The Gospel of white fascism (Part 40)...Donald Trump, gov't shutdown(s), falling incarceration rates, the criminality of Black economics, and the acculturation of drawing order outta' chaos...

“It’s been a long time, I shouldn’t have left you without a strong rhyme to step to, think about all the weak shows you slept through—time’s up, I’m sorry I kept you.”

—Rakim, from the song, “You know you got soul”

“The rift between Black men and women is irreparable, and the campaign to save the Black family is officially dead.”

—a comment made on my Blog, by a “Pro-Black” sista, named Monique, in 2014

“…THERE IS NO RECONCILIATION WITHOUT ATONEMENT; until they (Black women) can confess to and suffer the consequences of screwing us (Black men) over, there’s no use in talking about ‘Black Love/Black Unity’.”

—a comment made on my Blog, by a (brilliant) young brotha, who’s a “Black Men’s Rights Activist”, named “Kev” in 2017.

To the readers of this Blog: Beyond apologizing for letting life “thangs” get in the way of my obligation(s) to post weekly editorials here, I must confess, that sometimes, I feel like a fool for betting on (as corny as it sounds) “Black Love”. And mind you, the above comments (with the exception of the song lyric), are only the tip of the iceberg, when it comes to the glacier-sized insidiousness of our people’s self-hatred. But trust me when I say, that even though I consider these comments to be completely erroneous, I definitely see where this brotha and sista are coming from.

And with that said, here’s why I can’t subscribe to their points of view…

Now, this is the part when you’re probably thinkin’, okay, he’s about ta’ wax philosophic on looking at Black dysfunction(s) in the context of the white fascism that created them—or, he’s gonna’ preach a sermon ‘bout the importance of home-schooling our children…

Actually…no.

At least, not right now. *smiles*

But I will admit, that the reason I’m ultimately bettin’ on US is, I’m a bit biased. And let me expound on what I’m talkin’ about, ‘cause I’d be doing the family a disservice If I didn’t say this about myself. I grew up with Black parents who stayed married for 40 years. Mind you, their marriage wasn’t a blissful love affair throughout—actually, it was quite rocky at times, nevertheless, the “Black Love” (again, for lack of a better term) paradigm, is one I saw modeled in front of me, for the greater part of my life. So, when it comes to the prospects of Black men and women being together, I know it’s possible—mind you, not entirely probable, but possible. I do understand that the majority of modern-day Black men and women, want nothing to do (romantically) with other Black men and women. So, if you’re an indigenous Black person reading this, who genuinely wants to be in a relationship with one of your own kind (mind you, not in the context of being with the same sex) then you must understand, it truly will be a needle-in-the-haystack search. 

I also understand that the overwhelming majority of people who read and/or comment on this blog, are coming from a household that looked nothing like the one I grew up in. Mind you, I’m not saying that to gloat or boast about my homelife, but I will say, because of my upbringing, that my thinking (especially about US) is different.

Meaning, because I saw a Black man and woman together for most of my life, it doesn’t seem like such an idealistic pipedream for me. Conversely, I still do understand that there’s an element of idealism I’ve gotta’ maintain, if I endeavor to date and possibly marry a woman who looks like me.

Now, I also wanna’ comment on one fundamental part of the whole Black self-hating experience/experiment—and it’s the one I find the most distressing—it’s when any brotha or sista has the audacity to say…

I don’t know what it is about Black people, that makes us unable to work together like everyone else.

And let me just say, if you subscribe to this point of view, then you are wHITEY’S “PERFECT VICTIM”.

Why, you ask?

Here’s the answer...

If you as a Black person, don’t realize, on some level, that we have been worked on more than any other kind of person to hate ourselves and everyone who looks like us, cause we have the most genetic power(s) to breed whitey out of existence, than you (as a Black man or woman) have been SLEEP-WALKING YOUR WHOLE DAMN LIFE!

Meaning, when a Black man or woman utters this sentiment, and doesn’t understand why we’re seemingly more dysfunctional than other folks, I just shake my head—cause I’m thinkin’, which country have you been livin’ in for the past few decades?

To me, these people are like abused children, who don’t realize they’ve been abused. Or better yet, they’re like MK-ULTRA (mind-control) victims who’ve been programmed with psychic “alters” around their trauma, so they can consciously forget what’s been done to them.

Like I’ve said in the past, NONE OF OUR DYSFUNCTIONS ARE NATURAL TO US!! NONE OF ‘EM!! THEY’VE ALL BEEN CONDITIONED INTO US BY THE wHITE FASCIST SOCIAL ORDER(S) WE LIVE IN!

MEANING: NO OTHER GROUP OF PEOPLE ARE TAUGHT THAT THEY’RE THE DUMBEST, UGLIEST, AND POOREST PEOPLE IN THE WORLD, BUT US!

