The Queen of Soul Aretha Franklin (March 25, 1942 - August 16, 2018)

Aretha Louise Franklin was born on March 25^th, 1962 in Memphis, Tennessee to her father, Clarence LaVaughn “C.L.” Franklin, and mother Barbara (Siggers) Franklin. Aretha's father Clarence, was a Baptist minister and circuit preacher, while her mother Barbara, was a gifted vocalist and pianist.

Both Aretha's parents had 3 children outside their marriage, and due to their tumultuous relationship, they separated in 1948, when Aretha was seven. Barbara went to live in Buffalo, New York, where Aretha's family had previously resided, and continued visiting Aretha who lived with Clarence in Detroit, before Barbara died of a heart attack in 1952, when Aretha was 10. Several women stepped in to help raise Aretha, her grandmother, Rachel being one of them, the other was the late, great Gospel singer, Mahalia Jackson—and it was during this time, that Aretha taught herself to play piano.

Aretha's father Clarence, was known as a preacher with a “million dollar voice”, and his celebrity amongst Black church-goers gained an almost nationwide status. His church was frequented by the likes of James Cleveland, Albertina Walker, Martin Luther King Jr., Jackie Wilson and Sam Cooke. Clara Ward, a gifted gospel singer herself, was said to be romantically linked to Clarence, but they never married—although, Clara was in the Franklin home enough times, to serve as a role model to young Aretha, while she attended Northern High School. But in pursuit of a musical career, Aretha left Northern High after her sophomore year.

Just after her mother's death, Aretha began singing solos at her father's church. And recognizing his daughter was an exceptionally gifted singer, Clarence began managing her at age 12. Clarence also helped Aretha sign her first record deal with “J.V.B.” records. In 1956, J.V.B. put out a single featuring Aretha titled, “Never Grow Old”, with another song called, “You Grow Closer” on the record's B-side. In 1965, “Checker Records” released an album called, “Songs of Faith” with the previously recorded Aretha cuts on it, and the disc also featured four unreleased songs from her as well.

Now, according to Quincy Jones, the famously talented singer Dinah Washington, said to him, that Aretha was gonna' be the “next one”.

So, in 1958, Franklin and her father traveled to California, where Aretha met Sam Cooke. And shortly afterwards, she toured with Martin Luther King Jr.—and sang at his funeral in 1968. As a young gospel singer, Aretha spent summers touring Chicago's church circuit, and often stayed with Mavis Staples and her family.

At age of 18, Aretha told her father, she wanted to follow Sam Cooke into the “secular” world of music, and with that, she and Clarence moved to New York, in pursuit of a “mainstream” record deal. Her father produced a two-song demo that came to the attention of Columbia Records, where she was signed to a deal in 1960. And Aretha's first Columbia single, “Today, I Sing the Blues”, was released in September of 1960, and quickly reached the top ten of the Hot R&B sellers chart.

Now, the fact that Columbia Records had Aretha singing songs like, “Today, I Sing the Blues”, speaks to the fact that they didn't know what to do with her golden voice. Still, in the 1960's during one of her performances, a WVON DJ, announced that Aretha should be crowned the “Queen of Soul”—and the title stuck.

In November of 1966, after six years with Columbia, Aretha signed with the “Atlantic Records” label. And in January of 1967, she recorded the song, “I Never Loved a Man (The Way I Love You)”—the song was released a month later and shot to number one on the “R&B charts”. *Note: now-a-days, the music industry has (largely) done away with the R&B chart listings, cause they know it's this genre, not “pop” music (Taylor Swift), that the public at large is really checkin' for and purchasing from (especially when ya' talkin' 'bout whitey). Mind you, “I Never Loved a Man” also peaked at number “nine” on whitey's Billboard's “Hot 100” charts. And if that weren't enough, this record's “b-side “, had the song, “Do Right Man, Do Right Woman” on it. And that topped the R&B top 40 charts.

In April of 1967, Atlantic had Aretha record her riveting version of Otis Redding's song “Respect”, which shot to number one on both the R&B and pop charts. This became her signature song, and with it, Aretha's status as an industry icon was confirmed. The song's also recognized as an anthem for the “Civil Rights” movement—and feminism.

Now, let's stop here.

The real reason Aretha's called the “Queen of Soul”, is that's what her voice spoke directly to.

When she sang, her melanated spirituality reached inside us and had a healing effect on whatever trials and travails we might have been going through. I remember as a young man, the first time I heard her sing the song, “Rock Steady”, on “Soul” Train. At the time, I didn't know much about her, but I was so mesmerized by her voice, that I couldn't turn away from the TV. What I've found out since is, the sound she produced, was the voice of our indigenous ancestors using her as a vessel, to let us get a glimpse of the abiding love, warmth, and benevolence that the overwhelming majority of us will experience, once we leave this 3^rd dimensional plane.

And let me also say, it sickens me, when white women try to hijack Aretha's spirituality, to co-opt the public into believing the nonsensical narrative of white fascist feminism.

Case in point...

