Just watch y’all...
Later...
—MontUHURU Mimia
Monday, December 2, 2019
Sunday, November 3, 2019
Monday, October 14, 2019
The Gospel of white fascism (Part 46)...Tyler Perry Studios, Rupaul, childhood traumas and the Black psyche, adopting and adapting to white fascist social engineering, and contextualizing the "art of discernment"... (Special Columbus Day Edition)
To the (consistent) readers of this Blog: Yesterday morning, I was at a “7eleven” getting some coffee, and when I arrived, there were 3 white folks huddled around the store’s coffee dispensers tryna’ get their java “fix”. Mind you, the second I started walking towards them, they got tense and uneasy. Now, brothas and sistas can relate to knowing how whitey gets when there’s a group of them and one of us. That’s when they show their true colors, pun intended. So, I ignored their reticence, and went and got my coffee anyway. Needless to say, once I wandered over, they scattered. So, while I creamed my coffee with the “Pumpkin Pie Spice” flavoring I like, a lone white woman moseyed towards the coffee dispensers. But once she saw me, she hung back. So again, I just continued filling my cup. Mind you, this is in a “liberal” part of New York City, where whitey’s supposedly free of these kinds of prejudices.
Now, for a few seconds, this trailer trash Tina looked longingly at the coffees and creamers, and I could almost hear her thoughts screaming, “Damn, I wish that negro would get outta’ here.” That’s when I shook my head and said out loud, “Gotta’ love liberal white people.” A second later, I was finished and headed towards the cashier. Seeing that I was leaving, she finally made her way to the coffee dispensers and towards me. And once our eyes met, she smiled and said, “Good morning.” I said nothing and kept it movin’.
Their conceit sickens me.
And if it’s possible, I think I’m more offended by white women than their men, ‘cause white women try to pass themselves off as an oppressed minority by calling themselves “feminists”. But once they’re out of their respective collegiate enclaves, they’re the first ones to vote for Donald Trump-types. Mind you, like the stats bear out, the majority of people who voted for Don Trump were white women. So, these “white fascist” feminists are voting for the very poster-boy of patriarchal social orders. Moreover, this is the person brothas and sistas should be leery of, cause a white women’s more finessed and subtle stylings of fascism will fool us into believing that ALL white people ain’t like Don Trump. And if you think that, let me remind you…
EVERY wHITE PERSON IS A BIGOT. EVERY LAST ONE OF ‘EM!
Now, does this mean every one of them hates your guts and wants to
burn a cross on your lawn? No.
But they ALL FEEL SUPERIOR TO BLACK PEOPLE!
Whether they realize it or not.
Now, beyond my apologizing once more for the dearth of posts here in the last couple of weeks, I must reiterate, the mission statement of this blog is to thwart OUR feelings of inferiority behind the deluged propaganda we’re targeted with telling us we’re the dumbest, ugliest, and poorest people on earth. ‘Cause that’s the message we get since we start walking. Well, at least that’s the message I got, especially in america’s (mis)educational system. And it’s in instances like the one I just mentioned where those mores of inferiority are likely to be reinforced—and if we’re not aware of what’s happening in our psyches, we’re almost helpless in our endeavors to keep us from hating ourselves and everyone who looks like us.
So, it’s with this in mind that I’d like to address, or at least give my opinions on Tyler Perry’s recent acquisition of his new film studio, which used to be a “Confederate Army” base (and I’ll tell you the real reason he keeps repeating that). But what I wanna’ speak on mostly, is what this symbolizes to us, and the perspective(s) we should keep in mind as we celebrate the success of Black men like Perry and Rupaul. So, with that said y’all, let’s go all the way in…
—MontUHURU Mimia
Emmitt Perry Jr., better known as “Tyler” Perry, was born in New Orleans, Louisiana, on the date of September 13th, 1969. He’s the son of Willie Maxine Perry and Emmitt Perry Sr., and I’ll say straight off, I think we already know how brutally abusive Tyler’s father was towards him and his mother. So much so that at age 16, Tyler changed his name so he could distance himself from his father’s legacy of brutality. On top of this, it’s documented that after Tyler saw the movie, “Precious”, he revealed that he’d been molested by a friend’s mother at the age of 10, and how he’d been molested by 3 other men prior to that. He also found out that his father Emmett, had molested a friend of his.
Later on in life, Tyler would take a DNA test, proving that
Emmett was not his biological father.
