The end of feminism (Part 4)...College exam scams, Lori Loughlin, the fallacious meritocracy of america's universities, white affirmative action, and the (continuing) ethnic escapades of Rachel Dolezal...

To the (consistent) readers of this blog: Whenever I write a post in this series, I feel obligated to preface the subject matter with the reason why white fascist feminism, has nothing to do with female empowerment—especially in regards to the (indigenous) Black woman. And when I use the term “indigenous” that’s not hyperbole. Meaning, if you’re a Black woman reading this from anywhere in the world, understand, you (and we) were on this earth before anyone else. Thus, we should understand why we have the most genetic power(s) to breed every other ethnic group out of existence if we so choose—and this is especially true of white folks.

So, I feel it’s imperative that I reiterate what feminism is, and what it ain’t—moreover, let me tell the tale of how this fascist feat of social engineering got started…

Years ago, I watched a PBS program, where a man who looked like the spitting image of George Soros, the billionaire Hedge Fund manager, waxed philosophic about an upper-scale soiree he attended, where he got into a conversation with a Rockefeller. He said this man asked him what he thought about “Women’s Lib” (for those of you under 30, this was the “Women’s Liberation movement” that preceded modern day feminism), to which the George Soros looking fellow said, “Well, I think it’s positive, you know, equal pay for equal work”. The Rockefeller replied, “We funded Women’s Lib—and the reason we did was, we couldn’t tax half the population if they were staying at home and being housewives—we had to get women into the work force to get at that revenue…” A sec’ later, the Rockefeller continued, “…and with both parents out of the household, we essentially knew that the TV would be the authoritative figure raising (america’s) children—thus, consecutive generations would be easier to program and control.”

And I’ll confess, after hearing that, my mind was forever changed. Not only cause the Rockefeller’s soliloquy made absolute sense to me, but it introduced me to a level of insidious ingenuity and esoteric info. that put me on a path of seeking out factoids that were parallel, or at least congruent with these trains of thought.

So, it’s with this sentiment in mind that I wanna’ explore and expound on the ways that 2 particular white women, Lori Loughlin and Rachel Dolezal, fit into the social engineering campaigns of white fascist feminism, in regards to their place in it, and how it benefits them (whether they realize it or not).

With that said, let’s delve into the nucleus of what makes these college exam scams a matter of course when it comes to the tenets of white fascism and white fascist feminism.

—MontUHURU Mimia

Lori Anne Loughlin (right), the american-born actress, model and producer, was born on July 28^th, 1964 to parents Lorelee and Joseph Roy Loughlin, in Queens, New York City. And while in elementary school, Lori’s parents noticed her interests in acting had blossomed into a full-blown passion—thus, Lori began to pursue this career with her parents help, when she became a print model at the tender age of 11.

At 15, Lori was cast in the soap opera, “The Edge of Night”, playing the part of Jodi Travis, an aspiring dancer. That gig lasted from 1980 to 1983, before Lori began to pick up bit parts in an assortment of feature films and TV guest spots. Then, in 1988, Lori stumbled upon what would become her career-defining role, as Rebecca Donaldson, on the ABC sit-com, “Full House”. Initially set for six episodes, Lori would remain a staple of the show throughout the rest of the series until 1995. Months after the show ended, Lori starred alongside TV actor, Tony Danza, in another ABC sit-com, Hudson Street—unfortunately, the show was met with poor reviews and ratings, and was cancelled in a year.

In the following years, Lori would go on to guest and co-star in several TV shows, like: Suddenly Susan, Spin City, Seinfeld, The Drew Carey Show, etc. From 2004 to 2005, she co-created, produced, and starred in the “WB” drama series, “Summerland”—and she’d continue to appear in feature films like, “Moondance Alexander” (2007), and the made-for-TV-movie, “Meet My Mom”, which premiered on the Hallmark Channel on Mother’s Day in 2010.

Rachel Anne Dolezal (left), a.k.a. Nkechi Amare Diallo (please!), was born on November 12^th, 1977 to parents Ruthanne and Lawrence “Larry” Dolezal, in Lincoln County, Montana. Now, Rachel was homeschooled via the “Christian Liberty Academy” or “CLASS” program, where she achieved a 4.0 GPA, and not only was she a co-valedictorian at her high school graduation, but she won a $2,000 collegiate scholarship awarded by “Tandy Leather” for her entry in their 1996 Leather Art contest. Thereafter, Rachel attended Belhaven University in Jackson, Mississippi, where she received a bachelor’s degree in 2000, and after that, she applied and was accepted to, Howard University (yes, the “historically” Black college) for her graduate studies. There, she received her Masters of Fine Arts degree.

Now, behind Rachel’s “Civil Rights” themed artwork, which included sculptures and paintings that held to narratives of Black people’s struggles against america’s white fascism, she was elected as head of the Spokane, Washington chapter of the NAACP. Her announced resignation from the position came on June 15, 2015 behind friends, family members and numerous media reports exposing her as being “non-Black”.  