A couple of nights ago on August the 20^th, MTV decided that Madonna should prepare a “tribute” to Aretha Franklin on their annual “Video Music Awards” (VMA) show. Now, as we all (should) know, Madonna's speech turned the air toxic at the VMA's—and there's 3 specific reasons why—and they're as follows...

Reason#3: People wondered, what the heck is Madonna wearing?

Well, while most people were befuddled at Madonna's wardrobe, when I saw her “get-up”, I nodded my head and though, it figures—cause here's what I knew: the term “Black Madonna” or “Black Virgin”, refers to the statues of the “blessed” Virgin Mary, and often the infant Jesus, with Black skin. Mind you, there are 400 to 500 “Black Madonnas” in Europe alone—and these statues, which are mostly in churches and shrines, are associated with miracles.

Now, you might be thinking, well, that's nice to know bruh, but what's that gotta' do with Madonna's attire? Well, peep this out...to the right and left of Madonna's picture from the 2018 VMA's, are pics of the “Black Madonna”. And like KRS-ONE said, “...if ya' wanna' little clarity, check the similarity.”

Mind you, the “Black Madonna” is who the Pope actually worships as a deity, as you can see to the left (and if you wanna' enlarge the pic, you can click on it).

Madonna was performing a freemasonic ritual right before our eyes, where she essentially tried to harness Aretha's (The real Black Madonna's) energy for herself. That's why she mentioned in her 6 minute speech, how she was inspired by Aretha, and that's why she thanked Aretha for being “our” Queen of Soul.

Essentially Madonna wants the “Queen of Soul” title herself, but she proved that night, that she'll never be anything but a third-rate “material GIRL”.

Reason#2: Madonna understands that she stopped being relevant years ago.

There's a now famous tweet being shown on this topic that states: “Does Madonna know Madonna didn't die”?

Now, what the person who “tweeted” this fails to realize is: Madonna may not be dead, but her career died a long time ago. And there's nothing she can do to resurrect it—NOT A DAMN THING!

Reason#1: Madonna not only knows that the gold standard of cultural currency is “Black Street Cred”, but she realizes that her leaving the R&B genre to be a pop princess, means she'll forever be locked out of that social construct.

Now, Madonna's 60^th birthday just passed—that's right y'all, the material girl, is 60. And supposedly, Aretha passed on her b-day. Mind you, I guess Maddy wasn't only pissed cause a fuss wasn't made over her birthday, but it seems like she's ticked off cause she was (and forever will be) outshined by Aretha's passing—and Maddy can't stomach that.

To top all this off, Maddy supposedly had her b-day celebration in Morocco, Africa.

Meaning, everything she's trying to do to align herself wit' “Black Cool Points”, is failing miserably. There's even footage of Maddy backstage at the VMA's conversing (and flirting) with Lenny Kravitz. And at one point in their conversation, Maddy says to Lenny, “...awards shows are all about betrayal—you feel me?” So Madonna's working overtime tryna' perfect our vernacular and get wit' our spiritual sciences, so she can stay in denial about her 15 minutes being up—and knowing they'll never be back again.

So, I've said all that to say this: no matter how hard Taylor Swift, Gwen Stefani, the late Amy Winehouse, or Maddy try in earnest to approximate the construct of Black Cool Points, they'll always fall short. For the simple reason that their degenerative pallor and the recessive DNA that goes with it, will never be able to access the kinds of spirituality that the indigenous people of this earth, Black men and women, possess as a matter of course.

And like Sam L. Jackson said, in Spike Lee's movie, “Do the Right Thing”: “That's the double truth, Ruth”.

REST IN PEACE, AND AWESOME POWER TO THE QUEEN, NETCHER, DEITY, AND THE REAL “BLACK MADONNA”, ARETHA FRANKLIN!

THEY'LL NEVER BE ANOTHER TO TAKE YOUR PLACE! 

Later... 

—MontUHURU Mimia

P.S.

Here's the Soul Train vid from 1972, featuring Aretha, that I wrote about earlier. And mind you, everything about Aretha is golden in this clip, from her voice, to her skin, to her hair, to the background's stage design. And even though the production value of this vid ain't the best, Aretha's lovely vocals will still shine through your computer screen. And, I defy you not to get goosebumps when Aretha raises her hands and sings, “Oooooh-hoooo” at the bridge. Classic stuff, enjoy.

 

The Cult of Black and white Cinematic Symbolism (Part 20)...What do the movies "BlacKKKlansman" and "Sorry to Bother You", have in common with gay christian churches?

“Street knowledge amazes the scholars when we coin phrases for dollars...”

—Jay-Z, from the song, “Bring it On”

Ronald Stallworth was born in Chicago, Illinois on June 18^th, 1953. A few years later, his mother moved him and his family to El Paso, Texas, where he was raised. And in the summer of 1972, his family moved again to Colorado Springs, Colorado, where he developed an interest in law enforcement.

After becoming a police cadet, and a rookie cop, In 1979, Ron was hired on as the first Black detective in the Colorado Springs police department. Mind you, as a detective, Ron was initially assigned to the records room, where he was reviled by his bigoted white co-workers, before he requested to go out in the field.