AND IF YOU DON’T KNOW THIS, YOU’RE DOOMED TO HATE YOURSELF AND EVERYONE WHO LOOKS LIKE YOU FOR THE REST OF YOUR LIFE!

Now, is this an excuse for us to stay in our dysfunctions?

HELL NO!

But the first step in resolving any problem, is knowing that you indeed have one—and KNOWING ITS CAUSE!

Mind you, I was speaking to a brotha on this very same topic, and he told me that he knows what whitey did to us—before telling me, straight out: “I don’t care about the cause!”

So, what he (and other Black folks like him) are doing, is giving whitey a pass for all the dastardly things he’s done to our people. Needless to say, I’m not around that guy anymore.

And it’s with this (sentiment) in mind, that I’m writing about what really inspired Don Trump (and his white fascist handlers) to shut the american government down. Also, I recently came across an interesting factoid that I must share with the family: american census bureau data from the years of 1994 til’ 2006, shows that incomes of Black americans, surpassed those of white americans in Jamaica, Queens, NYC.

And this is the community I grew up in.

Additionally, being from Jamaica, Queens, I remember going to school with Damon John who created the “FUBU” fashion line. And I recall actually seeing LL Cool J, Run, from “RUN-DMC”, and being old enough to realize that Ja Rule lived 20 minutes from my house—and so did Irv Gotti, the music executive behind “Murder Inc.” records. And mind you, I’ll leave a link for the New York Times article(s) that’ll corroborate my community’s economic status.

Moreover, I remember attending high school in Jamaica, Queens, and how I was taught by a white teacher, that asains (especially fair-skinned asians) were harder working (and smarter) than my people would ever be. Mind you, I recently came across another article proving that asians are the poorest ethnic group in NYC (and I’ll leave a link for that too). And these kinds of economics are the central issues I’ll be tackling in this post. And might I add, looking back on this info. infuriates me, ‘cause if facts like these were readily available to me and my friends (like crime was on the local news), so many lives in Jamaica, Queens could’ve been saved behind us feeling empowered by our community’s financial state(s) of grace.

With that said, I’m askin’ (one mo’ time), for your kind indulgences, behind this post running a bit longer than usual and behind this topic being a bit dated. And as always, I’m writing wit’ y’all in mind, so I’ll do everything I can to make this a comfortably fluid read. And once again, I encourage your feedback, as this space was created to not only give a voice to our problems, but to offer solutions to them.

And lastly, for the intrepid amongst you who made it a point to visit my Blog while I was away, I say (again), thank you, thank you, and THANK YOU!

—MontUHURU Mimia

Gordon Parks, the quintessential portrait of an indigenous Black renaissance man (meaning, he was a writer, photographer, musician, and film director) wrote and directed his film, “The Learning Tree”, in 1969. Now, this movie was based on Gordon’s novel of the same name, and it’s basically a retelling of the travails Gordon himself suffered, growing up as a young Black man in a small Kansas town in the pre-Depression era of the 1920’s. Mind you, having seen this movie, a couple of times, I can say that it’s a quaint dramatization of living under the tyrannies of white fascism, but Gordon was smart enough to realize that something was amiss with this flick.

And he came to this conclusion after the Melvin Van Peebles movie, “Sweet Sweetback’s Badass Song” hit theaters in 1971. Gordon saw that Sweetback (played by Melvin himself), was a brotha who dared to beat up corrupt white cops and think he could get away with it—and did at the movie’s end. Gordon also saw how Sweetback got mad love from brothas and sistas on the street, ‘cause he was a man who refused to shuffle and buck-dance for whitey. Gordon also dug how Sweetback’s movie persona gave us some pride. And as Melvin himself said, “I wanted my people to leave that movie with their heads up.”

Thus, taking a cue from Melvin, Gordon came out with the film “Shaft” in 1971. Now, the movie Shaft took a 180 degree turn from “The Learning Tree’s” (TLT) narrative, insomuch as John Shaft was not only a one-man army who took on white mobsters, but he defeated them at the end of the flick. And again, this was in stark contrast to the Black townspeople of TLT, who seemed altogether deflated and defeated. Now, Melvin’s “Sweetback” and Gordon’s “Shaft”, are the 2 movies that kicked-off what was known as the “Blaxploitation film” era of the 1970’s. And some of those flicks had names like “Hitman” (1972), “Black Caesar” (1973), “The Spook Who Sat by the Door” (1973), “Three the Hard Way” (1974), ”BuckTown” (1975), etc. And the common theme running through all these films were Black men beating the hell outta’ white cops, or any other kind of white male authority figure. Additionally, these films saved the failing american movie studios in the early 70’s.