In Tyler’s early 20’s, inspired by what he’d seen on an episode of Oprah, he began journaling his feelings, and within these letters he wrote to himself were the makings of Tyler’s first on-stage play called, “I Know I’ve Been Changed”.
When Tyler first staged and performed, “I Know I Been Changed”, in 1992, it was at an Atlanta, Georgia community theater. The then 22-year-old Tyler had put all of his $12,000 lifesavings into the show, which unfortunately flopped. Several years and rewrites later, at age 28, Tyler staged the show again, and it enjoyed a successful run at Atlanta’s “House of Blues” and the city’s “Fox Theater”. Tyler continued to create and stage new shows on america’s “Chitlin’ Circuit”, where he developed a devout following. And in 2005, it was this following that purchased tickets to Tyler’s movies in droves, which helped him amass $100 million in ticket sales, $30 million in video sales of his performances, and an estimated $20 million in merchandise.
With Tyler’s stage shows, he raised the $5.5 million that went into financing his first film, “Diary of a Mad Black Woman”. This movie went on to gross $50 million dollars domestically. Tyler’s next movie, an adaptation of the play, “Madea’s Family Reunion”, had it’s opening weekend on February 24-26 in 2006, and it’s box office numbers had it come in at #1 with $30.3 million. Thereafter, Tyler’s movies have become a staple of america’s cinematic experience.
Rupaul, whose original name is Rupaul Andre Charles, was born in San Diego, California, on November 17th, 1960. His mother, Ernestine “Toni” Charles, supposedly named Rupaul after the “roux” base of Gumbo, which is a staple of Creole soups and stews—which Ernestine was raised on. When his parents divorced in 1967, Ru and his 3 sisters lived with their mother.
Now, on multiple occasions Rupaul has recounted stories of growing up seeing his parents fight verbally and physically. One such incidence had Ernestine threatening to set her husband’s car on fire—and it was so serious that the local authorities were called. Rupaul recounted this moment, saying it was so traumatic that he had an out-of-body experience where he saw what was happening to him and his siblings from several feet above their house.
At age 15, Ru moved with his sister Renetta to Atlanta, where he studied the performing arts. There, he struggled as a musician and a filmmaker in the 80’s and joined the area’s underground theater scene. He was instrumental in helping to create the low-budget flick, “Star Booty”, which had an accompanying album of the same name. While in the “ATL”, Ru became a staple dancer at the “Celebrity Club” and acquired a manager named, Larry Tee. And his first national exposure came via being a background dancer in the 1989, music video for the song “Love Shack” by the “B-52’s”.
Thereafter, In the early 1990’s, Ru worked in various New York City nightclubs becoming a fixture on that scene. Appearing at the annual “Wigstock” festival in New York City, he gained national attention by being in the documentary, “Wigstock: the movie”. This would lead to a meeting with executives of the rap label “Tommy Boy” records, who produced Ru’s dance/house album, “Supermodel of the World”.
The lead single, “Supermodel (You Better Work)”, debuted in 1993, and the song’s video became a surprise hit on MTV. The song itself, peaked at number 45 on the “Billboard Hot 100”. National appearances on TV programs like “The Arsenio Hall Show” gave the song even more credibility. Recognizing Ru’s charisma and star power, he was signed to a contract for “MAC” cosmetics. A year later, VH1 offered Ru his own show, eponymously titled the “Rupaul Show”. After that show’s multi-seasoned run, In 2008, Rupaul started production of the TV program, “Rupaul’s Drag Race”—and it would go on to become a staple of VH1 and the LOGOtv networks. So much so, that Ru was once quoted as saying, “I’m the one who keeps the lights on at LOGO.”
Alright, here we go—on the 6th of this month, Tyler Perry invited many of his friends to the gala opening of his new studios in Atlanta, GA. The sprawling space sits on 330 acres which used to be a confederate army base, and it boasts replicas of the White House, schools, city streets, and everything else you’d find in a sprawling metropolis. And when I saw video footage of this, even I was impressed by its opulence and sheer size. Then I was hearing that Tyler’s studio is bigger than Disney’s and Warner Brothers combined, which made me even more enthralled. That’s when I started thinkin’—alright, what’s really being said here…and that led me to these “3” points I wanna’ make. So, without further ado, here they are…
Point#1. Tyler and his
white fascist handlers are identifying him as a high-ranking freemason
Meaning, the reason Tyler’s studios sit on “330” acres of land is whitey’s letting us know that Tyler’s a “33rd” degree freemason. Which is the highest degree you can get in that fraternity. Now, there’s actually a 33 and a third degree, but that’s reserved for white families with the “bluest” bloodlines—like the Rothschilds, Rockefellers, etc.
