The Cult of Black and white Cinematic Symbolism (Part 22)...Here's what Marvel's Black Panther movie, The "Netflix" series Luke Cage, and Kanye West have in common...

In regards to the “Marvel Cinematic Universe” (MCU), to date, its most successful franchise has been “The Avengers” series—and more specifically, “The Avengers: Age of Ultron” (which grossed 1. 4 billion globally), and “The Avengers: Infinity Wars” (which grossed 2 billion dollars worldwide). And these movies weren’t only box office hits, but they’ve been ranked amongst the most profitable movies of all time.

Mind you, the reason I’m talking about this particular franchise, is not ‘cause I’ve seen these flicks—and I proudly state that I haven’t watched them, and never will. I’ve looked at enough deified white guys in films to last me a lifetime, thanks. I’m talkin’ about these films cause whenever I hear about MCU’s “Black Panther” movie, and its success, it never fails that some white person will bring up the (slightly) more successful Avengers series. Meaning, whitey’s always tryna’ steal the thunder of Black Panther’s triumphs, by comparing it to one of the most successful franchise films of all times, the Avengers.

So, right off the bat, I wanna’ do a bit of a comparative analysis as to why the Avengers series was more profitable than MCU’s Black Panther, with these 3 points…

Point#1: MCU’s Black Panther is a “standalone” film.

Meaning, in the case of MCU’s Avengers movies, you had the original Avengers film, which came out in 2012, and the Avengers: Age of Ultron, in 2015, before The Avengers: Infinity Wars was released in theaters earlier this year. Also, you had the Avenger’s superheroes in other MCU flicks like “Iron Man”, “Thor”, “Captain America”, “The Hulk”, etc. Whereas Black Panther’s character, had only 1 debut before his own MCU movie, and that was in the Captain America film, “Civil War”, which came out in 2016. So MCU kept the Black Panther superhero under wraps, for fear that “mainstream” audiences wouldn’t connect with the character.

Point#2: MCU’s Black Panther had less of a budget than the last Avengers movie.

With an estimated budget of $310 million to $400 million dollars, The Avengers: Infinity War, was one of the most expensive movies ever made. Conversely, MCU spent $200 million dollars on the Black Panther film. And ultimately, that says what? Well, more than anything, it’s says that Ryan Coogler (the brotha that directed the Black Panther film, in case ya’ll didn’t know) and his Black Panther movie, which grossed $1.3 billion globally, more than quadrupled MCU’s ROI (return on investment)—and mind you, Ryan Coogler is MCU’s youngest director.

Point#3: MCU’s Black Panther was released in less theaters than the “Avengers: Infinity Wars” movie.

The Avengers: Infinity Wars movie opened in 4,474 theaters, as opposed to MCU’s Black Panther, which opened in 4,020 cinemas. And regardless of this, Black Panther still had the 6^th largest “3-day opening box office weekend gross” (domestically), and the 3^rd highest “4-day debut” of all time, while having the lowest theater release count of america’s all time biggest grossing, top 20 films.

Meanwhile, on October 1^st, of this year, Netflix debuted the 13^th episode of the first season, of Marvel’s successful series, “Luke Cage”. And, on this date, it’s reported that Netflix servers “crashed” while this episode aired. And ultimately, that means 1 of 3 things happened—and they are…

#1. Luke Cage is so wildly popular, that its aggregate audience overwhelmed the farm of Netflix computer servers and their “failsafe” mechanisms, that should’ve kept the network on-line—thus, causing this crash.

#2. Disney and Netflix executives didn’t like the idea that a smart and powerful Black man-of-a-superhero, was the most popular Marvel property on Netflix, when they had a host of white heroes for fans to choose from, like: Daredevil, Jessica Jones, Iron Fist, the Defenders, etc. So, they pulled the plug on this episode themselves.

