Why spanish people don't like Black americans (Part 3)...migrant caravans, conservative masochism, and the cult of gay "latino" bigotry...

To the readers of this Blog: Years ago, I watched one of John Lequizamo’s Broadway plays on HBO. And, if you’re not familiar with him, he’s the guy responsible for the Broadway productions of: “Mambo Mouth”, “Freak”, “Ghetto Klown”—and one more production I wasn’t surprised to find out he curated this year called, “latin History for Morons”.                           

Now, in one of his productions, I watched John make a reference to the religion “Santeria”. A second later, he accompanied his reference with a mock ritual where he invokes the spirit of “Shango”, one of Santeria’s most powerful energies. Mind you, he talked about this religion, and this energy, like it was exclusive to latinos and their culture. And for years, I believed that.

But, being a curious kind of fellow, I came to realize, after doing some research, that Santeria, and the spiritual entity Shango, were creations of the Yoruba tribe(s) of ancient Nigeria—and that’s Nigeria, Africa, y’all. Also, in the Yoruba’s language, Shango (or Sango), comes from the term “shan”, which means “to strike”. And that figures, ‘cause Shango is always portrayed as a muscular, hyper-masculine figure wielding a two-headed axe. And his axe is usually surrounded by lightning bolts and bursts of fire. He's also been called the “god of thunder” by his followers—so basically, this is a war deity/energy. 

And I’d be remiss if I didn’t tell you that Shango was the inspiration for the Marvel comic book character, “Thor”—mind you, in Thor’s case, whitey just replaced Shango’s two-sided axe with a hammer (remember, they call Thor the god of “thunder”, well, that’s one mo’ thing they took from us). Additionally, the famously farcical TV sketch comedy show “In Living Color” (produced by the Wayans brothers), aired on the Fox network from April 15^th, 1990 to May 19^th, 1994. And coincidentally, John Leguizamo’s comedy-sketch show, “House of Buggin’”, aired a year later in January of 1995. Can someone say, “cultural appropriation”?

Now, in advance, I need to apologize, for portraying Shango in my post’s header, without an axe, or fire, or lightning. Although to me, this beautifully melanated brotha personifies the strength and spiritual power of Shago’s energies.

And let me say up front, that this post is gonna’ be more like a “vlog”, than a “blog”. Cause my editorial is gonna’ support what you’ll be seeing in this video, instead of the other way around. Meaning, I’m gonna’ let this clip do most of the talking, and I’ll give y’all some pointers of what to watch out for.

I just have 3 favors to ask, which has become the norm with this series, and they are: #1. Please don’t bother telling me that the proper term for spanish-speaking people in america is “latino”, ‘cause I already know that. Unfortunately, the people who tell me this, usually don’t know how latinos checked the “white” box on their census forms, so whitey started calling them “hispanics” in the 70’s, so they couldn’t claim to be white. #2. Please don’t tell me that Spain is in europe, ‘cause I know that too (But I guess Don Trump forgot—and I’ll speak more on that later on in this post). And lastly, #3. Please don’t waste your time (or mine) telling me that the term “latino” represents a “culture”, not an ethnicity—I also know this. Problem is, they don’t. Meaning, I understand latinos are really Black, but they don’t claim us, so I’m not claimin’ them. 

Moreover, as a Black man or woman reading this, what you should understand is, anyone who calls themselves an “Afro-Latino”, is really saying they’re not Black. Either that, or they’re looking for an escape hatch for their “Blackness”. So, I say, let them have their illusions—but you can’t have our culture too. Cause the only times these people seem to wanna’ be Black, is when they exploit our cultural constructs. And that smacks of white feminism to me, insomuch as, latinos wanna’ be white around non-Black people, and Black when they’re rippin’ off our culture(s), just like white feminists wanna’ pass themselves off as an oppressed minority, while enjoying and luxuriating in their white privileges. And like a famous character said on “In Living Colour”: “Homie don’t play that”.

And if you’re a Black man or woman reading this, neither should you.

—MontUHURU Mimia

Now, as I’m writing this, I think back to yesterday when I watched internet footage of a latino migrant caravan, breaching the security fence separating Honduras from Mexico. Mind you, these migrants are heading through Mexico to america. And while people respect their dogged determination and audacious pursuits of a better life, I don’t think I have to remind you how Don Trump’s administration, has been deporting boatloads of these people who were already living here, out of the country.