And Ron's very first undercover assignment, was to “observe” a Stokely Carmichael speech, when brotha Stokely was slated to speak at a “Black nightclub”. Ron eagerly accepted the task—and after his surveillance of the Carmichael lecture came off without a hitch, Ron was assigned to the “intelligence” department.

Now, let's stop here a sec'.

Understand, the first thing Colorado law enforcement had Ron do, was spy on Stokely, at a Black club. Notice, they didn't have him solve any local crimes or track down any fugitives, they had him watching someone who was associated with the Black Power movement. And unfortunately, the overwhelming majority of the “leaders” in the Black Conscious Community (BCC), have followed this same trajectory. Only difference is, the majority of the leaders in the BCC were ex-cons, before they were indoctrinated into white fascist freemasonry, and inserted into the BCC.

Well, one day, while going about his detective duties, Ron stumbled on an ad for the Colorado Springs chapter of the KKK. He called the ad's number pretending to be a white man, and once Ron's verbal slight-of-hand got him accepted into the klan's ranks, he teamed up with a jewish co-worker by the name of Flip Zimmerman, who would play Ron when he physically had to meet with klan members. And mind you, this is based on a true story, where Ron not only got to talk to the now infamous grand wizard of the klan, David Duke, but where he actually meets him in the flesh, due to an assignment he got to provide security for Dave.

Now, the team surrounding Ron's infiltration of the klan, was tasked with stopping a violent mission they had against Colorado's Black populus—but understand, that's not the focus of this post.

Moreover, I'm sure this movie is as entertaining as it is informative, and I'm glad Spike is getting some of the accolades he so rightly deserves, but, I haven't yet seen this flick. And while I do plan to go check it out in the future, what I'm more focused on, has to do with a line of dialogue in this flick's trailer, that I think everyone's heard. Cause it speaks to the very nucleus of the world's gold standard of cultural currency.

But we'll get to that a bit later in this post...

Raymond Lawrence Riley, better known as “Boots” Riley (left), was born on April 1^st, 1971 in Chicago, Illinois (another Chi-town native, like Ron Stalworth), and by the time he was 6, Boots' family had moved to Detroit, Michigan, before settling down in Oakland, California.

Boots' parents were community activists and organizers, which informed Boots' political ideologies, and had him joining the “International Committee against Racism” and the “Progressive Labor Party”, at ages 14 and 15 respectively.

Boots bought his political bent to a budding musical career, when he formed the Hip-Hop group, “The Coup”, in 1991, with a UPS co-worker of his, who called herself “Pam the Funkstress”. He was the emcee, and she, the DJ.

In 1992, The Coup was signed to the recording label, “Wild Pitch Records/EMI”, and their first album released in 1993, was called, “Kill my landlord”. The album spawned two singles, “Dig it” and “Not Yet Free”, and their videos aired on “BET” and “Yo! MTV Raps”. Now, beyond this, the group has gotten a lot of critical acclaim for it's politically conscious rap music, and their discography is as follows: “Genocide and Juice” (1994), “Steal this album” (1998), “Party Music” (2001), and “Pick a Bigger Weapon” (2006).

Now, while Boots embarked on his musical endeavors, he took some time to teach a daily high school class that he called, “Culture and Resistance, The Art of Persuasive Writing”, at the School of Social Justice and Community Development, in East Oakland, California. And even more recently, he's parlayed his lyrical talents into screen-writing. The result of this being his script for the recently released flick, “Sorry to Bother You”, which was distributed in theaters on July of this year.

And mind you, Boots not only created the movie's soundtrack, but he also directed this flick.

Now, the basic premise of this film is this: a young African-american telemarketer, Cassius “Cash” Green, adopts a white accent to excel at his job, and once he does, he gets swept into a conspiracy where he has to choose whether or not he'll make money at humanity's expense, or join his activist friends to organize laborers. And for those who don't know, this is a subject that's dear to Boots' heart, cause he recently came out as a “communist”.

Moving on...

Now, a few weeks ago, I was walking a downtown street, when I saw a church with a rainbow flagged banner across it's front window. Now, I know this is the universally accepted symbol for gays, but when I looked at the writing on this particular banner, I saw the terms, “queer”, “lesbian”, “bi-sexual”, “transgender”, etc., and in big white block letters next to these terms, the phrase, “It's all good” was featured.

I just shook my head and kept walking.

Now, you might be asking yourself, bruh—this stuff is nice to know, but what the heck do these things have in common?

Welp, like I've said previously, the gold standard of cultural currency the world over, is Black Street Cred—and that's what these 2 flicks and the gay christian church, are exploiting.

At this point, you might be thinkin', I don't see the connection—well let me break it down right quick...

First off, in the case of Spike Lee's “BlacKKKlansman”, there's a particular line of dialogue in the film's “official trailer”, that's uttered when the Ron Stallworth character, played by Denzel Washington's son, John David (JD), is asked by the supervisory cop if he can pull off having two Ron Stallworths for this operation—and JD says, “With the right white man, we can do anything.”

Now, couple this with Boots' “Sorry to Bother You”, where his main character “Cash” adopts a “white voice” to excel on his job—and the gay christian church's use of our vernacular (It's all good), and you'll see how whitey is trying to legitimatize these movies, and the insipidly conflicted gay/christian church, with the world's most revered cultural currency, “Black Cool Points”.

