The
white fascist attack on Black femininity (Part 12)…The Netflix series, "Ozark": A study in Cinematic Symbolism(s), and the self-denigrating "Zaddy" worship of Jodie-Turner Smith…
"The master's tools will never dismantle the master's house."
--Audre Lorde
“The 'Zaddy' worshippers are suicidal.”
--Professor
Black Truth
“The
salvation of Black people will come by way of the heterosexual Black man, not the Black woman.”
--MontUHURU
Mimia
Family…we gotta’ whole lot to talk about regarding Will
Smith and Chris Rock, in the meantime check this out y’all—and I’ll get wit’
you in a minute.
The cult
of Black and white Cinematic Symbolism (Part 28)…Jordan Peele says “NOPE” to
alien invasions, Project Blue Beam, the billionaire’s second “Space Race”,
canceling the COVID “p(L)andemic”, and white fascism’s final fight to create a
“New World Order”…
“Why
waste time discovering the truth when you can so easily create it?”
--Anonymous
quote from author David Baldaucci’s political thriller, “The Whole Truth”
To the consistent (and patient) readers of this
blog: Family, I gotta’ tell ya’, I had a completely different topic to write about
this week, and I vowed to stick to my planned editorial no matter what--until I
saw the movie trailer for Jordan Peele’s new “horror” flick, “NOPE”. This said,
the following post is gonna’ require my readers to do their own research and
draw their own conclusions, but I’d feel remiss if I didn’t report on what I
see coming in the near future, especially in terms of white fascism’s last attempts
at global domination.
“Project Blue Beam” is labeled as a “conspiracy theory” which
involves the coordinated efforts of NASA and the United Nations, through the
use of satellite technologies, to create a holographic simulation of Jesus
Christ’s “second coming”. Moreover, this would be a simulation the entire earth
would be able to see.
Now, the fascist agenda behind this would be the consolidation
of power due to this “perceived” alien invasion. Meaning, all humans would
be united under a single government which would inevitably bring about the mythological
“New World Order”. This said, in 1994, a Canadian investigative journalist
named Serge Monast, wrote a book titled, “Project Blue Beam (NASA)” which goes
into greater detail, especially regarding the religious aspects of this global
sham. Two years later, in 1996, Serge Monast died (mysteriously) of a “heart attack”--although his followers
believed he was poisoned.
So, at this point you might be thinking, okay bruh—so why you
talkin’ ‘bout this now? Welp fam, it’s ‘cause I’m seeing several signs which are starting to align themselves almost too perfectly, with this sham. Which signs
you ask? Well, for this answer, I’ll lead you over to the main part o’ this post,
so we can get down wit' the facts and go ALL THE WAY IN!
--MontUHURU
Mimia
So, without further ado, let’s look into…
Sign#1.
NASA “fashion”
About two years ago, I started seeing young people wearing
“NASA” t-shirts, like the ones on the right. Seemingly, from outta’ nowhere, I was seeing the NASA logo on
more and more anatomical parts of young persons—to the point where it became,
and is still, a contemporary fashion statement. Now, NASA, which some person
facetiously said stands for “Never A Straight Answer”, did this with a well-orchestrated
plan in mind. Hence, here's “3” goals NASA wanted to accomplish with this initiative: 1. To make its name
and brand more relevant to young people who might’ve never heard of them, so young
folks will more easily heed their demands and mandates. 2. To make sure the older masses
realize this organization is still well-funded and functioning, and 3. To put these fashions on young Black brothas
and sistas knowing we set world-wide trends, so globally, everyone would
follow us.
Sign#2.
The “under-performing”
COVID p(L)andemic
As more and more people realize they don’t know anyone who’s
died from the COVID virus (or any of its non-existent variants), and they don’t
know anyone, who knows anyone who’s died from this "ailment"—less and less people
are heeding the regulations being put out by the greasy-palmed administrators
of organizations like the World Health Organization and the Centers for Disease Control and Prevention. Moreover,
with world-wide protests showing how the masses are refusing government mandates, white fascists are forecasting the premature end of this
global snow-job.
Sign#3.
