To the (consistent) readers of
this Blog: About a week ago, a good friend
of mine called me and said they’d been given tickets to the new Quentin
Tarantino film, “Once Upon a Time in Hollywood”. After telling this person I’d sworn off Quentin’s films for good, they told me this would be a grand
opportunity to do some more o’ that “cinematic deciphering” I like to do wit’ my
blog. Now, I understood this person didn’t like going to the movies alone—so, I told them, this would be a grand opportunity for them to get better
acquainted with themselves. Then, this person confessed to “feeling funny” about rollin’
solo to the cinema.
That’s when I remembered how one of my most popular posts focused on Quentin’s films. And, in that post, I expound on the “Cinematic Symbolism(s)” interwoven into his flicks that jive wit’ the freemasonic agenda—a sec’ later, I remembered some of the stalwarts of the Black Conscious Community making it a point to see the latest and most popular films with the intentions of decoding them for the family—especially the white superhero movies. Beyond that, these tix were gratis. So, I made this person an offer they couldn’t refuse—I said I’d go on one condition—that they let me pay for the popcorn and Raisinets (and if you don’t know what those are, google them).
With that said, I thought I’d tackle this topic by splitting this post into “3” focal points—and 2 of these entail movie stars like Margot Robbie playing Sharon Tate and Mike Moh playing Bruce Lee—and I’ll break this down later on in the post.
Now, let me say straight off, I really liked this movie, and not purely for its artistic value(s), but for the message it’s ultimately sending to the Black Diaspora. So, with that said, join me in breaking this flick all the way down to its bare elements, so we can decipher what “Cinematic Symbolism(s)” LIE within this film’s frames.
First off, when this movie opens,
it’s with the “Columbia Pictures” logo replete with the white fascist
freemasonic icon, “Queen Semiramis”. Mind you, Queen Semiramis goes by other
names like “Venus Columba”, which is why “Columbia” Pictures uses her
likeness—also, if you look left, you’ll see how the “Statue of Liberty”
was made in the image of Queen Semiramis, complete with the “torch of
knowledge” which is but one of many white fascist freemasonic symbols (and you can click on this pic to enlarge it). And
after seeing this, I remembered Quentin wasn’t working for the “Weinstein
Company” anymore, due to Harvey’s “#MeToo” moment.
What struck me most about this movie were certain colors permeating every frame of this flick—and those colors are “red, Black, and white”. Now, if you’re thinkin’, bruh, what the heck does that have to do wit’ anything? Well, not only are these the colors of the Nazi flag, but I curated a video called “The Art of Discernment” featuring KRS-ONE that goes into what celebrities are reppin’ when they wear clothes with these colors. And I’ll leave a link for that video at the end of this post.
Now, I think we’ve all seen the trailer for “Once Upon a Time in Hollywood” (OUTIH), enough to remember Leo DiCaprio’s character, Rick, taking a flame thrower to a room full of Nazis after yelling, “Anybody order fried sauerkraut?” Basically, right after that clip is when this flick goes full bore on displays of the aforementioned colors, in ways that are hyper-subliminal. Meaning, instead of having someone completely decked out in these colors, they’ll have them on a delivery truck in one shot, then Cliff, played by Brad Pitt, will wear a shirt with the “Champion” Auto-parts logo on it in another, and that logo’s in red, Black, and white (mind you, that shirt has a deeper significance that I’ll get into later). Also, there’s one scene where Rick is making a drink in a red and Black robe, and he puts his drink on a white napkin—they’re playin’ it that slick y’all.
Now, at this point y’all are probably thinkin’, bruh, you need a woman, a hug, or somethin’, cause now you’re really seeing too much into stuff. Aiight then, let’s get into the next points, then y’all can decide whether I’m really trippin’ or not.
The Atlanta, Georgia born Mike Moh, is an actor with a fifth degree Black Belt in american Taekwondo. He’s most noted for his work on the web series, “Street Fighter”, and also owns and operates his own martial arts school eponymously named, “Mohs Martial Arts” in Waunakee, Wisconsin—and he’s the one playing Bruce Lee in OUTIH.