Dolezal also applied for and was given the position of Spokane, Washington’s Chair of the Office of Police Ombudsman Commission in May of 2014. Now, on Rachel’s application, she claimed to have come from a wide variety of ethnic backgrounds, including “African-american”—and at the beginning of 2015, City Council President Ben Stuckart opened an investigation into the truthfulness of her ethnicity. Shortly thereafter, on June 17^th, 2015, it was found that Rachel not only lied about her ethnic makeup, but she’d violated governmental rules and “abused” her authority in this position, which prompted both the mayor and the Spokane City Council to fire Rachel from being the chair of the Police Ombudsman Commission.

Now, let’s stop here.

Seemingly, Lori and Rachel—or Nkechi (again, please!), have nothing in common—other than their ethnic backgrounds. But these white women are actually so similar, they could be carbon copies of each other.

Now, the readers of this post may be thinkin’—bruh, I don’t see the connection—you’re gonna’ have to prove this one to me.

Bet.

Let me show you not only one example of why these two are so stereotypically white—but 3 examples that’ll bring this point home…

#1. Both Lori and Rachel, not only relish their white (fascist) privileges, but they’re staunch practitioners of it.

Now, Lori was recently arrested for paying some $500,000 in bribes to have her 2 daughters admitted into the University of Southern California’s “crew team”. Mind you, not only have neither of Lori’s daughters ever competed in “crew teams”, but 50 other (white) people are facing federal charges for paying out similar bribes. This kinda’ reminds me of when you’d hear about the unjust practice of Black students, Black male student athletes especially, paying to have people do their homework (and take exams) for them so they’d get into college—welp, seems like whitey’s the one who’s really been doin’ this all along—difference is, if Tyrone was given an athletic scholarship, he’d have to prove his prowess on the field or court (and mind you, when we do this, it’s called “affirmative action”). Also, in the case of Lori’s daughters, the only evidence they have of participating in any kind of “crew team” sports, was a picture of them (by themselves) sitting on a rowing machine.

Now, I can already hear folks who’re reading this thinkin’, well that may apply to Lori, but Rachel was tryna’ be Black, bruh—so how does your argument apply to her?

Here’s how…

While Rachel was at Howard U., she passed herself off as a Black woman. But after she was accepted, she turned back around to “re-claim” her “whiteness” (calling herself Rachel “Moore”), and made it a point to say she’d been denied access to certain scholarship funds, an assistant teacher’s position, and other opportunities at Howard ‘cause—wait for it—she was white. So, like every other white feminist, she wants the ability to have her cake and eat it too—meaning, she wants to enjoy her white privileges, while trying to pass herself off as an “oppressed minority”. Now, you may be sayin’, yeah bruh, I get that, but that still don’t make her a staunch advocate or practitioner of white fascism.  

Welp, let me break this point down even further…

See, the reason Rachel endeavored to go to Howard U. and apply for a position with the NAACP, is because she’d been told her whole life, by her white parents, that Black people were getting all these unfair advantages, just ‘cause they were Black. Namely, her parents raised her to believe that Black people would (automatically) get more financial aid than white people, and that our lazy, shiftless butts were collecting more welfare than anyone else. That’s why she’s done whatever she could to pass herself off as a sista—it has nothing to do with loving us or our culture. Mind you, the majority of people on welfare in this country are white, and it’s been that way for decades—and I’ll leave a link to a website that proves this.

And in even more laymen’s terms: white fascism’s stereotypes of Black people turned Rachel into a straight-up ethnic HUSTLA’ y’all!

#2. Both Lori and Rachel are such advocates of white fascism and white fascist feminism, that they’re willing to suffer the consequences of their allegiances to it.

Meaning, Lori was so hell-bent on benefitting from her white fascist privileges that she was willing to do something illegal and risk going to jail for her beliefs. And wit’ Rachel, her devotions are even more extreme—cause recently she was brought up on charges of welfare fraud. It seems that good ol’ “Nkechi” didn’t report the $83,924 she deposited in her bank account, when she said she’d made less than $500 a year to apply for welfare. Mind you, Rachel collected $8,747 in food stamps and $100 for child care expenses from 2015 ‘til 2017.

#3. white fascism let Lori and Rachel off tha’ hook—just like they knew it would.

Now, Lori’s already been released from jail and her bail was set at $1 million dollars. Mind you, not only is Lori outta’ jail, but she’s free to continue working. And that even includes traveling to British Columbia for roles. The only caveat of that is, she’ll have to surrender her passport in December. Rachel was also set free shortly after she was booked—mind you, she was charged with first degree theft by welfare fraud and second-degree perjury. She pleaded not guilty to both these charges. Now, do you think any sista who’d committed these crimes would have walked out of jail like Nkechi, I mean, Rachel did?

So, I’ve said all that to say this: the people who love white male patriarchies more than white men, ARE WHITE WOMEN!

BLACK FEMINIST/WOMANYISTS, PLEASE TAKE NOTICE!!

I understand that collegiate Black women may befriend white girls who seem very sincere to their feminists ideologies, but once they graduate, they’ll be looking for a white guy to insert them into the comfy confines of white privilege.

AND DON’T TAKE MY WORD FOR IT—JUST ASK THE OVERWHELMING MAJORITY OF PEOPLE WHO VOTED FOR DONALD TRUMP—AND IT’S NO COINCIDENCE, THAT THEY JUST HAPPEN TO BE WHITE WOMEN!

And like Sam L. Jackson said in Spike Lee’s classic movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

P.S.