The
billionaire’s “space race”
Last year, Jeff Bezos, Richard Branson, and Elon Musk seemed
hell-bent on spending billions to revive another “space race” in efforts to
expand the new industry whitey’s currently calling “space tourism”. The first of
these hyper-expensive joyrides involved Jeff’s company, “Blue Origin”, sending up
an unusually phallic looking ship in July of last year, then, Dick Branson’s “Virgin
Galactic” took one of his own contraptions into “orbital” space the same month, while Elon Musk’s “Space X” corporation set a record for “31” space craft
launches last year. Mind you, Space X has deployed 1,469 satellites into orbit,
with an ultimate goal of 30,000 satellite launches. So question: why, all of a sudden,
are these billionaires trying to get to orbital space at the same time? Coincidence? Hmmm…
Now family, I think we all remember the semi-farcical “chicken
sandwich wars” of 2019. If not, lemme refresh your memory—there was a staged
spat between the Chick-fil-A and Popeye's fast food franchises which started on Twitter in August of
2019. This involved both restaurants chicken sandwiches, and debates about which of these was
the most appealing to negroes nationwide—this allegedly resulted in the Popeye’s
franchise running out of said sandwiches. If this wasn’t insipid
enough, I remember talking to a fair-skinned asian clerk at a library who
asked, well, how does a fast food franchise run outta’ chicken sandwiches? To
which I told him, they didn’t, they just said they did. So much
for asians being smarter than everyone else, huh?
Anyway, outside of all the shenanigans,
lemme tell you the real reason for the aforementioned chicken sandwich
nonsense. This incident was a sociopolitical “litmus test” family—and lemme
explain what I mean. white fascists concocted this frivolous “war” to cover up the
real psy-op taking place—meaning, through this initiative whitey was testing to
see how gullible Black Americans, were or weren't. In other words, this was a test run before whitey would roll out the COVID virus ‘cause they
understood the lynchpin (pun intended) of this sham was gonna’ be OURBE(LIE)F IN IT. Understand, the white
fascists who thought up this disease were asking themselves, why should we expend the money and man-power to
create a real virus, when we could just TELL
PEOPLE THERE’S ONE. They also understood, how shutting down institutions (schools, jobs, government offices, etc.) would make us believe this virus was real. Now, again, how BLACK AMERICANS reacted to this was gonna’ determine whether or not ALL OF HUMANITY
would believe it—‘cause WE SET ALL THE GLOBAL TRENDS,
whether people wanna' admit or not.
Now, you might be thinkin’, bruh, you may believe this, but
frankly, it sounds like a bunch of conjecture and half-baked theory. Welp, coincidentally fam, 4 months after the chicken sandwich wars, the “novel” CORONA virus was “discovered” in
Wuhan, China.
So this brings us to Jordan Peele’s new movie, “Nope”, which hits
theaters on July 22nd of this year. Now, long-story short, Jordan is
a white fascist freemason and a high level witch. Understand, his production company
is called “Monkeypaw” because monkey’s paws are said to be a staple in magic spells-and I’ll leave a link at the end of this post which goes into more detail
about Jordan’s history. This said, the reason
white fascists chose Jordan to create “horror” films is threefold, and those
reasons are as follows: 1. whitey knows how the viewing of gratuitous violence
desensitizes us to it, and makes us more violence prone. 2. If we’re
desensitized to violence, we’re not only prone to be more violent but we’re gonna’
have less empathy for other people’s suffering. 3. Reasons (or methods) 1 and 2 can
help bring about a more “individualistic” society—'cause the only thing white fascists
fear in regards to Black people, is our UNITY.
Now, the rumor goin’ ‘round says this movie’s title is an
acronym which stands for “Not Of Planet Earth”—which, whether it’s accurate or not,
is clever, but what disturbs me about this film isn’t its narrative, it’s what
this flick is forecasting which gives me pause. Understand fam, there’s been
hundreds of alien invasion movies put out before this, but Nope isn’t one of 'em, it’s actually another litmus test
like the chicken sandwich wars were, before the COVID virus got “discovered”.
Meaning, white people are being bred outta’ existence as I’m
writing this. So, not only is whitey predicted to be an American minority by
2050, but whitebois statistically, are overdosing on opioids in droves and
committing suicide like crazy—so, white fascists are SCRAMBLING to keep themselves around. Which means, it’s
imperative for white fascism to consolidate its power and get the entire
world on one accord—and the best way to do this quickly, would be to stage an alien invasion. Now, the reason Nope
quite frankly pisses me off, is ‘cause I understand it’s more of a psy-op than
a movie. So again, whitey needs to see how much they can get Black people to believe in the possibility of an alien invasion, ‘cause OUR response will
forecast how the world will react to “hostile extraterrestrials".
