The
white fascist attack on Black femininity (Part 12)…The Netflix series, "Ozark": A study in Cinematic Symbolism(s), and the self-denigrating "Zaddy" worship of Jodie-Turner Smith…
"The master's tools will never dismantle the master's house."
--Audre Lorde
“The 'Zaddy' worshippers are suicidal.”
--Professor
Black Truth
“The
salvation of Black people will come by way of the heterosexual Black man, not the Black woman.”
--MontUHURU
Mimia
Family…we gotta’ whole lot to talk about regarding Will
Smith and Chris Rock, in the meantime check this out y’all—and I’ll get wit’
you in a minute.
The cult
of Black and white Cinematic Symbolism (Part 28)…Jordan Peele says “NOPE” to
alien invasions, Project Blue Beam, the billionaire’s second “Space Race”,
canceling the COVID “p(L)andemic”, and white fascism’s final fight to create a
“New World Order”…
“Why
waste time discovering the truth when you can so easily create it?”
--Anonymous
quote from author David Baldaucci’s political thriller, “The Whole Truth”
To the consistent (and patient) readers of this
blog: Family, I gotta’ tell ya’, I had a completely different topic to write about
this week, and I vowed to stick to my planned editorial no matter what--until I
saw the movie trailer for Jordan Peele’s new “horror” flick, “NOPE”. This said,
the following post is gonna’ require my readers to do their own research and
draw their own conclusions, but I’d feel remiss if I didn’t report on what I
see coming in the near future, especially in terms of white fascism’s last attempts
at global domination.
“Project Blue Beam” is labeled as a “conspiracy theory” which
involves the coordinated efforts of NASA and the United Nations, through the
use of satellite technologies, to create a holographic simulation of Jesus
Christ’s “second coming”. Moreover, this would be a simulation the entire earth
would be able to see.
Now, the fascist agenda behind this would be the consolidation
of power due to this “perceived” alien invasion. Meaning, all humans would
be united under a single government which would inevitably bring about the mythological
“New World Order”. This said, in 1994, a Canadian investigative journalist
named Serge Monast, wrote a book titled, “Project Blue Beam (NASA)” which goes
into greater detail, especially regarding the religious aspects of this global
sham. Two years later, in 1996, Serge Monast died (mysteriously) of a “heart attack”--although his followers
believed he was poisoned.
So, at this point you might be thinking, okay bruh—so why you
talkin’ ‘bout this now? Welp fam, it’s ‘cause I’m seeing several signs which are starting to align themselves almost too perfectly, with this sham. Which signs
you ask? Well, for this answer, I’ll lead you over to the main part o’ this post,
so we can get down wit' the facts and go ALL THE WAY IN!
--MontUHURU
Mimia
So, without further ado, let’s look into…
Sign#1.
NASA “fashion”
About two years ago, I started seeing young people wearing
“NASA” t-shirts, like the ones on the right. Seemingly, from outta’ nowhere, I was seeing the NASA logo on
more and more anatomical parts of young persons—to the point where it became,
and is still, a contemporary fashion statement. Now, NASA, which some person
facetiously said stands for “Never A Straight Answer”, did this with a well-orchestrated
plan in mind. Hence, here's “3” goals NASA wanted to accomplish with this initiative: 1. To make its name
and brand more relevant to young people who might’ve never heard of them, so young
folks will more easily heed their demands and mandates. 2. To make sure the older masses
realize this organization is still well-funded and functioning, and 3. To put these fashions on young Black brothas
and sistas knowing we set world-wide trends, so globally, everyone would
follow us.
Sign#2.
The “under-performing”
COVID p(L)andemic
As more and more people realize they don’t know anyone who’s
died from the COVID virus (or any of its non-existent variants), and they don’t
know anyone, who knows anyone who’s died from this "ailment"—less and less people
are heeding the regulations being put out by the greasy-palmed administrators
of organizations like the World Health Organization and the Centers for Disease Control and Prevention. Moreover,
with world-wide protests showing how the masses are refusing government mandates, white fascists are forecasting the premature end of this
global snow-job.
Sign#3.