And I too, am being conditioned by america’s media, to cry (like MSNBC’s Rachel Maddow did) when I see Julio and ‘em, being separated from their children and stuffed into trucks like sardines bound for deportation centers. 

But if you’re a Black man or woman reading this, stop reachin’ for the Kleenex for a hot sec’, ‘cause I gotta’ video to show you, that'll make you take pause, next time you wanna’ take up for one of their causes.

Now, like I said previously, what I’m gonna’ do is let these Goya-bean eatin’ bastards show and tell you on recorded video, how they really feel about us—mind you, I think it prudent for me to give you a bit of a primer on what you’re about to see. 

Recently, in New York City, 3 young, spanish men, got into an Uber cab, that a brotha was driving. And supposedly, these latinos wanted to hear some club music, which the cabbie refused to play. Thereafter, it looks like the 3 queer amigos, got upset about that, and probably threatened to do the driver bodily harm. That’s when the brotha pulled over and started recording what was going on. Mind you, I’d like everyone watching this to focus on 3 specific points—and they are…

Point#1. Now, one or two of you might think after watching the first few seconds of this, that I can’t definitively say these guys are latinos. Well, the person who first appears and talks on his cellphone, behind the driver, identifies himself as “Robert Ortiz”—and you’ll hear that in the video—and again, his 2 sugar-shoed comrades, are of the same complexion and facial composition.

Point#2. You’ll hear Rob “arroz con pollo” Ortiz, say that he feels “racially profiled” cause he and his friends are gay. And we should all understand, that homosexuality is a sexual orientation, not an ethnicity. Cause there’s no geographic locale that queers come from, since their sexuality is the product of an unresolved childhood trauma—that’s why they’re bending over for someone of the same gender. And Julio, I mean Rob, has the audacity to also say, that he feels racially profiled cause he’s “not Black”.

Point#3. Mr. (or Ms.) Ortiz, openly brags about voting for Donald Trump—you know, that same guy that’s deporting boatloads of his people outta’ the country. And this is what I call conservative masochism (a.k.a. “anglophilia”)—and the overwhelming majority of latinos suffer from it. Meaning, no matter how benevolent we act towards them, they’re always gonna’ side wit’ whitey. Even if it means, they or their loved ones, will have to leave this country, that they’re (literally) dying to get into.

Now, this probably won’t be my best written post, cause I’m writing angry—but the sentiment I’ll try to convey as eloquently as I can is this...

THERE IS NO BLACK-BROWN ALLIANCE—AND THERE NEVER WILL BE!

PERIOD!

And for all the “multiculturalist” negroes out there, who wanna’ hold hands wit’ everyone else but your own kind and sing “kumbaya”, this video should tell you one thing very clearly—and that’s this…

THESE sPANISH PEOPLE DON’T LIKE YA’ BLACK ASS!

GET OVER IT!!

And like I always say at the end of one o’ these posts…WE’RE ALL WE GOT, AND WE’RE ALL WE NEED PEOPLE! AND THE SOONER WE ACCEPT THIS, THE BETTER!

And like Sam L. Jackson said in Spike Lee’s movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

P.S.

And one last thing fam, kudos to this brotha for keeping his cool under this kind of pressure—he’s gonna’ go far in life.

*Warning: This video contains very harsh and derogatory language. Viewer discretion is advised. 

                                          

The gospel of white fascism (Part 33)...The 3 faces of Kanye West and the 3 phases of the "Hegelian Dialect"...

“The language of God is mathematics…”

—Sophia Stewart, at a press conference for her book, “Matrix 4 The Evolution: Cracking the Genetic Code”

*Note: Sophia is the sista who wrote the original “Matrix” movie script (the one the Wachowski “sisters” stole), and within that same script the movie franchise “The Terminator” was created. And Sophia now owns the rights to both.

To the readers of this Blog: When I first created the title of this particular post, I didn’t realize which number I’d come up to in “The Gospel of white fascism” series. Then, when I found out it was the number 33, I saw how this number was also reflected within the title: the “3 faces of Kanye” and the “3 phases of the Hegelian Dialect”. And, I also understand that some of you might be thinking, well, there’s actually “4” faces in your header, bruh—and I’ll tell you why that number has a significant meaning to an associate of Kanye’s at the end of this post.

