The gospel of white fascism (Part 13)...Tariq Nasheed, Black consciousness and the real salvation of Black people...

Tariq Nasheed was born on July 1^st, 1974 in Detroit, Michigan. And in his early teens, he and his family moved from Detroit to Birmingham, Alabama. Needless to say, the social life he saw in his new environs paled in comparison to the bustle he'd grown accustomed to in 'Motown'.

At 17, Tariq cobbled together $125 for a bus ticket to Los Angeles. And it was there that he cultivated the pimp personae that helped him curate what he called, 'gaming techniques'. He came up with a technology called 'G.I.C.2', which according to him, stands for “game, intelligence, and common sense, squared”. Unfortunately, applying some of these methods resulted in him having to serve some time in prison.

After being released, Tariq continued plying his trade as a 'macking mentor', to the point where he was able to parlay his enormous street cred into an acting role on the 'Bravo' cable TV network. There, he portrayed an actual pimp for the filmmaker Michael Moore, on his show called, 'The Awful Truth', which aired from 1999 until the year 2000. After appearing on the show, Tariq put his lessons of 'serial flesh management' into a book he wrote in 2000 titled, 'The Art of Mackin', which became a New York Times bestseller.

Seeing that he struck a societal nerve with 'The Art of Mackin', Tariq followed up this book with one called, 'Play or Be Played' in 2004. This tome catered to women wanting to know how to find Mr. Right without being a sex toy to hundreds of men in the process. Then, he followed this book up with 'The Mack Within: The Holy Book of Game' in 2005. Tariq was becoming somewhat of a guru in what mainstream culture was calling the 'seduction' industry, as he followed up the aforementioned book with the title, 'The Elite Way: 10 Rules Men Must know in Order to Deal with Women' in 2009.

Now, even though Tariq was turning a profit being a purveyor of 'playa wisdom', there was a stirring in his heart and mind that he could no longer ignore.

Something in his conscious told him that he was tasked to introduce a new generation to the magnificence of ancient Black/indigenous world history. So, in April of 2011, after much work and dedicated research, Tariq released the documentary, 'Hidden Colors'. And this film almost single-handedly gave the Black 'conscious' community cool points with the youth.

For a lot of young Black men and women, this documentary was the antidote to all the self-hating messages they'd gotten in the history classes of american High Schools. Seeing the illustrious legacy of the ancient Moors and the scholarship that African empires like Kemet, Kush and Timbuktu gave the world, had young Black people feeling proud about their past for once, when all u.s. schools taught them about themselves was slavery and Martin Luther King.

And one of those young Black people who fell in love with the 'Hidden Colors' documentaries, 1 through 4, was a young woman named Sara Nicole.

Now, what I know about Sara Nicole is this: Sara has been modeling for the past decade, and was recently working with Tariq Nasheed on his radio show, 'IZM' Radio. What I also know about her is, she only knew of Tariq Nasheed through his Hidden Colors documentaries—she didn't know about his life, or public image, prior to that.

Thus, Sara made the fatal error of inquiring about Tariq's past and asked him, “Are you a pimp?” And this ultimately is what got Sara fired from IZM radio, on May 30^th of this year. And to add insult to injury, the firing happened live on air.

Now, this has many people thinking: Why was Sara fired for asking this question? And why would Tariq imply that Sara is some sort of agent behind this? Sara herself seems to be asking this question via several videos she's made trying to figure out what's going on. Now, I'm pretty sure Sara will probably never see this, but here's what's really going on in a nutshell.

Now, let me just say for the record, that the short bio I wrote on Tariq, is what press and public relations people want us to believe. However, let me give you the straight dope on how and why Tariq came to be a national celebrity.

First off, I know people are gonna' get peeved at me for using the 'f-word' again, but that's the reality here—Tariq is a freemason. And I can hear people sucking their teeth and rollin' their eyes right now. You're probably thinkin', damn bruh, is there anyone who ain't a freemason? But if you look at Tariq's pic (above), you'll notice his hands and their interlocked fingers, that's a freemasonic signal.

And one thing we should always keep in mind is, celebrity is a white fascist construct used to influence the masses—that's it. That is it's only purpose. And the only way you become a national star is through freemasonic networks. Period. Now, the by-product of this is how these famous people entertain us in some way, but that's clearly not the goal white fascists have for them.

Now, Tariq was convicted of some crime, and he did do some jail time. But what press releases won't tell you is Tariq was recruited into freemasonry in prison.

How a person gets chosen to be a freemason in a correctional facility is somebody on the administrative staff has to see an exceptional intelligence on the part of an inmate, and from there they're put through some sort of initiation which gets them into the prison's freemasonic order.