Now, these films weren’t only a source of entertainment, but they gave a lot of Black people, and Black men especially, boatloads of inspiration to stop being abused by white bosses and get better jobs, or to start creating their own independent businesses, period. Now, even though whitey was caking off behind our patronage of these kinds of movies, he was thinking, wait a sec’—if these people see too much of these flicks, they might stop fantasizing about retaliating against white cops, and start taking up arms against us. That’s when white fascist freemasons like Jesse Jackson, coined the phrase “Blaxploitation”, and gave it to these movies for the expressed purpose of getting rid of them. Which they eventually did.

Mind you, those films were but one factor that contributed to the median household income of Black americans nearly doubling in the 1970’s. The fact that more of us were obtaining college degrees also gave our collective salaries a boost. And there’s tangible research to back this up by organizations like the “Economic Policy Institute”, who crunched the data and showed that during the years of 1968 until 1979, the “inflation-adjusted” annual income of Black americans increased by 42.8%, and mind you, that slightly outpaced typical income growth for white households during that same period, since their increases only totaled 36.7%. To top all this off, the song “Ain’t No Stoppin’ Us Now”, by the singing duo, McFadden and Whitehead, encapsulated the aspirational zeitgeist and upward mobility of Black americans of that era.

And, as a matter of course, this scarred whitey’s fascist sensibilities. Thus, in the Reagan 80’s, we got the lethal troika of “Reaganomics”, Crack and AIDS, to eradicate any progress our communities had made.

Fast forward to 2018—Now, instead of Reagan, we got good ol’ Don Trump shutting down the american gov’t behind Dixiecrats, I mean Democrats, and Republicans being unable to resolve an ongoing standoff regarding Trump wanting $5 billion dollars to build a border wall to keep undocumented latinos out. Hey, serves Julio and ‘em right for thinking they’re “whiter” than us.  

Now, no diss to the twenty-somethings out there, but it’s times like this when I think, man, I’m glad I’m older. Reason being, is wisdom affords middle-aged folks like myself, an even-temperedness and conflict-resolving temperament that only comes with age. Meaning, I recognized this “border wall” dispute for the white fascist maneuvering against Black folks that it really was. So, I instinctively knew that if whitey’s engaging in these kinds of destabilizing methods, 3 things must be happening—and those are:

#1. Crime rates must be down.

#2. The collective income of Black americans must be up.

#3. And lastly, more Black americans must be going to college.

But ultimately, this was just a collective hunch, until I could back it up wit’ some research—so, here’s 3 mo’ facts I found when I did just that…

#1. In the case of overall crime rates in america, according to FBI stats, violent crimes have fallen 49% between 1993 and 2017—and according to the “Bureau of Justice Statistics” (BJS), violent crimes fell 67% during these years. Additionally, FBI stats say “property crimes” have fallen by 50%, and BJS stats say these crimes have fallen by as much as 69% during the same time. Mind you, property crimes include burglary, theft, and motor vehicle theft—and they’re far more common than violent crimes.

Now, scores of statisticians have waxed philosophic about what brought this dip in crime about. And some common, working-class folk are reluctant to believe these stats saying, “Crime ain’t down in my neighborhood.” But regardless of what anyone believes, the bottom line is this: less crimes, means less arrests, which might mean less incarcerated Black men—and that’s surely a problem for white folks and fascists everywhere. However, I’ve come up with my own theory, and it goes a little something like this: 2 things are contributing to (Black) crime rates falling so precipitously, and those are…

A. More than anything else, the explosion of white drug use in america (a.k.a. the “opioid epidemic”) has swelled america’s prisons with more white inmates at alarming levels. Understand, the same drug laws that put Black men behind bars for multiple years, are now being used to sentence their own kind—so whitey’s being forced to concentrate more on whitebois in a system set up for Black men—but instead of pointing this out, they’d rather cover it up by saying crimes, where we usually find them (in Black neighborhoods), are down. And truth be told, the majority of drug use in Black neighborhoods involve us selling narcotics to the whitebois coming to our ‘hood to get ‘em—even though stats bear out, whitey’s the ones doing the majority of the drug selling too.

B. Under the Barack Obama presidency, unemployment rates dropped by 4.8% overall, and the economy gained 11.6 million jobs—and this is the same low unemployment rate that good ol’ Don Trump is saying he’s responsible for.

So, bottom line is, Black americans are using less drugs (especially compared to whites), and more of us are working—which means, at least half of us are NOT out committing crimes.

#2. In the case of median incomes for Black americans, the “Brookings Institute” conducted a study showing that the household incomes of 125 communities in “majority-Black” cities actually “outpaced” the national average for ALL american ETHNIC GROUPS. Mind you, the national average for american household incomes (annually) is $53, 889—and this data comes by way of the “American Community Survey” of 2015. And according to the survey, the Black communities that are doing exceptionally well seem to be concentrated in the state of Maryland—meaning, the largest of these thriving neighborhoods is in Waldorf, MD. (earning a median income of $81,592) with a population of 71,399 residents, and Highland Beach, MD. with a smaller population of 110 residents, earning the highest median income for Black americans overall, at $158,750 annually.