But, in regard to the number 33, it has a very important spiritual meaning, and that’s reflected in the fact that there’s 33 degrees of freemasonry which correspond to the 33 vertebrae of the human spine. And like I’ve mentioned before, these 33 vertebrae lead to the “Pineal Gland”, which according to the sciences of our ancestors, is where the human consciousness is kept. Additionally, the majority of freemasonic orders agree that, in occultic circles, 33 is the most powerful number of them all. 

For instance, the mythological “Jesus Christ” was said to be thirty-three when he was crucified, but this, as I’ve mentioned previously, was a fable used to represent the “Krist/Krst” energies of the Black Spiritual Sciences, and their connections to that number. Also, the first Temple of King Solomon was said to have stood for 33 years, and there are 33 symbols of the Masonic order, up to and including a double-headed eagle, crowned with an equilateral triangle with the number 33 inside it. And in the practice of “Spiritual Numerology”, the numbers 11, 22 and 33, are said to be the “Master Numbers”—and of course, 33 is the highest of these.

And I don’t think I have to remind anyone of the architecture of Kemetic (Egyptian) and global pyramids, in regards to our ancient ancestor’s connection to the number “3”.

But let me give you my personal testimony, on dealing with this number.

About three years ago, I started “Divinating”. And that’s just a fancy word to describe how I found a technique that connects my intention with my subconscious mind. And I kid you not, the first thing I began noticing, besides the warm surge up my spine after the first time I’d done this technique correctly (rising of the “Kundalini energy”), is that numbers started repeating like crazy. And I even remember sitting besides a co-worker, and how I casually told her that I’m not a numerologist, but I’d been seeing the number “3” everywhere. After I said that, she pointed out that we were sitting in cubicle #3.

Thereafter, I noticed that when my spiritual energy is at its highest point, the number “6” (of course, based on 3’s) will start repeating. And I remember, on a day when my spiritual energies were very high, a woman behind a cash register made it a point to tell me that my change came up to $6.66. Now, some people may say that’s “satanic” or “demonic”, but anything intrinsically wicked that’s associated with this number is connected with the white fascist “spin” on our spiritual sciences.

For instance, I remember how demonized the practice of “Voodoo/Vudun” was when I was growing up, and one movie in particular that displayed this theory was the horror flick, “The Serpent and the Rainbow”. Come to find out, that the “Serpent” really represents the “Kundalini energy” rising up the spine (like I mentioned earlier), and the “Rainbow” represents this energy rising through the colored “Chakras” of the body. Now, white fascists demonize this concept to dissuade us from practicing our ancient spiritual sciences, cause they know that’ll empower us to manipulate spiritual forces in our favor. whitey also does this to keep us frequenting whatever church we have on every corner of our neighborhoods.

Now, the reason I’m saying this is, if you’re a Black person reading my Blog, and you’re serious about being a Black Nationalist/Pan-Afrikanist, at some point you’re gonna’ have to start working in and with the subconscious mind.

And if you’re not doing that on a spiritual level, then you should be doing it on a more practical, mental one. Meaning, if you have no intentions of exploring the spiritual aspects of Black Nationalism, then you should be working in the subconscious to pluck the self-hating conditioning that this (or any other) white fascist social order gave you, to really love yourself for being Black, and to love everyone else who looks like you for being the same.

Now, does doing this mean you’ll get along with every Black person you meet?

HELL NO!

But it does mean you’ll be a lot less likely to hate yourself for being Black. And getting myself and every Black man and woman reading this, to that subconscious place, is the reason I write this Blog. Thus, if I can get one person to that destination, my work here will not have been in vain.

So, in keeping with the theme of “3’s”, I wanna’ show how the elites are using Kanye as a social engineering tool with 3 particular incidents that have happened in his career, as well as, the 3 phases of the “Hegelian Dialect” (HD). And these will involve the HD methodology of the “problem, reaction, solution” paradigm. Also, I’ll show this by making a comparative analysis that’ll display the intersectionality between the two. And as always, I’m writing with the reader in mind, so I hope you find something here that’s not only edifying, but entertaining as well.