Now, you may be thinking, c'mon bruh, this sounds like straight up fiction. Well, when Tariq was released, his freemasonic relationships are what got him onto Mike Moore's TV show, 'The Awful Truth'. And when Tariq played a pimp on this show, he and his masonic handlers figured that this was gonna' be his ticket to national fame. So, they coached him on how to write the book, 'The Art of Mackin', and made it a New York Times bestseller.

But when white fascists saw how popular the Black 'conscious' community was getting, they figured Tariq would be more successful and influential to Black americans as a purveyor of Black pride. Thus, his complete 180 degree turn from the virtuous playa to the conscious Black brotha.

So, when Sara asked him about being a pimp, she was basically blowin' his cover to people who only knew him as the 'Hidden Colors' guy. And, if more Black people see he's a fraud, he can't be useful to white elites and they'll effectively stop paying him, and move on to the next conscious poser.

Now, I know that people will see this as some fantastic story that I've dreamed up just to have something to write about, but if you do, consider this: running concurrent to Sara's being fired on air by Tariq, is that other conscious fraud 'Brother Polight' having a beef with Sa Neter. And this is not a debate, where they're arguing over philosophies, this is an all-out beef where they're calling each other everything but a child of God. And, Blue and Red Pill (House of Konsciousness) are also in a current feud with Brother Polight.

By the way, if you look at Brother Polight's history, you'll find he went to jail for murder, but somehow beat the rap, and then suddenly found his way into Black consciousness. Coincidence?

And what do Tariq, Brother Polight, Sa Neter and Red and Blue Pill all have in common? You guessed it—all of 'em are freemasons. But don't take my word for this, do your own research and find this out for yourself.

Now, I've said all that to say this, the reason we see this Battle Royal in the Black conscious community is white fascists see how popular it's becoming amongst Black americans and our Diaspora, and how it ultimately has too much potential to unite us.

So their message to Black people is: Any organization, institution or fellowship that looks like it might have the slightest chance of uniting Black folks has got to be destabilized and destroyed. Period.

Cause even if we don't know this, whitey knows that the only thing that'll help us defeat white fascism is not money—they control that, it's not education, cause they control that too. It's UNITY!!! POINT BLANK, PERIOD.

Cause with it, we can accomplish anything, without it, we can't accomplish jack!!

And like Sam L. Jackson said in the movie, 'Do the Right Thing': “That's the double truth, Ruth.”

Later...

MontUHURU Mimia

The gospel of white fascism (Part 12)...What do Jesse Williams, Colin Kaepernick and Lavar Ball have in common? (Special Memorial Day edition)

“It's been a long time, I shouldn't of left you, without a strong rhyme to step to. Think about all the weak shows you slept through, time's up, I'm sorry I kept you.”

--Rakim, from the song, 'I know you got soul'

To the readers of this Blog: Right off the rip, I need to say that I sincerely apologize about my extended absence from this forum. I didn't intend to be away this long. But behind changing where I live, my job and myriad computer problems, it's been a long, hard road back to my Blog. Now, I broker no excuses, 'cause quite frankly, there are none. Everyone's busy. So it's up to me to make the time to tend to my duties here. Conversely, the time away has given me a different perspective on topics that I might not have otherwise. And being that I've been away so long, my mind's capacity-filled with ideas/topics for posts. Also, I do have plans to create an ancillary website to accompany this Blog. So do stay tuned, 'cause the best is truly yet to come.

And to those who cared enough to check back on this Blog every once in a while, I say thank you, thank you and thank you!

Now, with that outta' the way, let's get down...

Lavar Ball was born on October 28^th, 1968 in southern Los Angeles, California, and was raised there as well. He attended Canoga Park, High School in Los Angeles, where he quickly excelled in sports.

His prowess as a quarterback on Canoga High's football team, and his exceptional performance as a 'forward' on the school's basketball team, influenced his decision to pursue a career in athletics.

Lavar went on to play basketball at West Los Angeles College for a season, before transferring to Cal State Los Angeles, where he competed in the NCAA Division 2 finals. And it was at Cal State, where he met his wife, Tina.

After college, Lavar tried out for, and was accepted to the National Football League's (NFL's), New York Jets team, on March 7^th, 1995.

After retiring from athletics, Lavar focused his energies into becoming a personal trainer, and training his three sons, Lonzo, LiAngelo and LoMelo, to play basketball. Behind his training endeavors, Lavar created the 'Big Baller Training' company, which is where he got the name for his 'Big Baller Brand' clothing line.

Over the course of years, Lavar's sons adapted quickly to his training methods, and as a result, Lonzo, his eldest son, became a basketball star at UCLA, and his younger sons are both exceptional players at their High School.

Kristine Leahy was born on October 16^th, 1986 in Chicago, Illinois. She attended Prairie Ridge High School in that state's Crystal Lake area, and this is where she first fostered her love of sports. So after attaining a Bachelor's of Science degree in Journalism, she combined her twin interests and went on to pursue a career as a sports journalist. Kristine is best known for her stint as a host on the NBC TV show, 'American Ninja Warrior', and for her co-hosting of the Fox Sports broadcast 'The Herd', with the show's main host, Colin Cowherd.