So fam, ultimately, what I’m saying is this, behind the COVID virus
fiasco, whitey needs to turn the world upside down one more time in order to stay
in power--whether it's with a staged alien invasion or by way of some other event. Which is why I’ve been talking more about spirituality in my latest posts, ‘cause your spiritual preparedness
will determine how well you'll fair in the coming apocalypse. This said family, whatever
kind of spiritual practice you’re currently partaking in, now’s the time to
double-down on it. Conversely, if you aren’t practicing one of the spiritual sciences,
now’s the time to adapt to, or adopt one, before the other shoe drops. Now, which spiritual science is entirely up to you—whether it be Ifa, Santeria, Vudun,
Voodoo, Hoodoo, etc. it would behoove all of us to brace ourselves for what’s
coming. ‘Cause I remember how shook some brothas and sistas were when the “pLandemic”
hit. I literally overheard several brothas talk about how the world was coming to an end--and trust, when this next global psy-op comes, you don’t wanna’ be the person
holding their head and wondering which way is up.
And like Samuel L. Jackson said in Spike Lee’s classic film, “Do the Right Thing”: “That’s the double truth, Ruth.”
Later…
--MontUHURU Mimia
Family, here's the link to my other post which goes into greater detail about Jordan Peele's history HERE
*Addendum:2/21/22:Family, unrelated to the “Nope”
flick, while I was on my way to work, I spotted the “Cyrano” movie poster (left) and
was immediately struck by all the (Cinematic) symbolisms in it. Now,
lemme break down “3” of these real quick. First off, we all know the movie’s
lead actor, Peter Dinklage, is a dwarf, but look how he towers over the Black actor,
Kelvin Harrison Jr.-and fam, you can click on the pic to enlarge it. Now, what this says is even a white dwarf has a higher
social standing than any Black man ever will. Second, Kelvin Harrison Jr., who plays
Christian, is in love with the white woman on the poster, but isn’t articulate enough to win
her over, so he has to turn to Cyrano to give him the poetic verbiage to steal
her heart. Meaning, even though Christian isn’t a dwarf, he’s still Black. Thus, it doesn't matter if he's an average height, 'cause his "Blackness" makes him just as handicapped as Peter. Third, even
though this movie’s narrative portrays Christian as a brainless brute, whitey
still doesn't like seeing Black men with white women-especially now while they’re
being bred outta’ existence. So, they’ve put Kelvin beneath Peter, to say
between the two, Kelvin’s got the smaller phallus, which is the real reason why
he’s beneath Pete and having trouble with the white woman.
*Addendum:2/24/2022: Family, just found this photo on instagram. Spike Lee invited Steve Spielberg to show one of his movies to Spike's New York University Film School classes-and guess which movie they chose? “Close Encounters of the Third Kind”. Coincidence? Hmmm… You can check it out HERE y'all.
*Addendum: 3/7/2022: And the hits just keep on comin' y'all...
Lastly fam, here's the Nope movie trailer. Note how this movie is coming on July 22, 2022. Now, not only is the number "22" one of the master numbers associated with freemasonic "building", but Peele's last movie, "US" came out on the 22nd of March in 2019. Also fam, when the lights go out in the house, note the "owl" on the table beneath the lamp. This is a famous freemasonic symbol.
To the (consistent) readers of
this Blog: Yesterday morning, I was at a
“7eleven” getting some coffee, and when I arrived, there were 3 white folks
huddled around the store’s coffee dispensers tryna’ get their java “fix”. Mind you, the second I started walking towards them, they got tense and uneasy. Now, brothas and sistas can relate to knowing how whitey gets when
there’s a group of them and one of us. That’s when they show their true colors,
pun intended. So, I ignored their reticence, and went and got my coffee anyway.
Needless to say, once I wandered over, they scattered. So, while I creamed my
coffee with the “Pumpkin Pie Spice” flavoring I like, a lone white woman moseyed
towards the coffee dispensers. But once she saw me, she hung back. So again, I
just continued filling my cup. Mind you, this is in a “liberal” part of New
York City, where whitey’s supposedly free of these kinds of prejudices.
Now, for a few seconds, this
trailer trash Tina looked longingly at the coffees and creamers, and I could
almost hear her thoughts screaming, “Damn, I wish that negro would get outta’
here.” That’s when I shook my head and said out loud, “Gotta’ love liberal
white people.” A second later, I was finished and headed towards the cashier.