And let me break this down even further...

whitey is using our voice (and vernacular) to speak his superiority into existence. And he's doing this through characters like Ron and Cash.

Now, a lot of you are probably thinking, bruh, you're just fishin' for stuff now—whitey don't need us to legitimatize his superiority, he's already good wit' that. But what we need to realize is, our voice, more than any other, is what manifests into any kind of currency, whether it be spiritual or monetary. Thus, Jay-Z's pithy lyric: "Street knowledge amazes the scholars when we coin phrases for dollars". And mind you, I'm not a fan of Jay-Z's, but that rhyme encapsulates what Black Street Cred really does.

Don't believe me? Then check out the latest commercials for Target, Old Navy, McDonalds, KFC, Walmart, H&R Block, Dominoes Pizza, etc. And you'll see that every one of 'em, is using our “cool points” to sell their wares.

Everyone of 'em.

So, I've said all that to say this: if you do enough research into any art or science, not only will you find Black men and women at its genesis, but you'll see, it's our spirituality that's running not only this world, but the entire universe. And don't take my word for it, do some research on Africa's “Dogon” people, and you'll see how spiritually and technologically advanced they were—thousands of years before whitey existed.

And this is just one mo' reason, you should go to the mirror, smile, and say...

I LOVE BEING BLACK!

And mean it.

Later... 

—MontUHURU Mimia

P.S

Here's the trailer for “BlacKKKlansman”. Now, I want you to watch out for the line, “With the right white man, we can do anything”. And note how important it is that this line is uttered by J.D. Washington, and not the white officers around him.

 

P.P.S.

Here's the trailer for “Sorry to Bother You”. And the part I want you to focus on most, is when Danny Glover tells Cash to use his “white voice”, if you wanna' make money here. 

    

The gospel of white fascism (Part 35) (Post Independence Day Edition)...What do Dr. Phil Valentine, Brotha Panic, Aseer the Duke of Tiers and Korryn Gaines have in common?

Joe C. Palczynski was a 31-year-old serial killer who terrorized citizens in several counties of Baltimore, Maryland. And on the date of Friday, March 17^th, 2000, he took a family hostage in their home. For 4 days, he ignored requests by law enforcement and their negotiators, to let the family go, and he occasionally fired off gunshots at the cops.

Law enforcement officers finally killed Joe, when one of the family’s members put “Xanax” in Joe’s drink. And that allowed various family members to sneak out one by one. And when officers did enter the home, they said Joe awoke from his drug-induced slumber and reached for a weapon. At that point, they administered the kill shot that definitively ended the siege.

Fast forward to March, 2017—a traffic stop of a 23-year-old mother named, Korryn Gaines, led to her arrest. And the reason cops arrested her, was they said she didn’t have her car properly registered with the state. This stemmed from the inscription(s) she had on her license plates.

Now, one of her license plates had the term, “Free Traveler”, on it. The other, had the following notice: “Any government official who compromises this pursuit to happiness and right to travel, will be held criminally responsible and fined, as this is a natural right to freedom.” And when the cops pulled Korryn over, she asked to see their “Delegation of Authority Order”.

After Korryn was incarcerated, she posted this as a caption beneath her March arrest video: Constitutional Law is the only law. In order to be granted the role of law enforcement, you must take an oath to uphold the constitution and be granted a “D.O.A.O” (Delegation of Authority Order). The police are not law enforcement, they are “policy enforcers” and operate outside of the laws of the Constitution, which would make them organized criminals. They enforce Corporate Law (to generate revenue, in other words, to get money. However, in this case they know I know this, and this is them making trouble with me) which is not a true form of the law, but so many of us have bended to their criminal ways. Not me.  

Fast forward again, to August 1^st, of 2017—Korryn refuses to come out of her home after cops show up at her residence. Police said they were serving her with a warrant for a failure to appear in court. Mind you, shortly after this incident, cops said they had an actual warrant for her arrest.

Now, allegedly, SWAT officers arriving on the scene, say Korryn pointed a shotgun at them—and while the full story of what happened still hasn’t been revealed, what we know for sure is, cops killed Korryn and wounded her five-year-old son. And unlike the aforementioned Joe Palczynski, cops only took 6 hours to kill Korryn, instead of waiting 4 days like they did with Joe.

And I’d be remiss if I didn’t include this: On February of this year, Korryn’s family was awarded $37 million dollars in a civil law suit filed against Baltimore County. It took six female jurors less than 3 hours to delineate that Korryn’s shooting was a gross violation of her civil, and human rights (that’s an understatement). During the trial, jurors found out that the person who fired the 4 fatal shots that killed Korryn, was Corporal Royce Ruby of the Baltimore Police force. It was discovered that one of Ruby’s shots pierced Korryn’s lung and spine, before it ricocheted and hit her son, Kodi.

So, question: if Korryn was this crazy maniac of a young woman, who threatened cops, why would the city of Baltimore pay out that kind of money to her family?

Now, hold that thought, while I make this next point.