Now, on Wednesday, May 17^th of this year, Lavar made his now infamous appearance on 'The Herd', and has gotten tremendous amounts of jeers behind his discussing the 'Big Baller Brand' clothing line he created with and for his sons.

See, Lavar knew ahead of time that Kristine especially, didn't care for his clothing brand, and didn't care to see him in their studio either. So when Colin asked him how many of his clothing brand's $500.00 priced sneakers had been purchased, Lavar replied, “I've sold a good amount, to me.”

Then, the ditzy, blond-haired inbred Kristine asked, “How many?” To which Lavar masterfully replied, with the now famous phrase, “Stay in yo' lane.”

Now, in addition to Lavar's making the line, “Stay in yo' lane” a popular catch-phrase, he also raised the ire of the blond-haired white woman, 'cause nothing, and I mean nothing, gets under a white woman's skin more than being ignored by a Black man.

So, Kristine started comparing Lavar's brand with others, and basically tried to belittle his clothing line saying it didn't cater to women (white women especially). And Lavar very tactfully, shut her down. Then, Colin asked Lavar about taking meetings with Nike, Adidas and other well known sneaker brands, to which Lavar replied, “I don't need them for nothin'.”

Now, in terms of Lavar's personality, I couldn't be happier to see a Black man putting a white man, and his women, in their place. He ingeniously raised his children to be prodigious at a certain craft and predicted the best for them. And now, Lavar's prophecies are coming true. Beyond this, I think it's an absolute breath of fresh air to see a Black man aggressively fighting for his family. And his unapologetic stance makes him something akin to a real-life superhero for the Black Diaspora.

Unfortunately, I can't be entirely happy with Lavar Ball's current successes. And that's because I see the game white fascists are playing on us, through him. Now, let me explain what I'm talking about...

What Jesse, Colin Kaepernick, and now Lavar, have been tasked to show us, is how only bi-ethnic Black men are the ones truly capable of being the Black community's real leaders (Barack Obama). And Lavar takes it a step further, by showing us that the only kind of young Black men worth protecting, are bi-ethnic ones. So while our 'pure-bred' young Black men are being shot down in the streets by thrill-kill white cops, we see Lavar fighting tooth and nail to keep his bi-ethnic boys from being exploited.

Now, you might be saying, bruh—can't you just be happy that a Black man's finally standing up and protecting his family? You may also be thinking, everything's not a conspiracy man, c'mon.

I might've thought that to, if I didn't know one additional fact. Lavar Ball is a freemason, and so are two of his sons.

Now you're probably saying, here we go with that non-sense again. More tales about secret handshakes and the illuminati.

But if you look at the 'Big Baller Brand' logo (left), you'll notice how the first 'B' is made to look like a '3'. That's 'cause the 'B's' of the 'Big Baller Brand' are actually '3's', representing the 33 degrees of freemasonry, as seen in the picture below.

Now, you might be saying, bruh, then what's the extra three for? Well, according to freemasons, the number 33 represents the number of spinal vertebrae leading up to the 'Pineal Gland', and this is supposedly where a person's 'consciousness' is kept. The number 33 also represents the highest degree of freemasonry. But for freemasons, especially white ones, born into specific blood-lines, there's another degree to be attained, and that is the 33 and a third degree. And this is what Lavar is really reppin'.

The aforementioned info. might also lead you to think, well bro, Lavar ain't white. True. But you don't have to be from a pure white blood-line in order to rep for this level of white fascism. Case in point, one of my favorite albums from back in the day is one by a group called 'The Power Station' (above right). Now, this was a side project of the popular group 'Duran Duran' from back in the 80's. I want you to take note of two things about this cover, one, the number 33 and a third at the bottom right, and two, the colors red, Black and white on the cover's graphic. See, I've already told you about what the number 33 and a third reprsents, but freemasons are notorious for dressing in the colors red, Black and white, cause these are the colors of the nazi flag. Now, you might say, bruh, 33 and a third is just the speed that the record is suppose to be played at. But again, that number not only reps the white fascist elite in the record industry, but it's tells us that the members of The Power Station were freemasons themselves, and were paying homage to who actually made them famous.

Also, if you look at this picture of Lavar and his kids (above), you'll see the two to his right are flashing freemasonic hand signals (Note the mostly red, Black and white attire). This hand-over-hand gesture, is one you'll see continuously from freemasons, like in the accompanying photo from Yale University, dating back to 1941. You can click on the photo to see it better.

Now, let me get one thing straight for the record—freemasonry in and of itself, is not an inherently evil practice. Actually, this is one of the spiritual sciences created by my ancient Black indigenous ancestors. What I have a problem with, and am commenting on here, is the white fascist 'spin' on these sciences.

