Bold-faced lies about Black men (Part 7)...

 Bold-faced lies about Black men (Part 7)…The propulsive rise of Black American men, the precipitous fall of white fascism, the passing of Kevin Samuels, and what Dave Chappelle, Will Smith, and Chris Rock have in common… 

“I never lose. I either win or learn.”

--Nelson Mandela

"Artists are the gatekeepers of truth."

--Harry Belafonte

"Chickens coming home to roost never did make me sad. They've only made me glad."

--Malcolm X

"Take care of the king...everything else follows."

--actor Dennis Haysbert, from the movie, "Life of a King"

"Was that Will Smith?"

--Chris Rock's comment after Dave Chappelle was tackled at the Hollywood Bowl

To the consistent and patient readers of this Blog: Fam’…seeing as how we’re betwixt the Spring Equinox and the Summer Solstice, white fascists have gone into overdrive regarding the roll-outs of socially-engineered “psy-ops” designed to control the masses. ‘Cause according to them, this is when spiritual forces are most favorable to their initiatives--especially when it comes to celebrity "sacrifices". So, we’re in a “psy-op” season (read, killing season) of sorts y'all. Case in point, as I'm writing this, the relationship "guru" Kevin Samuels has passed away under rather unusual circumstances--and I'll speak about this later on. Hence, his untimely passing is in keeping with the profile of Spring Equinox deaths which happen ritualistically. 

Additionally, I'm sure you've heard about the Supreme Court legislation which could potentially repeal the Roe vs. Wade law. Now, I find it funny how these same white women who're protesting so feverishly against this, are the same ones who voted for Donald Trump TWICE. Meaning, white women wanna' keep Trump's brand of conservative white fascism intact, until it infringes on their reproductive "liberties". Mind you, while Trump was in office, he brought in all his stiff-hipped, right-winged friends to dictate ordinances, codes, and laws to fit their agenda--but white women didn't have a problem with it then, like they do now. To which I say, welp, these Karens wanted a more conservative American government--now they got one. I liken this to Malcom X's "chickens coming home to roost" speech, which is why I included it beneath this post's header. See, this is why I laugh when white women try to pass themselves off as an oppressed minority--'cause while they're doing this, they also wanna' keep their white "privileges". Hence, reconciling these kinds of paradoxes and exposing the truth, is what I'm gonna' go about doing by splitting this post into “3” parts. This said, lemme now jump into the DEEP END o' these murky waters before I breast and backstroke my way to shore with a bevy of doused and deciphered explanations, which’ll cleanse your mind of any delusional residue whitey might presently be throwin' at you. In other words, let’s GO ALL THE WAY IN fam'…

--MontUHURU Mimia

Part 1.

Attack of the Clones

On Tuesday May 3^rd, Dave Chappelle was performing at the Hollywood Bowl, when towards the end of his set, a 23 year-old man named Isaiah Lee (pictured right), jumped on stage and tackled Dave to the ground. After Dave’s security made short work of Isaiah, he was loaded into an ambulance before being arrested on charges of battery, possession of a weapon with intent to assault, unauthorized access to a stage area during a performance, and commission of an act that delays an event or interferes with a performer. Now, if you’re reading this, I’m sure you’ve heard about it over the last few weeks. Hence, I'll cut to the chase and roll out “3” reasons why I know Isaiah was a “plant” tasked with attacking Dave. 

Reason#1. There's no way Isaiah could've gotten into the Hollywood Bowl with a knife encased in what looked like a handgun. Tariq Nasheed went to one of Dave's concerts at this venue, and even he confirmed how tight security was. Meaning, not only did patrons have to go through metal detectors before taking their seats, but everyone's phone was taken from them so they couldn't film the show. 

Reason#2. Now, media reports have confirmed Isaiah is currently living in a homeless shelter—and the cheapest tickets for Dave’s concert were listed at $300 a piece. So question, how could homeless Isaiah afford “front row” seats at the Hollywood Bowl? Conversely, even if Isaiah was in the back rows of the venue, how was he able to mosey on up to the side of the stage, and hop on it before he attacked Dave? Answer: Isaiah was let in by either the Netflix staff who filmed Dave's performance for one of their specials, or he was let in by the venue's staff members. Either way it was an inside job.

Reason#3. Now fam', if you look at Isaiah's above pic, do you notice anything about his clothing and the photo's color scheme? Notice the repetition of the colors red, Black, and white? This speaks to the white fascist factions he's working for. Meaning, these colors are used to identify white fascist freemasons and their minions. Now, you might be thinking, c'mon bruh--you're reachin' now, don'tcha' think. Welp fam', I'll show you why this is important in my next few paragraphs dealing with...

