there's no place where this was more evident than in Charlottesville, Virginia, at the aforementioned white nationalist rally. Now, this was a march meant to galvanize factions of the “alt-right” (i.e. white klansmen) to show their power and prevalence in america's social order. But what wound up happening was whites from other organizations, started fighting with the white nationalists—and a riot ensued.

So understand, white nationalists showed up at that rally to show how powerful they were. And more than anything, this was really supposed to be a symbolic threat to Black americans. But whitey knows full-well he's not gonna' march in Black neighborhoods—cause we know what would happen if they did.

And they know too.

Which is the reason why they'd rather turn on themselves and cannibalize their own culture.

And let me just add, the reason(s) the “Rocky” movie franchise was created, and why it was so wildly popular, was and is because white men feel inferior, physically and sexually, to Black men.

And like I said in my post titled, “Floyd Mayweather Jr., Conor McGregor, and the reasons why Black Spirituality trumps white intellectualism”, this was the real reason the movie character, “Tony Manero”, from Saturday Night Fever was created. To thwart the idea that white men weren't good dancers (i.e. good “lovers”).

Now, to everyone reading this, I don't want you to take my word for any of the info. here—please go and do your own research. But I do hope this serves as a bit more of an explanation as to why the Las Vegas shooting happened.

Still, what I want Black men and women to keep in mind is this: nothing will stop whitey's inevitable demise—NOTHING! Conversely, nothing will stop the ascent of Black people. Now, does that mean white folks will go away quietly?

HELL NO!

But like I've said in the past, it's when we see them fighting hardest, that we know their time to rule is over. And from what I can see, they're fightin' pretty darn hard...especially with each other! Which does nothing but put a big 'ol smile on my face!

Later...

MontUHURU Mimia

P.S.

You can read my post on Dr. Umar Johnson, which precipitated my “Google +” likes function being turned off here.

Monday, October 2, 2017

The gospel of white fascism (Part 22)...3 Reasons why the white elite fabricated the 'Black (male) privilege'...


Saul Stacey Williams (man pictured in header) was born on February 29th, 1972 in Newburgh, New York, which is 60 minutes north of New York City. He attended Newburgh Free Academy, before graduating from “Morehouse College” with a B.A. in acting and philosophy. From there, he attained an MFA in acting from New York University's 'Graduate Acting Program' at the college's 'Tisch School of the Arts'. And while at NYU, he became a star of the New York cafe poetry scene.

Now, the first time I heard of Saul Williams was on Russell Simmons' HBO series, “Def Poetry Jam”, hosted by Mos Def (who's now 'Yasiin Bey'). Shortly after, I'd heard he'd won the highly coveted, Grand Slam Championship at New York City's 'Nuyorican Poet's Cafe'—which he did in 1996. And it was a year later that I saw him in the film, 'Slam', where Saul portrays a drug dealing young man, who seeks redemption and resurrection from the hazards of urban blight through poetry (And trust—this flick is definitely worth watching).

Since then, I've read one of Saul's books, listened to his myriad albums, and have been a fan of his lectures more than any of his other artistic endeavors. But it was one of his talks in particular, that struck and stuck with me more than most...

Earlier this year, Saul spoke about his artistic life at Duke University, with Mark Anthony Neal, a brotha who's a professor of Black popular culture in Duke U.'s African-American studies department. And that evening, Saul told Mark about something he experienced in one of his acting classes.

Saul spoke about Morehouse not having a drama dept., and how he had to take those courses at neaby Spellman College in Atlanta, Georgia. Mind you, Spellman is a woman's college (More specifically, Spellman is a Historically Black College, so the overwhelming majority of it's student body are Black women). So Saul explained to Mark that he remembered how his professor, Glenda Dickerson, made all the young Black men attending those courses, participate in “menses” riutals, where they'd hold white candles and were told to sit in silence while Glenda led the female students, who were wearing white themselves, in whatever pantomimed ceremonies that Glenda planned for the class.

Now, even though these exercises were suppose to teach these young Black men to respect their women, here's what Glenda was really indoctrinating them into.

The white candles Saul and the other young Black men held during these rituals, really represented a white phallus (Washington monument). And what this told those young brothas, or was suppose to tell them, was their Black manhood, would always be inferior to a white male's. Moreover, Glenda was teaching them that this would be the case no matter what they accomplished—especially in the eye's of Black women.

