The Cult of Black and white Cinematic Symbolism (Part 18)...Why Ryan Coogler isn't directing "Creed 2", and what Eddie Murphy, Will Smith, and Ryan all have in common...

To the readers of this Blog: Many of you I suspect, might be getting a bit weary of my last several posts focusing on Marvel’s “Black Panther” movie or you've noticed that I’m staying in the cozy confines of the “Cult of Black and white Cinematic Symbolism” series.

Now, the reason I’m doing this, is cause like it says on my page, “More about me and this Blog”, movies have a way of telling us things about the human condition, that other mediums can’t quite match. And I feel that at no other time (at least that I can remember) has this been more evident, than with Marvel’s Black Panther movie.

And what this film is telling us, especially in terms of a place like “Wakanda”, is that indigenous Black men and women are not only more technologically advanced than any other ethnic group (remember, it was Black people who were at the genesis of every art and science, and you can find that out if you’re willing to do the research), but how we’re more spiritually advanced, than any other group of people on earth.

And to make it even plainer, Marvel’s Black Panther is telling us that we, the earth’s indigenous Black people, are the greatest CIVILIZING force in the world—that’s why in this movie, we have the world’s most advanced civilization.

Mind you, when I went to see this film, I didn’t wanna’ like it.

Mentally, I had my Black Nationalist guards up, and I was bound and determined to make sure I saw every subversive and sublime message this flick threw out. But I’ll admit, half way through the film, I did let my defenses down, cause I genuinely liked what I was seeing. Mind you, there’s a lot of subtext in this film, especially dealing with the dichotomy of indigenous Africans, and indigenous Black americans. But the movie even resolved that at the end, when T’Challa agreed to lift the vail off Wakanda and offer his resources to the ‘hood.

Beyond that, cultural events like Marvel’s Black Panther movie, and the abundance of prideful energy it’s filling our nationalist sensibilities with, is the reason I originally started writing these posts. Thus, I named this space, the “Cinematic Symbolism Blog”. So, pardon me if I indulge every whimsical aspect of this movie’s success—cause as a self-professed cinephile, I can’t help but bask in the glorious glow of Ryan Coogler’s film-making ingenuity.   

But what I really wanna’ say is this: right now, the Black “Conscious” Community (BCC), in regards to this film, need to act more like conscious “occultists”, than “woke” Black Nationalists.

And that means what?

It means that instead of just being entertained by what we’ve seen in the Black Panther movie, or debating about it, we should be about the work of harnessing the boatloads of energy this flick is giving to our people. And once we do harness this energy, we should channel it to do something positive in our individual lives, and/or, we should take and use it to do something that’ll unify our Diaspora.

And that’s regardless of whether you liked the movie or not.

So, if you see the “spiritual”, as well as the cultural phenomenon this movie has created, let it inspire you to go write that book, play, or short story. Go orchestrate that song or build that music studio. Go make that film or write that screenplay. Go create that fellowship or open that business. Or even better—go build that Black Nationalist homeschooling collective or give your time and money to one.

Point being, it’s time to start producing (more) tangible results with the conscious energy being generated by flicks like the Black Panther, or documentaries like “Hidden Colors”.

Conversely, what I also need to state emphatically, and what the BCC should be proudest of itself for, is the fact that OUR energy made it possible for Ryan Coogler to put this film out. whitey saw the cultural (and spiritual) currency that the BCC had generated, and was eager to capitalize on it, and on Black Street Cred (i.e. Black “cool points”) at the same time.

Now, a lot of brainwashed Black folks will still say, not only ain’t that true, but the BCC only talks a good game—they (we) never do nothin’.

And to that, I say this: we should all be inspired by brothas like Darial Clewis, who created the social networking site, “Blaqspot”. And, we should all go visit (and shop at) the “We Buy Black” website, so we can see all the stellar things happening there. Also, check out the “National Black Home Educators” website, that links Black families with Black homeschooling collectives in america (*Note: I’ll leave a link for that site at the end of this post). So, there's plenty of work being done by the BCC, if you’re willing to look for it.