#3. Not only didn’t Disney and Netflix executives, like the fact that Luke Cage was the most popular Marvel series on Netflix, but they were caught off guard by its groundswell of support (this is probably the reason it got canceled). Meaning, they failed to socially engineer one o’ the white superhero shows to be more popular than Luke Cage. Which brings us back to why the MCU’s Black Panther wasn’t supposed to be so popular—and in retrospect, how they counted on it to do poorly—cause if it didn’t, they’d have to acknowledge one fact, that I’ll get to later on in this post.

Now, ironically enough, a couple of weeks after the Netflix meltdown, good ol’ Don Trump arranged a luncheon for his pal, Kanye West, at the white house. And to keep it a hundred wit’ y’all, after watching 5 minutes of Kanye’s dumb-founded diatribe, I had to turn the channel—‘cause his tirades were beyond farcical, they were outright folly.

But, I do recognize that public relations event for what it really was, and that brings me to what Kanye, Ryan Coogler, MCU’s Black Panther and Luke Cage, all have in common—and that’s this…

These living and mythological Black men exemplify the universal law that shows how “Black Street Cred” (a.k.a. “Black Cool Points”), are now completely synonymous wit’ white profitability.

Meaning, I understand Kanye’s not very astute politically—but he doesn’t need to be—cause his presence is giving Don Trump more Black Cool Points, which will translate into him being able to “cake-off” even more exponentially, down the line. Not to say that Don Trump is having money problems, but in the court of “public opinion”, Kanye’s Black Cool Points will give him the necessary cultural swag, needed to make him more “likeable”.

Cause right now, Don’s image is in desperate need of repair.

And understand, that Kanye was mandated to do this by his freemasonic fraternity—cause even though they don’t want the word ‘bout this metaphysical law to get out, they understand what Kanye has to offer Trump, and vice-versa. So, it’s a symbiotic relationship between Don and Kanye.

And like I’ve said in the past, Black Street Cred is at the zenith of not only cultural, but spiritual currencies—and whitey knows that’ll manifest into monetary currency. Remember fam, everything’s SPIRITUAL—not political.

So, I’ve said all that to say this: even though we, the indigenous Black Diaspora, live in a global social order that does everything it can to defile us, we should peep what whitey’s really showing you and I, now. And that is how our people, to the exclusion of all others, are not only at the genesis of everything in this universe, but how we’re the sustenance of it as well.

And like Sam L. Jackson said in Spike Lee’s movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

P.S.

Now, here’s one of “Snoop Dogg’s” recent appearances on the TV show, “The View”. And the reason I’m featuring him, is not only ‘cause he touches on Kanye’s foibles at the white house, but he sees how “Black Street Cred’s” (spiritual) energies and synergies, result in white profitability. And he’s so cold wit’ it, that he realizes it’s his Black Cool Points that are making Martha Stewart and “The View” more profitable. Furthermore, this vid shows how he’s absolutely the smartest person in that room. 

   

*Addendum — 11/23/18: And family, speaking of Snoop Dogg, this past Monday, on the 19th, Snoop got a star on the “Hollywood Walk of Fame”. And here’s the speech he gave on that momentous day. Now, this more than anything, not only solidifies Snoop’s status as an industry icon, but it reinforces the now universal law that officially marries “Black Street Cred” (a.k.a. Black Cool Points) with white profitability. Mind you, I remember when whitey was scared of Snoop, but what they’re more scared of now, is being without our “cool points” that they’re using to sell every item they manufacture. And in the immortal words of Biggie Smalls: “...and if ya’ don't know, now ya’ know.”

    

Why spanish people don't like Black americans (Part 3)...migrant caravans, conservative masochism, and the cult of gay "latino" bigotry...

To the readers of this Blog: Years ago, I watched one of John Lequizamo’s Broadway plays on HBO. And, if you’re not familiar with him, he’s the guy responsible for the Broadway productions of: “Mambo Mouth”, “Freak”, “Ghetto Klown”—and one more production I wasn’t surprised to find out he curated this year called, “latin History for Morons”.                           