Here’s a vid clip showing how hard Rachel’s working to convince herself and everyone else that she’s a sista—which goes to prove that if you repeat a lie long enough, it’ll become a truth—at least to you. *Note: check out what happens when a journalist asks Rachel to confirm if her parents are Black.

P.P.S.

If you wanna’ check out the website that shows how the majority of the people on welfare in america are white, you can do that HERE.

 P.P.S.

And for y’all who’re wondering—here’s where I got this saying from…

The Gospel of white fascism (Part 41)...What do Michael Jackson, R. Kelly, Terry Richardson, The TV show "To Catch A Predator", the Catholic Church, MK-ULTRA "programming", Britney Spears and Amy Winehouse all have in common?

“Give me a child until he is seven and I’ll show you the man.”

—Jesuit proverb

To the (consistent) readers of this blog: The TV show, “To Catch a Predator”, first aired in 2004—and for those who’ve never heard of this series, it involved an undercover “sting” operation, to assist an on-line watchdog group called “Perverted Justice”. Moreover, the premise of this show was to have online adult decoys posing as underage children (basically between the ages of 12 to 15), who’d bait pedophiles to targeted locations for sexual encounters.

Now, the show starred Chris Hansen, an investigative journalist for the news magazine program, “Dateline NBC”, and he would be the one speaking to said sexual “predators” and informing them they were on this show, before cameramen came from behind background sets, to reveal themselves. Now, the first of these “stings” happened in Bethpage, Long Island, right outside New York City. The segment was actually called the “Dangerous Web”, on Dateline NBC, and the home this operation was set up in, lured 18 men to its location in a 2-and-a-half-day period. One of these men was a New York City fire fighter, who was “fired” (no pun intended), from his job after the show aired.

A couple of years later, this show became NBC’s “cash cow”, beating out established TV series like “The Office” and “The Apprentice” in ratings for 2006 especially. Then allegations of “entrapment” began derailing this country’s court systems from prosecuting these pedophiles. And eventually, in 2008, NBC pulled the plug on this show behind an assistant district attorney, Louis Conradt, killing himself with a gunshot to the head, in Rockwall County, Texas, after he was caught talking to and exchanging pictures with a Perverted Justice volunteer posing as a 13-year-old boy.

Now, that’s what white fascists have told us—but let me tell y’all the real-real reason for this show’s cancellation.

As anyone reading this blog for a hot minute knows, whitey’s always gotta’ keep a Black face, especially a Black male face, on crime—lest the national stats showing that they’re committing the majority of this country’s crimes, across the board, becomes common knowledge. Now, in regards to NBC’s To Catch a Predator, everyone was seeing that 99.9% of this show’s pedophiles were white men. Not only that, but when they started busting white school teachers, doctors, lawyers, and then an assistant “D.A.”, they were getting too close to the elitists who practice pedophilia not only for pleasure, but as a ritualistic method of maintaining the american social order’s status quo (and I’ll say more on that towards the end of this post).

You see, the freemasonic term, “Ordo Ab Chao” (Latin for “order out of chaos), shows how white elitists think that the best way to control any organization, or organism, is through a steady process of destabilization. Meaning, fascists feel a need to control a person, or a large group of persons (especially in terms of getting them to commit illegal or immoral acts), by inflicting some kinda’ trauma on a wide swath of adolescents. Knowing, that after a few decades, they’ll have a fresh pool of unscrupulous adults to choose from, who’ll be more than willing to do just about anything for a dollar. Thus, why I used the Jesuit saying that precedes this post.

Moving on…

Now, it was last year that I began seeing the “Capitol One” TV commercials featuring the Michael Jackson song, “Don’t Stop Til’ Ya’ Get Enough”. And from what I heard on the street and saw on the internet, I wasn’t the only one appalled by Capitol One’s cavalier exploitation of Mike’s masterpiece—but beyond that, it got hordes of people wondering, who owns Mike’s song(s)? And who sanctioned this tune’s use?

And to top all that off, the HBO documentary, “Leaving Neverland”, that aired on March 3^rd of this year, and its director, Dan Reed, threw every resource at convincing the public that Mike was a notorious pedophile, even after he was tried and acquitted of child molestation charges in 2005, in a Santa Barbara, California Superior Court.

So, what I’m gonna’ do with this post, is provide indigenous Black men and women with a comparative analysis of why Michael Jackson and R. Kelly are being targeted by white fascists with these slanderous campaigns of propagandized pedophilia, and in Mike’s case especially, the reason(s) for the timing of these campaigns.

With that said, I ask for you kind indulgences (one mo’ time) while I unpack my thesis on these events. And as always, I’m writing with y’all in mind, so, I’ll make every effort to ensure this editorial provides you with a comfortably fluid read.

Now, with that outta’ the way, let’s get into plucking the truth outta’ the dastardly double-standards whitey’s got reserved for our diaspora.

—MontUHURU Mimia

First off, I can’t speak about the fallacious accusations that whitey’s perpetuated against Michael Jackson, without referencing the circumstances around Mike’s death—so let me just state this straight-out…

MICHAEL JACKSON WAS MURDERED Y’ALL!

PERIOD!

Why you ask?