And in the spirit (and this phrase is where the word, “inspiration” comes from) of the BCC, or even the Black Panther movie, let’s be motivated to be and do better. For our children’s sake, if for no one else’s. Cause now that we’ve been enthralled and entertained by this film, the onus is one us to maintain the level(s) of excellence that this film represents to and for us.

The ancestors are smiling on us y’all—let’s not let them down.

--MontUHURU Mimia 

Steven Caple Jr. is a 29-year-old movie director, who was born in the Tremont township of Cleveland, Ohio. And Steve's supposedly bi-ethnic, meaning he’s the product of parents who’re Black and latino. Now, I know someone’s probably gonna’ say, wait a minute, the term “latino” refers to culture, not ethnicity. I understand that, but latinos don’t identify themselves as Black, so I’ll let them use their illusion, and say they’re of a different ethnic group.

And truth be told—I don't wanna' claim “latinos” anyway, ‘cause they ain’t our friends no how.

But back to Steve…

After graduating from Ohio’s John Marshall High School, Steve attended Baldwin Wallace College. There, he received a B.A. in Film Studies and another in Marketing. Thereafter, he went to the University of South California’s, School of Cinematic Arts (This was also Ryan Coogler’s Alma Mater, by the way). And Steve received an MFA from there in 2013. While at USC, the oeuvre of short films he created, reads as follows: Process of Elimination (2011), Prentice-N-Fury’s Ice Cream Adventure (2012), Directing Sample (2013), A Different Tree (2014), Land of Misfits (2014), and Engage the Vision (2014).

In 2016, Steve’s crime drama, “The Land” was screened at the “Cannes Film Festival” via IFC (Independent Film Channel) distribution, and this flick was later acquired for international distribution rights, by the “Film Constellation” company. And behind the film garnering praises pretty much across the board, Steve got the offer to direct the movie, “Creed 2”, starring Michael B. Jordan.

It should be noted that this year, Steve is also working on a Netflix “Docuseries” about Emmett Till. And for those who don’t know, Emmett was the 14-year-old young Black man, who was brutally murdered for the crime of “whistling” at a white woman. And this happened back in 1955. Mind you, this craptastic project is being produced by Will Smith, Casey Affleck and Jay-Z. Now understand, that with the release of Black Panther, whitey’s tasked with getting us back in and keeping us in, a self-hating mind state. So, expect to see more Black horror/slave flicks (more like slave porn) coming down the pike from “Hollyweird”.

Moving on…

The film “Harlem Nights” was produced, directed and written by Eddie Murphy, and it was released in theaters on November 17^th, 1989.

Now, I doubt there’s anyone reading this post that hasn’t seen this movie, but for those who haven’t, basically the narrative goes like this: Richard Pryor (Sugar Ray) and Eddie Murphy (Mr. Quick), run an after-hours spot called “Club Sugar Ray” in Harlem, New York City.

The problem comes when some local white mobsters feel that Club Sugar Ray is pulling in too much money for their taste. So, the gangster “Bugsy Calhoune” (played by Michael Lerner), sends his main henchman, Officer Phil Cantone (played by Danny Aiello), to shake the club down.

Seeing that they’re outgunned and outnumbered, Sugar Ray devises a plan to make it look like he’s fixed a championship fight, so he could win some extra money, and that’ll help him, and his organization, split Harlem. But when Bugsy has Club Sugar Ray firebombed, Sugar decides to “kick him in his nuts…” before they leave.

So, they lure Officer Cantone to a closed bank, and take him out of the picture by locking him in its vault. Then, they rig Bugsy’s house to explode when he opens his front door—which he does. Thereafter, Sugar Ray’s crew take one last look at Harlem, before they get the freak outta’ Dodge.

Now, besides this movie being laugh-out-loud funny, it feeds the prideful Black Nationalist sentiment that lies in every Black man and woman. And that’s what Eddie intended. See, Ed had decided to put out movies with his own production company, that were empowering to Black audiences.