The
billionaire’s “space race”
Last year, Jeff Bezos, Richard Branson, and Elon Musk seemed
hell-bent on spending billions to revive another “space race” in efforts to
expand the new industry whitey’s currently calling “space tourism”. The first of
these hyper-expensive joyrides involved Jeff’s company, “Blue Origin”, sending up
an unusually phallic looking ship in July of last year, then, Dick Branson’s “Virgin
Galactic” took one of his own contraptions into “orbital” space the same month, while Elon Musk’s “Space X” corporation set a record for “31” space craft
launches last year. Mind you, Space X has deployed 1,469 satellites into orbit,
with an ultimate goal of 30,000 satellite launches. So question: why, all of a sudden,
are these billionaires trying to get to orbital space at the same time? Coincidence? Hmmm…
Now family, I think we all remember the semi-farcical “chicken
sandwich wars” of 2019. If not, lemme refresh your memory—there was a staged
spat between the Chick-fil-A and Popeye's fast food franchises which started on Twitter in August of
2019. This involved both restaurants chicken sandwiches, and debates about which of these was
the most appealing to negroes nationwide—this allegedly resulted in the Popeye’s
franchise running out of said sandwiches. If this wasn’t insipid
enough, I remember talking to a fair-skinned asian clerk at a library who
asked, well, how does a fast food franchise run outta’ chicken sandwiches? To
which I told him, they didn’t, they just said they did. So much
for asians being smarter than everyone else, huh?
Anyway, outside of all the shenanigans,
lemme tell you the real reason for the aforementioned chicken sandwich
nonsense. This incident was a sociopolitical “litmus test” family—and lemme
explain what I mean. white fascists concocted this frivolous “war” to cover up the
real psy-op taking place—meaning, through this initiative whitey was testing to
see how gullible Black Americans, were or weren't. In other words, this was a test run before whitey would roll out the COVID virus ‘cause they
understood the lynchpin (pun intended) of this sham was gonna’ be OURBE(LIE)F IN IT. Understand, the white
fascists who thought up this disease were asking themselves, why should we expend the money and man-power to
create a real virus, when we could just TELL
PEOPLE THERE’S ONE. They also understood, how shutting down institutions (schools, jobs, government offices, etc.) would make us believe this virus was real. Now, again, how BLACK AMERICANS reacted to this was gonna’ determine whether or not ALL OF HUMANITY
would believe it—‘cause WE SET ALL THE GLOBAL TRENDS,
whether people wanna' admit or not.
Now, you might be thinkin’, bruh, you may believe this, but
frankly, it sounds like a bunch of conjecture and half-baked theory. Welp, coincidentally fam, 4 months after the chicken sandwich wars, the “novel” CORONA virus was “discovered” in
Wuhan, China.
So this brings us to Jordan Peele’s new movie, “Nope”, which hits
theaters on July 22nd of this year. Now, long-story short, Jordan is
a white fascist freemason and a high level witch. Understand, his production company
is called “Monkeypaw” because monkey’s paws are said to be a staple in magic spells-and I’ll leave a link at the end of this post which goes into more detail
about Jordan’s history. This said, the reason
white fascists chose Jordan to create “horror” films is threefold, and those
reasons are as follows: 1. whitey knows how the viewing of gratuitous violence
desensitizes us to it, and makes us more violence prone. 2. If we’re
desensitized to violence, we’re not only prone to be more violent but we’re gonna’
have less empathy for other people’s suffering. 3. Reasons (or methods) 1 and 2 can
help bring about a more “individualistic” society—'cause the only thing white fascists
fear in regards to Black people, is our UNITY.
Now, the rumor goin’ ‘round says this movie’s title is an
acronym which stands for “Not Of Planet Earth”—which, whether it’s accurate or not,
is clever, but what disturbs me about this film isn’t its narrative, it’s what
this flick is forecasting which gives me pause. Understand fam, there’s been
hundreds of alien invasion movies put out before this, but Nope isn’t one of 'em, it’s actually another litmus test
like the chicken sandwich wars were, before the COVID virus got “discovered”.
Meaning, white people are being bred outta’ existence as I’m
writing this. So, not only is whitey predicted to be an American minority by
2050, but whitebois statistically, are overdosing on opioids in droves and
committing suicide like crazy—so, white fascists are SCRAMBLING to keep themselves around. Which means, it’s
imperative for white fascism to consolidate its power and get the entire
world on one accord—and the best way to do this quickly, would be to stage an alien invasion. Now, the reason Nope
quite frankly pisses me off, is ‘cause I understand it’s more of a psy-op than
a movie. So again, whitey needs to see how much they can get Black people to believe in the possibility of an alien invasion, ‘cause OUR response will
forecast how the world will react to “hostile extraterrestrials".