Point#2. Adoption and
Adaptation
Tyler’s white fascist handlers, and their methods of social engineering, can’t deal with the effects and/or information coming out of the “conscious” and “woke” Black communities. Cause those truths are effectively disrupting the social structure that keeps us feeling inferior to whites.
Meaning, whitey needs us to believe in the lie of the
“Transatlantic Slave Trade” narrative, so we’ll not only be more easily
controlled, but we’ll never REJECT THIS WICKED wHITE FASCIST SOCIAL ORDER OUTRIGHT.
Thus, what whitey’s doing is giving Tyler this land so we can stay in the
mindset of ADOPTING AND ADAPTING TO wHITE FASCISM RATHER THAN LEAVING IT.
Understand, whitey NEEDS US TO STAY ON THE MENTAL (AND PHYSICAL) PLANTATION
Y’ALL!
SO, THIS IS “INTEGRATION” 2.0!
Meaning, instead of completely rejecting white folks and their social order(s) seeing they’re intrinsically evil, like we should have during segregation, we’re once again being “baited” into believing that following whitey is ultimately what’s gonna’ save us. So, instead of concentrating on uniting amongst ourselves, we stay focused on whitey’s materialism, or better (adopting) and adapting to the model of the “white fascist confederacy” that was designed to kill us. And what better way to do that than to have one of our celebs buy some acres of land that were once owned by a confederate army (which is meant to remind us of the Transatlantic Slave Trade, and that’s why Tyler keeps saying that y’all). That’s also why they keep us focused on economics. Cause what we don’t realize is concentrating on money, not only keeps us (physically and mentally) closer to white folks, but it keeps us in a permanent state of destabilized self-hatred—and again, IT KEEPS US OUT OF UNITY.
So, long story short, they gotta’ make the poisoned Kool-Aid sweeter
y’all—that’s why they gave Tyler those acres—so we can more effectively BUY
INTO OUR OWN DESTRUCTION.
AND THAT’S HOW wHITEY
WINS!
See, what whitey don’t want
you to realize is with UNITY, we can get EEERRRYTHANG else, up to
and including money. Without it, we’ll never get back to the “nuclear family”
model that helped us thrive during the days of the “Black Wall Street”.
Point#3. Ultimately,
this is “QUEER BAITING” 2.0 Y’ALL!
Meaning, the message whitey’s REALLY sending through Tyler is
this: ANY BLACK MAN WHO’S WILLING TO REJECT HIS MASCULINITY CAN DO ANYTHING
IN THIS SOCIETY. PERIOD!
So, this is really a clarion call to ALL BLACK MEN who
wanna’ climb america’s socio-economic ladder. Whitey’s tellin’ us that the best
way to get rich in america is to be a GAY BLACK MAN!
Now, I can almost hear people sayin’, hold up bruh, Tyler ain’t gay—he’s married to a woman and has a child. And my answer to that is, Tyler’s pal Oprah, still brings out that prop-of-a-stuntman Stedman, when she’s going out to an event. And they’ve had this “arranged” relationship goin’ on for decades. So, I don’t know if Tyler’s really married and/or, if he had a child by “artificial insemination”, or whatever—all I know is the means to this man’s success came through his PRANCING AROUND IN A DRESS, which leads me to 3 mo’ points…
#1. Both Tyler and Rupaul were brought up in abusive and/or
traumatizing households—and this is the common denominator for homosexuals on the whole.
#2. Because homosexuality is brought on by childhood traumas, IT
IS NOT NATURAL. Meaning, NO ONE IS BORN THAT WAY! But whitey’s wants
you believing in “gender confusion”, ‘cause they know a person (or persons)
with an unstable or destabilized mind is easier to control. And what better way
to gender confuse (or mentally destabilize) a group of people than to empower
the Black man who portrays a Black woman.
#3. Now, am I saying that Black
people collectively, shouldn’t be inspired or proud of Tyler for his
accomplishment? HELL NO! What I’m saying is, Tyler’s accomplishment can
give us inspiration, but it shouldn’t lead to indoctrination. And that
means what? It means we need to use “discernment” when comparing our pride for
Tyler’s accomplishments with what his studios actually symbolize in regards to OUR
manhood. So, we can be proud and inspired WITHOUT REJECTING OUR MASCULINITY.