With flicks like this one, “Coming to America”, “Boomerang”, and especially the “Distinguished Gentlemen”, he was putting Hollyweird on notice, that he was done just being whitey’s comic relief. But what I loved most about this movie is Eddie’s masterstroke of putting three generations of ingenious comedians (i.e. Redd Foxx, Richard Pryor, Della Reese and himself), into one movie. Mind you, Eddie is the darker-skinned of all these people. So, according to white fascists, he shouldn’t of been smart enough to do something that revolutionary.

And that point leads me to this: have you ever seen a “white” solar panel?

Of course not. Know why?

Cause the color Black is the best conductor of light, heat, and electricity. And here’s another question: what are our thoughts? Answer: they’re electrical impulses. Thus, the darker your skin, the more likely you are to be able to think more quickly. Meaning, the average Black person has the potential to be smarter than the average pale-skinned, genetic dead-ender, cause with a more melanated body, you can have a quicker transference of cognitive thought. Meaning, you can make better decisions under pressure—and that’s the truest definition of being smart.

Now, you might be a brotha or sista reading this thinkin’—ya’ know, I was wit’ you, ‘til you started saying Black people are smarter than everyone else. Remember, what I said was, we have the potential to be smarter. And, we must also remember, our melanin makes us more civilized than other “hue-mans”. So, at this point you might be thinkin’, how could you say we’re more civilized, when we treat each other the way we do?

Welp, for that answer, you’ll have to consider the white fascist social orders we live in, and how we’re bred to hate ourselves and each other more than any other kind of person on the planet, cause we have the most genetic power to breed whitey out of existence.

And even with that said, you might still be like: c’mon bruh—we can’t just blame white folks for our problems.

Okay, consider this: white jews/people in america, got 90 billion dollars in reparations money from Germany alone, and fair-skinned asians literally got billions of dollars in reparations under america’s (Ronald) Regan administration. And this was supposedly for the one or two years asians spent in “internment camps”, here in america. Mind you, asians were thrown in these concentation camps, after the bombing of “Pearl Harbor”. Now, is it any wonder why these are said to be the two ethnic groups who’re doing better financially than anyone else.

Then you might say, well, in the case of asians, these people immigrate from other impoverished countries, and are still able to do better than Black people. Well, I can tell you first hand, that the neighborhood I grew up in, was one where almost every retail store was owned by a Black person. But after about a decade, all those Black owners were replaced by asians and latinos. And you might say, see, that proves that these people must be smarter than us. Well, then you have to look at the fact that stats prove how whites, asians, and latinos, are three times as likely to get a business loan, simply based on the color of their skin. And don’t take my word for it, do the research (matter of fact, I compiled some of those stats, and I’ll leave a link for that post, at the end of this one).

And Black men and women reading this may still be thinking, oh well, you're just making excuses for Black folks. Now, when stats bare out these advantages, or these cases of affirmative action initiatives, that are based strictly on skin color, you can’t say these people are just smarter than us. You have to acknowledge how the chips are unfairly stacked in their favor. Now, do Black people have a responsibility to change that?

Absolutely.

But please don’t tell me that these ethnic groups have toiled and labored more than us, cause they haven’t. They’re clearly getting economic stimulus packages, that we don’t.

Lastly, on the point of being educated vs. being smart, if you were to go to any corporate office, take out a gun, and shoot off three rounds in the air, you’d quickly see which of those whites, asians and latinos are smart, as opposed to just being educated.

Moving on…

At this point in the post, you might be thinkin’—bruh, what’s all this got to do with what Ryan Coogler, Eddie Murphy, and Lawrence Fishburn have in common?

Well, here’s the answer…

Ryan, Ed, and Larry wouldn’ve looked too much like father figures to the young Black men who're in these movies with them.

Now, you may be thinkin’, sorry bruh, that just don’t make no kinda’ sense.

Okay, then let me show you what I’m talkin’ about in Ryan Coogler’s case…

Marvel’s Black Panther has almost reached a billion dollars in box office receipts—and that flick was just released two months ago. So, with that kind of phenomenal success, you’d think Ryan, who directed that flick, would be a shoe-in to direct Creed 2. Cause he also directed the original movie, Creed. Instead, Hollyweird chose to have Steven Caple Jr. direct Creed 2.