Seeing that I was leaving, she finally made her way to the coffee dispensers
and towards me. And once our eyes met, she smiled and said, “Good morning.” I
said nothing and kept it movin’.
Their conceit sickens me.
And if it’s possible, I think I’m
more offended by white women than their men, ‘cause white women try to pass
themselves off as an oppressed minority by calling themselves “feminists”. But
once they’re out of their respective collegiate enclaves, they’re the first ones
to vote for Donald Trump-types. Mind you, like the stats bear out, the majority
of people who voted for Don Trump were white women. So, these “white fascist”
feminists are voting for the very poster-boy of patriarchal social orders.
Moreover, this is the person brothas and sistas should be leery of, cause a
white women’s more finessed and subtle stylings of fascism will fool us into believing
that ALL white people ain’t like Don Trump. And if you think that, let me
remind you…
EVERY wHITE PERSON IS A BIGOT. EVERY LAST ONE OF ‘EM!
Now, does this mean every one of them hates your guts and wants to
burn a cross on your lawn? No.
But they ALL FEEL SUPERIOR TO BLACK PEOPLE!
Whether they realize it or not.
Now, beyond my apologizing once
more for the dearth of posts here in the last couple of weeks, I must
reiterate, the mission statement of this blog is to thwart OUR feelings of inferiority behind the deluged propaganda we’re targeted with telling us we’re
the dumbest, ugliest, and poorest people on earth. ‘Cause that’s the message we
get since we start walking. Well, at least that’s the message I got, especially
in america’s (mis)educational system. And it’s in instances like the one I just
mentioned where those mores of inferiority are likely to be reinforced—and if
we’re not aware of what’s happening in our psyches, we’re almost helpless in our endeavors to keep us from hating ourselves and everyone who looks like us.
So, it’s with this in mind that
I’d like to address, or at least give my opinions on Tyler Perry’s recent
acquisition of his new film studio, which used to be a “Confederate Army” base
(and I’ll tell you the real reason he keeps repeating that). But what I
wanna’ speak on mostly, is what this symbolizes to us, and the perspective(s)
we should keep in mind as we celebrate the success of Black men like Perry and
Rupaul. So, with that said y’all, let’s go all the way in…
—MontUHURU Mimia
Emmitt Perry Jr., better known as
“Tyler” Perry, was born in New Orleans, Louisiana, on the date of September 13th,
1969. He’s the son of Willie Maxine Perry and Emmitt Perry Sr., and I’ll say straight off, I think we already know how brutally abusive Tyler’s father was towards
him and his mother. So much so that at age 16, Tyler changed his name so he
could distance himself from his father’s legacy of brutality. On top of this,
it’s documented that after Tyler saw the movie, “Precious”, he revealed that
he’d been molested by a friend’s mother at the age of 10, and how he’d been
molested by 3 other men prior to that. He also found out that his
father Emmett, had molested a friend of his.
Later on in life, Tyler would take a DNA test, proving that
Emmett was not his biological father.
In Tyler’s early 20’s, inspired
by what he’d seen on an episode of Oprah, he began journaling
his feelings, and within these letters he wrote to himself were the makings of Tyler’s
first on-stage play called, “I Know I’ve Been Changed”.
When Tyler first staged and
performed, “I Know I Been Changed”, in 1992, it was at an
Atlanta, Georgia community theater. The then 22-year-old Tyler had put all of
his $12,000 lifesavings into the show, which unfortunately flopped. Several years
and rewrites later, at age 28, Tyler staged the show again, and it enjoyed a
successful run at Atlanta’s “House of Blues” and the city’s “Fox Theater”. Tyler
continued to create and stage new shows on america’s “Chitlin’ Circuit”, where
he developed a devout following. And in 2005, it was this following that purchased tickets to Tyler’s
movies in droves, which helped him amass $100 million in ticket sales, $30 million in video sales of his performances, and an estimated $20 million in merchandise.
With Tyler’s stage shows, he
raised the $5.5 million that went into financing his first film, “Diary of a
Mad Black Woman”. This movie went on to gross $50 million dollars domestically.
Tyler’s next movie, an adaptation of the play, “Madea’s Family Reunion”, had
it’s opening weekend on February 24-26 in 2006, and it’s box office numbers had
it come in at #1 with $30.3 million. Thereafter, Tyler’s movies have become a
staple of america’s cinematic experience.