—MontUHURU Mimia

HD Phase #1: Problem

On September 5^th, 2005, Kanye West participated in NBCUniversal’s “A Concert for Hurricane Relief”. This was a “telethon” used to raise money for the victims of 2005’s “Hurricane Katrina”. Now, we should all understand from jump, that there was nothing “natural” about this disaster. Meaning, if you look at Spike Lee’s excellent documentary: “When the Levees Broke: A Requiem in Four Acts”, Black Louisiana residents themselves said they heard explosions, before those fatal flood waters killed so many of their loved ones. Not only that, but it’s documented that when those residents tried to cross bridges to get outta’ town, cops and members of the National Guard, kept them back at gunpoint.

On top of that, cops and members of the National Guard shot several Black men and women who were looking for food, ‘cause behind this “emergency”, our people were being classified as “refugees” and “looters”.

Needless to say, Black people were livid behind what happened to us behind this “natural disaster”. My blood was boiling as I sat and saw what our people endured. And that same sentiment is running throughout Spike’s brilliant documentary.

Conversely, white fascists see these tragedies as opportunities to prop up a “Black leader”. Meaning, when a crisis hits the Black community, whitey has a set of Bougie puppets waiting in the wings, to capitalize on becoming a “spokesperson” for us.

And at that moment, Kanye was their puppet of choice.

Now, you might be saying, well, wait a sec’ bruh, Kanye dug into George Bush Jr. with his famous, “George Bush does not like Black people…” quote.

And that’s what I thought too.

I think we all applauded when Kanye made that statement, ‘cause he was giving voice to what we were all thinking. And at the time, I thought he was a courageous brotha for taking a stand on live TV. That ended as the years went by and Kanye showed me and us, his true colors (pun intended).

HD Phase #2: Reaction

Now that Kanye was portrayed as having Black “revolutionary” tendencies, he was poised to reinforce this image by speaking up on behalf of Black people, and more specifically Black musicians everywhere.

Thus, his “appearance” at the 2009 “MTV Video Awards”.

When Kanye came on stage and interrupted Taylor Swift’s speech at the MTV “VMA’s”, his proclamation that Beyonce had one of the best videos of all time, was actually doing 3 things at once—and those are:

#3. Kanye was giving Taylor’s corny music some invaluable “Black street cred”.

Kanye’s interrupting Taylor’s “winning” of the VMA award was a straight-up freemasonic ritual being performed right in front of us. And one reason he did that was, whitey knows Hip-Hop was (and is) the pop music of the last half-century—and they also know, less and less people were listening to the nasal “twangs” of white-bred “country” music. So, this was an effort to essentially “mainstream” Taylor’s mediocre music for the masses.

You say you want proof of that?

Bet.

Notice how, almost immediately after that awards show, Taylor switched to doing nothing but “R&B” music. So much so, that in recent articles, music journalists are pontificating on whether she’ll “come back” to the country genre.

#2. Kanye was reinforcing his own “street cred” and Black Nationalist posturing, by supposedly speaking up for and aggrandizing Beyonce’s music.

As Kanye became more and more influential to the masses, especially the masses of young people, white fascists saw how valuable an asset he’d be when it came time for him to “flip the script” on us, and ride for whitey. So the more Black people, especially young Black people, Kanye got to believe in him, the more money whitey would put into his career.

As a result, Kanye started to get more political with his dumb-founded diatribes about self-empowerment and motivation.

#1. And what Kanye did more than anything else at the 2009 VMA’s, was reinforce the stereotype of the Black male brute victimizing the white female waif.

This is why Kanye wore a Black shirt and Taylor was in all white. Understand that a key component of maintaining european standards of beauty, is to make sure that white women are kept looking like the most exquisitely feminine, vulnerable, and fragile females in the world. Thus, maintaining the fallacious “sanctity of white womanhood”.

It’s also reinforcing the stereotype of Black men lusting after and ultimately wanting to sexually assault white women.

whitey understands that if he doesn’t reinforce that stereotype of the white woman being the world’s most desirable female, that the beauty standard(s) of white women and men, could be questioned. And if that happens, they know this stereotype could be eradicated in years to come.

And this is also why, every coupl’ o’ years, the movie, “King Kong” is remade.

It’s so white fascists can keep everyone, especially Black people, thinking that whitey’s pin-thin lips, icy blue eyes and comatose looking white skin, is more desirable than our own, even when whitey’s tanning themselves obsessively, and injecting silicone into their butts and lips, to look like ours.