Welp, for that answer—let’s harken back to Mike’s last official “studio” album…

Mike’s “Invincible” album, was released on October 30^th, 2001 on the Epic Records label. It included tracks like: “Butterflies”, “Cry”, and “You Rock My World”. Now, everyone reading this needs to remember, that this album came out when there were still retail records stores in the U.S. and the managers of these stores were complaining that whole shipments of Mike’s Invincible album weren’t being delivered to them. See, Sony executives (who owned Epic Records), and their white fascist handlers, were peeved behind Mike owning the Beatles music catalog, which had several other music catalogs within it—and one of those other catalogs contained Elvis Presley’s music. *Side Note: One of the other publishing catalogs that Mike owned was Little Richard’s music (if you don’t know who he is, google him), and reportedly, Mike gave Rich back the rights to his music knowing how he’d been cheated by record execs all throughout his career. Mind you, behind Sony execs being miffed about Mike’s catalog ownership, they made sure the Invincible album was not only understocked in stores, but they purposely “under-promoted” the album.

And if you’re asking why they’d do that, here’s the reason—these execs did whatever they could to ensure that this album was a flop. So, when the album tanked, these same execs came to Mike and said, since the album didn’t perform up to their standards, Mike still owed them several million dollars for Sony’s marketing campaign. And they also said, since Mike (allegedly) owed them so much money, they’d take his catalog and call it even. But Mike being the smart businessman that he was said, well, that makes no sense, cause my catalog is worth more than my debt to you. Then Mike thought, well, I’ll go back to performing to get up Sony’s money. Thus, he announced the “This Is It” tour (2009).   

Now, here’s where the plot thickens—Mike was only supposed to play 10 shows on the This Is It tour, but tickets sold out so fast, that promoters added 40 more dates to the shows. Then Sony execs thought, wait a sec’, if Mike plays these dates he’s not only gonna’ get outta’ debt to us, but if he takes this show on the road, he’s gonna’ make a profit. Then they said amongst themselves, the only way we’re gonna’ get that catalog back, is to kill him.

Enter Conrad Murray (left), the freemasonic doctor tasked with concocting the lethal medicines that killed Michael Jackson. And in his pic you can clearly see the freemasonic “sash” he’s wearing, identifying him as being down wit’ his masonic frat brothers (and you can compare Conrad’s pic to the white freemason who’s in full regalia)

So, the question still stands: even after they killed Mike, how’d Capitol One get to use his song?

Aiight—let’s get into that right quick…

So, according to what I’ve seen of Mike’s official “Last Will and Testament”, 20% of his “estate” was left to “children’s charities”—and those charities were chosen by the sole discretion of the executors of the estate, those being: Katherine Jackson (Mike’s mom), and co-trustees, John Branca and John McClain. And after said 20%, the estate’s assets, payments of estate taxes, medical bills, funeral expenses, attorney’s fees, and other costs incurred in distributing Mike’s funds, the rest of Mike’s assets were to be distributed equally (50%) between Mike’s children (Prince, Paris, and Blanket) and Kathy Jackson.

And for those wondering who the two “John’s”, or co-trustees are—here’s the skinny on them: John Branca is one of the most prominent entertainment lawyers in the music industry, and John McClain is a record executive who was associated with A&M, Interscope, and Dreamworks records—and he was Jermaine Jackson’s former high school classmate.

So, if Mike’s mom was the person who was (pretty much) solely in charge of Mike’s estate, how did Capitol One, get their grimy paws on Mike’s song? Here’s the answer…

In 2016, Sony bought back the rights to Mike’s catalog, to the tune of $750 million dollars. Now, I know for a fact that Kathy Jackson, Mike’s Mom, wouldn’t sell out for that amount of money, cause she’s business savvy enough to know that the catalog is worth more. However, rumor has it that Kathy isn’t in good health. Besides the fact that she’s 88 years old, reports say she may be bedridden and unable to speak behind a stroke she suffered a couple of years ago—and, it’s also said that Joe Jackson’s death in 2018, further contributed to her deteriorating condition. And with Joe gone and Kathy’s health being in dire straits, the next in line to administer Mike’s estate, are the “two Johns”—who’re both music executives.

So, we can thank them, for Capitol One telling us we shouldn’t stop shopping “’til we get enough” with their card(s).

Now, in regards to the “Leaving Neverland” HBO documentary, both of Mike’s accusers (James Safechuck and Wade Robson) confessed that Mike NEVER MOLESTED THEM. Now, years later, they’re changing their story, saying that they were just tryna’ protect Mike. But here’s my question, how fast do you think white parents would have sued Mike if they even thought he’d molested their children. Do you think they’d pass up a chance to bilk Mike outta’ every dollar he had? And if you’re one of those negroes who thinks whitey always operates on a moral high-ground when it comes to these matters, think about what (recently) happened to Bill Cosby.

Moreover, with R. Kelly, my question is, where were the parents of these young women who were having these assorted trysts with the R&B star?

Now, don’t get me wrong, I’m not condoning sexual assault—IF AND WHEN IT HAPPENS—but what’s going on here are media-fueled, legalized lynchings that seem to be meant for entertainment purposes only.

