The lowly nature of white women (Part 3)...The legacy of Lana Wachowski...

  

A couple of years back, I remember watching the 'reality' TV show, 'Going for Broke', starring comedian Eddie Griffin.

And in one particular episode, he went to consult with a spiritualist versed in the disciplines of astronomy, astrology, and an assortment of spiritual sciences; he was doing this to rid himself of some kind of emotional distress. Now, when he got to this person's house, the spiritualist turned out to be a white woman with African 'locks' in her hair. I was immediately taken aback.

I saw how she had altars erected in her house and several talisman strewn about her 'work-space', and basically, how she was copying the stylings of a Black vudun/voodoo priestess. And I was like, check this out. She successfully cured Eddie of his emotional ailment, and made some suggestions for him to build an altar in his home. Now, Eddie was sent to this woman by his white supremacist freemasonic handlers, the same ones who created his TV and Las Vegas show opportunities that were opening up for him. And in a later episode of his reality show, he affirmed his affiliation with these white secret societies by throwing up the hand gesture known as the 'Baphomet', which is almost exclusively used by these inbred freemasons. (Google 'the Baphomet hand sign' if you don't know what I mean) It was about this time that I realized how EVERY secret society’s biggest secret, is that they're ALL PRACTICING THE SCIENCES OF OUR ANCIENT BLACK ANCESTORS! Then the white woman spiritualist with locks made sense.

Now, a couple of months back, I wrote about sista Sophia Stewart and how she wrote the story that became the movies 'The Matrix' and 'The Terminator'; and how she won a multi-million dollar settlement from Warner Bros. Movie studios, for their theft of her script. On the frontlines of this theft were the Wachowski siblings, formerly known as the Wachowski 'brothers'. We can't call them 'brothers' anymore because one of the Wachowski's, namely Larry Wachowski, had a sex change operation and is now 'Lana' Wachowski. Which shows you how mentally stable he, or she, was and is. But recently, I was watching a movie clip of the Keanu Reeves documentary, 'Side by side', the same guy who played 'Neo' in 'The Matrix' ironically enough; and he spoke to the Wachowski siblings. And lo and behold, good 'ole Lana Wachowski now has 'locks' in her hair; as my header shows. My mind immediately flashed back to the Eddie Griffin TV show episode with the white female spiritualist. And that's when I knew why they both wore, and are wearing, the hairstyle of our ancestors.

The Black Diaspora needs to understand that not only do locks look good, but our knotted and coiled hair acts like an antenna connecting us to higher spiritual frequencies. To get a deeper explanation of this, see my Blog post titled, 'The cult of the curly-haired, light-skinned, bi-ethnic looking Black girl'. Our hair and melantated bodies are the reasons we can be more 'civil' and 'humane', 'cause our melanin especially, gives us a sense of empathy for living beings that white people are entirely lacking. This also results in our sense of rhythm, our heightened intuition and our ability to make good decisions under pressure; which is the truest definition of being 'smart'. You're probably saying, how smart are Black people if we're so quick to hate and hurt each other. Well, then you have to look at how we're conditioned to hate ourselves more than any other kind of person on the planet. Understand, the history lessons you and I got in pre, middle and high schools, were engineered to destroy our esteem. All that focusing on slavery, with the accounts of torture, rape and separation of our families, was foisted on us to make us hate ourselves more than anyone else. And it worked. The white supremacist inbred's campaign to fill us full of self-loathing was beyond a success.

Now, in the wake of Sophia Stewart's victory, she is being hailed as the 'Mother of the Matrix'. And this grates on Larry, I mean Lana's, last nerve. Because he, she or it, wants to be credited with the ingenuity of that script and story. Lana wants to be lauded, especially now that he/she's a 'woman', as the Matrix movie's true 'mother'. And what better way to tap into the essence of our Black melanted bodies and minds, than donning locks in her

hair. To the left is a picture of this she-male proclaiming her pride as a 'superjew'. Now, if Lana's so proud to be jewish, why's she wearing locks? And if you say this is in deference to the religion's African roots, remember, WHITE JEWS HATE BLACK PEOPLE. Now, I'm not talking about the jewish friend you have at work, or the isreali pal you might play badminton with on the weekends; I'm talking about these groups of white people collectively. Now, I know I'm dating myself with this statement, but I'll never forget the day myself and a Black woman friend went to go see 'Schindler's List' at the movies (if you've never heard of this movie, google it). 

I swear, I'd never been treated worse by a movie-going audience in my life. These pale-skinned degenerates were like, how dare you come see this film? And all the while, I'm wondering, why the hell are they mad at me and my woman friend? I tell you, I'd been better received that night if I was a white skinhead. That's why I have NO SYMPATHY OR EMPATHY FOR THEIR HOLOCAUST...NOT FOR A SECOND! At least they got billions of dollars for their suffering, Black folks haven't seen dime one of reparations for our holocaust in this country. And when we do bring up the subject of reparations to any white person, jews included, these inbreds actually get MAD at us! Unbelievable. I remember watching a public access cable show called, 'The jewish task force' years ago, and all these people talked about was how much they hated Black people. The host and whatever other inbred he had on, never talked about the rising wave of neo-nazism globally, they didn't see this as a problem, the only problem they saw in the world was having to co-exist with us.