HD Phase #3: Solution

Now, with all of the young Black (and white) fans Kanye has amassed, his anglophilic allegiances to freemasonry are coming to the fore.

Kanye has been seen “hanging out” with the likes of president Don Trump as of late, and he’s been rockin’ Trump’s “Make america great again” campaign slogan hats. And quite frankly, this has been the goal all along, to get everyone who’s got a vested interest in Kanye’s “self-motivational” campaigns, to make a psychological return to america’s white fascist social order. Meaning,  Kanye’s co-signing of Trump’s “coolness”, should diffuse our thoughts of seeing him for the bigoted white fascist he really is.

And unfortunately y’all, it’s workin’.

I can’t tell you how many people, Black people included, are saying that, in the long and short of things, Trump’s alright.

Never mind that he’s stolen the presidential (s)election with the help of his pal Vladmir Putin, or he’s still claiming that Obama tapped his phones, or that he supports “white nationalists” in Charlottesville, Virginia, or that he’s “tweeting” his policies with no regards to any kind of presidential protocol, or just how dumb-founded the man is—for a stone-cold bigot, more and more people are saying, he ain’t half bad.

Mind you, I actually rejoiced when Trump was selected, ‘cause I knew that he’d expose himself as such a hard-core bigot, that our people would have no choice but to work together.

And ya’ know what, whitey knew about Trump’s reputation too—and that’s why the powers that be needed to do some damage control, especially after Trump’s support of the “white nationalists” marches in Virginia. The Don needed some kind of Public Relations “patsy” to heighten his profile—enter Kanye West.

And to top all this off, on May 1^st, of this year, Kanye came on “TMZ” and proclaimed in an interview that, in regards to Black people, and the TransAtlantic slave Trade (TST), that “slavery was a choice…”

Now, let me say three things about Kanye’s statement: one, in regards to the TST, more and more evidence by Black scholars shows that the Black slave trade in america was a LIE. For instance, and I’ve said this in previous posts, if Black people were already in america, which we were, then why would whitey have to transport us from Africa? And, it’s been proven that the diagrams showing us being transported at the bottom of slave ships were fake, cause there’s no way an ancient ship with that much cargo could be sea-worthy for months or a year at a time. Also, the “Barbary Slave Trade” was one in which ancient Black people enslaved millions of white people, supposedly at the same time that the TST was happening. So why are we taught about one and not the other?

Two: while I understand Kanye’s under heavy mind control, he’s always shown that he was more of an anglophile than anything else, calling himself the “Louis Vutton Don” and all. So I never took any stock in his being a “spokesperson” for our people.

And three: his TMZ interview (for me at least) shows that Kanye’s completed his commitments to white fascist freemasonry. This should solidify in anyone’s mind who his heart really belongs to, if any Black person doesn’t already know.

So, I’ve said all that to say this, in regards to what Black people put their stock, or trust in, we should value our “grassroots” initiatives, more than anything else. Cause once someone gets national or international notoriety (celebrity), 99.9% of the time, they’re a wholly owned subsidiary of white fascist freemasons.

Thus, we should look locally for change—cause real revolutions always start from the bottom up, not the top down.

Later…

MontUHURU Mimia

P.S.

Here’s the TMZ interview with Kanye West. And the most disturbing part about this vid is, when Kanye and the brotha Van Lathan get to arguing, what you’re witnessing is two freemasons “staging” a verbal confrontation. Cause white fascists know, the only way to win a game, is to control both teams. *Warning: this video contains profanity, viewer discretion is advised.

P.P.S.

It’s no coincidence that Jay-Z calls himself, “Jayhova”, and Kanye’s calling himself, “Yezzus”. So, just like the number “3” is important to this particular post, if you’d like to see how the number “4” is a powerful number in the Black Spiritual Sciences and freemasonry as well, check out this post I wrote on Jay-Z’s album, “4:44”, HERE.


*Addendum: *6/28/18*—Below is the “Earth, Wind and Fire” song for their video, “Serpentine Fire”. And the term Serpentine Fire is an (in)direct reference to the rising (or “snaking”) of the Kundalini energy up the spine. *Note: if you click on the video's title and go to its YouTube page, you’ll see my name in the comments section. And you’ll see me verbally jousting wit’ whitey about the (indigenous) Black origins of “Rock and Roll”, amongst other things.