And here’s why…

Ryan and Mike B. Jordan, have been a part of 3 successful film endeavors. Fruitvale Station (2013), Creed (2015), and lastly Black Panther (2018). Now, the movie Creed wasn’t really about Apollo’s son, Adonis (Mike B. Jordan), pursuing a boxing career. What it’s really about is showing america, and the world, that the only way a young Black man can be successful, is through the “mentorship” of an adult white male.

Hell, the movie “Rocky”, and that franchise, is really about white men dispelling the myth that they’re physically and sexually inferior to Black men.

PERIOD.

So white fascists can’t have Creed 2 be as successful as the first movie with Ryan and Mike. Lest their pairing disprove the message of the movie. Now, in Eddie’s case, his discovery of comedians like Chris Rock, and his leadership role with other comics like Martin Lawrence, and his ingenuity in terms of putting 3 generations of comics in one film, makes him look like a patriarchal role model to the actors in his films. And, Eddie’s also a dark-skinned brotha compared to Richard Pryor and Red Foxx. So that disproves the stereotype of lighter-skinned Black men, being smarter than darker-skinned brothas. And because of this, Harlem Nights was universally panned by white critics—just like the other films Ed made during this time. Cause what these flicks told whitey is: you’ve done your best to make me hate myself for being Black, but I know who I (and my people) truly are, so you’re not gonna’ take away my “hue-manity”, or my pride—cause those are still very much intact.

And lastly, the reason I mentioned Larry Fishburne, is ‘cause Will Smith was originally slated to play “Neo” in “The Matrix”. And whitey couldn’t have both “Morpheus” and Neo being Black. Cause again, that would look too much like a successful father/son relationship.

So, I said all that to say this: Ryan Coogler not being picked to direct Creed 2, represents the tried and true technique, of taking the Black man out of the house to destroy the Black family. Cause remember, celebrity is a white fascist construct used as a means of population control. Meaning, whitey’s gotta’ make sure Ryan and Mike don’t cause the reuniting of too many young Black men with their fathers via their celebrity. Cause that might rebuild too many Black families.

Hell, they’re still pissed that they couldn’t stop that happening with Floyd Mayweather Jr. and his father.

So, as a Black man or woman, you need to be very mindful of this, if and when you decide to see this flick.

This is NOT the Black Panther movie.

This flick is coming with a whole different energy, and it should be viewed accordingly. Forewarned is forearmed.

And like Sam L. Jackson said in the Spike Lee movie, “Do the Right Thing”: “That’s the double truth, Ruth”.

Later…

MontUHURU Mimia

P.S.

The promised link to the National Black Home Educators website, is HERE.  

 And the post I wrote about banks favoring other ethnic groups for loans is HERE.

And, here's the trailer for Steve Caple Jr.'s movie, “The Land”, so you can get a feel for his cinematic stylings. 

The Cult of Black and white Cinematic Symbolism (Part 16)...What do Walt Disney, Michael B. Jordan, Barack Obama, Kehinde Wiley, Stephon Clark, the Hegelian Dialect and Ryan Coogler, all have in common?

 

To the readers of this Blog: the reason this post is a bit long-winded, is over the course of the last two weeks, I debated about which subject I wanted to tackle first. It was a toss up between Vanity Fair magazine’s controversial pic of Michael B. Jordan and Ryan Coogler, or Kehinde Wiley’s portrait of Barack Obama, or the shooting of Stephon Clarke. So I decided to put all 3 topics in this post. On that note, I ask you to indulge me regarding this editorial’s length, for the simple reason that all of these topics are inter-related. Now, as always, I’m writing with the reader in mind, so I’ve made sure this post’s structure gives you a comfortably fluid read. And I dare say, that there’s no way you’ll come to the end of this, without a nugget of knowledge you didn’t have before. So once again, I thank my audience for your kind indulgences.