So fam, ultimately, what I’m saying is this, behind the COVID virus
fiasco, whitey needs to turn the world upside down one more time in order to stay
in power--whether it's with a staged alien invasion or by way of some other event. Which is why I’ve been talking more about spirituality in my latest posts, ‘cause your spiritual preparedness
will determine how well you'll fair in the coming apocalypse. This said family, whatever
kind of spiritual practice you’re currently partaking in, now’s the time to
double-down on it. Conversely, if you aren’t practicing one of the spiritual sciences,
now’s the time to adapt to, or adopt one, before the other shoe drops. Now, which spiritual science is entirely up to you—whether it be Ifa, Santeria, Vudun,
Voodoo, Hoodoo, etc. it would behoove all of us to brace ourselves for what’s
coming. ‘Cause I remember how shook some brothas and sistas were when the “pLandemic”
hit. I literally overheard several brothas talk about how the world was coming to an end--and trust, when this next global psy-op comes, you don’t wanna’ be the person
holding their head and wondering which way is up.
And like Samuel L. Jackson said in Spike Lee’s classic film, “Do the Right Thing”: “That’s the double truth, Ruth.”
Later…
--MontUHURU Mimia
Family, here's the link to my other post which goes into greater detail about Jordan Peele's history HERE
*Addendum:2/21/22:Family, unrelated to the “Nope”
flick, while I was on my way to work, I spotted the “Cyrano” movie poster (left) and
was immediately struck by all the (Cinematic) symbolisms in it. Now,
lemme break down “3” of these real quick. First off, we all know the movie’s
lead actor, Peter Dinklage, is a dwarf, but look how he towers over the Black actor,
Kelvin Harrison Jr.-and fam, you can click on the pic to enlarge it. Now, what this says is even a white dwarf has a higher
social standing than any Black man ever will. Second, Kelvin Harrison Jr., who plays
Christian, is in love with the white woman on the poster, but isn’t articulate enough to win
her over, so he has to turn to Cyrano to give him the poetic verbiage to steal
her heart. Meaning, even though Christian isn’t a dwarf, he’s still Black. Thus, it doesn't matter if he's an average height, 'cause his "Blackness" makes him just as handicapped as Peter. Third, even
though this movie’s narrative portrays Christian as a brainless brute, whitey
still doesn't like seeing Black men with white women-especially now while they’re
being bred outta’ existence. So, they’ve put Kelvin beneath Peter, to say
between the two, Kelvin’s got the smaller phallus, which is the real reason why
he’s beneath Pete and having trouble with the white woman.
*Addendum:2/24/2022: Family, just found this photo on instagram. Spike Lee invited Steve Spielberg to show one of his movies to Spike's New York University Film School classes-and guess which movie they chose? “Close Encounters of the Third Kind”. Coincidence? Hmmm… You can check it out HERE y'all.
*Addendum: 3/7/2022: And the hits just keep on comin' y'all...
Lastly fam, here's the Nope movie trailer. Note how this movie is coming on July 22, 2022. Now, not only is the number "22" one of the master numbers associated with freemasonic "building", but Peele's last movie, "US" came out on the 22nd of March in 2019. Also fam, when the lights go out in the house, note the "owl" on the table beneath the lamp. This is a famous freemasonic symbol.
Nate Parker was born on November 18th, 1979 to a 17
year old single mother, Carolyn Whitfield, in Norfolk, Virginia. Even though
Nate’s biological father didn’t marry his mother, he was still in Nate’s life
until the age of 11. Shortly thereafter, Nate Sr. died due to complications
from his cancer.
After Nate began having problems with the second man his mother
married, at age 14, he went to live with his maternal uncle, Jay Combs. Jay was
a former wrestler, who turned young Nate on to the sport. And after placing all
his youthful passions into wrestling, Nate was awarded an athletic scholarship
for his grappling endeavors in 1999. With it, he attended Pennsylvania State University that
year. Amongst the turmoil of a rape allegation, Nate left Penn State and went
to Oklahoma State University, the college he’d graduate from in 2002.
