Sunday, November 28, 2021

The Gospel of white fascism (Part 61)...

 The Gospel of white fascism (Part 61)…"Fresh and Fit's" Myron Gaines, Denzel Washington, the socially-engineered “construct” of celebrity culture, the “power couple” dynamic and the esoteric purpose, parable, and “pairing” of Will and Jada Pinkett Smith (Special "Post-Thanksgiving" Edition).

  “We ride together, we die together, BAD MARRIAGE for life.”

-Will and Jada Smith, from Jada's "Red Table Talk"

"A person is smart. People are dumb, panicky, dangerous animals and you know it..."

-Tommy Lee Jones as "Agent K" talking to Will Smith, from the film, "Men in Black" 

To the consistent (and patient) readers of this Blog: In 1997, Erika Badu put out a video for her song, “The Other Side of the Game”—and this was when she and “Outkast’s” Andre 3000 were still together. Now, when this came out the musical genre of “Neo-Soul” was really hittin’ with artists like D’Angelo and Jill Scott-and to me, this song and video represented the cream of this genre’s crop in terms of lyrics, melody, and a cinematic visual language which a lot of videos attempt but few accomplish.

Briefly, the song and video are about the father of Erika’s child (Andre) selling drugs for the police. I loved how she worded this in her lyrics, singing, “Now me and baby got this situation, see, brotha got this complex occupation…” This showed me the ingenuity in Erika’s music and the R&B/Soul genre as a whole.

Recently, YouTube introduced me to another side of its “game”, so to speak...and lemme tell you what I’m talking about—for the past few months, I started watching a podcast called “Fresh and Fit” on YouTube. Now, this podcast is hosted by two “brothas” named “Myron” and “FreshPrinceCEO”. This podcast is also one which caters to the Black “Manosphere”--and what these two young men do is give other young brothas advice on dating and relationships. A more accurate description of these two would be younger versions of Kevin Samuels, with an emphasis on dating and “hook-up” etiquette as opposed to Kevin’s advice for women on how to get and keep a “high-value man”.

Now, the Fresh and Fit podcasts are filmed from these brothas actual home—which is an upper-scale condo in Miami, FL. So, when I watched these podcasts I thought it odd how these young men could afford such a plush abode, but then I thought, hey, I’m not gonna’ hate—more power to these brothas. Then, a few weeks ago, I started seeing some YouTube “beefs” arise between the Fresh and Fit guys, and some other podcasters. This is when I started hearing about Myron, not being quite who he says he is. Eventually, I saw a video, where Myron actually “outed” himself and confessed to being a former “Special Agent” for “Homeland Security” (HS). Topping this off, Myron's real name is “Amrou Fudl”. I also found out how Amrou got the condo he lives in--it was by earning a six-figure salary with HS. 

Mind you, the reason I italicized the word “former” before Amrou’s HS title, is I wanna’ let those of you reading this know how Amrou’s still working with HS—whether he confesses to it or not. Now, what you’re probably thinking is—well, you got any proof this guy is still working for HS? My answer to this is, I don’t need any, ‘cause I’m well acquainted with Amrou’s story already—now, lemme unpack what I mean.

About a decade ago, after I found out Tommy Sotomayor (if you don’t know who he is, “google” him) was a white fascist freemason, it made his mission, at least to me, crystal clear. Meaning, he was following the white fascist agenda of separating Black men from Black women. Only problem with “uncle” Tommy was, it’s painfully obvious he’s nothing more than a self-hating Black man. Thus, whitey had to recalibrate their tactics in regards to what kind of agent(s) they’d send into our community to keep Black men and women apart.

Enter the “Manosphere

After Tommy’s popularity made its precipitous fall, I started seeing “male-oriented” group’s emerge seemingly out of nowhere, with titles like “Mgtow” (Men Going Their Own Way), and “Red Pill”, which refers to the ideological mandates of mostly white males who’re duty bound to expose the “predatory” nature of females. Mind you, what these groups are really tasked to do, is keep Black men and women fighting each other, so we don’t procreate and produce more offspring with the most genetic power to breed whitey outta’ existence. So, this probably has you asking: bruh, if the “manosphere” is mostly populated with white males, then how does this harm Black people? Simply put, whitey’s agenda would be too obvious, if this phenomenon just happened solely in our communities—online or off. So, they gotta ‘make this community look like it’s a universal “grassroots” movement, this way they'll have more potential for success.

So, this means what? It means, when Amrou a.k.a. “Myron” tells his mostly young Black male audience they should avoid marriage and committing to one (Black) woman at all costs—we should realize he’s nothing but a eugenicist in “playaz” clothing.