Now, once again, I must confess, THIS IS WHY I LOVE BEING A BLACK NATIONALIST! Cause if I was just an anglophilic kiss-ass of a Black man, I’d be conditioned into thinking that our people are the poorest, dumbest, and ugliest people in the world—and that’s wHITEY’S PLAN FOR US Y’ALL!!

So, if you encounter a brainwashed brotha or sista who’s calling us folk in the “Black Conscious Community”, a bunch of stupefied “pro-Black” “Hotep-pers”, just give ‘em a facepalm and keep it pushin’. Let ‘em stay stuck in the morass of deifying white folk—'cause truth be told, they’re happier feeling inferior to those pale-skinned dead-enders.

Moving on…

#3. The American Council on Education crunched numbers to show that there’s not only more Black men in college than in prison, but it shows how this has been a fact since the year 2000 (at least). And I’ll leave a link for their website too. Moreover, since 2008, incarceration rates for Black men have been DECREASING. And that means what? It means, more Black men are not only out of jail, but (according to these stats) more of us are educated and gainfully employed than in previous years—and whitey don’t like that.

Now, I’m gonna’ sound like a broken record here, but the reason good ole Don shut this gov’t down is not only for the 3 reasons above—it’s because WE HAVE THE MOST GENETIC POWER TO BREED THESE INBREDS OUTTA’ EXISTENCE! AND AS WE SPEAK WHITEY’S COMMITTING SUICIDE LIKE CRAZY, OVERDOSING ON DRUGS IN DROVES, AND THEIR BIRTHRATES HAVE FALLEN BELOW REPLACEMENT LEVELS OVER THE COURSE OF THE LAST FEW DECADES!

And to put it in more layman’s terms: THEY FINISHED Y’ALL!! IT’S A WRAP FO’ ‘EM!!

Now, does this mean whitey’s got no more power?

HELL NO!

But it does mean that they see the end is near—AND THEY CAN’T STOP IT! NO MATTER WHAT THEY DO!

So, the indigenous Black people of the world should feel empowered and emboldened to “UNIFY” NOW, MORE THAN EVER! Cause whitey also sees that their fall means OUR RISE! And they also realize that whatever they do to us, WILL ALSO AFFECT THEM!

MEANING, THE DEVIL’S TIME IS UP Y’ALL!!

AND IT’S ABOUT DAMN TIME!

WELCOME TO 2019 FAMILY!!

Later…

MontUHURU Mimia

P.S.

You can check out stats that show the incarceration rates of Black men are down HERE.

P.P.S.

You can check out stats showing that a large number of Black america’s communities have median incomes outpacing other ethnic groups HERE.

P.P.P.S.

You can read up on the exalted economic status of Black communities in Jamaica, Queens HERE.

Also, if you wanna’ see the news article showing that asians are the poorest ethnic group in NYC, you can check it out HERE.

Lastly, here’s the song, “Ain’t No Stoppin’ Us Now”, by McFadden and Whitehead. Now, this vid clip is one of an episode of “Soul Train”, where the singing duo performed this song. I just ask that you don't laugh too hard at the flamboyantly gay men dancin’ to this tune—ENJOY!

The Cult of Black and white Cinematic Symbolism (Part 22)...Here's what Marvel's Black Panther movie, The "Netflix" series Luke Cage, and Kanye West have in common...

In regards to the “Marvel Cinematic Universe” (MCU), to date, its most successful franchise has been “The Avengers” series—and more specifically, “The Avengers: Age of Ultron” (which grossed 1. 4 billion globally), and “The Avengers: Infinity Wars” (which grossed 2 billion dollars worldwide). And these movies weren’t only box office hits, but they’ve been ranked amongst the most profitable movies of all time.

Mind you, the reason I’m talking about this particular franchise, is not ‘cause I’ve seen these flicks—and I proudly state that I haven’t watched them, and never will. I’ve looked at enough deified white guys in films to last me a lifetime, thanks. I’m talkin’ about these films cause whenever I hear about MCU’s “Black Panther” movie, and its success, it never fails that some white person will bring up the (slightly) more successful Avengers series. Meaning, whitey’s always tryna’ steal the thunder of Black Panther’s triumphs, by comparing it to one of the most successful franchise films of all times, the Avengers.

So, right off the bat, I wanna’ do a bit of a comparative analysis as to why the Avengers series was more profitable than MCU’s Black Panther, with these 3 points…

Point#1: MCU’s Black Panther is a “standalone” film.

Meaning, in the case of MCU’s Avengers movies, you had the original Avengers film, which came out in 2012, and the Avengers: Age of Ultron, in 2015, before The Avengers: Infinity Wars was released in theaters earlier this year. Also, you had the Avenger’s superheroes in other MCU flicks like “Iron Man”, “Thor”, “Captain America”, “The Hulk”, etc. Whereas Black Panther’s character, had only 1 debut before his own MCU movie, and that was in the Captain America film, “Civil War”, which came out in 2016. So MCU kept the Black Panther superhero under wraps, for fear that “mainstream” audiences wouldn’t connect with the character.