Another topic I wanted to touch on, which is related to this one, is someone asking me my feelings about the movie, 'Get Out'. Well, here's my take on this flick in a nutshell.

Even though this movie is supposed to be a cautionary tale about Black men dating white women, it was actually made to quell white men's sexual inferiority complex around Black men. Now, let me explain further...

I wrote a post on why Mike Strahan, the ex-football star, was paired with Kelly Ripa on the TV show 'Live! With Kelly and Michael', and I remember one of the post's comments was from a young white guy named George, who was trying to figure out why they were matched as well. His comments are as follows:

'I see the commercializing of soft cute white women with huge black alpha males as the stereotype and I'm gonna make some examples: Doutzen Kroes with her black man (some famous DJ), Heidi Klum (of course though again I gotta admitt they look sooo hot together), Coco, Kendra Wilkinson and the chaos in the media with her being pregnant by a black NFL Star, Miley Cyrus, Nicole Kidman and Ellen Pompeo. Of course all of these are super hot white girls.'

At the end of the comment he asks, “What's happening?”

Now, the average white man doesn't realize why white fascists are pairing white women with Black men. So, the movie 'Get Out' was green-lit by white men who aren't 'in the know' to say to Black men specifically, that our women aren't with you 'cause you have a bigger penis. They're with you for some dastardly ulterior motive.

And of course, I know someone's gonna' ask this question: Why are Black men always bragging about their penis sizes or sexual prowess? To that I'll say, Black men didn't give ourselves this stereotype, white men did. However, what Black men do have, is the most genetic power of any other kind of man, to breed whites out of existence.

And in an age where white birth rates have fallen below replacement levels, this is why Jesse, Colin, and now Lavar, have all been tasked with extolling the virtues of bi-ethnic Black men. And that's why the Black Diaspora needs to 'Get Out' of the white fascist mind state that has us treating them and white folks like deities, while we treat each other like dirt.

And like Sam Jackson said in the movie, “Do The Right Thing”: “That's the double truth, Ruth.”

Later...

MontUHURU Mimia

P.S.

If you'd like to see the blog post where I talk about Mike Strahan and Kelly Rippa, and if you'd like to read 'George's' complete commentary, you can check them out here.

The cult of Black and white Cinematic Symbolism (Part 10)...What do Nate Parker and Freddy Krueger have in common?

Nate Parker was born on November 18^th, 1979 to a 17 year old single mother, Carolyn Whitfield, in Norfolk, Virginia. Even though Nate’s biological father didn’t marry his mother, he was still in Nate’s life until the age of 11. Shortly thereafter, Nate Sr. died due to complications from his cancer.

After Nate began having problems with the second man his mother married, at age 14, he went to live with his maternal uncle, Jay Combs. Jay was a former wrestler, who turned young Nate on to the sport. And after placing all his youthful passions into wrestling, Nate was awarded an athletic scholarship for his grappling endeavors in 1999. With it, he attended Pennsylvania State University that year. Amongst the turmoil of a rape allegation, Nate left Penn State and went to Oklahoma State University, the college he’d graduate from in 2002.

Shortly after graduating college, Los Angeles talent manager, Jon Simmoms, noticed and discovered Nate while he was with a model friend, and suggested he move to L.A. to pursue an acting career. Nate followed the advice, after Jon put together a press packet for him.

From there, Nate went on to act and star in several movies. But the one putting him on the map most officially, was his role as ‘Henry Lowe’, in the Denzel Washington directed film, ‘The Great Debaters’. For this role, Nate attended a debater’s ‘boot camp’ to make his portrayal more authentic. One of the main reasons behind this was, the character Henry Lowe was based on the real-life debate champion, Henry Heights from Wiley College.

Now, I’d be remiss if I just skipped over the rape allegation charges filed against Nate In 1999. So let’s delve into that. Nate and another wrestling student, Jean Celestin, were said to have taken advantage of a young white female at Penn State University, while she was drunk and unconscious. Long story short, Nate and Jean were able to hire a private eye to look into the matter, and this P.I. provided the evidence that convinced a nearly all-white jury (one juror was non-white), that Nate was innocent of ALL the charges filed against him.

Now let me say this, right off the rip—you have to have some incredibly powerful evidence supporting a Black man’s innocence, to get him acquitted of any rape charge. Especially when it’s a white woman doing the accusing. Cause any sane person knows, once a white woman says any Black man raped her, cops will assuredly put that brotha behind bars first, and then see if he’s innocent or guilty later. Also, in addition to filing rape charges against Nate, this woman complained to Penn University administrators, that she was being harassed by Nate’s private eye. This harassment allegedly included the showing of this woman’s photo to other college students. And Penn State settled the matter by rewarding this woman $17,500.