On June 3^rd, of this year, in Brooklyn, New York City, “Underground Railroad Productions” hosted what was called the “Gathering of the Metaphysical Masters” at Saint Francis College. This gathering featured Dr. Phil Valentine, who’s considered a stalwart of the “Black Conscious Community” (BCC), Brother Panic, who’s a master of occult sciences, and Duke the Aseer of Tiers, who’s also a star in the ranks of the BCC.

Now, unfortunately, I made prior commitments, so I missed this show. But I did see some videotaped footage of it. And in this forum, “Aseer”, who’s a Moor (MUUR), is famous for going to court to fight for his “sovereign” rights—and his actions, follow the mission statement(s) and diatribes Korryn alluded to in regards to her traffic stop and arrest. “Dr. Valentine” has also been to court behind his attempts at “correcting his status” of citizenship, by filling for his “UCC-1”. On another front, “Panic” deals more with the occult methodologies of how to get oneself out from under laws that white fascists use to run the corporate enterprise, known as the united states of america.

Now, this is what these brothas and Korryn had in common.

But here’s what they don’t.

Dr. Valentine, Brother Panic and Asser, are all white fascist freemasons.

Now, why am I mentioning this? And, if this is true, why would I go hear them speak?

For 3 reasons…

#3. The reason I’m mentioning this is to illustrate the point that even though I applaud Korryn’s endeavors to claim her sovereignty, every member of the BCC, myself included, needs to understand that this information has to be tempered with the proper amount(s) of “discernment”, so we can apply it properly.

#2. Even though information alone isn’t gonna’ free us, it’s a vital (and necessary) element in reconditioning ourselves outta’ the programmed self-hatred we’ve been force-fed in this white fascist social order, to hate ourselves and each other.

#1. And ultimately, even though I know Dr. Valentine, Asser and Panic are white fascist freemasons, I’d still be open to harness the boatloads of “free energy” these 3 were giving out at that conference. And I’d channel that energy to do something positive for myself, and the BCC.

Now, with that said, let me return to the subject of “Black Nationalist” discernment.

What Korryn didn’t know is, whichever person gave her that info. about sovereignty, was probably a freemason just like Dr. Valentine, Panic and Aseer. So, it would be easier for them to accomplish their goals of “status correction”, than it would for any of us who aren’t “connected”. Meaning, it’s imperative that members of the BCC not only know who they’re listening to, but how to contextualize the info. they’ve heard.

And what’s even more important is our realizing, in very practical terms, that any member of the BCC with national renown, 99.9% of the time, is gonna’ be a freemason, whether we like to think about that, or not. Mind you, the term, “Free Traveler”, is another colloquialism for “freemason”. Cause they expound on the fact that their “knowledge”, gives them the ability to roam the earth “freely” (meaning they’re unbound by the dictates, statues and ordinances, people outside their fellowship must abide by).

And one of the ways freemasons identify themselves is by asking one another, “Are you a traveling man?”

Now, let me reiterate, these men do indeed have great amounts of practical knowledge we can glean off them—but again, we have to put this info. in its proper context.

Here’s an example: in some of the videotaped footage I watched of this event, Dr. Valentine and Aseer talk about going to court for the purposes of “status correction(s)”. Now, some years back, they offered advice on some people to contact, so you can get your “paperwork” together to accomplish this goal. What they’re saying now is, the UCC laws are soon going to be replaced by “natural law”, which favors us, “indigenous” Black people (which we all are). And that’s all fine and good, but what happens to the members of the BCC who were imprisoned or suffered behind trying to correct, or state their “status” earlier? Like Korryn.

Hell, brotha Wesley Snipes is not only a freemason, but he had high-powered lawyers representing him, to show how taxing worker’s “salaries” is unconstitutional. And they still sent him to prison. Lauryn Hill, yeah, the “Fugees” Lauryn Hill, was also sent to prison ‘cause she owed the IRS $1.8 million in taxes (so they say). And this gov’t did that, even though she paid off $970,000.00 of that debt prior to her being locked up—and she’s a freemason.

Conversely, Dr. Alim El Bey, another Moor/freemason, gave me one of the most effective “divinating” techniques I’ve ever gotten, and it’s opened up a whole new world of spiritual sciences to me, that I probably wouldn’t have known otherwise.

Again, context people.

So, I’ve said all that to say this, and this has become a cliché as of late, but I’m gonna’ say it anyway: knowledge, in and of itself, ain’t power. It’s the proper application (wisdom), of that knowledge that makes one powerful.

Meaning, if I, as a Black man, encounter a Black woman who’s abrasive, combative, condescending and foul-mouthed, I can acknowledge that she’s acting (or reacting) to the white fascist conditioning embedded in her subconscious, but that don’t mean, I’m gonna’ be able to contextualize (or apply) that understanding, so I don’t have a bias against all Black women.

Ya’ dig?

And ditto for Black women in that situation with Black men.

But it’s this wisdom that we in the BCC must cultivate so the copious amounts of info. we gather can be used to most effectively benefit and UNITE US. And that’ll lead to true independence (in keeping wit’ the real spirit of July 4^th’s “holiday”)

Cause when everything’s said and done, if our endeavors don’t get us any closer to unity, then all our efforts (and gathering of info.) will be in vain.