The Frank James "psy-op"

On April 12th of this year, Frank R. James (pictured right), who's 62, committed what's being called a "terrorist" act in New York City's subway system when he left off a smoke bomb in a subway car and shot several commuters on the same train. Now, according to media reports, Frank drove from Philadelphia, where he rented a "U-Haul" van, and parked it right outside the New York subway station he supposedly "terrorized". Several hours after cops found this van, they caught Frank and arrested him. 

So, first off fam', I don't want to sound indifferent to the "victims" who were hurt, but I think anybody with half a brain can see how Franky was working with government forces who helped him pull this off. So, you may be thinkin', aiiiight bruh, you've made your allegations--now prove 'em. Bet. Mind you, this'll be light work compared to some other freemasonic foibles I've had to decipher. So, I'll break this down wit' "3" signs of who's really pulling Franky's strings, starting with...

Sign#1. The first thing you should notice about Frank is what he's wearing. Now, compare and contrast what Frank's wearing with Isaiah, who attacked Dave Chappelle, and you should immediately notice how they're both decked out in the colors red, Black, and white (hint, hint). Franky takes it a step further, with the skull design on his shirt. This is usually indicative of someone belonging to the "Skull and Bones" fraternity--and if you've never heard of this organization, just google them. 

Sign#2. Not only did Frank conveniently leave his "credit card" at the crime scene, but he called the "Crime Stoppers" 800 number on himself. Moreover, when the cops "found" him, media reports say, Frank told them, "I've been waiting for you." Now, topping this off fam', on the way to NYC from Philly, Frank stopped in Moon Township, Pennsylvania--so you might be thinking, yeah, okay, and? Welp, Moon Township not only has a high concentration of military bases in it, but this area just happens to be where intelligence agencies run mock reenactment simulations for "disaster scenarios". Meaning, organizations like the FBI, CIA, ATF, and DEA will stage things like hostage negotiations, mock bombings, and floods in this area--and ol' Franky boy just happened to make a pit stop there before coming to NYC. Coincidence? Hmmm... Mind you, if this ain't enough evidence, then let's look at...

Sign#3. Now fam', Frank just happens to be homeless--like Isaiah Lee. This said, I need you to understand what I'm NOT SAYING--I'm not blaming Frank and Isaiah's moral obtuseness on their homelessness, but when it comes to government agencies, homeless shelters and mental institutions are the first place they'll go to look for "expendable" agents. Now lemme break this down even further, the reason I named this section "Attack of the Clones" is, Frank and Isaiah are prime examples of MK Ultra mind control victims who were probably given several "treatments" and monetary "treats" as incentives to go out and commit these crimes. 

This said, I remember when there were rumors of Kanye West being a clone--and he is--psychologically. Meaning, when secret societies "clone" humans, they're not necessarily talking about cloning their physical bodies, they're talking about hacking and cloning their psychological profiles. Which is the reason why they've put Kanye on a cocktail of "prescription" drugs, 'cause according to Kanye's "handlers", he'd be crazy if he failed to take them. This was the first step in destabilizing Kanye's mind, so they could "reprogram" him to function on command. Meaning, they're only keeping Kanye mentally stable enough to create and perform music. The rest of the time, they're going to keep him so mentally disoriented, he'll barely know his own name. 

Part 2.

The precipitous fall of white fascism

Recently, a Black YouTuber asked me this question: when will karma ever visit crooked white cops and their institutions? To which I replied, first off, as I’m writing this, there’s a war going on in Russia and the Ukraine where you have hundreds of white people, killing off hundreds of other white people. Second, white birth rates have fallen below replacement levels for the last several decades, which is why the Supreme Court is looking to overturn Roe vs. Wade, in efforts to stop abortions, third, white men are overdosing on drugs in droves, and fourth, white men are committing suicide like crazy. Now, this ain’t even counting how white people in this country stormed D.C.’s Capitol building ‘cause they’re dissatisfied with America’s government, which works for them more than anyone else—meaning, white culture is cannibalizing itself.

Then, I said to this person, if this ain’t a karmic “a$$kicking”, I don’t know what is. Hence, this is what I mean when I call the fall of white fascism “precipitous”, ‘cause it’s so steep, it can’t be stopped. Which is exactly why we’re seeing white fascism’s voracious attack on Black masculinity—and speaking of this fam’, let's delve deeper into the next subject. Which is…

Part 3.