Rupaul, whose original name is Rupaul
Andre Charles, was born in San Diego, California, on November 17th,
1960. His mother, Ernestine “Toni” Charles, supposedly named Rupaul after the
“roux” base of Gumbo, which is a staple of Creole soups and stews—which
Ernestine was raised on. When his parents divorced in 1967, Ru and his 3
sisters lived with their mother.
Now, on multiple occasions Rupaul
has recounted stories of growing up seeing his parents fight verbally and
physically. One such incidence had Ernestine threatening to set her husband’s
car on fire—and it was so serious that the local authorities were called.
Rupaul recounted this moment, saying it was so traumatic that he had an
out-of-body experience where he saw what was happening to him and his siblings
from several feet above their house.
At age 15, Ru moved with his
sister Renetta to Atlanta, where he studied the performing arts. There, he
struggled as a musician and a filmmaker in the 80’s and joined the area’s
underground theater scene. He was instrumental in helping to create the
low-budget flick, “Star Booty”, which had an accompanying album of the same name.
While in the “ATL”, Ru became a staple dancer at the “Celebrity Club” and
acquired a manager named, Larry Tee. And his first national exposure came via
being a background dancer in the 1989, music video for the song “Love Shack” by
the “B-52’s”.
Thereafter, In the early 1990’s,
Ru worked in various New York City nightclubs becoming a fixture on that scene.
Appearing at the annual “Wigstock” festival in New York City, he gained
national attention by being in the documentary, “Wigstock: the movie”. This
would lead to a meeting with executives of the rap label “Tommy Boy” records,
who produced Ru’s dance/house album, “Supermodel of the World”.
The lead single, “Supermodel (You
Better Work)”, debuted in 1993, and the song’s video became a surprise hit on
MTV. The song itself, peaked at number 45 on the “Billboard Hot 100”.
National appearances on TV programs like “The Arsenio Hall Show” gave the
song even more credibility. Recognizing Ru’s charisma and star power, he was
signed to a contract for “MAC” cosmetics. A year later, VH1 offered Ru his own
show, eponymously titled the “Rupaul Show”. After that show’s multi-seasoned
run, In 2008, Rupaul started production of the TV program, “Rupaul’s Drag
Race”—and it would go on to become a staple of VH1 and the LOGOtv networks. So
much so, that Ru was once quoted as saying, “I’m the one who keeps the lights
on at LOGO.”
Alright, here we go—on
the 6th of this month, Tyler Perry invited many of his friends to
the gala opening of his new studios in Atlanta, GA. The sprawling space sits on
330 acres which used to be a confederate army base, and it boasts replicas of
the White House, schools, city streets, and everything else you’d find in a
sprawling metropolis. And when I saw video footage of this, even I was
impressed by its opulence and sheer size. Then I was hearing that Tyler’s
studio is bigger than Disney’s and Warner Brothers combined, which made me even
more enthralled. That’s when I started thinkin’—alright, what’s really being
said here…and that led me to these “3” points I wanna’ make. So, without
further ado, here they are…
Point#1. Tyler and his
white fascist handlers are identifying him as a high-ranking freemason
Meaning, the reason Tyler’s
studios sit on “330” acres of land is whitey’s letting us know that
Tyler’s a “33rd” degree freemason. Which is the highest degree you
can get in that fraternity. Now, there’s actually a 33 and a third degree, but
that’s reserved for white families with the “bluest” bloodlines—like the
Rothschilds, Rockefellers, etc.
Point#2. Adoption and
Adaptation
Tyler’s white fascist handlers,
and their methods of social engineering, can’t deal with the effects and/or
information coming out of the “conscious” and “woke” Black communities. Cause those truths are effectively disrupting the social structure that keeps us feeling
inferior to whites.
Meaning, whitey needs us to believe in the lie of the
“Transatlantic Slave Trade” narrative, so we’ll not only be more easily
controlled, but we’ll never REJECT THIS WICKED wHITE FASCIST SOCIAL ORDER OUTRIGHT.
Thus, what whitey’s doing is giving Tyler this land so we can stay in the
mindset of ADOPTING AND ADAPTING TO wHITE FASCISM RATHER THAN LEAVING IT.
Understand, whitey NEEDS US TO STAY ON THE MENTAL (AND PHYSICAL) PLANTATION
Y’ALL!