Moreover, this should show us just how VALUABLE OUR MANHOOD IS. And
to break this down even further, we should understand that this studio
symbolizes whitey’s endgame for us, which is his need to get rid of OUR ABILITY TO REPRODUCE OURSELVES. See, being that Black men
have the most genetic power to breed mr. white folks outta’ existence, which is
happening right now, the last thing whitey wants us to do is BRING MORE
“PURE BRED” AND HIGHLY MELANATED CHILDREN INTO THIS WORLD. Cause if the majority
of america’s Black men are gay, they’ll be less of us to contend
with.
AND THAT’S THE BOTTOM LINE Y’ALL!
And like Sam L. Jackson said in
Spike Lee’s classic movie, “Do the Right Thing”: “That’s the double truth,
Ruth.”
Later…
—MontUHURU Mimia
Here's an interview and overview of Tyler's new Atlanta movie studio.
Monday, October 7, 2019
Sunday, September 15, 2019
The white fascist attack on Black femininity (Part 6)...Here's what Naturi Naughton and Guardian of the Galaxy's "Gamora" (Avengers: Endgame) have in common, and just one mo' comment on the "Hegelian Dialect" and the infamous "fried chicken sandwich" wars...
To the (consistent) readers of this blog: Fam, there’s a point I neglected to make on my last post regarding the infamous “fried chicken sandwich” wars—and I wanna’ make it here. Now, what I spoke about last was whitey’s media doing any and everything it can to make indigenous Black folk look like the most downtrodden and morally obtuse people in the world. Thus, the campaign to make us look like we’re fighting over, and consuming more of these chicken “sandmiches” than anyone else. But there’s another side to this story that needs to be mentioned, and that’s this—too many Black people, and americans period, are becoming vegans and vegetarians.
Now, even though only 5% of americans are vegetarians, and 3% of americans identify as vegans, the multi-billion-dollar meat industry is watching these cultures spread like wildfire. And not only are indigenous Black americans part of this movement, but there’s another facet of this equation white fascists are worried about, especially concerning us. See, whitey needs our “Black Street Cred” (BSC) to sell stuff—and that’s not hyperbole—white fascists count on our vernacular to make their products more profitable. So, if our BSC and “Black Cool Points” (BCP) are supporting the vegetarian and vegan cultures, then their products are what’s gonna’ sell through the roof. So, whitey’s gotta’ get us on board the campaign of making meat products and their industry look cooler.
But, how does whitey do that?
Method#1: Problem:
whitey’s meat products ain’t sellin’ like they used to.
white executives at Chick-fil-A and Popeyes restaurants (and in the whole of the meat industry period) needed a “psy-op” (and if you don’t know what that is, google it) to win-out over the vegan and vegetarian cultures that have become so popular. So, they hatched a plan to start a “twitter beef” betwixt the two aforementioned eateries.
Now, I liken this to the FBI’s “Cointelpro” campaign(s) that had the good ol’ “divide and conquer” strategies in em, that were used to destroy the “Black Panther Party” (BPP) in the 1950’s, 60’s, and 70’s. Meaning, what whitey did, once they infiltrated this organization, was send spiteful and threatening letters from some east coast factions of the Black Panthers, to their west coast affiliates. And this worked so well in regards to having the BPP fighting amongst themselves, that the FBI called these initiatives the “East Coast, West Coast” Black Panther Wars. Decades later, we had an “East Coast, West Coast” Rap War—coincidence? Hmmm.
Anyway, executives from the two franchise restaurants I mentioned earlier, decide they’re gonna’ create two factions of Black people. The first faction will be the negroes who love Popeyes chicken sandwich, and the other “experimental” group will be the buck-dancin’, bojanglers who love Chick-Fil-A’s sandwich. And once they did this, they’d form a fake battle between the two. So, these pale-skinned degenerates started this “twitter battle” using the tagline: “You good?” And this is yet another example of how our BSC and BCP can turn into white profitability.
Method#2: Reaction:
“Black twitter” and the “tech-savvy” negro
Now, supposedly when the head-scratchin’, techy negro-nerds who
frequent the “twittersphere” see this battle raging on social media fronts, they holla to themselves and their friends, “Good lawd,
I gotta’ git me one o’ dem chicken sandmiches, they’s on sale fir’ $3.99!”