And in light of that, I’ll say this: If a woman is going to press rape charges against a man and have him sent to jail, I think she’d have bigger concerns than a P.I. showing her photo to students on a college campus. Oddly enough, white women feel it’s their right to file such charges in complete anonymity, when they’re in effect, putting someone’s life at risk by sending them to prison.

But before I go any further, let me make one point emphatically clear, and that point is this: No woman (or person) deserves to be raped. That is one of the most heinous, if not the most heinous crime someone can commit against anyone. However, if you wanna’ send a man to jail for this, or any other crime, you should be prepared to identify yourself as the one, who’s in effect, starting the process by which he might wind up behind bars.

And let me add this as well, the Black actress, Gabrielle Union, wrote an article in the Los Angeles Times about Nate’s rape charges. In it she says: “As important and ground-breaking as this film is, I can not take these allegations lightly. On that night, 17-odd years ago, did Nate have his date’s consent? It is very possible he thought he did. Yet by his own admission, he did not have verbal affirmation. And even if she never said ‘no’, silence certainly does not equal ‘yes’.”

Mind you, Gabrielle stars in Nate’s film.

So here’s the question everyone should be asking themselves: If Gabrielle thought in her heart of hearts, Nate was a rapist, WHY THE HELL WAS SHE IN HIS FILM?!

Understand, this is more of that Black feminist/womanyist non-sense that says you can have your cake and eat it too. But ultimately, Gabrielle’s belated moralizing just shows you exactly who she, and her fellow feminists/womanyists really are—a bunch of anglophilic opportunists.

Moving on…

Robert Barton Englund, was born on June 6^th, 1947, in Glendale, California. He’s the son of mother, Janis McDonald, and father, Kent Englund, who made his living as an aeronautics engineer.

Robert (pictured left) caught the acting bug at age 12, while attending a children’s theater program at California State University, North Ridge. And after attending an arts high school, he went to Michigan’s ‘Oakland University’, where he majored in theater. He spent five successful years acting in regional stage plays, where he performed Shakespearean and other ‘classically’ drama-themed roles, before returning to California, where he started looking for acting jobs.

In the midst of Robert’s auditioning, he was actually considered for the role of ‘Han Solo’ in ‘Star Wars’. At the same time, he convinced a friend who lived with him, a young Mark Hamill, to try out for the role of ‘Luke Skywalker’. And I think we all know how Mark’s audition went.

Long story short, Robert would go on to appear in several movie and TV shows like: Eaten Alive (1977), Galaxy of Terror (1981), V: the mini-series (1983), but all these roles had him typecast as a nerd, or a redneck. So Robert decided to go against this stereotype and play the insanely menacing and murderously claw-fingered, ‘Freddy Kreuger’ in Wes Craven’s movie, ‘A Nightmare on Elm Street’.

Unbeknownst to Robert, A Nightmare on Elm Street, released in 1984, would be so widely successful, that it would not only give him a career-defining role, but it would make him one of the most recognizable genre film icons in movie history.

But now, let’s get back to Nate…

Nate Parker’s movie, ‘Birth of a Nation’, was written, produced and directed by him. And after he announced his initial plans to make this film, the first person to invest in it, was retired basketball player Michael Finley. Mind you, Mike also invested in the film, ‘The Butler’. Now that fact alone, should let you know what kind of ulterior motives are behind this film’s mainstreamed distribution.

Also, after this movie was made and had its debut at the 2016 Sundance Film Festival, on January 25^th of this year, it was reported that before the movie was shown, the viewing audience gave Nate a standing ovation when he was introduced to speak about his film (hint, hint). Additionally, following the film’s screening, ‘The Weinstein Company’, ‘Sony Pictures Entertainment’, and ‘Netflix’ created a bidding war for this film. Finally, Fox Searchlight bought worldwide rights to this film for $17.5 million dollars, which stands as the ‘richest acquisition deal’ in Sundance’s history.

Okay, let’s stop here.

Now, ask yourself this question: Why would these elitist, lily-white movie studios, create a bidding war over a film about Nat Turner killing scores of white folks?

And finally, let’s ask the question posed at the top of this post: What do Nate Parker and Freddy Krueger really have in common?

Welp, to find out, let’s flip the script and answer the second question first…

What Nate and Fred Krueger have in common is this…they both starred in horror films.

Now, you may be sayin’, bruh…that don’t make no kinda’ sense. Nate was never in no horror flick. But it makes absolute sense if you realize one truth, and that is…

america’s Black ‘slave movies’ are the new horror films.

But before you dismiss my categorization of flicks like, ’12 Years a Slave’ and ‘Django Unchained’ as the new horror films for this generation, let’s take a look at some old ones, so we can compare and contrast methods of white fascist social engineering, as it pertains to the Black american psyche.

The Shining (1980), The Evil Dead (1981), Halloween II (1981), A Nightmare on Elm Street (1984), Re-Animator (1985), The Return of The Living Dead (1985), and Hellraiser (1987).

