The white fascist attack on Black femininity (Part 11)...

 The white fascist attack on Black femininity (Part 11)…Vladmir Putin, The Ukraine and the long-standing legacy of “white-on-white crime”, divine spiritual (and ancestral) interventions, explorations of gender and (perverted) sexuality starring Zoe Kravitz and Kehinde Wiley, and deciphering the intersectionality between these ideologies…

“…have no fear for atomic energy, ‘cause none of them can stop the time.”

--Bob Marley, “Redemption Song”

“…this is my long, luxurious blonde hair.”

--Whoopi Goldberg, quote from 1985’s one-woman show, Whoopi Goldberg “Direct from Broadway”

“The salvation of Black people will come by way of the heterosexual Black man, not the Black woman.”

--MontUHURU Mimia

To the consistent (and patient) readers of this Blog: Family, in my post before last, I explained how Whoopi Goldberg got canceled for failing to realize her white paymasters didn’t want her uttering a word about white people’s wholesale killing of other white people—a.k.a. “white-on-white crime” (WWI, WWII, The Holocaust, etc.). She’s since apologized and returned to the TV show, "The View"—but what I really wanna’ talk about is how our Indigenous Black ancestors and their divine spiritual intervention(s) availed themselves to prove Whoopi’s point.

On the 24^th, Trump’s favorite oligarch, Vladmir Putin, invaded the Ukraine for reasons, according to him, of the western powers occupying too much territory near his beloved Russia. Truth be told though, Putin’s nostalgia for the “halcyon” days of the former Soviet Union, has him wanting to restore the communist block for reasons of sating his own megalomania. Thus, proving Whoopi’s point about the Holocaust and the “(white) man’s inhumanity to man”.

See, whitey could cancel Whoopi, but not the ancestors. Hence, when spiritual portals opened on 2/22/22, Indigenous spirits took it upon themselves to spotlight why whitey’s on the brink of extinction, with Putin’s invasion of the Ukraine. Mind you, on top of whitey killin’ off whitey in Europe, as I’m writing this, white folks are being bred outta’ existence (their birthrates are below replacement levels), whitebois are overdosing on opioids like crazy, and they’re committing suicide in droves. So this means what? It means the people who supposedly have the most to live for, are dying by their own hand and the devil’s time is UP. Whether they want it to be or not. 

Now, I’ve heard arguments by brothas to the effect of, well, it’s important for Black people to pay attention to what’s happening in the Ukraine, ‘cause this (invasion) could lead to a nuclear holocaust. My response is—nahhhh bruh. Listen, white people are in “preservation/survival” mode as I’m writing this—meaning, globally, white elites are more worried about keeping them and their people around more than anything else. So, they’re not about to push the nuclear bomb button--especially not on the western powers. Cause the majority of the higher-level white fascists are here.  Now, is a nuclear war possible? Yes. Probable? Hell no. For aforementioned reasons.

This said fam, I wanna’ expose and expound on some other points of contention whitey’s got with Black women and Black femininity. So, I invite y’all to traverse wit’ me to the nether regions o’ this publishing, where I’ll break down the socially-engineered belligerence whitey’s bound to betray us wit’ in the future. Meaning, LET’S GET ALL THE WAY DOWN into the main part o’ this post fam…

--MontUHURU Mimia

So fam, on my post before last, I pointed out the socially-engineered aspects of Rolling Stone's “Hot Issue” covers featuring Lisa Bonet and Zoe Kravitz. As of late, I went back and pored over some other pics in the photo spread and found this one to the right. Now, what does this remind you of fam? Doesn’t it look like a cooked animal served up for consumption after it’s been slaughtered? Especially with the “peach” (apple) in Zoe’s mouth?

Fam, I just wanna’ let you know how this was a signal to white fascists and racists, of it being “open season” on Black women. Now, I can almost hear sistas looking at this sayin’, bruh, you’re just reading way too much into the pic—plus, we know you don't like seeing Black women with white men. So, lemme give you “3” recent examples of the "open season" status on Black women, which’ll make my point a bit clearer...