And like Sam L. Jackson said in Spike Lee’s movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

REST IN PEACE AND POWER TO THE QUEEN/SISTA KORRYN GAINES!

Later…

–MontUHURU Mimia

P.S.

Here’s a vid of sista Korryn speaking on “Black consciousness”. Mind you, this vid’s quality isn’t the best, but her recital of a Black scholar’s wise words, more than makes up for this vid’s lessened production value. And this vid disproves the theory that she suffered from any kind of debilitating mental illness.

Now, here’s a vid clip from the “Meeting of the Metaphysical Masters” event. And I want you to notice how Brotha “Blue Pill” flashes the “okay” sign, which symbolizes the 3 “6’s” of white fascist freemasonry @ 3:30 minutes in. Additionally, I want you to pay close attention to not only Brotha Panic (in the white top hat and clothes), but his wife, Khadijah, @ 4:22, ‘cause that's when she also flashes that same sign.

   

*Addendum: *7/19/18* — Fam, I literally just found this like an hour ago—so peep this out. In the above clip, I show you how “Brother Panic”, and his woman, are flashing their freemasonic 3 “6’s” sign, right? Welp, off the success of the “Gathering of the Masses” lecture, Panic’s holding another event of his own, and the flyer below shows exactly where it’s gonna’ be held, (coincidentally, I just happened to mark it in red *smiles*). And if you wanna’ see this image bigger, just click on it fam. And remember, it’s about discernment family, discernment.

The gospel of white fascism (Part 33)...The 3 faces of Kanye West and the 3 phases of the "Hegelian Dialect"...

“The language of God is mathematics…”

—Sophia Stewart, at a press conference for her book, “Matrix 4 The Evolution: Cracking the Genetic Code”

*Note: Sophia is the sista who wrote the original “Matrix” movie script (the one the Wachowski “sisters” stole), and within that same script the movie franchise “The Terminator” was created. And Sophia now owns the rights to both.

To the readers of this Blog: When I first created the title of this particular post, I didn’t realize which number I’d come up to in “The Gospel of white fascism” series. Then, when I found out it was the number 33, I saw how this number was also reflected within the title: the “3 faces of Kanye” and the “3 phases of the Hegelian Dialect”. And, I also understand that some of you might be thinking, well, there’s actually “4” faces in your header, bruh—and I’ll tell you why that number has a significant meaning to an associate of Kanye’s at the end of this post.

But, in regard to the number 33, it has a very important spiritual meaning, and that’s reflected in the fact that there’s 33 degrees of freemasonry which correspond to the 33 vertebrae of the human spine. And like I’ve mentioned before, these 33 vertebrae lead to the “Pineal Gland”, which according to the sciences of our ancestors, is where the human consciousness is kept. Additionally, the majority of freemasonic orders agree that, in occultic circles, 33 is the most powerful number of them all. 

For instance, the mythological “Jesus Christ” was said to be thirty-three when he was crucified, but this, as I’ve mentioned previously, was a fable used to represent the “Krist/Krst” energies of the Black Spiritual Sciences, and their connections to that number. Also, the first Temple of King Solomon was said to have stood for 33 years, and there are 33 symbols of the Masonic order, up to and including a double-headed eagle, crowned with an equilateral triangle with the number 33 inside it. And in the practice of “Spiritual Numerology”, the numbers 11, 22 and 33, are said to be the “Master Numbers”—and of course, 33 is the highest of these.

And I don’t think I have to remind anyone of the architecture of Kemetic (Egyptian) and global pyramids, in regards to our ancient ancestor’s connection to the number “3”.

But let me give you my personal testimony, on dealing with this number.

About three years ago, I started “Divinating”. And that’s just a fancy word to describe how I found a technique that connects my intention with my subconscious mind. And I kid you not, the first thing I began noticing, besides the warm surge up my spine after the first time I’d done this technique correctly (rising of the “Kundalini energy”), is that numbers started repeating like crazy. And I even remember sitting besides a co-worker, and how I casually told her that I’m not a numerologist, but I’d been seeing the number “3” everywhere. After I said that, she pointed out that we were sitting in cubicle #3.

Thereafter, I noticed that when my spiritual energy is at its highest point, the number “6” (of course, based on 3’s) will start repeating. And I remember, on a day when my spiritual energies were very high, a woman behind a cash register made it a point to tell me that my change came up to $6.66. Now, some people may say that’s “satanic” or “demonic”, but anything intrinsically wicked that’s associated with this number is connected with the white fascist “spin” on our spiritual sciences.

For instance, I remember how demonized the practice of “Voodoo/Vudun” was when I was growing up, and one movie in particular that displayed this theory was the horror flick, “The Serpent and the Rainbow”. Come to find out, that the “Serpent” really represents the “Kundalini energy” rising up the spine (like I mentioned earlier), and the “Rainbow” represents this energy rising through the colored “Chakras” of the body. Now, white fascists demonize this concept to dissuade us from practicing our ancient spiritual sciences, cause they know that’ll empower us to manipulate spiritual forces in our favor. whitey also does this to keep us frequenting whatever church we have on every corner of our neighborhoods.