Moving on…

Terry Richardson (left) is a famous fashion and portrait photographer whose curated campaign ads for the likes of Yves Saint Laurent, Marc Jacobs, and Tom Ford. And his pics have been featured in several commercial magazines like GQ, Vogue, Vanity Fair, Harper’s Bazaar, Rolling Stone, etc.

Now, not only has Terry been accused of sexually assaulting several models during his fashion shoots (so much so that the NYPD’s “Special Victims Squad” has an on-going investigation related to his accusations) but this man is notorious for his obsession with taking pedophilic pictures. And these pics (below) are just a sampling of his assorted smut reels. For example, we see Terry’s picture, where he’s got one of the Olsen twins looking like an abused child (or a heroin addict), then we have Britney Spears, looking like a hyper-sexualized adolescent (notice the Teddy Bear), and we round this triptych off with Amy Winehouse cowering in a corner, like she’s being ritualistically abused (more on that later, and you can click on this pic to enlarge it).

And one mo’ thing that distinguishes Terry from many photographers is—he’s a well-known (at least in freemasonic circles) MK-ULTRA “handler”. Now, for the uninitiated, MK-ULTRA is a mind control program propagated by the CIA, where drug use and other procedures are used to weaken an individual and force them into confessions through mind control techniques. Now, in the case of Terry being a “handler”, he’d be the holder of mental “keys” for several celebrities who’ve been “programmed” to respond to certain words, phrases, colors, or symbols, that keep their actions in alignment with freemasonic/white fascist agendas.

Now, when I mentioned that Amy Winehouse looks like she’s being ritualistically abused in Terry’s pic, and when we see her wearing the Mickey Mouse ears (center pic above), these photos tell us that she was subjected to a specific MK-ULTRA curriculum called “Mickey Mouse programming” (google this if you don’t believe me). Mind you, the “rehab” Amy was saying “no, no, no…” to in her song, wasn’t a drug rehab, but a traumatizing punishment ritual MK-ULTRA victims undergo, where handlers more than likely place electrode pads on the heads of the victim, to literally shock them into submission and obedience. This was the reason that Britney Spears shaved her own head when she had a mental “breakdown”—cause she figured, if she was bald, her hair couldn’t hide the scars caused by her “electrode rehab”, if that’s what they’d subject her to.

But we really can’t have a conversation about pedophilia, without talking about the Catholic Church (CC).

Long story short, the CC settlements for reported sexual misconduct and pedophilia has cost them over $3 billion dollars—yep, that’s billion with a “b”. And literally hundreds of their churches are filling for bankruptcy behind what they’re now calling the “Clergy Abuse Crisis”.

So, I’ve said all that to say this: if you’re an indigenous Black man or woman reading this post, think for yourself before you follow the court of popular opinion. What whitey’s doin’ is covering up the fact that more and more of the insidious pedophilic workings of their institutions are coming to the fore—and there’s nothing they can do to stop it. So, they’re essentially PROJECTING their debaucherous predilictions onto us. In other words…

DON’T BELIEVE THE HYPE Y’ALL!!

Cause whitey’s workin’ steroidal amounts of damage control, on a wrecked reputation that DOESN’T HAVE A CHANCE OF BEING REPAIRED!

And like Sam L. Jackson said in Spike Lee’s movie, “Do The Right Thing”, “That’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

P.S.

Here’s a clip of Mike wit’ Al Sharpton—just watch y’all!

The Gospel of white fascism (Part 40)...Donald Trump, gov't shutdown(s), falling incarceration rates, the criminality of Black economics, and the acculturation of drawing order outta' chaos...

“It’s been a long time, I shouldn’t have left you without a strong rhyme to step to, think about all the weak shows you slept through—time’s up, I’m sorry I kept you.”

—Rakim, from the song, “You know you got soul”

“The rift between Black men and women is irreparable, and the campaign to save the Black family is officially dead.”

—a comment made on my Blog, by a “Pro-Black” sista, named Monique, in 2014

“…THERE IS NO RECONCILIATION WITHOUT ATONEMENT; until they (Black women) can confess to and suffer the consequences of screwing us (Black men) over, there’s no use in talking about ‘Black Love/Black Unity’.”

—a comment made on my Blog, by a (brilliant) young brotha, who’s a “Black Men’s Rights Activist”, named “Kev” in 2017.

To the readers of this Blog: Beyond apologizing for letting life “thangs” get in the way of my obligation(s) to post weekly editorials here, I must confess, that sometimes, I feel like a fool for betting on (as corny as it sounds) “Black Love”. And mind you, the above comments (with the exception of the song lyric), are only the tip of the iceberg, when it comes to the glacier-sized insidiousness of our people’s self-hatred. But trust me when I say, that even though I consider these comments to be completely erroneous, I definitely see where this brotha and sista are coming from.

And with that said, here’s why I can’t subscribe to their points of view…

Now, this is the part when you’re probably thinkin’, okay, he’s about ta’ wax philosophic on looking at Black dysfunction(s) in the context of the white fascism that created them—or, he’s gonna’ preach a sermon ‘bout the importance of home-schooling our children…

Actually…no.