Point#2: MCU’s Black Panther had less of a budget than the last Avengers movie.

With an estimated budget of $310 million to $400 million dollars, The Avengers: Infinity War, was one of the most expensive movies ever made. Conversely, MCU spent $200 million dollars on the Black Panther film. And ultimately, that says what? Well, more than anything, it’s says that Ryan Coogler (the brotha that directed the Black Panther film, in case ya’ll didn’t know) and his Black Panther movie, which grossed $1.3 billion globally, more than quadrupled MCU’s ROI (return on investment)—and mind you, Ryan Coogler is MCU’s youngest director.

Point#3: MCU’s Black Panther was released in less theaters than the “Avengers: Infinity Wars” movie.

The Avengers: Infinity Wars movie opened in 4,474 theaters, as opposed to MCU’s Black Panther, which opened in 4,020 cinemas. And regardless of this, Black Panther still had the 6^th largest “3-day opening box office weekend gross” (domestically), and the 3^rd highest “4-day debut” of all time, while having the lowest theater release count of america’s all time biggest grossing, top 20 films.

Meanwhile, on October 1^st, of this year, Netflix debuted the 13^th episode of the first season, of Marvel’s successful series, “Luke Cage”. And, on this date, it’s reported that Netflix servers “crashed” while this episode aired. And ultimately, that means 1 of 3 things happened—and they are…

#1. Luke Cage is so wildly popular, that its aggregate audience overwhelmed the farm of Netflix computer servers and their “failsafe” mechanisms, that should’ve kept the network on-line—thus, causing this crash.

#2. Disney and Netflix executives didn’t like the idea that a smart and powerful Black man-of-a-superhero, was the most popular Marvel property on Netflix, when they had a host of white heroes for fans to choose from, like: Daredevil, Jessica Jones, Iron Fist, the Defenders, etc. So, they pulled the plug on this episode themselves.

#3. Not only didn’t Disney and Netflix executives, like the fact that Luke Cage was the most popular Marvel series on Netflix, but they were caught off guard by its groundswell of support (this is probably the reason it got canceled). Meaning, they failed to socially engineer one o’ the white superhero shows to be more popular than Luke Cage. Which brings us back to why the MCU’s Black Panther wasn’t supposed to be so popular—and in retrospect, how they counted on it to do poorly—cause if it didn’t, they’d have to acknowledge one fact, that I’ll get to later on in this post.

Now, ironically enough, a couple of weeks after the Netflix meltdown, good ol’ Don Trump arranged a luncheon for his pal, Kanye West, at the white house. And to keep it a hundred wit’ y’all, after watching 5 minutes of Kanye’s dumb-founded diatribe, I had to turn the channel—‘cause his tirades were beyond farcical, they were outright folly.

But, I do recognize that public relations event for what it really was, and that brings me to what Kanye, Ryan Coogler, MCU’s Black Panther and Luke Cage, all have in common—and that’s this…

These living and mythological Black men exemplify the universal law that shows how “Black Street Cred” (a.k.a. “Black Cool Points”), are now completely synonymous wit’ white profitability.

Meaning, I understand Kanye’s not very astute politically—but he doesn’t need to be—cause his presence is giving Don Trump more Black Cool Points, which will translate into him being able to “cake-off” even more exponentially, down the line. Not to say that Don Trump is having money problems, but in the court of “public opinion”, Kanye’s Black Cool Points will give him the necessary cultural swag, needed to make him more “likeable”.

Cause right now, Don’s image is in desperate need of repair.

And understand, that Kanye was mandated to do this by his freemasonic fraternity—cause even though they don’t want the word ‘bout this metaphysical law to get out, they understand what Kanye has to offer Trump, and vice-versa. So, it’s a symbiotic relationship between Don and Kanye.

And like I’ve said in the past, Black Street Cred is at the zenith of not only cultural, but spiritual currencies—and whitey knows that’ll manifest into monetary currency. Remember fam, everything’s SPIRITUAL—not political.

So, I’ve said all that to say this: even though we, the indigenous Black Diaspora, live in a global social order that does everything it can to defile us, we should peep what whitey’s really showing you and I, now. And that is how our people, to the exclusion of all others, are not only at the genesis of everything in this universe, but how we’re the sustenance of it as well.

And like Sam L. Jackson said in Spike Lee’s movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

P.S.

Now, here’s one of “Snoop Dogg’s” recent appearances on the TV show, “The View”. And the reason I’m featuring him, is not only ‘cause he touches on Kanye’s foibles at the white house, but he sees how “Black Street Cred’s” (spiritual) energies and synergies, result in white profitability. And he’s so cold wit’ it, that he realizes it’s his Black Cool Points that are making Martha Stewart and “The View” more profitable. Furthermore, this vid shows how he’s absolutely the smartest person in that room. 