Now, in one of his productions, I watched John make a reference to the religion “Santeria”. A second later, he accompanied his reference with a mock ritual where he invokes the spirit of “Shango”, one of Santeria’s most powerful energies. Mind you, he talked about this religion, and this energy, like it was exclusive to latinos and their culture. And for years, I believed that.

But, being a curious kind of fellow, I came to realize, after doing some research, that Santeria, and the spiritual entity Shango, were creations of the Yoruba tribe(s) of ancient Nigeria—and that’s Nigeria, Africa, y’all. Also, in the Yoruba’s language, Shango (or Sango), comes from the term “shan”, which means “to strike”. And that figures, ‘cause Shango is always portrayed as a muscular, hyper-masculine figure wielding a two-headed axe. And his axe is usually surrounded by lightning bolts and bursts of fire. He's also been called the “god of thunder” by his followers—so basically, this is a war deity/energy. 

And I’d be remiss if I didn’t tell you that Shango was the inspiration for the Marvel comic book character, “Thor”—mind you, in Thor’s case, whitey just replaced Shango’s two-sided axe with a hammer (remember, they call Thor the god of “thunder”, well, that’s one mo’ thing they took from us). Additionally, the famously farcical TV sketch comedy show “In Living Color” (produced by the Wayans brothers), aired on the Fox network from April 15^th, 1990 to May 19^th, 1994. And coincidentally, John Leguizamo’s comedy-sketch show, “House of Buggin’”, aired a year later in January of 1995. Can someone say, “cultural appropriation”?

Now, in advance, I need to apologize, for portraying Shango in my post’s header, without an axe, or fire, or lightning. Although to me, this beautifully melanated brotha personifies the strength and spiritual power of Shago’s energies.

And let me say up front, that this post is gonna’ be more like a “vlog”, than a “blog”. Cause my editorial is gonna’ support what you’ll be seeing in this video, instead of the other way around. Meaning, I’m gonna’ let this clip do most of the talking, and I’ll give y’all some pointers of what to watch out for.

I just have 3 favors to ask, which has become the norm with this series, and they are: #1. Please don’t bother telling me that the proper term for spanish-speaking people in america is “latino”, ‘cause I already know that. Unfortunately, the people who tell me this, usually don’t know how latinos checked the “white” box on their census forms, so whitey started calling them “hispanics” in the 70’s, so they couldn’t claim to be white. #2. Please don’t tell me that Spain is in europe, ‘cause I know that too (But I guess Don Trump forgot—and I’ll speak more on that later on in this post). And lastly, #3. Please don’t waste your time (or mine) telling me that the term “latino” represents a “culture”, not an ethnicity—I also know this. Problem is, they don’t. Meaning, I understand latinos are really Black, but they don’t claim us, so I’m not claimin’ them. 

Moreover, as a Black man or woman reading this, what you should understand is, anyone who calls themselves an “Afro-Latino”, is really saying they’re not Black. Either that, or they’re looking for an escape hatch for their “Blackness”. So, I say, let them have their illusions—but you can’t have our culture too. Cause the only times these people seem to wanna’ be Black, is when they exploit our cultural constructs. And that smacks of white feminism to me, insomuch as, latinos wanna’ be white around non-Black people, and Black when they’re rippin’ off our culture(s), just like white feminists wanna’ pass themselves off as an oppressed minority, while enjoying and luxuriating in their white privileges. And like a famous character said on “In Living Colour”: “Homie don’t play that”.

And if you’re a Black man or woman reading this, neither should you.

—MontUHURU Mimia

Now, as I’m writing this, I think back to yesterday when I watched internet footage of a latino migrant caravan, breaching the security fence separating Honduras from Mexico. Mind you, these migrants are heading through Mexico to america. And while people respect their dogged determination and audacious pursuits of a better life, I don’t think I have to remind you how Don Trump’s administration, has been deporting boatloads of these people who were already living here, out of the country.

And I too, am being conditioned by america’s media, to cry (like MSNBC’s Rachel Maddow did) when I see Julio and ‘em, being separated from their children and stuffed into trucks like sardines bound for deportation centers. 