Now, the reason I’m saying this is, if you’re a Black person reading my Blog, and you’re serious about being a Black Nationalist/Pan-Afrikanist, at some point you’re gonna’ have to start working in and with the subconscious mind.

And if you’re not doing that on a spiritual level, then you should be doing it on a more practical, mental one. Meaning, if you have no intentions of exploring the spiritual aspects of Black Nationalism, then you should be working in the subconscious to pluck the self-hating conditioning that this (or any other) white fascist social order gave you, to really love yourself for being Black, and to love everyone else who looks like you for being the same.

Now, does doing this mean you’ll get along with every Black person you meet?

HELL NO!

But it does mean you’ll be a lot less likely to hate yourself for being Black. And getting myself and every Black man and woman reading this, to that subconscious place, is the reason I write this Blog. Thus, if I can get one person to that destination, my work here will not have been in vain.

So, in keeping with the theme of “3’s”, I wanna’ show how the elites are using Kanye as a social engineering tool with 3 particular incidents that have happened in his career, as well as, the 3 phases of the “Hegelian Dialect” (HD). And these will involve the HD methodology of the “problem, reaction, solution” paradigm. Also, I’ll show this by making a comparative analysis that’ll display the intersectionality between the two. And as always, I’m writing with the reader in mind, so I hope you find something here that’s not only edifying, but entertaining as well.

—MontUHURU Mimia

HD Phase #1: Problem

On September 5^th, 2005, Kanye West participated in NBCUniversal’s “A Concert for Hurricane Relief”. This was a “telethon” used to raise money for the victims of 2005’s “Hurricane Katrina”. Now, we should all understand from jump, that there was nothing “natural” about this disaster. Meaning, if you look at Spike Lee’s excellent documentary: “When the Levees Broke: A Requiem in Four Acts”, Black Louisiana residents themselves said they heard explosions, before those fatal flood waters killed so many of their loved ones. Not only that, but it’s documented that when those residents tried to cross bridges to get outta’ town, cops and members of the National Guard, kept them back at gunpoint.

On top of that, cops and members of the National Guard shot several Black men and women who were looking for food, ‘cause behind this “emergency”, our people were being classified as “refugees” and “looters”.

Needless to say, Black people were livid behind what happened to us behind this “natural disaster”. My blood was boiling as I sat and saw what our people endured. And that same sentiment is running throughout Spike’s brilliant documentary.

Conversely, white fascists see these tragedies as opportunities to prop up a “Black leader”. Meaning, when a crisis hits the Black community, whitey has a set of Bougie puppets waiting in the wings, to capitalize on becoming a “spokesperson” for us.

And at that moment, Kanye was their puppet of choice.

Now, you might be saying, well, wait a sec’ bruh, Kanye dug into George Bush Jr. with his famous, “George Bush does not like Black people…” quote.

And that’s what I thought too.

I think we all applauded when Kanye made that statement, ‘cause he was giving voice to what we were all thinking. And at the time, I thought he was a courageous brotha for taking a stand on live TV. That ended as the years went by and Kanye showed me and us, his true colors (pun intended).

HD Phase #2: Reaction

Now that Kanye was portrayed as having Black “revolutionary” tendencies, he was poised to reinforce this image by speaking up on behalf of Black people, and more specifically Black musicians everywhere.

Thus, his “appearance” at the 2009 “MTV Video Awards”.

When Kanye came on stage and interrupted Taylor Swift’s speech at the MTV “VMA’s”, his proclamation that Beyonce had one of the best videos of all time, was actually doing 3 things at once—and those are:

#3. Kanye was giving Taylor’s corny music some invaluable “Black street cred”.

Kanye’s interrupting Taylor’s “winning” of the VMA award was a straight-up freemasonic ritual being performed right in front of us. And one reason he did that was, whitey knows Hip-Hop was (and is) the pop music of the last half-century—and they also know, less and less people were listening to the nasal “twangs” of white-bred “country” music. So, this was an effort to essentially “mainstream” Taylor’s mediocre music for the masses.

You say you want proof of that?

Bet.

Notice how, almost immediately after that awards show, Taylor switched to doing nothing but “R&B” music. So much so, that in recent articles, music journalists are pontificating on whether she’ll “come back” to the country genre.

#2. Kanye was reinforcing his own “street cred” and Black Nationalist posturing, by supposedly speaking up for and aggrandizing Beyonce’s music.

As Kanye became more and more influential to the masses, especially the masses of young people, white fascists saw how valuable an asset he’d be when it came time for him to “flip the script” on us, and ride for whitey. So the more Black people, especially young Black people, Kanye got to believe in him, the more money whitey would put into his career.

As a result, Kanye started to get more political with his dumb-founded diatribes about self-empowerment and motivation.

#1. And what Kanye did more than anything else at the 2009 VMA’s, was reinforce the stereotype of the Black male brute victimizing the white female waif.