But back to Larry, I mean Lana...

It's bad enough this she-male was exposed as a fraud, but now via wearing Black dresses and locks in her hair, she's trying to look as spiritually minded as the woman who created the Matrix mythology. But here's why this he/she will never look like anything but the sexually confused inbred she is...

Now, if you're a Black man or woman reading this, I want you to remember one thing from reading this Blog, if you remember nothing else; and that is, you and I, being born into Black bodies, means we WON THE ETHNIC LOTTERY!!

AND THIS IS NOT HYPERBOLE, WE WON BECAUSE OUR GOD SAW FIT FOR US TO BE PUT INTO THE BODY OF THE CLOSEST REPRESENTATION OF HIM/HER THERE IS ON THIS PLANET!! This is why we are the indigenous people of this earth. We populated every continent on it, and were here before anyone else. And, the whole of the human race not only came through us, but we can create every other type of man/woman, while none of them can create one of us. Now, this is anathema to everything we get taught in schools; that's because whitey doesn't want us feeling superior to them—and they sure as hell don't want us knowing we have the most power to breed them out of existence.

And this is why they'll sing, dance, dress, and talk like you, while making you hate yourself. This is the game of white supremacy. If you're a Black woman reading this, why do you think Lana and the rest of these white women, inject silicone into their lips and backsides, to make them look like yours? Why do you think they tan themselves, if they can't stand dark skin? White women are even starting to wear weaves and extensions 'cause you made them popular. If you're a Black man reading this, why do you think white men not only spend millions tanning themselves, but millions buying and smoking cigars, which are really replicas of a Black phallus, to make them look as genetically dominant as you are? They, and their women especially, know how you have the ability to create every other type of man while none of them can create one of you.

So regardless of how much Black attire Larry, I mean Lana wears, or how many locks she puts in her hair, or how she might tan herself damn near brown; what she doesn't realize is these are all superficial affectations that won't get her/him any closer to the spiritual access/ingenuity needed to EVER replicate Sophia Stewart's work. Larry, I mean Lana, will always be stuck in the position of the pale-skinned degenerate; wanting desperately to be born into a Black body, so she can have access to the ingenuity/spirituality of the Black mind.

But that's what she gets for being a deceitful inbred.

I LOVE BEING BLACK!!

KEM WESIR!

MontUHURU Mimia 

P.S.

If you wanna' look at my Blog post about our hair being spiritual antennas, you can see it by clicking here. 

And here's the video that inspired this Blog, showing Larry/Lana in all her/his sexually conflicted, she-male glory. Notice when she describes the editing of films, she uses the example of a baby's picture, then she follows it up by talking about a picture of a dead body. No matter what these inbreds do, they can't separate themselves from their intrinsically homicidal natures.

The legend of Sophia Stewart...

In 1979, Sophia Stewart attended the City University of New York and earned a Bachelor's Degree in Journalism, she then went to the University of Southern California and studied cinema at the USC Film school. While at USC, she got a job with Columbia film studios working in the vice president's office, and in her time away from work, she wrote scripts and movie treatments. In 1981, one of these found it's way to a vice president of Twentieth Century Fox (TCF). One of TCF's vice presidents asked her if she'd written anything else. After Sophia sent a six page movie treatment to the VP, she was commissioned to write for movies and television. 

Throughout this time Sophia had been working on and completed a script titled, 'The third eye'. She proceeded to shop it around to various Hollywood producers and movie studios, but was never contacted about any offers to purchase her work. 

In 1986, she saw an ad in a national magazine that was looking for a science fiction manuscript that could be turned into a comic book. So Sophia sent her script. And this is how the 'Wachowski brothers' got a hold of her work.  

Larry (now Lana) and Andy Wachowski were born and raised in Chicago. Both were college drop-outs who ran a carpentry business while creating comic books. The Wachowski's wrote for Marvel Comic's 'Razorline' imprint before branching out to film making. They created a script titled 'Assassins' that was eventually acquired by Warner Brothers, who gave them the rights to do two more films in a three picture deal. Now, the script for 'Assassins' was completely rewritten by the author Brian Helglend, and it's said that the Wachowski's tried to take their names off the writing credits, but couldn't. (Yeah right...you'll see why that's probably a lie later). 

The Wachowski's moved on to their next film project, this time making their debut as film directors with a homoerotic 'techno' thriller called 'Bound'. Mind you, the brothers were not only giving the public hints about their sexual orientation, but with the fake writing credits for 'Assassins', they were showing their penchant for underhanded behavior. And after this is when they acquired the script by sista Sophia Stewart...and it would change all of their lives forever. 