Now, seeing this, I instantly made a correlation between what’s been going on in the manosphere and what’s been “happening” to Will Smith. So, at this point, you might be thinking, I don’t follow—what does the manosphere have to do with Will Smith? Welp fam, explaining this would require me to expose the hidden hand behind Jada Pinkett Smith’s behavior as of late-so lemme let y'all know, this is what I’m gonna’ do in the next “two” parts.

This said, let’s deep dive into Jada’s manufactured malevolence towards Will, while I expound on why Will’s being propped up as a "neutered" proxy for the greatest threat to whitey’s domination the world has ever known—the BLACK MAN. See y’all in part 2 fam...

MontUHURU Mimia

Part 2:

The “Power Couple” Dynamic

On April 4th, of 2008, Jay-Z and Beyonce wed at a private ceremony in Jay’s New York City penthouse. Now, in the tradition of Black “power couples” like Lebron and Savannah James, Michelle and Barack Obama, Bobby Brown and Whitney Houston, etc.—this pairing was arranged by the white fascist handlers who control Jay and Bey. This said, let’s now break down some peculiar coincidences surrounding their lives—especially in regards to the number “4”.

First off, Jay-Z’s birthday is on December 4th and Beyonce’s b-day is on September 4th—also, public media conglomerate “KQED” says Gloria Carter, Jay’s mom, has a birthday which falls on the fourth as well. Both Jay and Bey have tattoos on their ring fingers with the Roman numeral 4 on them, and one o’ Jay’s albums is titled “4:44”-so you get the idea. Now fam, I’m doing this to show how there’s nothing coincidental about these two marrying—and in keeping with this numerological theme, one of the tracks on Jay’s first album, “Reasonable Doubt”, is titled “22 Two’s”. Now, if we multiply 2 by 22, we get “44”. Also, if you add up “222” and “444” you get “666”.

Moreover, in freemasonic circles, 22 is not only a “master number”, but it’s meant to represent a freemason who’s a “Master Builder”. So, what Jay and Bey’s marriage  really “represents” is the building of a combined/doubly-powerful force to influence the “m(asses)”. Mind you, this is the same reason these white fascist freemasons paired Will and Jada Pinkett Smith together.

Part 3:

The esoteric purpose, parable, and pairing of Will and Jada Pinkett Smith

In 2014, I published a post titled, “the Defiling of Denzel Washington”. In it I detailed how I’d just seen the movie, “Flight”, and how this movie, along with “Training Day”, were congruent with Hollyweird’s agenda to destroy Denzel’s good name. See, Denzel did something Black men aren’t supposed to do—which is marry a Black woman, have Black children, and steer clear of public scandals. I saw this happen to Angela Bassett as well, right after the Marvel movie, “Black Panther” came out. white fascists created a video, where they had a fake screen test of Angela auditioning for the part of “Kilmonger”. Yeah, the part Michael B. Jordan played. See, Angela was just too feminine for a Black woman, so they did this to reinforce the stereotype of Black women being hyper-masculine.

Fast forward to July of 2020—on national television, we saw Jada Pinkett tell Will Smith, on her show “Red Table Talk”, about her “entanglement” with twenty-something R&B singer, August Alsina. This is all while whitey had Will looking like a battered basset hound complete with drooping red eyes and a deflated ego. Even more recently, Will put out a autobiographical book titled, “Will”, and a YouTube documentary to go with it-and, he's got his new movie out, “King Richard”, where he plays Richard Williams, father of tennis champions, Serena and Venus Williams. Now, in regards to Will’s YouTube documentary, it seems like he’s using this platform to confess the details of his father's alcoholism and abuse. So, here’s the question: how did Will’s seemingly charmed life turn so chaotic? Welp fam, lemme let ya’ in on a little secret…

IT HASN’T! WILL’S JUST ACTING LIKE IT HAS!

See, Will, like Denzel, was too virtuous for a Black man. Thus, his white handlers had to take him through these “trials” for “3” reasons. 1. Will and Jada faked wrecking their relationship, in hopes of influencing other married Black couples to do the same. 2. The Red Table Talk discourse was staged to have Will looking emasculated, and this is the state white fascists want every Black man to be in, so we don't post any kind of threat(s), especially genetically, to them. 3. whitey wants to reinforce the stereotype of Black family’s being predisposed to inter-generational curses/dysfunctions, especially when it comes to Black men being abusive fathers-and this is done to dissuade us from starting families.  

Mind you , this is also the reason why, in regards to Will and Jada’s children, the boys act like girls and the girls act like boys (Willlow's shaved head). So, don’t feel bad for Will and Jada ‘cause their family is JUST FINE. They’re only pretending to hit a rough patch for the sake of staying in the good graces of the pale-skinned degenerates who pay them handsomely.

And like Samuel L. Jackson said in Spike Lee’s classic film, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

MontUHURU Mimia

Fam, here's the Erika Badu song, "The Other Side of the Game" which inspired this post.