When I was a teenager, these were just a few of the horror films that were as popular then, as super-hero movies are now. It seemed like every month, there was a new grisly 'slasher' flick with some maladjusted and/or formerly slighted soul who had super-human powers and decided to use them to get some payback on humanity. And in the last couple of years, I was thinking back to when I frequented my local Cineplex to watch these gore-fests with friends. That’s when I asked myself this question: In the context of white fascism, what purpose did these films serve?

And then, the answer hit me…

white fascists used these films to not only desensitize a younger audience/generation to steroidal amounts of gratuitous violence, but fascists knew that repeated viewings of these flicks, would make audiences almost completely indifferent to other people’s suffering. Thus, these movies would make us more ‘individualistic’. And a person/population that’s mostly self-involved, is easier for white fascists to control.

On top of that, we need to remember that america is the enforcement arm of the western powers. Meaning, we’re the designated trigger-persons for the white fascist agenda. And that’s even more of a reason for white fascists to desensitize us to violence. Cause a country of men who’ve been conditioned to be indifferent to the suffering of others, can be more easily sent abroad to kill whoever we’ve been told is our enemy.

Now, with all that said, let me tell you why these slasher films were specifically aimed at programming the Black american psyche.

I think every Black man and woman has heard the African proverb, ‘It takes a village to raise a child’. Well, this is indicative of Black people’s inherent communal sensibilities. Meaning, instinctively, Black people think more about the collective, than the individual. Mind you, we do this instinctively, if we haven’t been conditioned out of melanated common senses. So in order for white fascists to keep us in perpetual states of disunity, we were fed study diets of horror films so we’d continuously focus on ourselves and not care about the suffering(s) of our community (common-unity).

Mind you, in the 80’s, Black americans were also facing the dreaded troika of ‘Reganomics’, ‘crack’ and ‘AIDS’. Meaning, in that decade, more than most, Black americans were facing an all-out assault on our senses.

Now, let me expound on how all this plays out in america’s ‘slave movies’, and especially, in ‘Birth of a Nation’.

But before I do that, let me make another fact emphatically clear…I haven’t seen this movie, and I won’t go see it. So my opinions of this flick are coming from others who have. Meaning, it’s up to you to decide whether or not you wanna’ make the sojourn to see this film. Cause the only thing I’m endeavoring to do here, is let you know why you should guard your mind if you do decide to take that trip to the Cineplex. But what I will absolutely advise is this: If you’re a mature Black man or woman reading this post, PLEASE DO NOT take a Black child to go see this film. Here’s why…

First off, reports I get from people who saw this film, say they endured an hour and a half of watching Black men, women and children, being tortured by whites, before any Black slave revolted. And truthfully, this is the ‘bait and switch’ technique employed by white fascist freemasons, like Nate Parker, on our people, time and time again. Meaning, before we have a chance to see any redemption or revenge our people exacted through fighting for freedom, the mental triggers activated by watching the gruesome tortures of Black people have already done their job. In other words, as a Black man or woman watching this film, your subconscious has already been severely impacted by these horrific scenes, and what they do is reinforce reasons why you should hate yourself and everyone who looks like you for being Black. And this is the true agenda of ‘Birth of a Nation’. Whether it be the original movie, or Nate Parker’s version.

Mind you, the original ‘Birth of a Nation’, was a propaganda film/tool used to extol the virtues of the KKK. And its main message was how Black people would destroy the united states once we were released from the bonds of america’s slavery. So in keeping with this theme, Nate’s movie was created to keep Black americans in perpetual states of self-hatred, so we'd be bound in a mental slavery.

The other side of the game white fascists are runnin’ on us with this flick involves its christian mores. Ya’ see, Nat Turner was taught to read specifically so he could preach bible verses to fellow Black slaves. And this film tries to impart the message that the bible is what provoked him to revolt.

But let’s see what the bible really says about slavery, so we can understand why it had nothing to do with Nat’s righteous indignation.

Ephesians 6:5
Slaves, you must obey your earthly masters with respect and fear, and with sincerity of heart, just as you would obey christ. 

Now, doesn't this run counter to the first of the ten commandments saying, I am the lord your god, you shall not worship any gods before me? Here, the bible says you should respect and obey earthly masters just like they were 'christ'.

Moreover, why would 'god' endorse anything to do with slavery? And why would the 'good book' endorse it? 

Here's more...

Ephesians 6:6
Obey them (slave masters) not only to win their favor when their eye is on you, but as slaves of christ, doing the will of god from your heart.

Slaves of christ?!

Again, why is the 'good book' promoting slavery?

One side note: the first slave ship to wash up on american shores with Black people on it, was called the 'good ship jesus'...google it if you don't believe me.

Ephesians 6:7:
Serve wholeheartedly, as if you were serving the Lord, not people.

