And you know I could keep going... Recently, I was in the library once again, and while I was between book racks, I overheard two white guys conversing. I was poring over Randall Robinson's book 'Quitting america': A Black man's departure from his native land; and for the uninitiated, Randall founded the TransAfrica forum, which exposes the dastardly foreign political deeds of the western powers regarding their African agenda. He's also a Harvard Law graduate on top of his being a fine political activist and author.
I shamefully admit, I still haven't read Randall's classic book, 'The Debt': What america owes to Blacks, about mandating reparations for the diaspora; but I definitely will soon. Anyway, one of these guys was saying, "...yeah, we were working on the project later than usual and decided to order in some pizza; we cut on the tube, and me, Bob and my friends wanted to watch 'The Walking Dead'. But all the Black guys wanted to watch the 'All Star Game'; and some how, we got outvoted. So we watched that insipid game all night." Insipid game? Compared to what? An even more insipid fictional drama about some damn zombies? I then thought about the proliferation of zombie and vampire flicks I've seen come to movie theaters, TV and even live theater in some cases. It made me pose the question, why do white people obsess so much over zombies and vampires? Do we really need a new zombie or vampire movie every year to keep these people's appetites sated? Then it hit me...you know how whites always steal everything from Black people culturally? Like how we dance, sing, dress and talk. The reason they're so prone to doing that is, they don't have any kind of spiritual foundation to create anything cooler themselves.
This reminds me of Oprah's 'Legend's Ball' back in 2005; where she held a celebration of celebrity Black women and invited a gospel choir for the entertainment. Now, there were some white folks in the audience, as is mandatory for any Oprah gathering, but when BeBe Winans went into the audience and passed the mic to the likes of Shirley Cesar and Patti Labelle, they started taking the audience spiritually higher; and white folks were wondering what was going on. 'Cause their pale skin is not only devoid of melanin, but it causes them to only reach the very lowest of spiritual levels.
Whitey got shook, 'cause we were taking them places they couldn't go.
This also reminds me of a white guy I know who swears up and down that Eddie Van Halen is the greatest guitarist who ever lived (If you don't know who he is, google him). Now, I know Eddie's no slouch, but when I mention Jimi Hendrix to this guy, he automatically says, "...oh yeah, well, he was very innovative, but I think Eddie had more technique...and he outlived Jimi by decades."
Firstly, Eddie is a virtuoso guitar player, and his techniques are and were very revolutionary; but anyone studying guitar over the course of years could very well pick up his techniques if they really tried.
Jimi's techniques for his creative use of the guitar's 'feedback', has everyone to this day shaking their heads, like, how'd he get those sounds out of the guitar? And what white people can't fathom, is Jimi was infusing his 'spirituality' into his guitar playing; i.e. his intrinsic knowledge of our people's Black spiritual sciences...and that's something you can't teach.
"Well I stand up next to a mountain, and chop it down with the edge of my hand...'cause I'm a VOODOO CHILD..." --Jimi Hendrix
As for Eddie outliving Jimi, the white guy probably doesn't know, or wouldn't believe, that Jimi Hendrix was murdered.
Moreover, Jimi's white manager had a hand in his murder.
So, it's now crystal clear to me why whites love zombies and vampires so much; its 'cause these lukewarm-fleshed, spiritually vacant and highly homicidal creatures, remind them of themselves.
And we as Black people need to remind ourselves that this is who they truly are; and this is why they're incapable of doing anything but causing destruction wherever they go.
And for the people saying not ALL whites are like that...I didn't say ALL OF THEM WERE.
I'm just relating to you how 99.9% of them are.
And if you don't believe me, hang around them for a couple of days, months or years...eventually, they'll show you their real selves.
And no Black person should be shocked by what they find. Later, MontUHURU Mimia P.S. For those of you who thought I forgot to mention Wesley Snipes in the movie 'Blade'; I haven't. I didn't include that here because after 'Blade' was successful, white executives sabotaged the film by giving more face time to Wesley's white co-stars in the sequels. So much so, he sued them for that and for wages he was owed and never received.
If you'd like to read more about that, you can see this Blog's short bio on Wesley Snipes here.
P.P.S.
Here's the vid for the Oprah's Legends Ball 2005, where she had whitey shook over where our melanated minds could take us spiritually.
Note how Maria Shriver (white woman at the beginning of the video with her daughters), says when the singers started passing the mic around, "I hope they don't come near us."
This is nothing less than our people's 'spiritual ingenuity' at work... Enjoy!
The other day, I watched the movie 'Flight' starring Denzel
Washington.
For the uninitiated, this movie is about Denzel being a
drug-addicted, drunk of an airplane pilot, and how a botched flight he
was at the helm of goes down and crashes. After surviving the
accident, Denzel's character is hospitalized and told by his
airline's officials that not only is everything alright, but because
only six people out of 109 perished, Denzel's character, will be
hailed as a hero (or Heru--the word 'hero' comes from our ancient Black deity 'Heru').