And ultimately, it told those young brothas that the white man was the only one who could offer them the 2 things they craved most—security and a sense of ethnic purity.

Additionally, those Black women wearing white told those young brothas, how Black women, at least those in america's social order, would be completely obsequious and complicit to this country's (or world's) white fascist status quo. Even if it was to their detriment—which we now see that it was (Olivia Pope).

And I just gotta' say this—at a time when we had a Black man as the american president (Obama), it was a Black woman, Shonda Rhimes, who created a TV show, featuring an African-american woman who's the mistress of a white male american president. And Black women held parties to watch this show.

There was even an episode where Olivia Pope and Fitzgerald, have sex in a closet. And right after good ol' Fitz is done with Olivia, he says the act was a mistake in judgment on his part.

Now, a lot of Black women were thinking that Black men were just bitter behind this show featuring a Black woman sleeping with a white man. But what brothas were really asking themselves was: why would Black women wanna' portray themselves this way? And Kerry Washington lived the real life consequences of this portrayal, when she and her rainbeau, Dave Moscow, got a divorce. And personally, I'm still shakin' my head behind that show, and it's overall effect on sistas.

Moving on...

Fast forward from Saul's collegiate years, to September 19th of this year, when a Black male journalist named Damon Young, wrote and published an article for his VSB (Very Smart Brothas) website, titled: 'Straight Black men are the white people of Black people'.

Now, before I go in on this brainwashed, anglophilic, white kiss-ass-of-a-negro, let me throw one fact out there—the 'Very Smart Brothas' organization, came to prominence by way of the Black news site, 'The Root'—which is itself owned by the 'Univision' corporation. So Damon's clearly speaking for his white fascist benefactors—not us.

Anyways, what this crap piece of propaganda is really saying, is straight Black men are like the white men of Black people, insomuch as the violence perpetrated by us against our women, is tantamount to the violence that white fascism perpetrates against Black folks. And that's the anglophilic negro's argument for some sort of fairy tale whitey's calling the 'Black (male) privilege'.

Now, there's myriad reasons why Damon's diatribe is dumb as a box of rocks, but I'll expound on those below, in the '3 reasons whitey fabricated the fallacious Black (male) privilege'. 

So without further ado, let's go in...

Reason #3: Donald Trump is single-handedly making white men look like the dumbfounded bigots that they really are. So to distract from that, white fascists are throwing shade at Black men, in an attempt to make us look equally dim-witted.

On his presidential campaign trail, Donald Trump told a crowd of his followers: “I am your voice.”

And that's the main reason I love Donald Trump being the american president, cause with him, there's no veneer of whitey's feigned scholarly intellectualism or benevolent humanitarianism. There's just brute elitism, colorism and blatant displays of plagiarism, embedded in every second of Trump's oligarchic behaviors. And in more layman's terms, the man's a bully—and he can't hide his true nature.

So to take mainstream america's attention away from that, Damon's white fascist handlers commissioned him to validate and qualify reasons why Black men are just as privileged as white ones, so white men won't look like the empty-headed and morally bankrupted, predators on 'hue-man' life that they actually are. And the people they want believing that most, are Black women, Black children and gay Black men.

Reason #2: white fascists want us thinking that they're our saviors and straight Black men are the real enemies of our people.

Bottom line is, whitey's saying that straight Black men, emphasis on the word straight, are the enemy that's really holding our people back. So we should quit blaming whitey for our problems.

But anyone who's thinking beyond the brain-stem level should realize they've fabricated this lie, cause Black men—especially straight Black men, have the most genetic power to breed whites out of existence. Thus, a 'straight' Black man existing anywhere is a threat to them everywhere.

Reason #1: And the number one reason whitey wants everyone believing in the Black (male) privilege, is more than anything, white fascists don't want us to think that the white privilege exists, so whitey can say that he's smarter than everyone else—and that's why he's on top.

Now, white folks can give you chapter and verse on why they feel their people don't benefit from having pale skin. But the white privilege isn't part of some fantastic folklore, cause there's more than enough empirical evidence to back this up. Case in point, I vividly remember an article I read about an ACLU (American Civil Liberties Union) employment study out of New York, showing how white men were given more callbacks for jobs than the study's Black men, even when the white job seeker had a criminal record, and the Black man didn't.