Serve a slave master like you were serving the 'lord' and not (just regular) people? 

And if you’re a Black man or woman reading this, you should also know the reason suicide was made a sin by the christian church, is so america’s Black slaves wouldn’t kill themselves, so they could be worked to death.

So, every Black man and woman reading this should understand that it wasn’t the bible that gave Nat his revolutionary insight, it was his Black spirituality, masculinity, and common sense, that got him to cut ole’ Massa’s head off.

Now, with all that said, hopefully you can decide whether or not you wanna’ buy a ticket to see this crap film. 

And in closing let me say, as of late, Birth of a Nation is reportedly doing poorly at the box office. So the white media says. But if you peep the game being played on Black americans, you’ll realize that white fascists are making this known, regardless of this film’s real box office numbers, so more Black people will feel obligated to go see and support this trash flick.

Always remember, the most powerful tool you have to combat the social engineering inherent in every white fascist social order is your melanated DISCERNMENT. And with it, you’ll realize that the ONLY force powerful enough to defeat white fascism isn’t our money, or an education…IT’S OUR UNITY!!

And with his horror flick, Birth of a Nation, that’s exactly what Nate Parker is trying to keep us out of.

Later…

MontUHURU Mimia

The end of feminism...

On September 16^th, of this year, Terrence Cutcher, an unarmed Black man living in Oklahoma, was shot down by cops after walking away from police with his hands up.

The officer firing the fatal bullet was Betty Shelby.

Now, unless you’ve been living under a rock, you’ve probably heard about this incident several times. But what a lot of us don’t know, is bad ‘ole Betty not only has a history of violent behavior, but she’s also got a history of drug use.

First off, on her police application, the very one that got her this job, she checked ‘yes’ to the question of whether or not she’d used or possessed ‘illegal drugs’. Now, let’s just ponder this for a hot second. Could you imagine how quickly any Black man or woman would have lost that job by doing something as audacious as that?

Okay, now let’s move on…

Second, on the same application, Betty admitted to having been involved in two domestic violence cases in her personal life. And if that wasn’t egregious enough, she and her ex damaged each other’s cars in 1993, to the point where they both had restraining orders filed against them, which essentially kept them apart. Additionally, the wife of Betty’s ex-husband, filed an order of protection against her in 2002, saying that bad ‘ole Bette was harassing her over the phone.

Now, the question any sane person should be asking is: Why the hell was Betty ever in a police uniform? And if that ain’t affirmative action, I don’t know what is.

Next up, in the same month, Melissa Adamson, another cop who just happens to be a white female, posted a picture of herself in uniform on ‘Snapchat’. Now, underneath said picture, was the caption: ‘I’m the law today nigga’. Mind you, this inbred bigot broad was a part-time, ‘probationary’ employee. Meaning, she’d only been on the job for a few weeks. And behind Melissa’s dumb-founded comment, she got fired.

Now, over the course of the last few days, Melissa’s been saying that she’s not a bigot, and that her use of the ‘n-word’ ending in an ‘a’, rather than ‘er’, should point to her ‘colloquial’ use of this term. Basically, this dumb inbred bigot broad is saying, if Black people call themselves this, why can’t I? But anyone with half a brain should know that dumb ‘ole Missy meant the ethnic slur as an insult, and nothing more.

Also, I’d be remiss if I didn’t expound on the aforementioned point, by saying this…

For years, when whites got caught being bigots and calling Black people ‘nigg@rs’, the overwhelming majority of them would respond by saying: “They (Black people) call each other that.” But here’s something those pale-skinned degenerates and the other non-Black ethnic groups who love them, never consider...

Now, if you’ve ever watched the Martin Scorsese movie, ‘Goodfellas’, you’ll see that throughout that flick, white men are using ethnic slurs as endearments. And the slurs I’m referring to, are the words, ‘M@c’ and ‘Guine@’. And I’m betting the same people who say Blacks are idiots for using the ‘n-word’ as an endearment, would never look at Goodfellas and think: “Why the hell are these white men calling each other these derogatory names? Don’t they understand they’re insulting each other?”

Now, I can already hear what some of you are thinking, you’re probably saying: “Bruh, that’s a movie…it’s not real life.” Well, if you think that, I’ll tell you what happened one day whilst I was talking to an Italian man. While we conversed about different kinds of dance clubs in the area, this Italian guy said to me that he doesn’t go to certain clubs cause they’re too ‘guido’. Now, based on white people’s logic, if this Italian man said that to me, then I should be able to go up to any italian person, or someone who I identify as Italian, and say: “Yo, what’s up guido.” But I wouldn’t do that, cause I’m smart enough to know that’ll cause a fight. And that Italian man would be absolutely right for wanting to fight me, ‘cause I’m NOT ONE OF HIS OWN KIND! So that right there should cancel out the argument that ONLY Black people use ethnic slurs as endearments.