The passing of Kevin Samuels

Now fam’, if you’re reading this, I’m sure you know of the “relationship guru” Kevin Samuels, and I’m also sure you know he’s made his transition recently—under some very unusual circumstances might I add. This said, I’m not gonna’ expound on this brotha’s passing too much here, ‘cause I’m gonna’ dedicate an entire post to his memory--but what I will say about him is this: Kevin and his forum symbolized the propulsive rise of the modern day Black man in America, due to his hitting on “3” points primarily—and they are…

Point#1. Kevin let the world know how the stereotypical narratives attributed to Black men have been completely false. For example, stats say, Black men collectively earn more than Black women, 55% of Black men are childless and in the middle class, and according to the Centers for Disease Control and Prevention, Black men make the best fathers.

Point#2. Unlike Tommy Sotomayor and the late David Carroll, Kevin wasn’t a self-hating Black man speaking on relationships between Black men and women. Now, I’ve seen a Black blogger who I’ve followed for years talk about how Black men didn’t make this much of a fuss over Dave Carroll’s death—this is because Black men collectively knew Dave not only hated Black people, but he hated himself for being Black--just like Tommy Sotomayor.

Point#3. Kevin had style for days. Meaning, not only did Kevin exemplify what a Black “high-value man” looked like, but stylistically, he had more grace and poise than we’ve seen Black men have in years. Which is exactly why people like Will Smith, Chris Rock, and Dave Chappelle are being tasked with denigrating the image of Black men by staging these assaults in globally recognized venues like the Oscars and the Hollywood Bowl. ‘Cause we gottta’ remember fam', white fascism is a “zero-sum” game, meaning, if Black men are winning, in ANY capacity, then whitey’s losing—and they’ve been takin’ “L’s” left and right-and the hits will just keep on coming, whether they like it or not...

And like Samuel L. Jackson said in Spike Lee’s classic film, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

MontUHURU Mimia

 Now fam’, here’s a video showing the infamous tackling of Dave Chappelle by Isaiah Lee. Notice the stage is bathed in a red light, and if you look at the pic below, you’ll see Dave’s wearing Black and white. There go the colors red, Black, and white again. Meaning, this was a freemasonic ritual performed right before our eyes y'all.

The white fascist attack on Black femininity (Part 12)...

 The white fascist attack on Black femininity (Part 12)…The Netflix series, "Ozark": A study in Cinematic Symbolism(s), and the self-denigrating "Zaddy" worship of Jodie-Turner Smith…

"The master's tools will never dismantle the master's house."

--Audre Lorde

“The 'Zaddy' worshippers are suicidal.”

--Professor Black Truth

“The salvation of Black people will come by way of the heterosexual Black man, not the Black woman.”

--MontUHURU Mimia

Family…we gotta’ whole lot to talk about regarding Will Smith and Chris Rock, in the meantime check this out y’all—and I’ll get wit’ you in a minute.

Later…

--MontUHURU Mimia

The Gospel of white fascism (Part 48)...Star Wars: The Rise of Skywalker, United Airlines, James Bond, and the continuing saga of whitey's fascist attack on "Black Love"...

“It’s been a long time, I shouldn’t have left you, without a strong rhyme to step to. Think about all the weak shows you slept through. Time’s up, I'm sorry I kept you.”

—Rakim, from the song, “You Know You Got Soul”

Welcome to 2020 family...we’ll talk soon, in the meantime, check this out...

Later...

—MontUHURU Mimia
     

                  

the Gospel of white fascism (Part 47)...RZA, Hulu's Wu Tang: An American Saga Decoded, Deleted Scenes, Bonus features, brotha "Bodhidharma", the "Montu" Arts, and the finer tenets of "cultural appropriation"...

Just watch y’all...

Later... 

        —MontUHURU Mimia           

The white fascist attack on Black femininity (Part 8)...Wu Tang Clan's "An American Saga", Zolee Griggs, the white fascist "end-game" for Black women, and some mo' subversive subliminals on Hulu...

Just watch y’all...

Later... 