Moreover, I remember seeing the book, “Hillbilly Elegy”, written by J.D. Vance, stay at the top of the New York Times bestsellers list for more than a year. And in it, Vance tells of his working class roots and how he got to be a Yale Law School grad through sheer hard work and determination. And how his brethren (i.e. working class white folks) are all in the same boat. Mind you, if they didn't believe this, they'd have to admit how whites, whether they're working or upper-class, share an unfair advantage that gave them the social status (and all the resources that come with it) they now enjoy.

So I've said all that to say this, ultimately, whitey will do anything to get Black people thinking that we're our own worst enemies—but like the fallacy of the Black (male) privilege, and the myriad stereotypes they lob on straight Black men, we should understand that these are nothing but idiotic and ignorant, bold-faced lies—and not little white ones.

And like Sam L. Jackson said in Spike Lee's movie, “Do the Right Thing”: “That's the double truth, Ruth.”

Later...

MontUHURU Mimia

Monday, September 25, 2017

The gospel of white fascism (Part 21)...Prince, Black 'Roots', Issa Rae, and the cult of well-bred 'insecurities'...


 "I'm rooting for everybody Black."
--Issa Rae, at the Emmys

"How we gonna' let the elevator break us down? Oh no, let's go..."
--Prince, from the song, 'Let's go crazy'

Prince released his seventh studio album, 'Around the World in a Day' (left), on April 22nd, 1985. And the bulk of this recording was done during the six months of touring he and his band, 'the Revolution', completed behind Prince's most successful album and movie, “Purple Rain”.

Now, according to the media, the inspiration for the album's sound came from a demo that Dave Coleman, brother of band member, Lisa Coleman, recorded that eventually became the album's title track. And for the uninitiated, sonically, this album explored the psychedelic and more ethereal music genres, and was hailed as Prince's 'Sgt. Pepper's'—this being a reference to the Beatles' Sgt. Pepper's Lonely Hearts Club Band, which is lauded as an absolute classic in the annals of Rock and Roll.

Also the album's cover art, has an amorphous, multi-colored, and tie-dyed 60's feel, reminiscent of that decade's mainstreamed psychedelia. And when asked about this, Prince responded by saying, “The cover art came about cause I though people were tired of looking at me. Who wants another picture of me? I would want only so many pictures of my woman, then I'd want the real thing...”

And even with the album's 'leftist' sensibilities and a dearth of label promotion, it went double platinum. It also spawned two top ten hits with, 'Raspberry Beret' and 'Pop Life'. In addition, the album wound up selling seven million copies worldwide.

Now, myself and every other Prince fan at the time thought, why would a bonafide superstar-of-a-recording-artist like Prince, seemingly wreck his career by putting out some weird album like this? Of course, being a Prince fan, I understand he was an eclectic artist, and I thought, well, he's going left, just for the sake of going left—still, this record seemed completely disassociated with his funk-rock aesthetic.

What I know now, that I didn't then, was the freemasonic order that Prince belonged to commissioned this style of album from him. The goal behind that being the continual reminding of americans, and the free world, that the Beatles (4 white men), were the greatest Rock and Roll band that ever existed. This is also why less than a decade ago, I saw Justin Bieber singing the Beatles song, “Let it Be”.

Anecdotally, I'll never forget when I documented the fact that Black people created Rock and Roll on a YouTube video, featuring the group, 'Earth, Wind and Fire'.

One liberal white person literally wrote: “LOL! What?” And I had to explain to him and another genetic dead-ender (white person), who declared that the Rock and Roll genre started in europe, that the 'Rolling Stones' actually named themselves after the 'Muddy Waters' song, “Mannish Boy”.

Cause in that song, Muddy openly declares: “I'm a rolling stone...” And the Beatles song, “I couldn't dance with another” (google this if you've never heard it), where John and Paul sing, “And I couldn't dance with another—whoooo!” Well, the 'whooo' sound they're mimicking, is one created by none other than Little Richard. Moreover, it was brothas like Chuck Berry, Bo Diddley and Richard, who were the real kings and creators of Rock and Roll music.

Moving on...