In 1999, Sophia went to see the movie 'The Matrix' with a friend. After watching several minutes of the film, she turned to her friend saying, "I wrote this..." She in effect realized that someone at Warner Brothers, namely the Wachowski's, had stolen her script.

Now, in case you were wondering, that wasn't a typo when I wrote about Larry Wachowski turning into Lana. This guy is so mentally unstable he actually got a sex change. Pictured to the left is a photo of the Wachowski brothers while they were still writing comics. 
Then, after they came into some money behind their plagiarized 'Matrix' success, Larry got surgery to become Lana, as pictured to the right. The person that says success makes you who you really are, wasn't lying.  

In 1994, Sophia filed a lawsuit against Warner Brothers films and the Wachowski brothers for copyright infringement and racketeering. 

After a decade of litigation, Sophia finally won her lawsuit presided over in the Central District of California; and she will recover damages from all the Matrix movies, as well as 'The Terminator' movie franchise. 

But what does 'The Matrix' have to do with 'The Terminator'? As Sophia states, these two movies are one in the same. Sophia's book 'The third eye' chronicles how The story portrayed in 'The Terminator' is in essence the 'pre-quel' to 'The Matrix'. 

Sophia says she was blown away when she saw George Lucas' 'Star Wars' movie. And it gave her the idea to write a story about the second coming of christ, and how he'd have to battle machines, or cyborgs that would essentially try to control humanity in the future. 

Sophia also says, "Sarah Connor is 'Neo's' mother..." And she explains how in her script and book John Connor was an adolescent Neo who at thirty is found by rebel factions (Morpheus--played by Lawrence Fishburn and his crew) and taught how to fight the 'machines' (Agent Smith and his factions) to save humanity. Sophia also says the 'JC' in John Connor's name stands for jesus christ. She also explains that 'The Terminator' movie(s) are the 'machines' attempt to kill off John Connor (Neo) by sending a cyborg from the future to kill Sarah and John, her unborn child in the present/past. 

In 2007 Sophia was awarded 150 million dollars in damages for this case; and after winning a second bout of litigation recently, its said Sophia will win upwards of 10 billion dollars for all the years of red tape she's suffered at the hands of the american movie industry and judicial system. 

Now, I told you how Sophia said George Lucas' movie Star Wars was her inspiration for writing what essentially became 'The Matrix' and 'The Terminator' movies...by the way, Sophia also said she wrote herself into The Matrix as 'The Oracle'; but what Sophia didn't know was that George was copying from the ingenuity of her ancestors. Here's how...

To the left is a picture of an ancient Kemetic/African 'Djed Pillar'; it's a symbol representing strength and power. Now, doesn't this look almost exactly like the handle of a 'Light-Saber'? Not only that, but the 'Djed Pillar' is where George Lucas got the term 'Jedi' from. 

See, Sophia was recognizing the ingenuity of her ancestors and didn't even know it. 

Ya' want a little more proof of George's cultural theft...bet; check out this pic of Darth Vader and King 'Tut'. 

Note the similar shape of the 'head-dresses'! Or as KRS-ONE would say, "...ya' want a little clarity, check tha' similarity."

So, I've said all that to say this, BLACK MAN AND WOMAN, YOU ARE THE ORIGINATORS OF EVERY CULTURE AND SCIENCE! THERE IS NOTHING BEYOND OR ABOVE YOU!

So let's get back to our rightful place of sovereignty and be the Kings and Queens our birthrights have destined us to be. 

ALSO...Kem Wesir to the Netcher/NAGA/QUEEN/GODDESS SOPHIA STEWART!

Enjoy your reward(s) Queen...you earned them.

Later...

MontUHURU Mimia

P.S.

To all of you who downloaded a copy of 'Revering Revolutionaries', I'd like to thank you, the e-book has over 100 downloads and counting. I only thought I'd get 20 at most. 

Also, I'd like to apologize about not posting this on the weekend; I had a little more research to do on Sophia's story, so this post took a bit longer than usual to write. 

And...if you'd like to see the court documents of Sophia's case, you can check them out HERE.  

*Addendum: — 4/12/19: Fam, it’s one thing to read about Sophia's prophetic and ingenious works, but it’s another to hear how she came up with these masterworks in her own words. So, here’s Parts 1 and 2 of an appearance she made at a “closed event” in Los Angeles, California’s, “Studio Center”. Mind you, some of the things Sophia says are gonna’ sound quite fantastic, but keep in mind, that this woman’s script not only revolutionized cinema, but it also gave us a peek at what the elitist construct of “reality” really is. So, here’s an appearance this Queen made in 2017, after she won the rights back to her script, along with her “Oracle-like” insights for the future. Enjoy!