 —MontUHURU Mimia

The Gospel of white fascism (Part 46)...Tyler Perry Studios, Rupaul, childhood traumas and the Black psyche, adopting and adapting to white fascist social engineering, and contextualizing the "art of discernment"... (Special Columbus Day Edition)

To the (consistent) readers of this Blog: Yesterday morning, I was at a “7eleven” getting some coffee, and when I arrived, there were 3 white folks huddled around the store’s coffee dispensers tryna’ get their java “fix”. Mind you, the second I started walking towards them, they got tense and uneasy. Now, brothas and sistas can relate to knowing how whitey gets when there’s a group of them and one of us. That’s when they show their true colors, pun intended. So, I ignored their reticence, and went and got my coffee anyway. Needless to say, once I wandered over, they scattered. So, while I creamed my coffee with the “Pumpkin Pie Spice” flavoring I like, a lone white woman moseyed towards the coffee dispensers. But once she saw me, she hung back. So again, I just continued filling my cup. Mind you, this is in a “liberal” part of New York City, where whitey’s supposedly free of these kinds of prejudices.

Now, for a few seconds, this trailer trash Tina looked longingly at the coffees and creamers, and I could almost hear her thoughts screaming, “Damn, I wish that negro would get outta’ here.” That’s when I shook my head and said out loud, “Gotta’ love liberal white people.” A second later, I was finished and headed towards the cashier. Seeing that I was leaving, she finally made her way to the coffee dispensers and towards me. And once our eyes met, she smiled and said, “Good morning.” I said nothing and kept it movin’.

Their conceit sickens me.

And if it’s possible, I think I’m more offended by white women than their men, ‘cause white women try to pass themselves off as an oppressed minority by calling themselves “feminists”. But once they’re out of their respective collegiate enclaves, they’re the first ones to vote for Donald Trump-types. Mind you, like the stats bear out, the majority of people who voted for Don Trump were white women. So, these “white fascist” feminists are voting for the very poster-boy of patriarchal social orders. Moreover, this is the person brothas and sistas should be leery of, cause a white women’s more finessed and subtle stylings of fascism will fool us into believing that ALL white people ain’t like Don Trump. And if you think that, let me remind you…

EVERY wHITE PERSON IS A BIGOT. EVERY LAST ONE OF ‘EM!

Now, does this mean every one of them hates your guts and wants to burn a cross on your lawn? No.

But they ALL FEEL SUPERIOR TO BLACK PEOPLE!

Whether they realize it or not.

Now, beyond my apologizing once more for the dearth of posts here in the last couple of weeks, I must reiterate, the mission statement of this blog is to thwart OUR feelings of inferiority behind the deluged propaganda we’re targeted with telling us we’re the dumbest, ugliest, and poorest people on earth. ‘Cause that’s the message we get since we start walking. Well, at least that’s the message I got, especially in america’s (mis)educational system. And it’s in instances like the one I just mentioned where those mores of inferiority are likely to be reinforced—and if we’re not aware of what’s happening in our psyches, we’re almost helpless in our endeavors to keep us from hating ourselves and everyone who looks like us.

So, it’s with this in mind that I’d like to address, or at least give my opinions on Tyler Perry’s recent acquisition of his new film studio, which used to be a “Confederate Army” base (and I’ll tell you the real reason he keeps repeating that). But what I wanna’ speak on mostly, is what this symbolizes to us, and the perspective(s) we should keep in mind as we celebrate the success of Black men like Perry and Rupaul. So, with that said y’all, let’s go all the way in…

—MontUHURU Mimia

Emmitt Perry Jr., better known as “Tyler” Perry, was born in New Orleans, Louisiana, on the date of September 13^th, 1969. He’s the son of Willie Maxine Perry and Emmitt Perry Sr., and I’ll say straight off, I think we already know how brutally abusive Tyler’s father was towards him and his mother. So much so that at age 16, Tyler changed his name so he could distance himself from his father’s legacy of brutality. On top of this, it’s documented that after Tyler saw the movie, “Precious”, he revealed that he’d been molested by a friend’s mother at the age of 10, and how he’d been molested by 3 other men prior to that. He also found out that his father Emmett, had molested a friend of his.

Later on in life, Tyler would take a DNA test, proving that Emmett was not his biological father.

In Tyler’s early 20’s, inspired by what he’d seen on an episode of Oprah, he began journaling his feelings, and within these letters he wrote to himself were the makings of Tyler’s first on-stage play called, “I Know I’ve Been Changed”.

When Tyler first staged and performed, “I Know I Been Changed”, in 1992, it was at an Atlanta, Georgia community theater. The then 22-year-old Tyler had put all of his $12,000 lifesavings into the show, which unfortunately flopped. Several years and rewrites later, at age 28, Tyler staged the show again, and it enjoyed a successful run at Atlanta’s “House of Blues” and the city’s “Fox Theater”. Tyler continued to create and stage new shows on america’s “Chitlin’ Circuit”, where he developed a devout following. And in 2005, it was this following that purchased tickets to Tyler’s movies in droves, which helped him amass $100 million in ticket sales, $30 million in video sales of his performances, and an estimated $20 million in merchandise.