Moreover, when Denzel is piloting the plane, his
co-pilot is portrayed by some emotionally constipated looking white guy. Now, this fellow not only looks like the poster child for sobriety, but his
starch-pressed, ultra-bright, white shirt, is used to symbolize how whites
have a higher moral standard than us dastardly Black people
(Cinematic Symbolism).
Unfortunately, the Heru/hero worship is short lived.
The cocaine and drinks in Denzel's character's system,
shows up in a toxicology report before Denzel has a chance to fully
convalesce from his wounds, and he sees the public's hero worship turn
to hatred for his having flown impaired.
Now, I'll admit that I haven't seen this flick in it's entirety. So maybe some set of circumstances redeems Denzel's character and he gets his good name back, but I wouldn't bet on it. And in the first two minutes of this film, we see Denzel in bed with a woman while talking on the phone with his ex-wife, about child support payments. This is meant to cast him from the gate as an unscrupulous low-life.
Now, there's another scene in this film where Denzel is in a
hospital robe, and he literally shows his ass. This inevitably reminds
us, or is meant to remind us, of when Denzel was shot in the ass in
the movie 'Training Day'.
You see, for the white elites, Denzel was a little too
virtuous for a Black man. So his image had to be tainted. When Denzel did such a fantastic job in Malcolm X, which is my favorite role of his (and it's my favorite Spike Lee film, by the way), Denzel was seen as much too morally upstanding.
The fact that he was also on People magazine's cover as
the 'Sexiest Man Alive', meant his image had to be soiled, less
he makes white guys look less desirable.
But beyond these things, here's what really made Denzel so abhorrent to white elites:
1.) Denzel is a rich Black man who married a Black woman.
If for no other reason, this is why the elitist inbreds had to assassinate Denzel's character. 'Cause white fascists definitely don't want the Black diaspora sharing resources with themselves. They want EVERY rich Black man to share his wealth with a white woman, so eventually, that money goes back to their community.
2.) Denzel was a Black father who produced Black children and stayed with his kids.
White fascists really don't want Black men and women producing any more
pure bred, or pure-bred looking, Black children, cause they'd have the most genetic power to breed whites out of existence.
3.) In the movie 'Pelican Brief' where Denzel starred alongside Julia Roberts, he said he wouldn't kiss Julia, because he didn't want to upset his Black female fan base.
THIS WAS BEYOND RIGHTEOUS!
'Cause not only was Denzel saying he was completely down for Black women, he was also making white women look less desirable to Black men.
And you know white fascists can't have Black men looking at white women for the pale-skinned, stringy-haired, flat-assed, less curvaceous, superficial, and less intelligent women, they really are. Black men have to be kept doting on white women, less a trend starts where every rich Black man would want to marry a Black woman. Heaven forbid.
And notice how in the majority of his films, Denzel's love interests are usually white or fair-skinned women. Again, these inbreds don't sleep when it comes to their agenda.
So films like 'American Gangster' are being used to
criminalize Denzel's once squeaky clean image. Andlinking him to an
infamous drug peddler was a win-win as far as white fascism goes,
'cause it not only knocked Denzel off his moral high horse, but it kept a Black
face on drug dealing. Cause any sane person should know how Black
people don't own or operate the planes and boats that fly and float
these drugs into the country.
American Gangster's Frank Lucas character also portrays
a Black man going to southern asia to get a more potent drug product. So this makes it look like Black men are the ones who actually have a
strong hold on the international trade. But if you wanna' find out the truth about
the people who mostly run the drug trade, you might wanna' rent a
documentary called 'Cocaine Cowboys'...and I'll give you a hint about the people in it...they're not Black.
You could also reference another of this Blog's posts, 'Frank Lucas, Nicky Barnes and the cult of american patriotism'. There, you'll hear about Jean Jehan, the real life inspiration for the movie 'The French Connection'. And if you're too young to remember this flick, google it.
This man was said to control the largest heroin dealing monopoly in the world from France...thus, the 'French Connection'. So, that real question still stands, you know, the one I keep posing over and over again...and that's: How do we heal the rift between the Black man and woman? 'Cause whether we realize it or not, we're under constant attacks and pressure to hate and hurt one another. And this is the question no one wants to answer in the diaspora.
The solution involves the Black Diaspora reconditioning ourselves out of the self-hatred bred into us, by white fascists. And as far as making Black people hate themselves, this is especially true of every book Black people are mandated to read in pre, middle and high schools. These books are meant to keep us in a perpetual self-loathing, by fomenting boatloads of shame inthe Black psyche.
Now, doing this is gonna' be a long, arduous task, but it's one we MUST undertake if we as Black people are going to survive and thrive, globally or locally.
So again, let's get to work.
Later...
MontUHURU Mimia
P.S.
You can read the Blog post where I mention Jean Jehan here.