Now, back in the 80's Prince was complicit with the freemasonic order he belonged to, cause they'd made him a star. Still, he couldn't help but see the scandalous amounts of money record execs were making off his music, and the music of other artists. Thus, he went about the difficult task of not only opening his own record label (Paisley Park), but he fought tooth and nail to get back the rights to his master recordings. *Note: This was in the 90's when Prince changed his name to an unpronounceable glyph and he was writing 'Slave' on his cheek.

Fortunately, Prince won back the rights to his masters in 2014. Unfortunately, two years later, he was found dead.

Now, rumors and speculation spread about Prince dying from a drug overdose and/or from an acute case of the Flu. But here's how I know he was murdered by the same freemasons who made him a star.

Prince was found dead in an elevator at his Paisley Park recording studio/home. Now, in his song, “Let's Go Crazy”, the chorus of the song says, “How we gonna' let the elevator break us down?” Now, the elevator Prince refers to is actually Satan. And this song is all about getting through life, (Thus, the song opens with: “Dearly beloved—we are gathered here today to get through this thing we call life...”) and our dealing with the battle(s) against evil. This is also why the song starts out with chords of organ music, cause Prince is taking on a 'preacher persona'—especially at the beginning of the movie Purple Rain.

Prince was saying, not only shouldn't we allow the devil to break us down, but we should also take the initiative, being that we're in an elevator (Satan's world), to punch the elevator's button to get to a higher floor (spiritual edification), so we can get with God. Now, freemasons are notorious for liking to leave their mark by hiding things in plain sight (Michael Jackson wearing his nazi arm band back in the day). Thus, they essentially identified themselves by killing Prince and leaving his body in an elevator. So in one fatal swoop, they let us know that they're representing the elevator, i.e. Luciferian white fascist freemasonry.

Now, it was on February 3rd, 2011, that the African-American actress, Issa Rae, debuted her web series, “The Misadventures of Awkward Black Girl”. Her inspiration to start this series was drawn from her experiences working at New York City's, New Federal Theater, where she'd had difficulties meeting and interacting with people in an unfamiliar place. So, she thought it would be fun to depict the uncomfortable situations people might encounter with one another, especially from an African-American woman's point of view.

We should also note that Pharell Williams (yeah, the star music producer from the group, 'The Neptunes') was an executive producer of this series. So, she did have some clout with industry execs right off the bat.

Fast forward to 2013, when Issa began working with co-creator Larry Wilmore, on a comedy-drama pilot based on her web-series. HBO picked up the pilot, and debuted the show with it's new name, 'Insecure', on October 9th, of 2016. Since it's release, the show's not only gone on to receive critical acclaim, but it was renewed for a second season on November 14th, 2016. And on August 8th, of this year, it was renewed for a third season.

Now, even though this series is supposed to showcase the awkward travails of Black women in america's social order, what it's really designed to do, is show how dysfunctional Black people and our relationships are. Cause quiet as it's kept, the execs at HBO are just white bigots, who are hell-bent on portraying our people in the worst light possible (The Sopranos).

The lead character, 'Issa', played by Issa Rae, and her friend, Molly (played by Yvonne Orji), prove themselves to be untrustworthy and unscrupulous in every conceivable way, when it comes to their relationships with Black men. Thus, more than anything, this series serves as a cautionary tale to any Black man who hopes to pursue any kind of relationship with a Black woman. And I know I've said this at least 100 times, but white fascists have to keep 'pure-bred' Black men and women away from each other, cause we have the most genetic power to breed their kind out of existence. And white birth rates have fallen below replacement levels for at least the last half-century. On top of that, whites are overdosing on drugs in droves and committing suicide like crazy.

Additionally, this show adheres to the stereotype of Black women being perpetually stuck, and kept by white fascists, in three states-of-being: well-paid, oversexed and alone (Olivia Pope).

Now, on September 17th, 2017, the head inbreds at the academy of Televised Arts and Sciences, were settled in to congratulate themselves once more, like they do every year, by putting on the annual Emmy Awards ceremony.

And on the red carpet of this event, a journalist from 'Variety' magazine asked Issa pointedly, “Who are you rooting for?” And Issa replied, “I'm rooting for everybody Black.”

Now, you may think this is hyperbolic, but in my opinion, Issa's statement is and was just as revolutionary as when President Barack Obama said of the cops who arrested Harvard Professor Henry Louis Gates Jr., “The police acted stupidly...”

Now, let me tell you why...