Now, when I saw this film’s trailer, and I saw Bruce Lee in all Black fighting Cliff (Brad Pitt’s character), and when I found out Bruce gets defeated by Cliff in this flick (this is one of the reasons why Cliff is wearing the red, Black, and white “Champion” logo on his shirt) , I automatically knew “Bruce” was supposed to represent Black people, and Black men more specifically.
Reason#1. First off, Bruce, who’s real name was “Lee Jun-Fan”, was born in america, although his parents both came from Hong Kong, China. Now, the first two dynasties in ancient China were populated and ruled over by Black people. And these were the “Shang” Dynasty and the “Shang-Li” Dynasty—y’all get it? Shang-Li, as in Bruce “Lee” and Jet “Lee/Li”. So, this surname “Lee/Li” traces right back to “US”.
Reason#2. The first words out of Bruce’s mouth in this flick are about none other than “Muhammad Ali” (there goes that surname “Li” again), and Bruce talks about Muhammad Ali not only being one of the world’s best martial artists, but one of the only american pugilists that he respects cause none of his fights are pantomimed or rehearsed—this was one more clue as to who Bruce was really reppin’ in this film.
Reason#3. The most obvious clue was Bruce wearing all Black. Mind you, this is to represent “triple staged darkness” and/or the “divine darkness” that creates consciousness and the entire universe. This is the reason Bruce is pretty much humiliated in this flick, and the reason Cliff makes short work of him in this scene. Now, this also speaks directly to whitey’s feelings of physical and sexual inferiority when it comes to Black men. And one movie that comes to mind, along with its entire franchise, was based on this particular white inferiority complex as well, and those films are the “Rocky” movies created by Sylvester Stallone.
Margot Robbie is an Australian-born actress who studied Drama at Somerset College in the Queensland area of her native country, and she’s also been in a flick with Leo DiCaprio before called, “The Wolf of Wall Street”. And she’s playing Sharon Tate.
Now, beyond the fact that everyone, myself included, was anxious to see how Quentin would handle depicting the Sharon Tate murder(s)—which he did brilliantly by the way, but I don’t wanna’ spoil this part o’ the flick for anyone wanting to see this movie, we should realize that Sharon (and white womanhood in general) are really the focal point of this film.
Now, what I will divulge about the end of this flick, is how a pregnant Sharon Tate is wearing a white t-shirt with the number “17” on it. And for all the “conscious” brothas and sistas out there, you should know in “Numerology”, we add up double digit numbers, so this was actually a number “8” she was wearing. And 8 represents “infinity”. And that means what? Well, in this flick it signifies “3” things: 1. Quentin is saying that the white woman’s place as the world’s “prettiest” female will be around forever, and 2. He’s saying, despite white birth rates falling below replacement levels, wHITE PEOPLE WILL ALWAYS BE HERE and 3. Quentin is also saying that whitey’s place as the world’s RULER(S) will ALWAYS STAY INTACT.
In this flick, there’s strong pedophilic overtures when it comes to mature white men and underage girls. Meaning, there’s a scene where Leo DiCaprio is playing an outlaw in a western, and he has this precocious child actress sitting on his lap—which was unsettling. Mind you, he also throws this little girl to the ground, which is kinda’ disturbing, but that speaks to Quentin’s animosity towards women since they found him unattractive as a young man. And that’s why he damn near tortures Uma Thurman’s character in “Kill Bill”, but that’s a topic I’ll expound on in a future post. Also, there’s one other scene where Cliff gives a teen-aged girl a lift back to Charlie Manson’s cult colony, and the girl offers to perform a sexual favor on him while he drives her home.
That’s when I remembered how one of my most popular posts focused on Quentin’s films. And, in that post, I expound on the “Cinematic Symbolism(s)” interwoven into his flicks that jive wit’ the freemasonic agenda—a sec’ later, I remembered some of the stalwarts of the Black Conscious Community making it a point to see the latest and most popular films with the intentions of decoding them for the family—especially the white superhero movies. Beyond that, these tix were gratis. So, I made this person an offer they couldn’t refuse—I said I’d go on one condition—that they let me pay for the popcorn and Raisinets (and if you don’t know what those are, google them).