But if you’re a Black man or woman reading this, stop reachin’ for the Kleenex for a hot sec’, ‘cause I gotta’ video to show you, that'll make you take pause, next time you wanna’ take up for one of their causes.

Now, like I said previously, what I’m gonna’ do is let these Goya-bean eatin’ bastards show and tell you on recorded video, how they really feel about us—mind you, I think it prudent for me to give you a bit of a primer on what you’re about to see. 

Recently, in New York City, 3 young, spanish men, got into an Uber cab, that a brotha was driving. And supposedly, these latinos wanted to hear some club music, which the cabbie refused to play. Thereafter, it looks like the 3 queer amigos, got upset about that, and probably threatened to do the driver bodily harm. That’s when the brotha pulled over and started recording what was going on. Mind you, I’d like everyone watching this to focus on 3 specific points—and they are…

Point#1. Now, one or two of you might think after watching the first few seconds of this, that I can’t definitively say these guys are latinos. Well, the person who first appears and talks on his cellphone, behind the driver, identifies himself as “Robert Ortiz”—and you’ll hear that in the video—and again, his 2 sugar-shoed comrades, are of the same complexion and facial composition.

Point#2. You’ll hear Rob “arroz con pollo” Ortiz, say that he feels “racially profiled” cause he and his friends are gay. And we should all understand, that homosexuality is a sexual orientation, not an ethnicity. Cause there’s no geographic locale that queers come from, since their sexuality is the product of an unresolved childhood trauma—that’s why they’re bending over for someone of the same gender. And Julio, I mean Rob, has the audacity to also say, that he feels racially profiled cause he’s “not Black”.

Point#3. Mr. (or Ms.) Ortiz, openly brags about voting for Donald Trump—you know, that same guy that’s deporting boatloads of his people outta’ the country. And this is what I call conservative masochism (a.k.a. “anglophilia”)—and the overwhelming majority of latinos suffer from it. Meaning, no matter how benevolent we act towards them, they’re always gonna’ side wit’ whitey. Even if it means, they or their loved ones, will have to leave this country, that they’re (literally) dying to get into.

Now, this probably won’t be my best written post, cause I’m writing angry—but the sentiment I’ll try to convey as eloquently as I can is this...

THERE IS NO BLACK-BROWN ALLIANCE—AND THERE NEVER WILL BE!

PERIOD!

And for all the “multiculturalist” negroes out there, who wanna’ hold hands wit’ everyone else but your own kind and sing “kumbaya”, this video should tell you one thing very clearly—and that’s this…

THESE sPANISH PEOPLE DON’T LIKE YA’ BLACK ASS!

GET OVER IT!!

And like I always say at the end of one o’ these posts…WE’RE ALL WE GOT, AND WE’RE ALL WE NEED PEOPLE! AND THE SOONER WE ACCEPT THIS, THE BETTER!

And like Sam L. Jackson said in Spike Lee’s movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

P.S.

And one last thing fam, kudos to this brotha for keeping his cool under this kind of pressure—he’s gonna’ go far in life.

*Warning: This video contains very harsh and derogatory language. Viewer discretion is advised. 

                                          

The Cult of Black and white Cinematic Symbolism (Part 21)...Anansi the spider, "world-wide" webbing, the emasculating trinity of male social engineering, and one mo' tale of "venomous" melanin...

Anansi the spider “god”, is a mythological deity created from Africa’s “Akan” culture, and his folklore is best known amongst Ghana’s “Ashanti” tribes. Anansi is the word for “spider” in Akan’s native language, and at the nucleus of this spirit’s mythology, is his knowledge of all stories—meaning, Anansi isn’t just a masterful storyteller, but he’s a keeper of ancient “storied” narratives as well.

Now, a good part of Anansi’s folklore is metaphysical, as well as mythological. Meaning, he’s often depicted as interacting with God, and other deities who frequently bestow him with supernatural powers, such as controlling the weather, or being able to have a variety of these same kinds of tasks, done for him. And on a more esoteric level, ancient indigenous Black tribes (and their secret societies), used Anansi as a reference for the webbed latticework of the earth’s 3^rd -dimensional matrix—especially in regards to controlling and procuring all of the world’s resources.