With Tyler’s stage shows, he raised the $5.5 million that went into financing his first film, “Diary of a Mad Black Woman”. This movie went on to gross $50 million dollars domestically. Tyler’s next movie, an adaptation of the play, “Madea’s Family Reunion”, had it’s opening weekend on February 24-26 in 2006, and it’s box office numbers had it come in at #1 with $30.3 million. Thereafter, Tyler’s movies have become a staple of america’s cinematic experience.

Rupaul, whose original name is Rupaul Andre Charles, was born in San Diego, California, on November 17^th, 1960. His mother, Ernestine “Toni” Charles, supposedly named Rupaul after the “roux” base of Gumbo, which is a staple of Creole soups and stews—which Ernestine was raised on. When his parents divorced in 1967, Ru and his 3 sisters lived with their mother.

Now, on multiple occasions Rupaul has recounted stories of growing up seeing his parents fight verbally and physically. One such incidence had Ernestine threatening to set her husband’s car on fire—and it was so serious that the local authorities were called. Rupaul recounted this moment, saying it was so traumatic that he had an out-of-body experience where he saw what was happening to him and his siblings from several feet above their house.

At age 15, Ru moved with his sister Renetta to Atlanta, where he studied the performing arts. There, he struggled as a musician and a filmmaker in the 80’s and joined the area’s underground theater scene. He was instrumental in helping to create the low-budget flick, “Star Booty”, which had an accompanying album of the same name. While in the “ATL”, Ru became a staple dancer at the “Celebrity Club” and acquired a manager named, Larry Tee. And his first national exposure came via being a background dancer in the 1989, music video for the song “Love Shack” by the “B-52’s”.

Thereafter, In the early 1990’s, Ru worked in various New York City nightclubs becoming a fixture on that scene. Appearing at the annual “Wigstock” festival in New York City, he gained national attention by being in the documentary, “Wigstock: the movie”. This would lead to a meeting with executives of the rap label “Tommy Boy” records, who produced Ru’s dance/house album, “Supermodel of the World”.

The lead single, “Supermodel (You Better Work)”, debuted in 1993, and the song’s video became a surprise hit on MTV. The song itself, peaked at number 45 on the “Billboard Hot 100”. National appearances on TV programs like “The Arsenio Hall Show” gave the song even more credibility. Recognizing Ru’s charisma and star power, he was signed to a contract for “MAC” cosmetics. A year later, VH1 offered Ru his own show, eponymously titled the “Rupaul Show”. After that show’s multi-seasoned run, In 2008, Rupaul started production of the TV program, “Rupaul’s Drag Race”—and it would go on to become a staple of VH1 and the LOGOtv networks. So much so, that Ru was once quoted as saying, “I’m the one who keeps the lights on at LOGO.”

Alright, here we go—on the 6^th of this month, Tyler Perry invited many of his friends to the gala opening of his new studios in Atlanta, GA. The sprawling space sits on 330 acres which used to be a confederate army base, and it boasts replicas of the White House, schools, city streets, and everything else you’d find in a sprawling metropolis. And when I saw video footage of this, even I was impressed by its opulence and sheer size. Then I was hearing that Tyler’s studio is bigger than Disney’s and Warner Brothers combined, which made me even more enthralled. That’s when I started thinkin’—alright, what’s really being said here…and that led me to these “3” points I wanna’ make. So, without further ado, here they are…

Point#1. Tyler and his white fascist handlers are identifying him as a high-ranking freemason

Meaning, the reason Tyler’s studios sit on “330” acres of land is whitey’s letting us know that Tyler’s a “33^rd” degree freemason. Which is the highest degree you can get in that fraternity. Now, there’s actually a 33 and a third degree, but that’s reserved for white families with the “bluest” bloodlines—like the Rothschilds, Rockefellers, etc.

Point#2. Adoption and Adaptation

Tyler’s white fascist handlers, and their methods of social engineering, can’t deal with the effects and/or information coming out of the “conscious” and “woke” Black communities. Cause those truths are effectively disrupting the social structure that keeps us feeling inferior to whites.