   

*Addendum — 11/23/18: And family, speaking of Snoop Dogg, this past Monday, on the 19th, Snoop got a star on the “Hollywood Walk of Fame”. And here’s the speech he gave on that momentous day. Now, this more than anything, not only solidifies Snoop’s status as an industry icon, but it reinforces the now universal law that officially marries “Black Street Cred” (a.k.a. Black Cool Points) with white profitability. Mind you, I remember when whitey was scared of Snoop, but what they’re more scared of now, is being without our “cool points” that they’re using to sell every item they manufacture. And in the immortal words of Biggie Smalls: “...and if ya’ don't know, now ya’ know.”

    

The gospel of white fascism (Part 33)...The 3 faces of Kanye West and the 3 phases of the "Hegelian Dialect"...

“The language of God is mathematics…”

—Sophia Stewart, at a press conference for her book, “Matrix 4 The Evolution: Cracking the Genetic Code”

*Note: Sophia is the sista who wrote the original “Matrix” movie script (the one the Wachowski “sisters” stole), and within that same script the movie franchise “The Terminator” was created. And Sophia now owns the rights to both.

To the readers of this Blog: When I first created the title of this particular post, I didn’t realize which number I’d come up to in “The Gospel of white fascism” series. Then, when I found out it was the number 33, I saw how this number was also reflected within the title: the “3 faces of Kanye” and the “3 phases of the Hegelian Dialect”. And, I also understand that some of you might be thinking, well, there’s actually “4” faces in your header, bruh—and I’ll tell you why that number has a significant meaning to an associate of Kanye’s at the end of this post.

But, in regard to the number 33, it has a very important spiritual meaning, and that’s reflected in the fact that there’s 33 degrees of freemasonry which correspond to the 33 vertebrae of the human spine. And like I’ve mentioned before, these 33 vertebrae lead to the “Pineal Gland”, which according to the sciences of our ancestors, is where the human consciousness is kept. Additionally, the majority of freemasonic orders agree that, in occultic circles, 33 is the most powerful number of them all. 

For instance, the mythological “Jesus Christ” was said to be thirty-three when he was crucified, but this, as I’ve mentioned previously, was a fable used to represent the “Krist/Krst” energies of the Black Spiritual Sciences, and their connections to that number. Also, the first Temple of King Solomon was said to have stood for 33 years, and there are 33 symbols of the Masonic order, up to and including a double-headed eagle, crowned with an equilateral triangle with the number 33 inside it. And in the practice of “Spiritual Numerology”, the numbers 11, 22 and 33, are said to be the “Master Numbers”—and of course, 33 is the highest of these.

And I don’t think I have to remind anyone of the architecture of Kemetic (Egyptian) and global pyramids, in regards to our ancient ancestor’s connection to the number “3”.

But let me give you my personal testimony, on dealing with this number.

About three years ago, I started “Divinating”. And that’s just a fancy word to describe how I found a technique that connects my intention with my subconscious mind. And I kid you not, the first thing I began noticing, besides the warm surge up my spine after the first time I’d done this technique correctly (rising of the “Kundalini energy”), is that numbers started repeating like crazy. And I even remember sitting besides a co-worker, and how I casually told her that I’m not a numerologist, but I’d been seeing the number “3” everywhere. After I said that, she pointed out that we were sitting in cubicle #3.

Thereafter, I noticed that when my spiritual energy is at its highest point, the number “6” (of course, based on 3’s) will start repeating. And I remember, on a day when my spiritual energies were very high, a woman behind a cash register made it a point to tell me that my change came up to $6.66. Now, some people may say that’s “satanic” or “demonic”, but anything intrinsically wicked that’s associated with this number is connected with the white fascist “spin” on our spiritual sciences.

For instance, I remember how demonized the practice of “Voodoo/Vudun” was when I was growing up, and one movie in particular that displayed this theory was the horror flick, “The Serpent and the Rainbow”. Come to find out, that the “Serpent” really represents the “Kundalini energy” rising up the spine (like I mentioned earlier), and the “Rainbow” represents this energy rising through the colored “Chakras” of the body. Now, white fascists demonize this concept to dissuade us from practicing our ancient spiritual sciences, cause they know that’ll empower us to manipulate spiritual forces in our favor. whitey also does this to keep us frequenting whatever church we have on every corner of our neighborhoods.

Now, the reason I’m saying this is, if you’re a Black person reading my Blog, and you’re serious about being a Black Nationalist/Pan-Afrikanist, at some point you’re gonna’ have to start working in and with the subconscious mind.

And if you’re not doing that on a spiritual level, then you should be doing it on a more practical, mental one. Meaning, if you have no intentions of exploring the spiritual aspects of Black Nationalism, then you should be working in the subconscious to pluck the self-hating conditioning that this (or any other) white fascist social order gave you, to really love yourself for being Black, and to love everyone else who looks like you for being the same.