--MontUHURU Mimia

Walter Elias Disney was born on December 5^th, 1901, in Chicago, Illinois, and was the fourth son of Elias Disney and Flora Call. In 1911, the Disney family moved to Kansas City, Missouri, and it was while attending “Benton Grammar School”, that a young Walter developed a love for drawing cartoons. 

Walter attended Saturday courses at the Kansas City Art Institute, and took a correspondence course in cartooning, with monies he earned from a paper route. In 1917, Walter’s father bought stock in Chicago’s “O-Zell” jello company, and moved the family back to the city as a result. And it was back in Chi-town, that Walter became the cartoonist for McKinley High School’s newspaper, while also taking courses at the Chicago Academy of Fine Arts.  

In 1918, Walt faked his birth certificate’s date, so he could join the Army. After successfully fooling armed forces personnel, Walt became a Red Cross ambulance driver. Shortly afterwards, he was shipped to France, and began drawing cartoons on the side of his ambulance for decoration. Recognizing his exceptional talent, Army administrators featured Walt’s work in the army newspaper “Stars and Stripes”. Returning to Kansas City in 1919, Walt worked as an apprentice at the Pesman-Rubin Commercial Art Studio. There, he drew commercial illustrations for advertising, theater programs, and catalogs. And there, he befriended his future business partner, Ubbe Iwerks.

In 1920, the Pesman-Rubin Art Studio laid off Walt and Ubbe. In response, they started their own business—the short-lived Iwerks-Disney Commercial Artists Studio. Unable to attract customers, Walt and Ubbe both joined the Kansas City Film Ad company. And this company produced commercials using the “cutout animation” technique. But after doing some research on other methods of animating, Walt saw that “cell animation” would be the most promising way to make his animated features. With this method in mind, he created a company with a friend he’d made in Kansas City, that went by the name, “Newman’s Laugh-O-grams”. And the earliest Laugh-O-grams, were adaptations of Paul Terry’s, “Aesops Fables”. And for the sake of brevity, you can google Aesops Fables, if you don’t know what they are.

In 1921, the success of “Laugh-O-grams”, led to the creation of the “Laugh-O-gram” studios. Additionally, it led Walt to hire employees he could delegate some of his work to. Unfortunately, the company still couldn’t turn a profit. As a result, Walt moved to Hollywood in 1923.

In Hollywood, Walt continued to struggle behind plying his trade, until he got a call from a New York film distributor, who was interested in his work. As a result, Walt and his brother Roy, formed the “Disney Brothers Studio” behind their success. Later, this venture would become the “Walt Disney Company”, to produce animated feature films.

In 1927, Walt grew tired of the work he was doing for the New York distributors. Thus, he and his company began to work on a character and a cartoon series called, “Oswald the Lucky Rabbit” for Universal Pictures. In 1928, Walt wanted to renegotiate his contract with Universal. What he soon learned was, not only were some of the top brass at Universal unwilling to pay him and his company higher wages, but they actually wanted to decrease their pay. And, Universal’s administrators threatened to produce the Oswald cartoon themselves, if Walt wouldn’t heed their demands. Also, the fact that Universal owned the rights to Oswald, didn’t help any. 

Desperate to find a character that could replace “Oswald”, Ubbe and Walt thought about a pet they’d adopted while they were in “Laugh-O-Gram” studios. This was a pet mouse. Now, originally Walt wanted to call this cartoon mouse, “Mortimer”—but thinking that was too pretentious, Walt’s wife Lillian, suggested the name “Mickey”. Thus, in 1928, the cartoon character, “Mickey Mouse”, made his first appearance in a cartoon short called, “Plane Crazy”. But it wasn’t until Walt and his company created the animated short, “Steamboat Willie”, featuring Mickey Mouse, that the character developed a successful following. Thereafter, Disney Studios signed a contract with Columbia Pictures for more of “Mickey’s” cartoons.