Friday, October 22, 2021

The cult of gay white bigotry (Part 9)...

 The cult of gay white bigotry (Part 9)…Getting closure on Dave Chappelle’s “The Closer”, the co-opting of “woke” culture, the real reason "trans" folk don't like Dave, and answering the question: what do Black women and the LGBT community have in common?

“If there’s no enemy within, the enemy outside can do us no harm.”

—African proverb

“We (Black) women are so complicated, we can’t figure ourselves out.”

—female guest on the “Fresh and Fit” podcast

“Ain't I a woman?”

-Sojourner Truth, speaking out against the white women’s “suffrage movement” in 1851, which refused to recognize the "suffering" of Black women.

To the consistent (and patient) readers of this Blog: Originating in Senegal, Gambia, and Guinea Bisau, Africa, the “Akoting” is the earliest predecessor to the modern day musical instrument we know as the “banjo”. Additionally, according to oral history, the actual birthplace of this instrument is the village of Kanjanka in Senegal. Soon after the banjo was created, in Ethiopia, a similar instrument called the “Krar Harp” would add a wider body to the banjo, and this would give rise to another instrument coming from the “Moors” of West Africa, called the “Guitarro”. Now, the Moors introduced the Guitarro to Spain in the 9th century AD, and soon after, all of Spain, Italy, and southern France would become enthralled with the instrument.

Later, when the Moors migrated to America, they bought the Guitarro with them—and in the coming centuries, it would become a popular instrument in the American South. Black Americans, who had a natural affinity for the instrument, would use it to create musical genres we now know as the “Blues” and “Rock and Roll” respectively.

Now, in the early 90’s, I remember going to a popular music store called, “Sam Ash”, and seeing as I had taught myself some chords on the guitar, I went there, looking for a new one. Right before I entered the guitar section, this long, stringy- haired white boi just stared at me, as if to say, how dare you enter the sacred portal of anglophilic instrumentation we now know as the guitar section. I just looked at him like he was crazy, and a sec’ later, he went about his business. Had he continued staring, I woulda’ let Opie know how everything they learned about music, they got from us. See fam, not only did we create all of the early musical instruments, but we created MUSIC. PERIOD.

Now, why would I open the post, with the origin story of the guitar? Welp fam, lately, ever since this whole imbroglio over Dave Chappelle’s last comedy special “The Closer” happened, I’ve been hearing mainstream media refer to the LGBTQ community as “Woke”. Mind you, the “Woke” community is an off-shoot of the “Black Conscious Community’s” growing popularity. Understand, the reason the Woke community gave itself this name is, they’re the “newly” conscious. Thus, they’re just opening their eyes to certain “esoteric” truths, meaning, they’ve just “awoken” to certain realities.  

However, in the spirit of cultural appropriation, now we have bigoted/racist white factions like the “Qanon” communities, and the white gay community, being labeled as Woke by the white media-and none of them are rejecting the title. I even saw one Qanon member, ya’ know, the alt-right white bigots who stormed D.C.’s Capitol building, wearing a t-shirt which read “WQKE”—note the “Q” in the middle of Woke. So, I’m showing you  how white people/fascists will adopt something we created and try to pass it off as their own, just like the Blues and Rock and Roll. Hell, the original “Skinheads” were Black. They were brothas hangin’ out with the “Rude Boy” Jamaicans over in the UK.

Needless to say, this is yet another reason I find the LGBTXYZ types so irksome to say the least, ESPECIALLY THE BLACK ONES, ‘cause they’ll lecture Black people on how “insensitive” we’re being towards the gay community, then when those white gays turn on ‘em, they come runnin’ back to us, crying racism. To which I say, naaah bruh, go back to YOUR COMMUNITY and work it out.

This said, what I’m gonna’ address in the main part o’ this post are ways in which brothas and sistas in the LBGT-LMNOP circles are letting themselves get used by these fringe white fascist factions and how ultimately, they’re the ones who are gonna’ be left out in the cold when things reach a critical point. So, follow me from the last part o’ this post to expound on why brothas and sistas need to expatriate from the egregious mental escapism of thinkin’ they’re something other than Black. See y’all on the other side fam…

—MontUHURU Mimia

Sojourner Truth, the American abolitionist and Women’s Rights activist, on May 29th, of 1851, addressed the Ohio Women’s Rights Convention, where she gave her famous, “Ain’t I a Woman” speech. Now, while she was fighting for “Women’s Rights”, she noticed her white female “comrades” were engaging in another fight altogether. These white females were staunch advocates of getting the right to vote before Black men—and Black women. So, noticing this, and seeing the divisive nature of this “movement”, she took to the podium and with the words, “Ain’t I a Woman?” attempted to sell ms. whitefolks on the idea of their "shared" goals.

There was only one problem—Sojourner didn’t realize she WASN’T A wHITE WOMAN.