Method#3: Solution:
The (alleged) suicide and salvation of negro consumers
Now, the reason I used the words “supposedly” and “allegedly” while writing this part of the post, is cause while doing research on this topic what I kept seeing was Popeyes stating in press releases that the franchise “expects” to run out of this sandwich, before they “announced” running out of these sandwiches days later. Mind you, Black folks I spoke to said not only weren’t their lines for this new chicken sandwich, but no one saw any of their local Popeyes stores “sell out” of them.
So, this proves to me beyond a shadow of a doubt that this chicken sandwich war was not only staged, but it was enacted to get white and non-Black people to buy these “ghetto burgers”, since Popeyes has been given our (fake) seal of approval, meaning they supposedly got our BSC and BCP.
So, in more layman’s terms—THIS WAS A FRAUD Y’ALL!
And might I add, any Black person who still takes
the word of the white media as the gospel truth, especially when it comes to us,
DESERVES TO HATE THEMSELVES FOR BEING BLACK!
Now, with that outta’ the way, let me show y’all how whitey DEVALUES BLACK FEMININITY in its media, so we can not only recognize these
slights, but we can counter them so they don’t turn into an everlasting blight for
not only Black women, but for the Black diaspora in general.
—MontUHURU Mimia
This is the part of the post you can just sit back and watch y’all—Enjoy! *Note: In my next post, I’ll address the white fascist overtures regarding Gamora’s relationship with Thanos. So stay tuned. Also, if you’d like to see this vid in a larger format, click on the title and it’ll take you to my YouTube page.
—MontUHURU Mimia
Saturday, August 31, 2019
The Cult of Black and white Cinematic Symbolism (Part 26)...Hobbs and Shaw, Donald Trump vs. Jay-Z, the fear of a "Black Superman", and white fascism: furiously "fast-fowarded" (Special Labor Day Edition)
To the (consistent) readers of this Blog: As of this month, President Trump and his administration, are pondering whether or not they’ll give Venezuelans a pass regarding deportations. Meaning, senior officials of Don Trump’s team have drawn up a proposal that could not only help Venezuelans seek asylum in the U.S., but this initiative could also provide work Visas for them. Mind you, this isn’t official yet, but on a recent Facebook posting, I saw how some brothas and sistas got bent outta’ shape over Trump’s display of leniency towards Julio and ‘em—which kind of had me shaking my head. And I’ll tell you why at the end of this.
Jay-Z recently inked a deal with the NFL (National Football League—for the international eyes reading this). His “Roc Nation” company, founded by him, entered a “multi-year” partnership where Jay’s influence and administrative team will aid in enhancing the NFL’s gaming experience, especially as it pertains to the sports league’s “half-time” shows, and they’ll also set forth initiatives to amplify the leagues “social justice” efforts.
Now, I can’t tell you how much negative press Jay’s garnered behind entering into this deal. Everyone’s calling him a “sell-out” and a self-serving opportunist, regarding his teaming up wit’ this organization. And let me say straight off, that I’m NO FAN of Jay’s, but I’ve got 3 questions for anyone who’s gotta’ problem with either Trump or Jay’s initiatives, and they are…
Question#1: Anyone who’s been paying attention to the careers of these two men should understand that they are classically egomaniacal. And being that this mindset has worked for them in the past, what makes you think they’re gonna’ stop being this way now?
Question#2: Regarding Don Trump, I ask, why do Black people in general, and Black americans specifically, expect him, OR ANY OTHER wHITE POLITICAN (OR PERSON), TO DO THE RIGHT THING BY US? HAVE THEY EVER?! I mean, to the brothas and sistas asking why Trump would even consider lobbying for this kinda’ leniency towards Julio and ‘em, I ask you, WHICH COUNTRY HAVE YOU BEEN LIVIN’ IN FOR THE PAST FEW DECADES? And if you’ve forgotten, let me remind you how much white fascists LOVE cheap labor. And who’s gonna’ work cheaper than a spanish-speaking person in the States?
Question#3: Now, getting back to Jay, while everyone’s up in arms about him selling out to mr. charley cause of Colin Kapernick’s taking knees to raise awareness of domestic terrorism towards Black folks, here’s one question I don’t see any of us posing…where’s the Black politcians who’re supposed to have Colin’s back? Meaning, why aren’t we hearing anything from the “Congressional Black Caucus”? Where are all the Black Mayors, Councilpersons, Governors, and Senators at? Heck, while where at it, we could ask the same question of this country’s Black lawyers, doctors, corporate executives, etc.