Shortly after graduating college, Los Angeles talent manager,
Jon Simmoms, noticed and discovered Nate while he was with a model friend, and
suggested he move to L.A. to pursue an acting career. Nate followed the advice,
after Jon put together a press packet for him.
From there, Nate went on to act and star in several movies. But
the one putting him on the map most officially, was his role as ‘Henry Lowe’,
in the Denzel Washington directed film, ‘The Great Debaters’. For this role, Nate
attended a debater’s ‘boot camp’ to make his portrayal more authentic. One of the main reasons behind this was, the character Henry Lowe was based
on the real-life debate champion, Henry Heights from Wiley College.
Now, I’d be remiss if I just skipped over the rape allegation
charges filed against Nate In 1999. So let’s delve into that. Nate and another wrestling
student, Jean Celestin, were said to have taken advantage of a young white
female at Penn State University, while she was drunk and unconscious. Long
story short, Nate and Jean were able to hire a private eye to look into the
matter, and this P.I. provided the evidence that convinced a nearly
all-white jury (one juror was non-white), that Nate was innocent of ALL the
charges filed against him.
Now let me say this, right off the rip—you have to have some
incredibly powerful evidence supporting a Black man’s innocence, to get him
acquitted of any rape charge. Especially when it’s a white woman doing the
accusing. Cause any sane person knows, once a white woman says any Black
man raped her, cops will assuredly put that brotha behind bars first, and then
see if he’s innocent or guilty later. Also, in addition to filing rape charges
against Nate, this woman complained to Penn University administrators, that she
was being harassed by Nate’s private eye. This harassment allegedly included
the showing of this woman’s photo to other college students. And Penn State settled
the matter by rewarding this woman $17,500.
And in light of that, I’ll say this: If a woman is going to
press rape charges against a man and have him sent to jail, I think she’d have
bigger concerns than a P.I. showing her photo to students on a college campus.
Oddly enough, white women feel it’s their right to file such charges in complete
anonymity, when they’re in effect, putting someone’s life at risk by sending them
to prison.
But before I go any further, let me make one point emphatically
clear, and that point is this: No woman (or person) deserves to be raped. That
is one of the most heinous, if not the
most heinous crime someone can commit against anyone. However, if you wanna’
send a man to jail for this, or any other crime, you should be prepared to
identify yourself as the one, who’s in effect, starting the process by which he
might wind up behind bars.
And let me add this as well, the Black actress, Gabrielle Union,
wrote an article in the Los Angeles Times about Nate’s rape charges. In it she
says: “As important and ground-breaking as this film is, I can not take these
allegations lightly. On that night, 17-odd years ago, did Nate have his date’s
consent? It is very possible he thought he did. Yet by his own admission, he
did not have verbal affirmation. And even if she never said ‘no’, silence
certainly does not equal ‘yes’.”
Mind you, Gabrielle stars in Nate’s film.
So here’s the question everyone should be asking themselves: If
Gabrielle thought in her heart of hearts, Nate was a rapist, WHY THE HELL WAS
SHE IN HIS FILM?!
Understand, this is more of that Black feminist/womanyist
non-sense that says you can have your cake and eat it too. But
ultimately, Gabrielle’s belated moralizing just shows you exactly who she, and
her fellow feminists/womanyists really are—a bunch of anglophilic opportunists.
Moving on…
Robert Barton Englund, was born on June 6th, 1947, in
Glendale, California. He’s the son of mother, Janis McDonald, and father, Kent
Englund, who made his living as an aeronautics engineer.
Robert (pictured left) caught the acting bug at age 12, while attending a
children’s theater program at California State University, North Ridge. And
after attending an arts high school, he went to Michigan’s ‘Oakland
University’, where he majored in theater. He spent five successful years acting
in regional stage plays, where he performed Shakespearean and other ‘classically’
drama-themed roles, before returning to California, where he started looking for
acting jobs.
In the midst of Robert’s auditioning, he was actually considered
for the role of ‘Han Solo’ in ‘Star Wars’. At the same time, he convinced a
friend who lived with him, a young Mark Hamill, to try out for the role of
‘Luke Skywalker’. And I think we all know how Mark’s audition went.