This is why Kanye wore a Black shirt and Taylor was in all white. Understand that a key component of maintaining european standards of beauty, is to make sure that white women are kept looking like the most exquisitely feminine, vulnerable, and fragile females in the world. Thus, maintaining the fallacious “sanctity of white womanhood”.

It’s also reinforcing the stereotype of Black men lusting after and ultimately wanting to sexually assault white women.

whitey understands that if he doesn’t reinforce that stereotype of the white woman being the world’s most desirable female, that the beauty standard(s) of white women and men, could be questioned. And if that happens, they know this stereotype could be eradicated in years to come.

And this is also why, every coupl’ o’ years, the movie, “King Kong” is remade.

It’s so white fascists can keep everyone, especially Black people, thinking that whitey’s pin-thin lips, icy blue eyes and comatose looking white skin, is more desirable than our own, even when whitey’s tanning themselves obsessively, and injecting silicone into their butts and lips, to look like ours.

HD Phase #3: Solution

Now, with all of the young Black (and white) fans Kanye has amassed, his anglophilic allegiances to freemasonry are coming to the fore.

Kanye has been seen “hanging out” with the likes of president Don Trump as of late, and he’s been rockin’ Trump’s “Make america great again” campaign slogan hats. And quite frankly, this has been the goal all along, to get everyone who’s got a vested interest in Kanye’s “self-motivational” campaigns, to make a psychological return to america’s white fascist social order. Meaning,  Kanye’s co-signing of Trump’s “coolness”, should diffuse our thoughts of seeing him for the bigoted white fascist he really is.

And unfortunately y’all, it’s workin’.

I can’t tell you how many people, Black people included, are saying that, in the long and short of things, Trump’s alright.

Never mind that he’s stolen the presidential (s)election with the help of his pal Vladmir Putin, or he’s still claiming that Obama tapped his phones, or that he supports “white nationalists” in Charlottesville, Virginia, or that he’s “tweeting” his policies with no regards to any kind of presidential protocol, or just how dumb-founded the man is—for a stone-cold bigot, more and more people are saying, he ain’t half bad.

Mind you, I actually rejoiced when Trump was selected, ‘cause I knew that he’d expose himself as such a hard-core bigot, that our people would have no choice but to work together.

And ya’ know what, whitey knew about Trump’s reputation too—and that’s why the powers that be needed to do some damage control, especially after Trump’s support of the “white nationalists” marches in Virginia. The Don needed some kind of Public Relations “patsy” to heighten his profile—enter Kanye West.

And to top all this off, on May 1^st, of this year, Kanye came on “TMZ” and proclaimed in an interview that, in regards to Black people, and the TransAtlantic slave Trade (TST), that “slavery was a choice…”

Now, let me say three things about Kanye’s statement: one, in regards to the TST, more and more evidence by Black scholars shows that the Black slave trade in america was a LIE. For instance, and I’ve said this in previous posts, if Black people were already in america, which we were, then why would whitey have to transport us from Africa? And, it’s been proven that the diagrams showing us being transported at the bottom of slave ships were fake, cause there’s no way an ancient ship with that much cargo could be sea-worthy for months or a year at a time. Also, the “Barbary Slave Trade” was one in which ancient Black people enslaved millions of white people, supposedly at the same time that the TST was happening. So why are we taught about one and not the other?

Two: while I understand Kanye’s under heavy mind control, he’s always shown that he was more of an anglophile than anything else, calling himself the “Louis Vutton Don” and all. So I never took any stock in his being a “spokesperson” for our people.

And three: his TMZ interview (for me at least) shows that Kanye’s completed his commitments to white fascist freemasonry. This should solidify in anyone’s mind who his heart really belongs to, if any Black person doesn’t already know.

So, I’ve said all that to say this, in regards to what Black people put their stock, or trust in, we should value our “grassroots” initiatives, more than anything else. Cause once someone gets national or international notoriety (celebrity), 99.9% of the time, they’re a wholly owned subsidiary of white fascist freemasons.

Thus, we should look locally for change—cause real revolutions always start from the bottom up, not the top down.

Later…

MontUHURU Mimia

P.S.

Here’s the TMZ interview with Kanye West. And the most disturbing part about this vid is, when Kanye and the brotha Van Lathan get to arguing, what you’re witnessing is two freemasons “staging” a verbal confrontation. Cause white fascists know, the only way to win a game, is to control both teams. *Warning: this video contains profanity, viewer discretion is advised.

P.P.S.

It’s no coincidence that Jay-Z calls himself, “Jayhova”, and Kanye’s calling himself, “Yezzus”. So, just like the number “3” is important to this particular post, if you’d like to see how the number “4” is a powerful number in the Black Spiritual Sciences and freemasonry as well, check out this post I wrote on Jay-Z’s album, “4:44”, HERE.


*Addendum: *6/28/18*—Below is the “Earth, Wind and Fire” song for their video, “Serpentine Fire”. And the term Serpentine Fire is an (in)direct reference to the rising (or “snaking”) of the Kundalini energy up the spine. *Note: if you click on the video's title and go to its YouTube page, you’ll see my name in the comments section. And you’ll see me verbally jousting wit’ whitey about the (indigenous) Black origins of “Rock and Roll”, amongst other things.