Now, Jay-Z is one man, with limited resources, but how powerful would a collective of Black politicians be if they backed Colin’s campaign? I remember a book called “Forty Million Dollar Slaves” was published in 2006, where it’s author, William C. Rhoden, called out the fact that in spite of Black professional athletes making literally hundreds of billions of dollars for themselves and the sports world in general, they haven’t done anything in regards to gaining any kinda’ real power off the playing field. And I know I said I’d only ask 3 questions, but here’s 3 mo’ that need askin’: 1. If Black athletes are Forty Million Dollar slaves, then how much are Black politicians worth in terms of their decades of indentured servitude? 2. Who’s got more power, Jay-Z or the collective of america’s Black politicians? And 3. Why do they always get a free pass, while we stay pointing fingers at Black entertainers?
Now, with that outta’ the way, I need to confess how it pains me to be away from my weekly blog-postings for any length of time. And right now, you’re probably thinkin’, bruh—it ain’ t like you’ve never done this before. But I assure you, I not only think about this blog a little every day, but when I’m feeling the self-imposed pressure of meeting deadlines here, not following through creates an almost physical ache that’s hard to bear. In other words, and I’ll use this old cliché, missing my weekly postings “hurts me more than it hurts you”, the reader.
Mind you, when this happens, I hope you know that “life thangs” have become so pressing, that it requires me to do this—but more importantly, I hope that sentiment comes through in my writing. So, with that said, I’d like to thank the vigilant readers of this blog for hangin’ in there with me when life thangs happen by coming back and checkin’ in once in a while to see if I’ve published anything. So, once again, I say to y’all, thank you, thank you, and THANK YOU!
Now, in keeping with my last few postings, this one will be a smaller mash-up of subjects—and since you’ve read what I think about the latest goings-on wit’ Trump and Jay-Z, in the next part of the post, I’ll cover what I think about my “casual” viewing of the latest “Fast and Furious” movie, “Hobbs and Shaw”. So, join me in breaking down the subtextual narrative undergirding this frivolous flick, and the message it seeks to imbue on its targeted demographic. Or, you can just let me know if I’m trippin’ y’all. Either way, I’m writing with you in mind. So I’ve taken measures to ensure this post will provide you with a comfortably fluid read.
—MontUHURU Mimia
Recently, a friend had me and a few comrades over, just so we could converse and touch base with one another. Our careers have us seeing each other less frequently, so we hold these gatherings whenever we get the chance. Now, after spending several hours debating about business endeavors we’d like to pursue, the host of this soiree said that it’d be a grand idea to watch a movie after we’d ordered in a meal. So, he punched up what he had on the big screen and decided we should take a gander at the latest flick in the “Fast and Furious” franchise: “Hobbs and Shaw”.
After I protested, the host expounded on the fact that he’d seen the movie before and wanted me to do one o’ my “decipherings” in regard to what this flick is really about. I told him that I could do that with the late 70’s flick “The Warriors”, and in terms of action-fueled films, it would be more enjoyable for all of us.
Unfortunately, I got out-voted—but, I’m still gonna’ curate a vid breaking down the subliminals on “The Warriors” movie, so stay tuned for that. So, regarding this movie, while we munched down on our meals, we watched this flick—and here’s “3” points I took away from this “film” immediately—and mind you, I’m using the word film loosely.
Point#3. “Black Superman”, whitey’s technology, and the infamous “chicken sandwich wars”
At one point in this flick, Edris Elba’s character, “Brixton Lore”—and now family, you know I’d be remiss if I didn’t comment on this character’s name—meaning, Brixton Lore, is a homage to Edris Elba’s charisma and sexual “allure”, especially in regards to the moniker’s first name “Brixton”. Mind you, that name hails from the fact that Edris is from England. And for those who don’t know, Brixton, England, is mostly populated with Black people—with US fam. So, this part was mos def written with Edris in mind. Anyhow, this character is “genetically-enhanced”. Meaning, he’s a cyborg y’all. Half man, half-machine. And whitey’s technology is responsible for making good ol’ Brixton a “super soldier”. Now, that narrative’s a reboot of “Captain america’s” mythology. Meaning, in Cap’s original story, whitey creates a “serum” that turns normal men into superior warriors. Mind you, this serum kills most of the men who take it, but a “Black” man was the only one who survived ingesting this serum (and this character’s name is Isaiah Bradley, he's the brotha in the above pic on the right and you can click on the pic fam. You should also google him y’all). And that mean’s what? It means the real Captain america is Black. And I don’t have to reiterate how we are the real “native-americans”, or should I say, the real “indigenous Americans”.