SO, THIS IS “INTEGRATION” 2.0!
Meaning, instead of completely
rejecting white folks and their social order(s) seeing they’re intrinsically
evil, like we should have during segregation, we’re once again being “baited”
into believing that following whitey is ultimately what’s
gonna’ save us. So, instead of concentrating on uniting amongst ourselves, we
stay focused on whitey’s materialism, or better (adopting) and adapting to the
model of the “white fascist confederacy” that was designed to kill us.
And what better way to do that than to have one of ourcelebs buy some
acres of land that were once owned by a confederate army (which is
meant to remind us of the Transatlantic Slave Trade, and that’s why Tyler keeps
saying that y’all). That’s also why they keep us focused on economics. Cause what
we don’t realize is concentrating on money, not only keeps us (physically and
mentally) closer to white folks, but it keeps us in a permanent state of
destabilized self-hatred—and again, IT KEEPS US OUT OF UNITY.
So, long story short, they gotta’ make the poisoned Kool-Aid sweeter
y’all—that’s why they gave Tyler those acres—so we can more effectively BUY
INTO OUR OWN DESTRUCTION.
AND THAT’S HOW wHITEY
WINS!
See, what whitey don’t want
you to realize is with UNITY, we can get EEERRRYTHANG else, up to
and including money. Without it, we’ll never get back to the “nuclear family”model that helped us thrive during the days of the “Black Wall Street”.
Point#3. Ultimately,
this is “QUEER BAITING” 2.0 Y’ALL!
Meaning, the message whitey’s REALLY sending through Tyler is
this: ANY BLACK MAN WHO’S WILLING TO REJECT HIS MASCULINITY CAN DO ANYTHING
IN THIS SOCIETY. PERIOD!
So, this is really a clarion call to ALL BLACK MEN who
wanna’ climb america’s socio-economic ladder. Whitey’s tellin’ us that the best
way to get rich in america is to be a GAY BLACK MAN!
Now, I can almost hear people
sayin’, hold up bruh, Tyler ain’t gay—he’s married to a woman and has a child.
And my answer to that is, Tyler’s pal Oprah, still brings out that
prop-of-a-stuntman Stedman, when she’s going out to an event. And they’ve had this
“arranged” relationship goin’ on for decades. So, I don’t know if Tyler’s
really married and/or, if he had a child by “artificial insemination”, or
whatever—all I know is the means to this man’s success came through his PRANCING
AROUND IN A DRESS, which leads me to 3 mo’ points…
#1. Both Tyler and Rupaul were brought up in abusive and/or
traumatizing households—and this is the common denominator for homosexuals on the whole.
#2. Because homosexuality is brought on by childhood traumas, IT
IS NOT NATURAL. Meaning, NO ONE IS BORN THAT WAY! But whitey’s wants
you believing in “gender confusion”, ‘cause they know a person (or persons)
with an unstable or destabilized mind is easier to control. And what better way
to gender confuse (or mentally destabilize) a group of people than to empower
the Black man who portrays a Black woman.
#3. Now, am I saying that Black
people collectively, shouldn’t be inspired or proud of Tyler for his
accomplishment? HELL NO! What I’m saying is, Tyler’s accomplishment can
give us inspiration, but it shouldn’t lead to indoctrination. And that
means what? It means we need to use “discernment” when comparing our pride for
Tyler’s accomplishments with what his studios actually symbolize in regards to OUR
manhood. So, we can be proud and inspired WITHOUT REJECTING OUR MASCULINITY.
Moreover, this should show us just how VALUABLE OUR MANHOOD IS. And
to break this down even further, we should understand that this studio
symbolizes whitey’s endgame for us, which is his need to get rid ofOUR ABILITY TO REPRODUCE OURSELVES. See, being that Black men
have the most genetic power to breed mr. white folks outta’ existence, which is
happening right now, the last thing whitey wants us to do is BRING MORE
“PURE BRED” AND HIGHLY MELANATED CHILDREN INTO THIS WORLD. Cause if the majority
of america’s Black men are gay, they’ll be less of us to contend
with.
AND THAT’S THE BOTTOM LINE Y’ALL!
And like Sam L. Jackson said in
Spike Lee’s classic movie, “Do the Right Thing”: “That’s the double truth,
Ruth.”
Later…
—MontUHURU Mimia
Here's an interview and overview of Tyler's new Atlanta movie studio.