A few decades later, under Walt’s tutelage, Disney Studios would go on to create such notable animated features like Snow White and the Seven Dwarves (1937), Dumbo (1940), Fantasia (1940), Pinocchio (1940), and many other “classic” hits. In the 1950’s, Disney Studios would expand their brand by opening “Disneyland” and creating the successful TV show, “The Mickey Mouse Club”. And in 1965, the Disney Corporation started the development of the “Experimental Prototype Community of Tommorrow”, or “EPCOT” Center for short.Sadly, on December 15^th, 1966, Walt Disney died of lung cancer, at the age of 65. And after Walt’s death, an enduring legacy of animated films was left by him for you, me, and future generations to enjoy. Now, this is what white fascists want you to think—but let’s get to the straight dope of who this man really was…

Walt Disney was a 33^rd degree freemason. And to commemorate this, at Disneyland, there’s an establishment called the “33” Club. Additionally, he was a charter member of a freemasonic fraternity called the “Ordo DeMolay”—and coincidentally, two other members of this frat, just happen to be american president, Bill Clinton, and the movie actor, John Wayne. To top that off, Walt was a notorious pedophile, and his company had decades long ties with the american mafia, and the CIA. Lastly, it’s on record that the Disney Corporation has the largest homosexual employees organization in the entertainment industry. And mind you, this man’s company, is the same one that put out Marvel’s “Black Panther”.

Now, early last month, Vanity Fair, put out this pic of Black Panther Director Ryan Coogler, and his muse, Michael B. Jordan (right). And as a result, “Black Twitter” (whatever that is), was peeved about this photo, saying it was too homoerotic. Now, if you wanna’ know my thoughts on whether or not this pic is emasculating, especially to Ryan, here’s my answer…

HELL YEAH IT IS!!

No straight brotha would let another man “palm” his head, in this suggestive a manner. Here, it looks like Ryan’s being guided downward to fellate his friend. And that’s what it’s meant to look like. Also, as par for the course, whitey’s media is obsessing on what’s being called Black men’s "collective homophobia", in regards to this pic.

Now, I wasn’t planning on this, but regarding this pic and whitey’s media, I gotta’ list 3 points I need to make about the role white gays play in furthering the agenda of white fascism…

Point#3: If you’re a Black person who’s offended by this pic, then you’re missing it’s true agenda…

And that means what? It means that we should expect this kinda’ sexually-conflicted crap from artists associated with ‘Disney Studios”. Cause knowing Walt belonged to white fascist freemasonry, we should understand that he was tasked with mainstreaming homosexuality—especially to children. And with that end in mind, Disneyland annually sponsors a “Gay Day”, for its amusement park. And on this day, Mickey Mouse and Donald Duck peruse the park, passing themselves off as gay lovers. So please don’t think this company is gonna’ invest hundreds of millions of dollars on Marvel’s Black Panther, without pushing that part of the white fascist agenda through this film. And even though there’s a lot of subversive symbolism in the actual movie, I knew that was just the tip of the iceberg. Thus, the gay pic featuring Mike and Ryan.

Point#2: What white fascists will never talk about, is how gays reproduce themselves…

Now, you might be thinkin’, bruh—this point don’t make no sense. First off, why would anyone broach this question in any form of media, since we know gays can’t have children. At least not naturally. And I totally get that. But the reason I'm bringing this up is, whitey knows once this conversation gets started, they’re gonna' have to talk about the childhood traumas that go into making someone gay.

See, whitey will talk about accusations of “Black male homophobia” from here to Gibraltar, but if they ever get around to how queers create other queers, they’d have to talk about the rampant amount(s) of sexual molestations and abuses that inevitably precede someone calling themselves a homosexual.

And this fact leads us to…

Point#1: Whitey won’t talk about traumas preceding homosexuality, cause then they’d have to admit that homosexuality is UNNATURAL.

Now, I don’t want anyone reading this post to take my word for this, so do your own research into the childhoods of any homosexual. Cause when you do, you’ll find the trauma that made them sexually-conflicted. And if this fact becomes mainstreamed, then the gay lifestyle couldn’t be sold as effectively to the proletariat, and whitey couldn’t try to shame Black people, and Black men specifically, into thinking that queers were born with specific genes, that make them that way. 