Now, about two-thirds of the way through this flick, Edris announces that the technology whitey gave him has turned him into a “Black Superman”. Mind you, in interviews, Edris says he freestyled that line. And towards the end of the film, the Rock’s character says, “He really is the Black Superman.” Now, this could be an easter egg foreshadowing Edris’ next movie or something, but ultimately it’s whitey’s technology that kills good ol’ Brixton Lore. And the moral to that story is, while we imbibe in whitey’s technologies, or their cultural mores, we don’t realize that what we think will help us, in regards to adopting their behaviors, has been socially engineered to KILL US AND DESTROY OUR CHARACTER!
Case in point…
Now, I wasn’t planning on talking about this, but I watched the Black man who inspired me to write this blog, talk about how dumb negroes are for participating in something being labeled the “chicken sandwich wars”, where Black folks are said to have bought all these fried chicken sandwiches at Popeyes restaurants.
And if you haven’t heard about this, the imbroglio I’m talking about entails some white executives over in the offices of Chick-Fil-A and Popeyes, starting a “twitter-battle” over who’s chicken sandwich tastes the best. And they propagated this campaign with a two-word tagline: “You good?” So, after this happened for the better part of a week, these franchises say Black folk lined up trying to get their hands on these sandwiches, to the point where Popeyes sold out of them.
Now, if you’re a Black man or woman reading this, I have a question for you—knowing how whitey’s media has a penchant for lying to us and our community, more than any other, WHY THE HELL WOULD YOU START BELIVING ANYTHING THEY SAY?
Meaning, IF whitey WOULD WRITE OUR PEOPLE’S GREATEST ACCOMPLISHMENTS OUT OF HISTORY, HOW MUCH MORE WOULD THEY LIE ABOUT SOME DAMN CHICKEN SANDWICH WAR?
Now, you might be thinkin’, ah, c’mon bruh, just ‘cause you don’t like what was said, don’t make it untrue. Aiight, bet. Well, let me ask y’all this question: DID YOU PERSONALLY SEE THESE LINES? DID YOU DO THE RESEARCH TO FIND OUT IF Popeyes REALLY RAN OUT OF CHICKEN SANDWICHES? AND IF YOU DID, WHERE’D YOU GET THAT INFO.?
Fam, my motto is this: EVERYTHING whitey TAUGHT ME ABOUT MY PEOPLE WAS ENGINEERED TO MAKE ME HATE MYSELF AND EVERYONE WHO LOOKS LIKE ME, SO I DON’T TAKE THEIR WORD FOR NOTHING NO MORE!!
LET ME REPEAT, UNTIL I RESEARCH THE MATTER, I DON’T TAKE whitey’s WORD FOR A DAMN THING…POINT BLANK, PERIOD!!
So, if you believe this fried chicken sandwich war was real, without having any hard evidence to back it up, WHO’S REALLY TRIPPIN’? YOU OR ME?
Moreover, behind this, what we should ALL be doing is boycotting Twitter, Popeyes, Chick-Fil-A, and whatever publications, virtual or otherwise, that put this propagandized nonsense out.
THAT’S HOW WE EMPOWER OURSELVES AND DISEMPOWER whitey’s FASCIST SOCIAL ORDER!
Moving on...
Point#2: Black emasculation and “Boukman’s Prayer”
A couple of scenes throughout the movie show Edris’ character getting his “bionic tune-ups”, which involve his back being opened so he can be operated on. Now, this procedure involves something that looks like a long, penetrating needle approaching him from the rear. And when I saw this scene, I automatically knew this was one mo’ attempt at emasculating not only Edris’ character but it was emblematic of whitey’s campaign to neuter Black men period. Cause whitey really wants to eradicate Edris’ sexual energy, since he’s got those dominate genetics, compliments of his being a deeply melanated brotha.
Mind you, there’s been several vernacular-based phrases that equate having a “strong” back with having lots of sexual energy, which this scene was also triggering subconsciously. And some of those sayings include having a “sweetback”, or someone being able to “blow backs out”, etc.