Now, I can already hear people saying—look, this is just some stuff you made up, right?

Welp, if you’re one of those people, I’d like you to focus your attention on the graphic to the right. Here, we see the backside of a dollar bill, and the “webbing” surrounding its words and numerals. This was the original concept for the “world wide web” (also, “w” is the 6^th letter of the Hebrew alphabet, so www=666).

Now, there’s also a visible creature at the bill’s corner, that looks like an owl (mind you, some say it’s a spider), but freemasons are notorious for their usages of the owl image (Drake), to reinforce the point that their fraternities can see everything that’s hidden in the dark—this also speaks to the freemason’s “all-seeing eye” symbolism (top of pyramid capstone, also on the back of a dollar)—and we should all know that’s symbolism they got from us—meaning, whitey took that from our “eye of Heru” y’all.

Moving on…

Now, the movie “Venom” is yet another flick adapted from a comic book that Hollyweird released in theaters. And for the uninitiated, Venom, is one mo’ enemy in “Spider-Man’s” rogue gallery of villains. But let me give you a bit more info. on this particular character—ya’ see, Venom ain’t human—it’s actually a sentient alien “symbiote”, liquid-like organism, that requires a host. So, how this Black costume-of-a-creature fits into this film’s plot, goes a little something like this: a bio-engineering corporation called the “Life Foundation” (LF), acquires four “symbiotic lifeforms” and brings them to earth. Now, the reason they’re doing this is to study these organisms, in hopes that they can create a wearable “skin” (much more on this later) that’ll help mankind (i.e. whitey) explore, inhabit, and ultimately conquer other planets and their populations.

Eddie Brock, an investigative journalist, finds out that the LF is experimenting on undocumented immigrants for the purposes of creating a functional and fashionable skin for elites to wear, in pursuit of their next genocidal and “manifest destinied” conquest. And in the midst of snoopin’ around for this story, Eddie winds up in an accident, where he’s wearing this skin himself.

Mind you, once again, I’m letting everyone know beforehand, that I haven’t seen this flick—and I’m not gonna’. Cause quite frankly, I don’t go to see white comic book character flicks, and I’ve heard nothing but negative reviews about this one. On top of that, I know what this character’s really supposed to represent—but before I get into that, let me point this out…

Now, on the 5^th of this month, Venom was released in theaters—and a month ago, on September 7^th, the Play Station 4 gaming console, debuted it’s new “Spider Man” video game. Exactly 7 days after the release of this game, the Venom comic book came out, and served as a “prequel” of sorts, to the movie. And the reason I’m writing this is, to show you how calculatingly coordinated these Marvel movie launches are—moreover, as harmless as these events seem, they comprise the insidious troika of how whitey’s socially engineering the effeminate millennial male.

Now, let me break this down even further—white fascists understand that the average age of comic book fans, right now, is between 35 and 40-years-old. And they know this ‘cause they’re the ones who created the initiatives that got middle-aged men hooked on comics. So, question: why would whitey go out of his way to make sure boys and middle-aged men imbibe in comic books, video games, and comic book movies?

Answer: so they’ll be passive and apolitical.

So, now you may be thinking—bruh, these are just entertaining distractions, like sports—this ain’t nothing new. And you’re right, it’s not. But, here’s the difference between the young sports fan vs. the young comic book, superhero movie, and video game fan: the young man watching sports sees muscular, athletically-built men competing to score points—as a result, he’s more likely to be physically active himself, especially in regards to keeping in some kind of decent physical shape and getting his goals accomplished—cause on some level, he’s being shown a model of successful manhood—or at least what it takes to become a successful man. Whereas, the young man who spends his time playing video games and looking at superhero movies and reading comic books, is encouraged to be sedentary, passive, and semi-detached from reality. Meaning, the young boy or middle-aged man who succumbs to these kinds of solitary and stationary past times, easily whiles away limitless hours in a fantasy world where he suffers little or no consequences. Thus, this person is more likely to become (or is probably already) socially awkward, timid, and indecisive—and because of this, he’ll often shy away from challenging any kind of status quo.