Now, does doing this mean you’ll get along with every Black person you meet?

HELL NO!

But it does mean you’ll be a lot less likely to hate yourself for being Black. And getting myself and every Black man and woman reading this, to that subconscious place, is the reason I write this Blog. Thus, if I can get one person to that destination, my work here will not have been in vain.

So, in keeping with the theme of “3’s”, I wanna’ show how the elites are using Kanye as a social engineering tool with 3 particular incidents that have happened in his career, as well as, the 3 phases of the “Hegelian Dialect” (HD). And these will involve the HD methodology of the “problem, reaction, solution” paradigm. Also, I’ll show this by making a comparative analysis that’ll display the intersectionality between the two. And as always, I’m writing with the reader in mind, so I hope you find something here that’s not only edifying, but entertaining as well.

—MontUHURU Mimia

HD Phase #1: Problem

On September 5^th, 2005, Kanye West participated in NBCUniversal’s “A Concert for Hurricane Relief”. This was a “telethon” used to raise money for the victims of 2005’s “Hurricane Katrina”. Now, we should all understand from jump, that there was nothing “natural” about this disaster. Meaning, if you look at Spike Lee’s excellent documentary: “When the Levees Broke: A Requiem in Four Acts”, Black Louisiana residents themselves said they heard explosions, before those fatal flood waters killed so many of their loved ones. Not only that, but it’s documented that when those residents tried to cross bridges to get outta’ town, cops and members of the National Guard, kept them back at gunpoint.

On top of that, cops and members of the National Guard shot several Black men and women who were looking for food, ‘cause behind this “emergency”, our people were being classified as “refugees” and “looters”.

Needless to say, Black people were livid behind what happened to us behind this “natural disaster”. My blood was boiling as I sat and saw what our people endured. And that same sentiment is running throughout Spike’s brilliant documentary.

Conversely, white fascists see these tragedies as opportunities to prop up a “Black leader”. Meaning, when a crisis hits the Black community, whitey has a set of Bougie puppets waiting in the wings, to capitalize on becoming a “spokesperson” for us.

And at that moment, Kanye was their puppet of choice.

Now, you might be saying, well, wait a sec’ bruh, Kanye dug into George Bush Jr. with his famous, “George Bush does not like Black people…” quote.

And that’s what I thought too.

I think we all applauded when Kanye made that statement, ‘cause he was giving voice to what we were all thinking. And at the time, I thought he was a courageous brotha for taking a stand on live TV. That ended as the years went by and Kanye showed me and us, his true colors (pun intended).

HD Phase #2: Reaction

Now that Kanye was portrayed as having Black “revolutionary” tendencies, he was poised to reinforce this image by speaking up on behalf of Black people, and more specifically Black musicians everywhere.

Thus, his “appearance” at the 2009 “MTV Video Awards”.

When Kanye came on stage and interrupted Taylor Swift’s speech at the MTV “VMA’s”, his proclamation that Beyonce had one of the best videos of all time, was actually doing 3 things at once—and those are:

#3. Kanye was giving Taylor’s corny music some invaluable “Black street cred”.

Kanye’s interrupting Taylor’s “winning” of the VMA award was a straight-up freemasonic ritual being performed right in front of us. And one reason he did that was, whitey knows Hip-Hop was (and is) the pop music of the last half-century—and they also know, less and less people were listening to the nasal “twangs” of white-bred “country” music. So, this was an effort to essentially “mainstream” Taylor’s mediocre music for the masses.

You say you want proof of that?

Bet.

Notice how, almost immediately after that awards show, Taylor switched to doing nothing but “R&B” music. So much so, that in recent articles, music journalists are pontificating on whether she’ll “come back” to the country genre.

#2. Kanye was reinforcing his own “street cred” and Black Nationalist posturing, by supposedly speaking up for and aggrandizing Beyonce’s music.

As Kanye became more and more influential to the masses, especially the masses of young people, white fascists saw how valuable an asset he’d be when it came time for him to “flip the script” on us, and ride for whitey. So the more Black people, especially young Black people, Kanye got to believe in him, the more money whitey would put into his career.

As a result, Kanye started to get more political with his dumb-founded diatribes about self-empowerment and motivation.

#1. And what Kanye did more than anything else at the 2009 VMA’s, was reinforce the stereotype of the Black male brute victimizing the white female waif.

This is why Kanye wore a Black shirt and Taylor was in all white. Understand that a key component of maintaining european standards of beauty, is to make sure that white women are kept looking like the most exquisitely feminine, vulnerable, and fragile females in the world. Thus, maintaining the fallacious “sanctity of white womanhood”.