And speaking of queers, I’ll remind everyone that on February 12^th, of this year, the painter Kehinde Wiley unveiled his portrait of this country’s 44^th President, Barack Obama. (*Note: Obama was not america’s first Black president. Look up the name “John Hanson” sometimes. He was a Black man and this country’s first president, under the “Articles of Confederation” which preceded the Constitution. And he’s portrayed on the back of america’s $2 dollar bill—which is probably why they took it out of circulation.)

Now, as you can see, President Obama is seated in what looks like a garden (And Barack’s “hand-over-hand” gesture is freemasonic, by the way. Just like the pic next to it of Nava “Barak”, wife of Ehud “Barak”, former Prime Minister of Isreal. And we not only see Nava’s hand-over-hand sign, but her earring has the emblem of the Masonic “Double-headed Eagle”. And you can always click on my pics to make them larger). With that said, let’s further break down the symbolism embedded in this painting…

First off, the color “green” is used to represent “melanin”.

And I can almost hear people thinkin’—bruh, that don’t make no kinda’ sense. Well, it does when you consider that chlorophyll is what gives plants their green color, just like melanin is what makes our skin Black. Additionally, the ancient kemetic Netcher Ausar (left), was depicted on pyramid walls with “green” skin. At the same time, Ausar also went by another name—and that was: “LORD OF THE ‘PERFECT’ BLACK” (which is DOPE by the way). 

Additionally, the Marvel superhero, “The Hulk”, represents the Black phallus. Now, I can hear all the boos and hisses behind this theory. But ask yourself, what color is the Hulk's skin? Exactly. And when Bruce Banner's aroused or enraged, he grows to three times his size until he transforms into this character. But another clue as to who this character's supposed to represent, is the Hulk wearing “purple” pants. Now, every Black person has heard someone say that a heavily melanated brotha or sista is, “blue, Black, purple”, well that's the reason Marvel’s comic book creators, chose that pants color for this superhero (Alice Walker’s, “The Color Purple”). Cause again, he represents the white man’s fear of a Black phallus.

But the garden scene, is ultimately meant to effeminize Barack, and that's also why he's “seated” in the painting. Cause what this painting's really showing, is how whitey has a problem with “erect” Black men.

Meaning, white fascists know that a Black man’s erection, especially in sexual terms, has the power to breed them and their kind out of existence. Additionally, a mentally and spiritually erect Black man, has the most power to lead himself and others away from internalizing the tenets of white fascism (i.e. J. Edgar Hoover’s threatening “Black Messiah”).

Now recently, I also read about Tamar Braxton (left), Toni Braxton’s sister, cutting off all her hair. And at first, I was like—nah, that’s just a rumor. Cause I knew how infatuated she was with blonde weaves and wigs. Then I saw the above picture. But instead of being shocked, her actions actually made sense. Here's why—whitey knows that since the Black Panther movie came out, more and more Black women are doting on the “Dora Milaje” (DM). And when you think of them, what’s the first mental image you see?

A bald Black woman.

Now, here’s how this fits into the white fascist narrative. whitey understands that for Black women to remain in 3 states of being: well-paid, oversexed and alone, it’s best to have them looking like hypermasculine “she-males”. Thus, the bald heads.

And mind you, I understand Black women see the DM as strong, smart and fiercely independent, but what Black women really need to understand is, the world’s men see the DM as the exact type of women they’d never marry or be in a long-term relationship with. Cause they look too much like men themselves.

And, if you look at the Marvel comic series, “World of Wakanda” (right), there’s a running theme of homosexuality throughout its pages.

So ultimately, this is another way whitey intends to promote the gay lifestyle to Black men and women. Cause again, we have the most genetic power to breed them out of existence. So the last person white fascists want Black women dating, marrying, and having children with, is a Black man. And vice-versa.

Now, onto the “Stephon Clark” shooting…

So, I’m guessing if you’re a Black man or woman reading this, then you know about what happened to Stephon Clark. And if you’re not a Black man or woman, you shouldn’t be reading this Blog anyway, cause this message isn’t for you. And if you don’t like me saying that, please stop reading this and go find another Blog to amuse yourself with. Now, for the rest of us who’ve heard of Stephon, I’m not gonna’ go into the gory details of what happened to him on the night of March 18^th, of this year, in Sacramento, CA. But I will tell you how this fits within the white fascist narrative of the “Hegelian Dialect” (HD).