With that said, I thought I’d tackle this topic by splitting this post into “3” focal points—and 2 of these entail movie stars like Margot Robbie playing Sharon Tate and Mike Moh playing Bruce Lee—and I’ll break this down later on in the post.
Now, let me say straight off, I really liked this movie, and not purely for its artistic value(s), but for the message it’s ultimately sending to the Black Diaspora. So, with that said, join me in breaking this flick all the way down to its bare elements, so we can decipher what “Cinematic Symbolism(s)” LIE within this film’s frames.
—MontUHURU Mimia
Prologue:
So, with that outta’ the way, let’s go in on the “3” “focal points”
that speak to why I really enjoyed this film.
Point#1: Color scheme
What struck me most about this movie were certain colors permeating every frame of this flick—and those colors are “red, Black, and white”. Now, if you’re thinkin’, bruh, what the heck does that have to do wit’ anything? Well, not only are these the colors of the Nazi flag, but I curated a video called “The Art of Discernment” featuring KRS-ONE that goes into what celebrities are reppin’ when they wear clothes with these colors. And I’ll leave a link for that video at the end of this post.
Now, I think we’ve all seen the trailer for “Once Upon a Time in Hollywood” (OUTIH), enough to remember Leo DiCaprio’s character, Rick, taking a flame thrower to a room full of Nazis after yelling, “Anybody order fried sauerkraut?” Basically, right after that clip is when this flick goes full bore on displays of the aforementioned colors, in ways that are hyper-subliminal. Meaning, instead of having someone completely decked out in these colors, they’ll have them on a delivery truck in one shot, then Cliff, played by Brad Pitt, will wear a shirt with the “Champion” Auto-parts logo on it in another, and that logo’s in red, Black, and white (mind you, that shirt has a deeper significance that I’ll get into later). Also, there’s one scene where Rick is making a drink in a red and Black robe, and he puts his drink on a white napkin—they’re playin’ it that slick y’all.
Now, at this point y’all are probably thinkin’, bruh, you need a woman, a hug, or somethin’, cause now you’re really seeing too much into stuff. Aiight then, let’s get into the next points, then y’all can decide whether I’m really trippin’ or not.
Point#2: Bruce Lee
The Atlanta, Georgia born Mike Moh, is an actor with a fifth degree Black Belt in american Taekwondo. He’s most noted for his work on the web series, “Street Fighter”, and also owns and operates his own martial arts school eponymously named, “Mohs Martial Arts” in Waunakee, Wisconsin—and he’s the one playing Bruce Lee in OUTIH.
Now, when I saw this film’s trailer, and I saw Bruce Lee in all Black fighting Cliff (Brad Pitt’s character), and when I found out Bruce gets defeated by Cliff in this flick (this is one of the reasons why Cliff is wearing the red, Black, and white “Champion” logo on his shirt) , I automatically knew “Bruce” was supposed to represent Black people, and Black men more specifically.
Why?
For “3” reasons.
Reason#1. First off, Bruce, who’s real name was “Lee Jun-Fan”, was born in america, although his parents both came from Hong Kong, China. Now, the first two dynasties in ancient China were populated and ruled over by Black people. And these were the “Shang” Dynasty and the “Shang-Li” Dynasty—y’all get it? Shang-Li, as in Bruce “Lee” and Jet “Lee/Li”. So, this surname “Lee/Li” traces right back to “US”.
Reason#2. The first words out of Bruce’s mouth in this flick are about none other than “Muhammad Ali” (there goes that surname “Li” again), and Bruce talks about Muhammad Ali not only being one of the world’s best martial artists, but one of the only american pugilists that he respects cause none of his fights are pantomimed or rehearsed—this was one more clue as to who Bruce was really reppin’ in this film.
Reason#3. The most obvious clue was Bruce wearing all Black. Mind you, this is to represent “triple staged darkness” and/or the “divine darkness” that creates consciousness and the entire universe. This is the reason Bruce is pretty much humiliated in this flick, and the reason Cliff makes short work of him in this scene. Now, this also speaks directly to whitey’s feelings of physical and sexual inferiority when it comes to Black men. And one movie that comes to mind, along with its entire franchise, was based on this particular white inferiority complex as well, and those films are the “Rocky” movies created by Sylvester Stallone.