Now, let’s talk about one of Venom’s most distinguishing features—that being, his elongated tongue (as seen to the left). Mind you, this is but one hint, as to who this creature really is, so with that said, let's go all the way in...

Now, I’d like you to focus your attention on the graphic above—the first pic is one of the ancient Kemetic spirit called “Bes” (and you can click on the pic to see it better). And let me offer a bit of a primer on what this spiritual entity is used for: Bes was known as an energy that protected households throughout ancient Kemetic/Egypt. Meaning, ancient indigenous Black people would evoke or invoke this spirit to ward off snakes, fight off evil spirits, watch after children and aid women in birthing labor. Now, I want you to note 3 things about this pic of Bes—and they are: #1. Check out this pic’s longish tongue, #2. Note this pic’s “horned” head, and #3. Note how this pic is made to look Satanic or demonic. Mind you, the out-stretched tongue for centuries has been a symbol of awesome power mainly used to fight off evil foes—but in this case, after white fascists made over Bes’ imagery, this spirit was made to look like the personification of evil. And I’ll expound more on that as we go on…

The second and third pics in this graphic, are ones of the spirit/Goddess “Kali” (a.k.a. Kali Ma). Now, Kali was known to ancient indigenous Black people as a symbol of “mother nature” (thus, Kali “Ma”), meaning, this spirit repped an energy that was primordial, creative, nurturing and ultimately loving and benevolent. Kali was also said to represent the “beauty” of life and the inevitability of death, knowing that one couldn’t exist without the other. Mind you, Kali is also referred to as a “fierce Black tongue” and the name itself literally translates into “the Black one”. But like everything else, once whitey did this spiritual energy’s “makeover”, Kali became known exclusively for being a goddess of death and destruction—and according to white fascists, this deity is only associated with violent endeavors. Now, the white fascist’s backstory on Kali is this: in ancient times, she was summoned to fight off a demon on the battlefield, and she ultimately defeats him by draining, drinking, and licking his blood, before she devours him. Behind this, it’s said Kali’s bloodlust became insatiable—thus, the reason for her exaggerated tongue.

The pic after that, is the legendary lips and tongue logo, repppin’ the iconic Rock and Roll group, the Rolling Stones. Now, Mick Jagger himself said this graphic was inspired by the goddess Kali. Mind you, the Rolling Stones got their name from the Muddy Waters song, “Mannish Boy”—in it Muddy utters: “I’m a rolling stone”—and, I hope everyone reading this knows by now, that Black people created Rock and Roll. If not, I’ll get around to writing a post about that someday. Also, beneath the Rolling Stones logo, are pics of Beyonce and Miley Cyrus baring their tongues. And what I need to let you know is this: white fascist freemasons use the elongated tongue as a symbol of insidious power—or what they wanna’ call “dark” power, since whitey needs to connect everything bad to the words dark and Black.

And that leads me to these 3 facts about what Venom is really supposed to represent…And they’re as follows…

Fact#1. The character Venom really symbolizes “Black melanin”.

To the Black men and women reading this, many of us think that melanin is only responsible for the color of our skin—but nothing could be further from the truth. Meaning, melanin not only makes your skin Black, but it’s responsible for our people being able to hear the full spectrum of sound. This is why we hear music differently, and play and perform it differently too—moreover, this is why we not only create the best genres of music, but why we created music period. Also, melanin lets us see the fullest spectrum of color, and it lets our taste buds experience the full flavors of every food—and like Dr. Llaila Afrika said, “…no other ethnic group can taste an apple like we can.” Mind you, this is why we like “seasoned” foods, as opposed to that bland stuff whitey considers palatable. Additionally, it gives us the ability to process thoughts more quickly—cause, thoughts are electrical impulses, and the color Black is the best at conducting electricity. Don’t believe me? Well, tell me the next time you come across a “white” solar panel.