Meaning, whitey needs us to believe in the lie of the “Transatlantic Slave Trade” narrative, so we’ll not only be more easily controlled, but we’ll never REJECT THIS WICKED wHITE FASCIST SOCIAL ORDER OUTRIGHT. Thus, what whitey’s doing is giving Tyler this land so we can stay in the mindset of ADOPTING AND ADAPTING TO wHITE FASCISM RATHER THAN LEAVING IT. Understand, whitey NEEDS US TO STAY ON THE MENTAL (AND PHYSICAL) PLANTATION Y’ALL!

SO, THIS IS “INTEGRATION” 2.0!

Meaning, instead of completely rejecting white folks and their social order(s) seeing they’re intrinsically evil, like we should have during segregation, we’re once again being “baited” into believing that following whitey is ultimately what’s gonna’ save us. So, instead of concentrating on uniting amongst ourselves, we stay focused on whitey’s materialism, or better (adopting) and adapting to the model of the “white fascist confederacy” that was designed to kill us. And what better way to do that than to have one of our celebs buy some acres of land that were once owned by a confederate army (which is meant to remind us of the Transatlantic Slave Trade, and that’s why Tyler keeps saying that y’all). That’s also why they keep us focused on economics. Cause what we don’t realize is concentrating on money, not only keeps us (physically and mentally) closer to white folks, but it keeps us in a permanent state of destabilized self-hatred—and again, IT KEEPS US OUT OF UNITY.

So, long story short, they gotta’ make the poisoned Kool-Aid sweeter y’all—that’s why they gave Tyler those acres—so we can more effectively BUY INTO OUR OWN DESTRUCTION.

AND THAT’S HOW wHITEY WINS!

See, what whitey don’t want you to realize is with UNITY, we can get EEERRRYTHANG else, up to and including money. Without it, we’ll never get back to the “nuclear family” model that helped us thrive during the days of the “Black Wall Street”.

Point#3. Ultimately, this is “QUEER BAITING” 2.0 Y’ALL!

Meaning, the message whitey’s REALLY sending through Tyler is this: ANY BLACK MAN WHO’S WILLING TO REJECT HIS MASCULINITY CAN DO ANYTHING IN THIS SOCIETY. PERIOD!

So, this is really a clarion call to ALL BLACK MEN who wanna’ climb america’s socio-economic ladder. Whitey’s tellin’ us that the best way to get rich in america is to be a GAY BLACK MAN! 

Now, I can almost hear people sayin’, hold up bruh, Tyler ain’t gay—he’s married to a woman and has a child. And my answer to that is, Tyler’s pal Oprah, still brings out that prop-of-a-stuntman Stedman, when she’s going out to an event. And they’ve had this “arranged” relationship goin’ on for decades. So, I don’t know if Tyler’s really married and/or, if he had a child by “artificial insemination”, or whatever—all I know is the means to this man’s success came through his PRANCING AROUND IN A DRESS, which leads me to 3 mo’ points…

#1. Both Tyler and Rupaul were brought up in abusive and/or traumatizing households—and this is the common denominator for homosexuals on the whole.

#2. Because homosexuality is brought on by childhood traumas, IT IS NOT NATURAL. Meaning, NO ONE IS BORN THAT WAY! But whitey’s wants you believing in “gender confusion”, ‘cause they know a person (or persons) with an unstable or destabilized mind is easier to control. And what better way to gender confuse (or mentally destabilize) a group of people than to empower the Black man who portrays a Black woman.

#3. Now, am I saying that Black people collectively, shouldn’t be inspired or proud of Tyler for his accomplishment? HELL NO! What I’m saying is, Tyler’s accomplishment can give us inspiration, but it shouldn’t lead to indoctrination. And that means what? It means we need to use “discernment” when comparing our pride for Tyler’s accomplishments with what his studios actually symbolize in regards to OUR manhood. So, we can be proud and inspired WITHOUT REJECTING OUR MASCULINITY. Moreover, this should show us just how VALUABLE OUR MANHOOD IS. And to break this down even further, we should understand that this studio symbolizes whitey’s endgame for us, which is his need to get rid of OUR ABILITY TO REPRODUCE OURSELVES. See, being that Black men have the most genetic power to breed mr. white folks outta’ existence, which is happening right now, the last thing whitey wants us to do is BRING MORE “PURE BRED” AND HIGHLY MELANATED CHILDREN INTO THIS WORLD. Cause if the majority of america’s Black men are gay, they’ll be less of us to contend with.

AND THAT’S THE BOTTOM LINE Y’ALL! 

And like Sam L. Jackson said in Spike Lee’s classic movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

Here's an interview and overview of Tyler's new Atlanta movie studio.