Long story short, Robert would go on to appear in several movie
and TV shows like: Eaten Alive (1977), Galaxy of Terror (1981), V: the
mini-series (1983), but all these roles had him typecast as a nerd, or a
redneck. So Robert decided to go against this stereotype and play the insanely
menacing and murderously claw-fingered, ‘Freddy Kreuger’ in Wes Craven’s movie,
‘A Nightmare on Elm Street’.
Unbeknownst to Robert, A Nightmare on Elm Street, released in
1984, would be so widely successful, that it would not only give him a
career-defining role, but it would make him one of the most recognizable genre
film icons in movie history.
But now, let’s get back to Nate…
Nate Parker’s movie, ‘Birth of a Nation’, was written, produced
and directed by him. And after he announced his initial plans to make this
film, the first person to invest in it, was retired basketball player Michael
Finley. Mind you, Mike also invested in the film, ‘The Butler’. Now that fact
alone, should let you know what kind of ulterior motives are behind this film’s
mainstreamed distribution.
Also, after this movie was made and had its debut at the 2016
Sundance Film Festival, on January 25th of this year, it was
reported that before the movie was
shown, the viewing audience gave Nate a standing ovation when he was introduced
to speak about his film (hint, hint). Additionally, following the film’s screening,
‘The Weinstein Company’, ‘Sony Pictures Entertainment’, and ‘Netflix’ created a
bidding war for this film. Finally, Fox Searchlight bought worldwide rights to
this film for $17.5 million dollars, which stands as the ‘richest acquisition
deal’ in Sundance’s history.
Okay, let’s stop here.
Now, ask yourself this question: Why would these elitist,
lily-white movie studios, create a bidding war over a film about Nat Turner killing
scores of white folks?
And finally, let’s ask the question posed at the top of this
post: What do Nate Parker and Freddy Krueger really have in common?
Welp, to find out, let’s flip the script and answer the second
question first…
What Nate and Fred Krueger have in common is this…they both
starred in horror films.
Now, you may be sayin’, bruh…that don’t make no kinda’ sense. Nate
was never in no horror flick. But it makes absolute sense if you realize one
truth, and that is…
america’s Black ‘slave movies’ are the new horror films.
But before you dismiss my categorization of flicks like, ’12
Years a Slave’ and ‘Django Unchained’ as the new horror films for this generation, let’s take a look at some old ones, so we can compare and contrast methods
of white fascist social engineering, as it pertains to the Black american psyche.
The Shining (1980), The Evil Dead (1981), Halloween II(1981), A Nightmare on Elm
Street (1984), Re-Animator (1985), The Return of The Living Dead (1985), and Hellraiser (1987).
When I was a teenager, these were just a few of the horror films that were as popular then, as super-hero movies are now. It seemed like every month, there was a
new grisly 'slasher' flick with some maladjusted and/or formerly slighted soul who
had super-human powers and decided to use them to get some payback on humanity.
And in the last couple of years, I was thinking back to when I frequented my
local Cineplex to watch these gore-fests with friends. That’s when I asked
myself this question:In the context of white fascism, what purpose did these films serve?
And then, the answer hit me…
white fascists used these films to not only desensitize a
younger audience/generation to steroidal amounts of gratuitous violence, but
fascists knew that repeated viewings of these flicks, would make audiences
almost completely indifferent to other people’s suffering. Thus, these movies would
make us more ‘individualistic’. And a person/population that’s mostly self-involved,
is easier for white fascists to control.
On top of that, we need to remember that america is the
enforcement arm of the western powers. Meaning, we’re the designated
trigger-persons for the white fascist agenda. And that’s even more of a reason
for white fascists to desensitize us to violence. Cause a country of men who’ve
been conditioned to be indifferent to the suffering of others, can be more
easily sent abroad to kill whoever we’ve been told is our enemy.
Now, with all that said, let me tell you why these slasher
films were specifically aimed at programming the Black american psyche.
I think every Black man and woman has heard the African proverb,
‘It takes a village to raise a child’. Well, this is indicative of Black
people’s inherent communal sensibilities. Meaning, instinctively, Black people
think more about the collective, than the individual. Mind you, we do this
instinctively, if we haven’t been
conditioned out of melanated common senses. So in order for white fascists to
keep us in perpetual states of disunity, we were fed study diets of horror
films so we’d continuously focus on ourselves and not care about the suffering(s)
of our community (common-unity).
Mind you, in the 80’s, Black americans were also facing the
dreaded troika of ‘Reganomics’, ‘crack’ and ‘AIDS’. Meaning, in that decade,
more than most, Black americans were facing an all-out assault on our senses.