At least, not right now. *smiles*

But I will admit, that the reason I’m ultimately bettin’ on US is, I’m a bit biased. And let me expound on what I’m talkin’ about, ‘cause I’d be doing the family a disservice If I didn’t say this about myself. I grew up with Black parents who stayed married for 40 years. Mind you, their marriage wasn’t a blissful love affair throughout—actually, it was quite rocky at times, nevertheless, the “Black Love” (again, for lack of a better term) paradigm, is one I saw modeled in front of me, for the greater part of my life. So, when it comes to the prospects of Black men and women being together, I know it’s possible—mind you, not entirely probable, but possible. I do understand that the majority of modern-day Black men and women, want nothing to do (romantically) with other Black men and women. So, if you’re an indigenous Black person reading this, who genuinely wants to be in a relationship with one of your own kind (mind you, not in the context of being with the same sex) then you must understand, it truly will be a needle-in-the-haystack search. 

I also understand that the overwhelming majority of people who read and/or comment on this blog, are coming from a household that looked nothing like the one I grew up in. Mind you, I’m not saying that to gloat or boast about my homelife, but I will say, because of my upbringing, that my thinking (especially about US) is different.

Meaning, because I saw a Black man and woman together for most of my life, it doesn’t seem like such an idealistic pipedream for me. Conversely, I still do understand that there’s an element of idealism I’ve gotta’ maintain, if I endeavor to date and possibly marry a woman who looks like me.

Now, I also wanna’ comment on one fundamental part of the whole Black self-hating experience/experiment—and it’s the one I find the most distressing—it’s when any brotha or sista has the audacity to say…

I don’t know what it is about Black people, that makes us unable to work together like everyone else.

And let me just say, if you subscribe to this point of view, then you are wHITEY’S “PERFECT VICTIM”.

Why, you ask?

Here’s the answer...

If you as a Black person, don’t realize, on some level, that we have been worked on more than any other kind of person to hate ourselves and everyone who looks like us, cause we have the most genetic power(s) to breed whitey out of existence, than you (as a Black man or woman) have been SLEEP-WALKING YOUR WHOLE DAMN LIFE!

Meaning, when a Black man or woman utters this sentiment, and doesn’t understand why we’re seemingly more dysfunctional than other folks, I just shake my head—cause I’m thinkin’, which country have you been livin’ in for the past few decades?

To me, these people are like abused children, who don’t realize they’ve been abused. Or better yet, they’re like MK-ULTRA (mind-control) victims who’ve been programmed with psychic “alters” around their trauma, so they can consciously forget what’s been done to them.

Like I’ve said in the past, NONE OF OUR DYSFUNCTIONS ARE NATURAL TO US!! NONE OF ‘EM!! THEY’VE ALL BEEN CONDITIONED INTO US BY THE wHITE FASCIST SOCIAL ORDER(S) WE LIVE IN!

MEANING: NO OTHER GROUP OF PEOPLE ARE TAUGHT THAT THEY’RE THE DUMBEST, UGLIEST, AND POOREST PEOPLE IN THE WORLD, BUT US!

AND IF YOU DON’T KNOW THIS, YOU’RE DOOMED TO HATE YOURSELF AND EVERYONE WHO LOOKS LIKE YOU FOR THE REST OF YOUR LIFE!

Now, is this an excuse for us to stay in our dysfunctions?

HELL NO!

But the first step in resolving any problem, is knowing that you indeed have one—and KNOWING ITS CAUSE!

Mind you, I was speaking to a brotha on this very same topic, and he told me that he knows what whitey did to us—before telling me, straight out: “I don’t care about the cause!”

So, what he (and other Black folks like him) are doing, is giving whitey a pass for all the dastardly things he’s done to our people. Needless to say, I’m not around that guy anymore.

And it’s with this (sentiment) in mind, that I’m writing about what really inspired Don Trump (and his white fascist handlers) to shut the american government down. Also, I recently came across an interesting factoid that I must share with the family: american census bureau data from the years of 1994 til’ 2006, shows that incomes of Black americans, surpassed those of white americans in Jamaica, Queens, NYC.

And this is the community I grew up in.

Additionally, being from Jamaica, Queens, I remember going to school with Damon John who created the “FUBU” fashion line. And I recall actually seeing LL Cool J, Run, from “RUN-DMC”, and being old enough to realize that Ja Rule lived 20 minutes from my house—and so did Irv Gotti, the music executive behind “Murder Inc.” records. And mind you, I’ll leave a link for the New York Times article(s) that’ll corroborate my community’s economic status.

Moreover, I remember attending high school in Jamaica, Queens, and how I was taught by a white teacher, that asains (especially fair-skinned asians) were harder working (and smarter) than my people would ever be. Mind you, I recently came across another article proving that asians are the poorest ethnic group in NYC (and I’ll leave a link for that too). And these kinds of economics are the central issues I’ll be tackling in this post. And might I add, looking back on this info. infuriates me, ‘cause if facts like these were readily available to me and my friends (like crime was on the local news), so many lives in Jamaica, Queens could’ve been saved behind us feeling empowered by our community’s financial state(s) of grace.

With that said, I’m askin’ (one mo’ time), for your kind indulgences, behind this post running a bit longer than usual and behind this topic being a bit dated. And as always, I’m writing wit’ y’all in mind, so I’ll do everything I can to make this a comfortably fluid read. And once again, I encourage your feedback, as this space was created to not only give a voice to our problems, but to offer solutions to them.