Point#3: Sharon Tate
Margot Robbie is an Australian-born actress who studied Drama at Somerset College in the Queensland area of her native country, and she’s also been in a flick with Leo DiCaprio before called, “The Wolf of Wall Street”. And she’s playing Sharon Tate.
Now, beyond the fact that everyone, myself included, was anxious to see how Quentin would handle depicting the Sharon Tate murder(s)—which he did brilliantly by the way, but I don’t wanna’ spoil this part o’ the flick for anyone wanting to see this movie, we should realize that Sharon (and white womanhood in general) are really the focal point of this film.
Now, what I will divulge about the end of this flick, is how a pregnant Sharon Tate is wearing a white t-shirt with the number “17” on it. And for all the “conscious” brothas and sistas out there, you should know in “Numerology”, we add up double digit numbers, so this was actually a number “8” she was wearing. And 8 represents “infinity”. And that means what? Well, in this flick it signifies “3” things: 1. Quentin is saying that the white woman’s place as the world’s “prettiest” female will be around forever, and 2. He’s saying, despite white birth rates falling below replacement levels, wHITE PEOPLE WILL ALWAYS BE HERE and 3. Quentin is also saying that whitey’s place as the world’s RULER(S) will ALWAYS STAY INTACT.
So, now you might be asking yourself—bruh, if those are the
messages you got outta’ this flick, why do you like the movie so much? Welp, here’s
why…
Now, lemme break this down using an example of someone telling
you that they’re “smart”—cause when this happens, there’s really “3” things going on…
#1. 9 times outta’ 10, the person telling you they’re smart is
dumber than a bag o’ hammers.
#2. This person doesn’t want you to know, you’re smarter than them.
#3. This person is tryna’ convince you, that you’re not as
smart as you are.
The same holds true for this flick.
Meaning, when whitey has to send
their number 1 film-making whiteboi (Quentin) out to tell the masses that mr.
white folks is still holdin’ power—that means they've just about LOST IT
ALL!
And to break this down further, it means that white people can no
longer sustain themselves behind white folks committing suicide in droves,
overdosing on drugs like crazy, and being bred outta’ existence at the same
time. EVEN wHITE COPS ARE COMMITTING SUICIDE LIKE CRAZY, FAM!
To break it down even further, this film is sayin’: wHITEY’S
REIGN IS OVER! THEY’RE BEING BRED OUTTA’ EXISTENCE TO THE POINT WHERE THERE’S
NOTHING THEY CAN DO TO STOP IT!
IT’S A WRAP FO’ ‘EM FAMILY!
Now, I know I said there’s “3” “focal
points” I wanted to speak on here—but I’m feelin’ so good, let's go for “4”…
In this flick, there’s strong pedophilic overtures when it comes to mature white men and underage girls. Meaning, there’s a scene where Leo DiCaprio is playing an outlaw in a western, and he has this precocious child actress sitting on his lap—which was unsettling. Mind you, he also throws this little girl to the ground, which is kinda’ disturbing, but that speaks to Quentin’s animosity towards women since they found him unattractive as a young man. And that’s why he damn near tortures Uma Thurman’s character in “Kill Bill”, but that’s a topic I’ll expound on in a future post. Also, there’s one other scene where Cliff gives a teen-aged girl a lift back to Charlie Manson’s cult colony, and the girl offers to perform a sexual favor on him while he drives her home.
Now, I liken this to MTV’s shows “16
and Pregnant” and “Teen Mom”—cause white fascists are tryna’ get the white populations
numbers back up by coaxing white men into having sex with under-aged white girls. And this
is the real reason those shows were “green-lit” in the first place.
All in all fam, not only was this a glorious night at the
movies, but it’s a glorious time to be alive where I can say, AND SEE,
that whitey’s on his WAY OUT!
IT’S NO LONGER A MATTER OF “IF”, BUT “WHEN”!
And that family, is a BEAUTIFUL THING!
And like Sam L. Jackson said in Spike Lee’s classic movie, “Do
the Right Thing”: “That’s the double truth, Ruth.”
Later…
—MontUHURU Mimia
And if you’re one of the few souls who hasn’t seen this flick’s
trailer, take a gander at it below, fam.
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