Now, let me expound on how all this plays out in america’s
‘slave movies’, and especially, in ‘Birth of a Nation’.
But before I do that, let me make another fact emphatically
clear…I haven’t seen this movie, and I won’t go see it. So my opinions of this
flick are coming from others who have. Meaning, it’s up to you to decide
whether or not you wanna’ make the sojourn to see this film. Cause the only
thing I’m endeavoring to do here, is let you know why you should guard your
mind if you do decide to take that trip to the Cineplex. But what I will absolutely
advise is this: If you’re a mature Black man or woman reading this post, PLEASE
DO NOT take a Black child to go see this film. Here’s why…
First off, reports I get from people who saw this film, say
they endured an hour and a half of watching Black men, women and children,
being tortured by whites, before any Black slave revolted. And truthfully, this
is the ‘bait and switch’ technique employed by white fascist freemasons, like
Nate Parker, on our people, time and time again. Meaning, before we have a
chance to see any redemption or revenge our people exacted through fighting for
freedom, the mental triggers activated by watching the gruesome tortures of
Black people have already done their job. In other words, as a Black man or
woman watching this film, your subconscious has already been severely impacted
by these horrific scenes, and what they do is reinforce reasons why you should
hate yourself and everyone who looks like you for being Black. And this is the
true agenda of ‘Birth of a Nation’. Whether it be the original movie, or Nate
Parker’s version.
Mind you, the original ‘Birth of a Nation’, was a propaganda film/tool
used to extol the virtues of the KKK. And its main message was how Black people
would destroy the united states once we were released from the bonds of
america’s slavery. So in keeping with this theme, Nate’s movie was created to keep
Black americans in perpetual states of self-hatred, so we'd be bound in a mental
slavery.
The other side of the game white fascists are runnin’ on us with
this flick involves its christian mores. Ya’ see, Nat Turner was taught to read
specifically so he could preach bible verses to fellow Black slaves. And this
film tries to impart the message that the bible is what provoked him to revolt.
But let’s see what the bible really
says about slavery, so we can understand why it had nothing to do with Nat’s
righteous indignation.
Ephesians
6:5 Slaves, you must obey your earthly
masters with respect and fear, and with sincerity of heart, just as you would
obey christ.
Now, doesn't this run counter to the
first of the ten commandments saying, I am the lord your god, you shall not
worship any gods before me? Here, the bible says you should respect and obey
earthly masters just like they were 'christ'.
Moreover, why would 'god' endorse
anything to do with slavery? And why would the 'good book' endorse it?
Here's more... Ephesians 6:6 Obey
them (slave masters) not only to win their favor when their eye is on you, but
as slaves of christ, doing the will of god from your heart.
Slaves
of christ?!
Again,
why is the 'good book' promoting slavery?
One side note: the first slave ship to wash up on
american shores with Black people on it, was called the 'good ship
jesus'...google it if you don't believe me.
Ephesians 6:7: Serve
wholeheartedly, as if you were serving the Lord, not people.
Serve
a slave master like you were serving the 'lord' and not (just regular) people?
And if you’re a Black man or woman reading this, you should also
know the reason suicide was made a sin by the christian church,
is so america’s Black slaves wouldn’t kill themselves, so they could be worked
to death.
So, every Black man and woman reading this should understand that it
wasn’t the bible that gave Nat his revolutionary insight, it was his Black
spirituality, masculinity, and common sense, that got him to cut ole’ Massa’s head off.
Now, with all that said, hopefully you can decide whether or not
you wanna’ buy a ticket to see this crap film.
And in closing let me say, as of
late, Birth of a Nation is reportedly doing poorly at the box office. So the white
media says. But if you peep the game being played on Black americans, you’ll
realize that white fascists are making this known, regardless of this film’s
real box office numbers, so more Black people will feel obligated to go see and
support this trash flick.
Always remember, the most powerful tool you have to combat the
social engineering inherent in every white fascist social order is your
melanated DISCERNMENT. And with it, you’ll realize that the ONLY force powerful
enough to defeat white fascism isn’t our money, or an education…IT’S OUR UNITY!!
And with his horror flick, Birth of a Nation, that’s exactly
what Nate Parker is trying to keep us out of.