And lastly, for the intrepid amongst you who made it a point to visit my Blog while I was away, I say (again), thank you, thank you, and THANK YOU!

—MontUHURU Mimia

Gordon Parks, the quintessential portrait of an indigenous Black renaissance man (meaning, he was a writer, photographer, musician, and film director) wrote and directed his film, “The Learning Tree”, in 1969. Now, this movie was based on Gordon’s novel of the same name, and it’s basically a retelling of the travails Gordon himself suffered, growing up as a young Black man in a small Kansas town in the pre-Depression era of the 1920’s. Mind you, having seen this movie, a couple of times, I can say that it’s a quaint dramatization of living under the tyrannies of white fascism, but Gordon was smart enough to realize that something was amiss with this flick.

And he came to this conclusion after the Melvin Van Peebles movie, “Sweet Sweetback’s Badass Song” hit theaters in 1971. Gordon saw that Sweetback (played by Melvin himself), was a brotha who dared to beat up corrupt white cops and think he could get away with it—and did at the movie’s end. Gordon also saw how Sweetback got mad love from brothas and sistas on the street, ‘cause he was a man who refused to shuffle and buck-dance for whitey. Gordon also dug how Sweetback’s movie persona gave us some pride. And as Melvin himself said, “I wanted my people to leave that movie with their heads up.”

Thus, taking a cue from Melvin, Gordon came out with the film “Shaft” in 1971. Now, the movie Shaft took a 180 degree turn from “The Learning Tree’s” (TLT) narrative, insomuch as John Shaft was not only a one-man army who took on white mobsters, but he defeated them at the end of the flick. And again, this was in stark contrast to the Black townspeople of TLT, who seemed altogether deflated and defeated. Now, Melvin’s “Sweetback” and Gordon’s “Shaft”, are the 2 movies that kicked-off what was known as the “Blaxploitation film” era of the 1970’s. And some of those flicks had names like “Hitman” (1972), “Black Caesar” (1973), “The Spook Who Sat by the Door” (1973), “Three the Hard Way” (1974), ”BuckTown” (1975), etc. And the common theme running through all these films were Black men beating the hell outta’ white cops, or any other kind of white male authority figure. Additionally, these films saved the failing american movie studios in the early 70’s.

Now, these films weren’t only a source of entertainment, but they gave a lot of Black people, and Black men especially, boatloads of inspiration to stop being abused by white bosses and get better jobs, or to start creating their own independent businesses, period. Now, even though whitey was caking off behind our patronage of these kinds of movies, he was thinking, wait a sec’—if these people see too much of these flicks, they might stop fantasizing about retaliating against white cops, and start taking up arms against us. That’s when white fascist freemasons like Jesse Jackson, coined the phrase “Blaxploitation”, and gave it to these movies for the expressed purpose of getting rid of them. Which they eventually did.

Mind you, those films were but one factor that contributed to the median household income of Black americans nearly doubling in the 1970’s. The fact that more of us were obtaining college degrees also gave our collective salaries a boost. And there’s tangible research to back this up by organizations like the “Economic Policy Institute”, who crunched the data and showed that during the years of 1968 until 1979, the “inflation-adjusted” annual income of Black americans increased by 42.8%, and mind you, that slightly outpaced typical income growth for white households during that same period, since their increases only totaled 36.7%. To top all this off, the song “Ain’t No Stoppin’ Us Now”, by the singing duo, McFadden and Whitehead, encapsulated the aspirational zeitgeist and upward mobility of Black americans of that era.

And, as a matter of course, this scarred whitey’s fascist sensibilities. Thus, in the Reagan 80’s, we got the lethal troika of “Reaganomics”, Crack and AIDS, to eradicate any progress our communities had made.

Fast forward to 2018—Now, instead of Reagan, we got good ol’ Don Trump shutting down the american gov’t behind Dixiecrats, I mean Democrats, and Republicans being unable to resolve an ongoing standoff regarding Trump wanting $5 billion dollars to build a border wall to keep undocumented latinos out. Hey, serves Julio and ‘em right for thinking they’re “whiter” than us.  

Now, no diss to the twenty-somethings out there, but it’s times like this when I think, man, I’m glad I’m older. Reason being, is wisdom affords middle-aged folks like myself, an even-temperedness and conflict-resolving temperament that only comes with age. Meaning, I recognized this “border wall” dispute for the white fascist maneuvering against Black folks that it really was. So, I instinctively knew that if whitey’s engaging in these kinds of destabilizing methods, 3 things must be happening—and those are:

#1. Crime rates must be down.

#2. The collective income of Black americans must be up.

#3. And lastly, more Black americans must be going to college.

But ultimately, this was just a collective hunch, until I could back it up wit’ some research—so, here’s 3 mo’ facts I found when I did just that…

#1. In the case of overall crime rates in america, according to FBI stats, violent crimes have fallen 49% between 1993 and 2017—and according to the “Bureau of Justice Statistics” (BJS), violent crimes fell 67% during these years. Additionally, FBI stats say “property crimes” have fallen by 50%, and BJS stats say these crimes have fallen by as much as 69% during the same time. Mind you, property crimes include burglary, theft, and motor vehicle theft—and they’re far more common than violent crimes.