Now, conspiracy theorist and CIA agent, David Icke, calls the HD a white fascist methodology consisting of 3 parts, and those are: problem, reaction, and solution.

And I’ll tell you—the main reason this story is getting so much publicity, is because of Marvel’s Black Panther movie. And again, Marvel Studios is owned by Disney.

Now, you might be sayin’, wait a sec’ bruh—that sounds like some hair-brained theory you came up wit’ last night. Well if you think that, let me list you reasons why Stephon’s life was cut short, and why whitey specifically chose his story to put out to the public, using the HD.

Part#1: Problem

Love it or hate it, Marvel’s Black Panther movie is expelling so much positive energy for Black people, and Black americans especially, that whitey knows, if this movie’s effects on us go unabated, we’ll continue to harness that energy. And that could potentially keep us out of the self-hating mind-state they’ve fought so hard to keep us in. See, any time we feel proud about ourselves, that pride has the potential to unify us. And whitey knows that’s the only virtue that will help us defeat them.   

Part#2: Reaction

To diffuse the Black Panther’s positive influence on Black americans, once Stephon Clark is shot multiple times, whitey's media quickly makes it front page news. And within hours, Stephon Clark becomes a household name. So with this action, white fascists have effectively swapped the positive energy and pride we felt over the Black Panther movie, with fear and self-loathing.

Part#3: Solution

And it gets worst—cause whitey’s gotta’ make sure our self-hating "spell" isn’t broken over time. See, they know that any group of people will forget an incident that doesn’t directly affect them, in a matter of days or weeks. So the real reason they’re throwing so much publicity at this story, is cause white fascists understand the divisive value of Stephon’s “tweets” that castigate Black women (and if you haven’t read these tweets, just google them). And their plan worked. Cause as I’m writing this, Black men and women are too busy “gender-warring” to realize the game that’s being played on them. And in more layman’s terms, Black men and women are at each other’s throats again, which is right where whitey wants us. Proof, that the good ol’ DIVIDE AND CONQUER technique still works.

So I’ve said all that to say this: NOTHING, and I mean NOTHING is gonna’ help us defeat white fascism except UNITY!

PERIOD.

And our battle with white fascism is one we can’t buy or educate our way out of, cause those are resources they control. Meaning, whatever currency we have an abundance of, or whatever kind of degree we get, whitey can devalue. Now, I’m not knockin’ money or education, but the only way these things are gonna’ work towards our collective benefit, is though UNITY.

Now, I’m not only a Black Nationalist, but I’m a realist also. And I know good and well, that anyone over 30 ain’t really trying to hear any talks about changing themselves, so our people can be more unified. So what I propose, like I’ve done several times in the past, is that we turn the focus of these kinds of initiatives towards our children, in the form of homeschooling, or truly independent schooling. Meaning, we should pull our children out of public and charter schools (which are still state-owned schools anyway), and give them learning environments where they won’t be poisoined with the same self-hating cirriculums that I, or we got, going to P.S. whatever-number school, where we live. And I will dedicate a series of posts to homeschooling in the near future. Promise.

So in conclusion, and as always, I’ll tell you that the proposition of Black unity is simple, but it’s not easy. Cause the social orders we currently live in are engineered towards keeping us apart and hating ourselves. But embracing the hardest initiatives, is what yields the best rewards. So by any and all means necessary, let’s get to work. NOW!

Later…

MontUHURU Mimia

*Addendum: 4/13/18--In regards to the cartoon superhero, “The Hulk”, and how he truly represents the “Black phallus”, the NEGUS/scholar/YouTuber “LLO525STAR” curated the video below. And this clip delves much more deeply into where The Hulk's mythological origins really come from. Enjoy.

And if you'd like to see a larger version of this vid, you can do that HERE.