Ya’ dig.

Fact#2. Because Venom represents Black melanin, he’s exponentially stronger than Peter Parker’s Spider Man.

Again, Venom not only represents Black melanin, but how said melanin, makes our bodies (and our dominant genetics) more powerful than whitey’s.

Fact#3. Because Venom symbolizes the strength of Black melanin, he’s been portrayed as a murderous threat to “mankind”.

Notice I didn’t say Venom was a danger to “HUE-MANity”, I said he’s a threat to “mankind”. Cause basically, Venom is the monster reppin’ our people’s dominate genetics breeding whitey off the face of this earth—period. And because whitey has little to no melanin, he’s neither HUE-man or HUE-mane. Because melanin also makes Black people more civilized.

Now, let’s stop here—'cause I can already hear people sayin’, Black people are more civilized, bruh? Really?

YES, REALLY!

First off, if you check your history books, or even whitey’s for that matter, it will tell you how the “Moors” (which is another name for ancient Black people) brought civilization to every part of the world—especially to white folk, who didn’t even have indoor or outdoor plumbing, or private/public bathing facilities. We taught them that. And mind you, if you’re thinkin’, well, we ain’t lookin’ too civilized now bruh—that’s because we’re living under a global white fascist social order, that’s targeted us more than anyone else, for extinction. Meaning, you cannot talk about any Black “dysfunction” without callin’ out the white fascism that created it—and if you do, how could you not hate yourself for being Black?

Moreover, whitey wanna’ be you so bad, that I just found out that the new-new trend in “tattoing”, is something called a “BLACK OUT” tattoo—and you can see an example of this to the right (you can click on this pic as well, and if you do, check out the comments).

So, I’ve said all that to say this: LOVE THE SKIN YOU’RE IN!!

And if you do happen to go see this Venom flick, remember who he (or it) REALLY IS!

Also, when you come back home from seeing this flick, I want you to go to your nearest mirror, look into it, and say…I LOVE BEING BLACK!!

If for no other reason, than the people with all the resources (whitey), showing you more and more, who they wish they were.

Later…

—MontUHURU Mimia

P.S.

Now, here’s a review of the new Spider-Man video game for the PS4. And more than anything, I want you to note how engrossing and dramatic this game is—and how it’s meant to keep the gamer playing for hours on end. And I hope after reading this, you see why it’s so addicting. 

*Addendum — 10/20/18: Family, for those who’ve never heard the tale (especially the children's fairytale) of “Anansi” the spider, here's a short vid that gives an old skool storytellin’ flavor to this folklore. Please note the moral messages of family unity, and ancient Black deities who came from and created nature featured in this narrative. Also note, how Anansi’s son, “See Trouble”, had the intuitive powers to know his father was in danger—this I suspect, is where Spiderman’s “Spidey sense” powers come from.

   

And family, I’d really be remiss if I didn’t include this: one mo’ item on the “Anansi Addemdums”, is this vid by the brilliantly inimitable Prof. A.C.E. (African Creation Energy). Here Prof. A.C.E. not only tells about the origins of Anansi the Spider, but breaks down how this folklore is directly responsible for the scientific “String Theory” that whitey so happily thinks is his own. Remember, it all comes from us fam—every art and science, and this is just more evidence of that. 

I LOVE BEING BLACK Y'ALL!

One last thing fam, there’s a lot of text to read in this vid. So if you need to see it larger, you can click onto the vid’s “heading”, and that will take you to Prof. A.C.E.'s YouTube page.

   

*Addendum — 11/3/18: Fam, I’m real remiss, cause I left out this—here’s a vid I meant to include wit’ my list(s) of  “Anansi Addendums”. It’s a video game featuring Marvel’s characterization of Anansi the Spider. And this is just one mo’ piece of evidence (at least to me), that proves how the real origins of Marvel’s “Spider-man” come from this ancient indigenous folklore of ours—just like everything else in this universe.