Like Prince (and I'm not comparing Issa's ingenuity to Prince's), Issa showed she understood how to placate the white fascists who own the media, while knowing, or at least imbibing in, the zeitgeist of Black 'consciousness' that's affecting every Black person in america. And in more layman's terms, Issa not only showed how she's got whitey's number, but how she's ultimately down for her people.

Now, this doesn't completely absolve Issa from reinforcing the mores of Black dysfunction on her show. But, if anyone's thinking I've got several problems with 'Insecure', I'd tell you I have only one. And that problem is the same one I have with Black men's rights activists—that being, how they talk ad nauseam about Black dysfunction outside the context of the white fascism that created it.

Understand, as a Black man or woman, if you spend an inordinate amount of time talking disparagingly about Black people, or indulging in the media's portrayal of us in a negative light, how could you not hate yourself for being Black?

And I get the fact that most Black people who do this say, well, I'm critiquing Black people who aren't like me. Now, there's absolutely a time for that, but what makes this dangerous is, so many Black people denigrate other factions of Blacks in our Diaspora, to show white and non-Black folks how they're not like them. And this never works. Cause what winds up happening is, if whites and non-Blacks do think you're somehow more educated, or upper-scale than the rest of us, they'll start making bigoted jokes about Blacks around you. And I can't tell you how many acquaintances I've had to cut off behind that happening.

However, one other bone I have to pick with Issa, is how she vehemently denigrates the image of Black men who treat her like the tramp she portrays herself to be on her show. Now, I'm not an avid watcher of this series, but I remember one instance where she gets in the car of one brotha who sees the scowl on her face and asks her whats wrong. To which Issa exclaims, “Niggas!” She even wears a shirt that dons this word on her show.

Now, if I had a chance to talk with Issa, I'd tell her that it's these same brothas you're slandering on your show, that made it possible for you to comfortably make your statement at the Emmys. And right now, you might be scratching your head thinking, bruh—what the hell are you talking about?

So let me answer that real quick...

Brothas like Dr. Umar Johnson, Tariq Nasheed, and Brother Jabari (from the House of Konsciousness—google the brotha if you've never heard of him), would be considered “niggas” to Issa. Or at least to her character. And these are the same brothas who she, and the whole of Black american women, owe a debt of gratitude towards, for being able to express themselves so openly about being proud of who they are. Now, I'd be remiss if I didn't say there aren't sistas like the late Queen, Dr. Frances Cress Welsing, who contributed to this too, but overwhelmingly, the people baring the slings and arrows for being “Pro-Black” have been brothas like the aforementioned ones.

But ultimately, the moral of this story is, even though Issa portrayed herself as a “negro nerd” in terms of calling herself the awkward Black girl, to win points with whites, she's seeing that the true power, especially in terms of creating any kind of cool culture(s), belongs to us.

So if you're a brotha or sista reading this, you need to understand that 'negro nerdom' will never lead you to anything that's culturally cool. Meaning, if you wanna' be legitimately on the cutting edge, at least in terms of cultural creation(s), the spiritual tools to build those kinds of social constructs belong to us exclusively. Moreover, Issa's statement is further proof that we need to be a monolithic group—cause it works to our benefit, not our detriment.

UNITY Y'ALL!—now and forever, that's what's really up!!

Later...

MontUHURU Mimia

P.S.

9/27/17 - *Addendum: For those under 30 who are reading this post, here's the 'official' Warner Brother's issued video for Prince's song, "Let's Go Crazy". Note at 1:33 minutes of this video, Prince quotes the lyrics, "(Maybe it's cause) 'we're all gonna' die...'" Now, the 33rd degree of freemasonry just happens to be the highest in their fraternity. And that's cause it represents the 33 vertebrate of the spinal column leading up to the 'Pineal Gland', and this is supposedly where our sentient 'consciousness' is kept. So this song's all about our 'hue-man' mortality fam. Beyond that, it's a cool tune, so enjoy this clip.


In case you missed it, here's Obama telling whitey (and white cops especially) how stupid they are. Moreover, a Black man simply being the american president, is why whites in america, especially white women, voted for Donald Trump. And for those brothas and sistas who didn't like Obama (Mind you, I used to be one of them), we especially should understand that if he showed whitey he was all the way down for us, they'd have killed him a long time ago. Hell, white fascists nearly blew JFK's head off—and they liked him. Enjoy the vid!