It’s also reinforcing the stereotype of Black men lusting after and ultimately wanting to sexually assault white women.

whitey understands that if he doesn’t reinforce that stereotype of the white woman being the world’s most desirable female, that the beauty standard(s) of white women and men, could be questioned. And if that happens, they know this stereotype could be eradicated in years to come.

And this is also why, every coupl’ o’ years, the movie, “King Kong” is remade.

It’s so white fascists can keep everyone, especially Black people, thinking that whitey’s pin-thin lips, icy blue eyes and comatose looking white skin, is more desirable than our own, even when whitey’s tanning themselves obsessively, and injecting silicone into their butts and lips, to look like ours.

HD Phase #3: Solution

Now, with all of the young Black (and white) fans Kanye has amassed, his anglophilic allegiances to freemasonry are coming to the fore.

Kanye has been seen “hanging out” with the likes of president Don Trump as of late, and he’s been rockin’ Trump’s “Make america great again” campaign slogan hats. And quite frankly, this has been the goal all along, to get everyone who’s got a vested interest in Kanye’s “self-motivational” campaigns, to make a psychological return to america’s white fascist social order. Meaning,  Kanye’s co-signing of Trump’s “coolness”, should diffuse our thoughts of seeing him for the bigoted white fascist he really is.

And unfortunately y’all, it’s workin’.

I can’t tell you how many people, Black people included, are saying that, in the long and short of things, Trump’s alright.

Never mind that he’s stolen the presidential (s)election with the help of his pal Vladmir Putin, or he’s still claiming that Obama tapped his phones, or that he supports “white nationalists” in Charlottesville, Virginia, or that he’s “tweeting” his policies with no regards to any kind of presidential protocol, or just how dumb-founded the man is—for a stone-cold bigot, more and more people are saying, he ain’t half bad.

Mind you, I actually rejoiced when Trump was selected, ‘cause I knew that he’d expose himself as such a hard-core bigot, that our people would have no choice but to work together.

And ya’ know what, whitey knew about Trump’s reputation too—and that’s why the powers that be needed to do some damage control, especially after Trump’s support of the “white nationalists” marches in Virginia. The Don needed some kind of Public Relations “patsy” to heighten his profile—enter Kanye West.

And to top all this off, on May 1^st, of this year, Kanye came on “TMZ” and proclaimed in an interview that, in regards to Black people, and the TransAtlantic slave Trade (TST), that “slavery was a choice…”

Now, let me say three things about Kanye’s statement: one, in regards to the TST, more and more evidence by Black scholars shows that the Black slave trade in america was a LIE. For instance, and I’ve said this in previous posts, if Black people were already in america, which we were, then why would whitey have to transport us from Africa? And, it’s been proven that the diagrams showing us being transported at the bottom of slave ships were fake, cause there’s no way an ancient ship with that much cargo could be sea-worthy for months or a year at a time. Also, the “Barbary Slave Trade” was one in which ancient Black people enslaved millions of white people, supposedly at the same time that the TST was happening. So why are we taught about one and not the other?

Two: while I understand Kanye’s under heavy mind control, he’s always shown that he was more of an anglophile than anything else, calling himself the “Louis Vutton Don” and all. So I never took any stock in his being a “spokesperson” for our people.

And three: his TMZ interview (for me at least) shows that Kanye’s completed his commitments to white fascist freemasonry. This should solidify in anyone’s mind who his heart really belongs to, if any Black person doesn’t already know.

So, I’ve said all that to say this, in regards to what Black people put their stock, or trust in, we should value our “grassroots” initiatives, more than anything else. Cause once someone gets national or international notoriety (celebrity), 99.9% of the time, they’re a wholly owned subsidiary of white fascist freemasons.

Thus, we should look locally for change—cause real revolutions always start from the bottom up, not the top down.

Later…

MontUHURU Mimia

P.S.

Here’s the TMZ interview with Kanye West. And the most disturbing part about this vid is, when Kanye and the brotha Van Lathan get to arguing, what you’re witnessing is two freemasons “staging” a verbal confrontation. Cause white fascists know, the only way to win a game, is to control both teams. *Warning: this video contains profanity, viewer discretion is advised.

P.P.S.

It’s no coincidence that Jay-Z calls himself, “Jayhova”, and Kanye’s calling himself, “Yezzus”. So, just like the number “3” is important to this particular post, if you’d like to see how the number “4” is a powerful number in the Black Spiritual Sciences and freemasonry as well, check out this post I wrote on Jay-Z’s album, “4:44”, HERE.


*Addendum: *6/28/18*—Below is the “Earth, Wind and Fire” song for their video, “Serpentine Fire”. And the term Serpentine Fire is an (in)direct reference to the rising (or “snaking”) of the Kundalini energy up the spine. *Note: if you click on the video's title and go to its YouTube page, you’ll see my name in the comments section. And you’ll see me verbally jousting wit’ whitey about the (indigenous) Black origins of “Rock and Roll”, amongst other things.