Now, scores of statisticians have waxed philosophic about what brought this dip in crime about. And some common, working-class folk are reluctant to believe these stats saying, “Crime ain’t down in my neighborhood.” But regardless of what anyone believes, the bottom line is this: less crimes, means less arrests, which might mean less incarcerated Black men—and that’s surely a problem for white folks and fascists everywhere. However, I’ve come up with my own theory, and it goes a little something like this: 2 things are contributing to (Black) crime rates falling so precipitously, and those are…

A. More than anything else, the explosion of white drug use in america (a.k.a. the “opioid epidemic”) has swelled america’s prisons with more white inmates at alarming levels. Understand, the same drug laws that put Black men behind bars for multiple years, are now being used to sentence their own kind—so whitey’s being forced to concentrate more on whitebois in a system set up for Black men—but instead of pointing this out, they’d rather cover it up by saying crimes, where we usually find them (in Black neighborhoods), are down. And truth be told, the majority of drug use in Black neighborhoods involve us selling narcotics to the whitebois coming to our ‘hood to get ‘em—even though stats bear out, whitey’s the ones doing the majority of the drug selling too.

B. Under the Barack Obama presidency, unemployment rates dropped by 4.8% overall, and the economy gained 11.6 million jobs—and this is the same low unemployment rate that good ol’ Don Trump is saying he’s responsible for.

So, bottom line is, Black americans are using less drugs (especially compared to whites), and more of us are working—which means, at least half of us are NOT out committing crimes.

#2. In the case of median incomes for Black americans, the “Brookings Institute” conducted a study showing that the household incomes of 125 communities in “majority-Black” cities actually “outpaced” the national average for ALL american ETHNIC GROUPS. Mind you, the national average for american household incomes (annually) is $53, 889—and this data comes by way of the “American Community Survey” of 2015. And according to the survey, the Black communities that are doing exceptionally well seem to be concentrated in the state of Maryland—meaning, the largest of these thriving neighborhoods is in Waldorf, MD. (earning a median income of $81,592) with a population of 71,399 residents, and Highland Beach, MD. with a smaller population of 110 residents, earning the highest median income for Black americans overall, at $158,750 annually.

Now, once again, I must confess, THIS IS WHY I LOVE BEING A BLACK NATIONALIST! Cause if I was just an anglophilic kiss-ass of a Black man, I’d be conditioned into thinking that our people are the poorest, dumbest, and ugliest people in the world—and that’s wHITEY’S PLAN FOR US Y’ALL!!

So, if you encounter a brainwashed brotha or sista who’s calling us folk in the “Black Conscious Community”, a bunch of stupefied “pro-Black” “Hotep-pers”, just give ‘em a facepalm and keep it pushin’. Let ‘em stay stuck in the morass of deifying white folk—'cause truth be told, they’re happier feeling inferior to those pale-skinned dead-enders.

Moving on…

#3. The American Council on Education crunched numbers to show that there’s not only more Black men in college than in prison, but it shows how this has been a fact since the year 2000 (at least). And I’ll leave a link for their website too. Moreover, since 2008, incarceration rates for Black men have been DECREASING. And that means what? It means, more Black men are not only out of jail, but (according to these stats) more of us are educated and gainfully employed than in previous years—and whitey don’t like that.

Now, I’m gonna’ sound like a broken record here, but the reason good ole Don shut this gov’t down is not only for the 3 reasons above—it’s because WE HAVE THE MOST GENETIC POWER TO BREED THESE INBREDS OUTTA’ EXISTENCE! AND AS WE SPEAK WHITEY’S COMMITTING SUICIDE LIKE CRAZY, OVERDOSING ON DRUGS IN DROVES, AND THEIR BIRTHRATES HAVE FALLEN BELOW REPLACEMENT LEVELS OVER THE COURSE OF THE LAST FEW DECADES!

And to put it in more layman’s terms: THEY FINISHED Y’ALL!! IT’S A WRAP FO’ ‘EM!!

Now, does this mean whitey’s got no more power?

HELL NO!

But it does mean that they see the end is near—AND THEY CAN’T STOP IT! NO MATTER WHAT THEY DO!

So, the indigenous Black people of the world should feel empowered and emboldened to “UNIFY” NOW, MORE THAN EVER! Cause whitey also sees that their fall means OUR RISE! And they also realize that whatever they do to us, WILL ALSO AFFECT THEM!

MEANING, THE DEVIL’S TIME IS UP Y’ALL!!

AND IT’S ABOUT DAMN TIME!

WELCOME TO 2019 FAMILY!!

Later…

MontUHURU Mimia

P.S.

You can check out stats that show the incarceration rates of Black men are down HERE.

P.P.S.

You can check out stats showing that a large number of Black america’s communities have median incomes outpacing other ethnic groups HERE.

P.P.P.S.

You can read up on the exalted economic status of Black communities in Jamaica, Queens HERE.

Also, if you wanna’ see the news article showing that asians are the poorest ethnic group in NYC, you can check it out HERE.

Lastly, here’s the song, “Ain’t No Stoppin’ Us Now”, by McFadden and Whitehead. Now, this vid clip is one of an episode of “Soul Train”, where the singing duo performed this song. I just ask that you don't laugh too hard at the flamboyantly gay men dancin’ to this tune—ENJOY!