Hence, what Sojourner also failed to grasp was, she could’ve talked ‘til she was blue in the face, white women still weren’t gonna’ give up their “privileges” to align their “plight” with the struggles of Black women. Meaning, Sojourner’s real enemy wasn’t Black men, it was white fascism, which white women know they benefit from. So, in essence, Sojourner was done before she started.

Fast forward to 2021, where we now have a “trans” Black woman named Ashlee Marie Preston, who organized a protest against Dave Chappelle because of his Netflix comedy special, “The Closer”. Now, in one of Ashlee’s diatribes, he/she said Dave couldn’t write himself a check, so he’ll have to listen to us. Mind you, a couple of days before, another Black “trans” woman was fired from Netflix for leaking the financial “metrics” of Dave’s comedy special to Bloomberg News. Mind you, it was this Black woman, I mean, “trans” female, who said in response to getting fired, “All these white people are going around talking to the press and speaking publicly on Twitter and the only person who gets fired is the Black person who was quiet the whole time.”

So this means what? This shows how Black women, “trans” or otherwise, still haven’t gotten the message of who their real enemy is. Meaning, they’re still thinking Black men are their main oppressors, when time and time again, they’re being shown white fascism is the oppressive force blocking their progressive strides.  

Now, here’s why Black women, “trans” or otherwise, won’t break this anglophilic and integrationist fever which has been ailing them for centuries. Bottom line is, the overwhelming majority of Black women are so conditioned to hate Black men, not only won’t they have a successful relationship with one, but because of this, they’ll be obsessive in their pursuits of white and non-Black guys. As a result, they'll be completely oblivious to the self-destructive behaviors they're putting on display for the whole world to see. Now, I’m hoping this will change over the course of the next few generations, but I know it won’t during my lifetime.

So right now, you’re probably thinkin’, bruh, you can’t very well say this about all Black women, plus, this sounds like a bit o’ sour grapes over bad relationships you’ve had in the past. Welp, I’m not saying ALL Black women, just most of them—and, if you think I’m exaggerating about this, lemme share wit’ you another incident involving Black women which happened this week.

April Mason, the Black feminine lifestyle strategist and dating mind-set coach, quit her practice recently. Mind you, the reasons she gave for quitting were her Black female clients. Now, I’ll have a short video at the end of this post which details all her reasons for this decision, but some of them I’ll share here. Basically, April said her Black female clients were calling her offices and “cursing out” her staff-and topping this off, April used these terms to describe her Black female clients: having unrealistic expectations, selfish, fake everything, entitled, mean, thinking being a feminine woman is weak—and I could go on. Point being, even Black women who wanna’ help other Black women are saying, I can’t deal with them.

Furthermore, even April, who’s supposed to show Black women how to be more feminine can’t seem to take her own advice. Case in point, the pic (left) is one of a video showing April at a gun range, learning how to shoot a high caliber rifle (and you can click on this pic to enlarge it folks). Now, a Black woman looking at this might be thinkin’, well we can’t depend on Black men to protect us—to which I’ll say, the reason we wouldn’t, is because Black women have gone out of their way to be so disrespectful to us, we’d be fools to rush to your aid—especially since half of you won’t even smile at us.

This said, lemme answer the question of what the “trans” community and Black women REALLY have in common, especially pertaining to why they’re so strongly protesting against Dave’s comedy special. What both these “communities” are ultimately saying about Dave is…

WE REJECT THE IDEA OF “BLACK POWER”, ESPECIALLY A BLACK MAN’S POWER, EVER BEING GREATER THAN THE POWER OF wHITE FASCISM.

Now, the logical follow up question to this would be, why would either of these groups wanna’ embrace and/or protect white fascism? Here’s the answer: ‘cause both the gay “trans” community and Black women are counting on white fascism to provide them with the promise of “white privileges”. Mind you, notice I didn’t say provide them with white privileges, but the “promise” of them.

Ultimately, the “trans” community, especially the white “trans” community, understand how they can cash in their white privilege “chips” any time they want resources, while Black women, “trans” or not, are looking to be with white fascism’s ultimate prize, a white man—in order to have access to these same “chips”.

So fam, I hope this shed a little light on what’s really going on wit’ these protests. Hence, when you see any more of them, you’ll know this ain’t about “Civil Rights”, it’s about the right to uphold the very institutions which are destroying the Black straight and “trans” community, meaning, it's really about exalting the tried and not-so-true system of white fascism.

And like Sam L. Jackson said in Spike Lee’s classic movie, “Do the Right Thing”: “…that’s the double truth, Ruth.”

Later…

—MontUHURU Mimia

Family, here’s the vid’ I promised showing the Black “trans” women of the Dave Chappelle protest and April Mason's "Facebook" post explaining why she quit the biz.