Now, there’s also a scene where the Rock’s character goes to his tribal home in Samoa and regroups with his family. While there, they hatch a plan to turn off the weapons Edris’ army carries via a scrambling signal of sorts. And behind this, the Rock’s tribal family use ancient weapons, i.e., clubs, maces, bats, etc., to fight off Edris’ confederacy. What I also found particularly interesting is, the Rock’s family don tribal attire before he dissertates a prayer to his spiritual ancestors for help in defeating their enemy. And fam, this “prayer” sounds eerily like “Dutty Boukman’s Prayer” that he recited before our brothers defeated the French armies during the Haitian Revolution. And I’ll include a vid clip of what that prayer sounds like in a video addendum I’ll attach to the end of this post in the future. But what whitey’s really saying here is, OUR MELANATED SPIRITUALITY WILL ALWAYS TRUMP THEIR TECHNOLOGY. Thus, while mr. and mrs. white folks have adopted our Spiritual Sciences (Voodoo/Voudun, Santeria, Palo Mayobe, Ifa, and mind you, their name for our Spiritual Sciences is “Remote Viewing”), they’ve convinced us to imbibe in their technologies, which like I said previously, have been designed to KILL US.
Point#1: The “Brown-white” Alliance
Ultimately, what “Hobbs and Shaw” really represent is this: the white and Brown people of the world “teaming up” to destroy the “Black Superman”.
In this flick’s finale, Hobbs (being brown) and Shaw (being white) literally fist fight with Edris’ character by tag-teaming him. Mind you, good ol’ Brixton is such a fierce opponent that Hobbs and Shaw literally say that one of them will take a punch, while the other delivers a blow to Brixton, ‘cause they can’t defeat him one-on-one. And even though this method hurts Brixton, he still keeps coming. It’s not until Brixton’s white handlers decide to basically pull the plug on the technologies they put in him, that he’s defeated.
Now, needless to say, I didn’t like this movie at all, but I do like it’s message—and that is…
wHITEY’S NUMBERS ARE DROPPING SO DRASTICALLY, THAT THIS FLICK IS THEIR DESPERATE CRY TO BROWN PEOPLE FOR HELP IN THEIR FIGHT AGAINST US, THE WORLD’S BLACK PEOPLE!
And that brings us back to why Trump is even considering whether or not he should help Venezuelans stay in the States.
Now, here’s “3” reasons why this alliance is doomed to fail.
Reason#3: Giving the “white status” to “brown” people, devalues that status. Thus, whitey will never fully give over the resources reserved for him and his own to latinos, dark-skinned asains, and american Indians. Now, you might be sayin’, well bruh, fair-skinned asians are brown too, and they’ve pretty much gotten their “white status” perks. Yes, but understand, not only did whitey drop two atomic bombs on fair-skinned asians, and make them sign papers saying they’d never retaliate afterwards, but out of every kind of “non-white” person, they have the least amount of genetic power to breed whitey out of existence. And that’s what it all comes down to.
Reason#2: I’ll leave a link to a former post I wrote in the “Why spanish people hate Black americans series” detailing how a white motorcycle gang recruited the help of a latino gang to fight off an enemy. And what happened was the white and latino gangs started fighting each other. Understand, keeping the white status in good standing means keeping brown people out. Thus, why Trump was so obsessed with deporting brown latinos outta’ this country. So, whether latinos like it or not, that’ll always be an obstacle to them claiming their most coveted prize, the white status.
Reason#1: NO MATTER WHAT wHITEY DOES, HE CAN’T STOP THE INEVITABILITY OF HIS BEING BRED OUTTA’ EXISTENCE!
Meaning, they can employ whatever techniques they want to delay this occurring, but it’s GOING TO OCCUR. Whether whitey likes it or not. With their birth rates falling below replacement levels, and their overdosing on drugs like crazy, and their committing suicide in droves, THE DEVIL’S TIME IS UP Y’ALL—PERIOD!
So, once again, the song may have changed, but the message is the same. The death culture that mr. charley created, is now coming to claim them—and that’s not just the truth y’all, THAT’S KARMA AND DIVINE JUSTICE!
And like Sam L. Jackson said in Spike Lee’s ingenious film, “Do the Right Thing”: “That’s the double truth, Ruth.”
Later…
—MontUHURU Mimia
P.S.
Here’s the trailer for the Fast and the Furious franchise flick, “Hobbs and Shaw”. *Note: Addendums are coming fam, stay tuned.
And you can read about whitey and Julio warring with each other in this post HERE.
Subscribe to:
Posts (Atom)