Now, back to these inbred bigot broads, Betty and Melissa…

As of late, more and more white women have been unabashedly forthright about their real thoughts of Black people. And while some may be perplexed at these occurrences, I’m extremely happy they’re happening. Here’s why…

As white fascists get more and more desperate to keep their people around, knowing their birth rates have fallen below replacement levels, more and more initiatives are gonna’ be instituted to get rid of huge swaths of Black folks. And at the front lines of this purge, are the inbred bigots with badges that america calls cops. Now, with the battle lines clearly being drawn, and some kind of ethnic war seeming eminent, white women are dropping their feminist facades, and trading them in for the white fascist privileges they knew they had while they railed against the insidiousness of (white-male) patriarchies.

And to put this more plainly, white women knew that feminism was B.S. all along. What it essentially did was give generations of white women, a chance to do two things: One, feminism, or the feminist theory, gave the illusion of some separation between white women and men. Meaning, collegiate women who called themselves feminists could pretend they were more ‘liberal’ than their white male counter-parts, thus, they’d seem more humane (hue-mane) to the outside world. And this was done to keep up the illusion that white women are the epitome of feminine beauty. Two, and this was the biggest benefit to white women of them all, it gave these women a license to feel like an oppressed minority. Even though they knew all along, they could put on a pants-suit and fall in line with the white fascist status quo, which would accept them back and protect them.

So, I’ve said all that to say this, white feminism was A LIE FROM JUMP!! IT WAS ALWAYS BOGUS!!

Cause what you’ll find when you follow the lives of collegiate white feminists, is once their college careers are over, the majority of them wind up marrying white men. You know, the same oppressively tyrannical and patriarchal jerks they’d supposedly been fighting against for the majority of their young collegiate lives.

And for anyone saying, well, Black men can be patriarchs too…let me tell you why that’s a bald-faced lie, along with the myth that Black men can be racists. It’s cause WE DON’T CONTROL ANY INSTITUTIONS THAT CAN BLOCK ANYONE’S ACCESS TO RESOURCES! PERIOD!

And for those brain-washed souls who say: “Well, a Black man can still oppress a woman with physical violence.” I’ll remind you, that if we dare try, who do you think these women are gonna' call? You guessed it, A WHITE COP!

END OF OPPRESSION!

BLACK FEMINISTS TAKE NOTICE!! AND BLACK ‘WOMANYISTS’ (who are just Black women following the edicts of white feminism) TAKE NOTICE AS WELL!! Just cause you give yourself a different title, don’t think you’re fooling anyone. The reason you wanna’ associate yourself with white feminism, is so you can get closer to a white man. Now, I have no problem with you wanting to do that, I’m just saying, be honest about it.

And I’d also be remiss, if I didn’t give you a primer on the real reason white fascists created feminism. And I know I’ve said this a million times, but it’s worth repeating to bring this point home.…

A mature white male aristocrat, on a Public Broadcasting Station (PBS), channel thirteen in New York, confessed to being in a conversation with a Rockefeller. He said, the Rockefeller asked him: "What do you think of the feminist movement?" The mature aristocrat replied, he thought it was positive for women to demand equal pay for equal work. The Rockefeller then explained how they 'funded feminism'. And he stated the reason they did this was: "We couldn't tax half the population, if women were staying home, being housewives...we had to get them into the workforce to be able to tax that revenue." The Rockefeller then went on to explain, "Also, we knew with both parents out of the house, what would essentially be raising their kids would be the TV, so that generation and the following generations, would be more easily programmable than this one."

And this just reinforces the point that feminism was an initiative started for white fascists, by white fascists. And white women got tricked into believing this had something to do with their empowerment. Just like they still are today.

So as america’s melting pot becomes more of an ethnic incinerator, you’ll see white women coming out of bigoted closets in droves. And you’ll also see more of them siding with the most odiously ‘racist’ white men (Trump), in an attempt to be protected by the white fascist privileges they only pretended not to have. Again, that was and is the real agenda of white (fascist) feminism. 

And to put it more plainly, you’re gonna’ see more bigoted, ugly white women like Amy Schumer and Lena Dunham become celebrities. Cause the biggest want of any woman is security, whether they’ll admit it or not. And in the whole of the global social order, one message is most clear: The man who can offer you the most security in this world, is a white one. And this is a fact, or at least a perceived fact, regardless of how willing (or not) this white man is to share his social safety nets with you.

So while some grimace at the crass and dumb-founded actions of this generation of white women, I’ll sit back and rejoice. Cause white women have been allowed to hide their true natures for far too long. And it’s about damn time someone pulled the veil off these trailer trash types, so they can indeed show off their true colors.

And like Sam L. Jackson said in Spike Lee's movie, 'Do the Right Thing': "That's the double truth, Ruth."

Later…

MontUHURU Mimia