Example#1. I think we’ve all heard of Lauren Smith-Fields (right) and the lawsuit her family has against the city of Connecticut behind her mysterious death. If you haven't, long-story short, Lauren went out with a white guy she’d met on the social media app “Bumble”. After they met, Lauren took said whiteboi back to her place and the next morning, she was dead. Now, police are saying her death was due to a drug and possible alcohol overdose, hence, the white guy she was with is “not a person of interest” where her death is concerned. What the media isn't telling the public, is there were several items found in Lauren’s apartment which could point to “foul play”, like a “sedating” pill, a used condom, and blood stained sheets.

 

Example#2. Cheslie Kryst (left) who won the MISS USA pageant in 2019, was a bi-ethnic (biracial) Black woman, who was found dead after falling from her high-rise home in New York City. Now, cops listed this as a suicide, but Cheslie was known to have a lot of white and non-Black men in her working and relationship circles, and the authorities aren't revealing who she was with on the day her "accident" happened. 

Example#3. Zoe Sozo Bethel, who was crowned Miss Alabama 2021, was found dead after falling out of a third-floor window of a Miami high rise (sound familiar?). This was also called a suicide. Mind you, the media first reported Zoe dying in a car accident, then it was “confirmed” she’d fell out of an apartment building (?). She had a child with a white guy and belonged to right-wing conservative organizations like “Turning Point USA”, who's members tend to be covert white racists.

Now, what the above list doesn’t include are the modern day Sandra Blands and Breonna Taylors of this country, nor does it make mention of the increasing numbers of Black women who knowingly get into relationships with racist white men, and share the same fate as these Black women. Mind you, at this point you may be thinking, the last statement makes no sense—why would any Black woman get into a relationship with a “racist” white man? Answer: because both the Black woman and the racist white man hate BLACK MEN. Ya’ dig?

So, if you’re a sista who’s hell-bent on getting’ her swirl on, I need you to understand the polarized ethnic climate we’re in. Meaning, the “vaccination” program(s) associated with the COVID “p(L)andemic” are nothing more than a cover-up for the massive “sterilization” campaign being waged against Black people. This is all about OUR extermination. Cause again, we’ve got the most genetic power to breed whitey outta’ existence. Mind you, at the end of this post, I’ll leave a link for an article showing how these “vaccines” are leading to a sharp rise in "miscarried" births. 

Hence, there’s a concurrent campaign by white racists to take out as many unsuspecting Black persons as they can. Basically, these eugenicists/klansmen are looking for “soft targets”, so one sector they’ve set their sights on are dating circles. To put this in more layman’s terms, if you’re a Black woman who’s cruising these dating apps for “Brads”, you might wanna’ check to see if he’s got any affiliations with groups like “Stormfront” or “4chan”. ‘Cause your first date wit’ one o’ these types, may be your last.

Moving On…

The other day, someone let me know about the painter Kehinde Wiley (left) possibly having one of his exhibits near my area. So, I went online to check this out and I came across one of his videotaped lectures on YouTube, where he spoke about his earliest paintings. Now, what's most interesting to me is how he referenced the paintings in the triptych you see (below), and how, to him, the “hair” in these pieces represents a kind of “Black masculinity” and “strength”, to use his words. He actually used terms like “Samsonian” and “phallic” to describe the sentiment of these paintings. Also, when he gets to the painting with the “acerbic pink” background (last pic), he talks about the odd juxtaposition of “pinks” in certain eras of European art used to express masculine traits in the aristocracy. 

 

So, at first, I was thinking, he's buggin', what about these paintings represent anything masculine? Then it hit me. Ya’ see, Kehinde is openly gay, so what he’s expressing in these paintings isn't masculine power, but the power of a female’s longer or longish hair to attract the masculine gaze. Mind you, decades after he created these paintings, he still doesn’t realize this. This led me to a revelation about gay Black men collectively, which I’ll get to in a ‘sec.

What's above made me think about the director Barry Jenkins, and his movie, “Moonlight”, in regards to a conversation he had with the author Ta-Nehisi Coates--and I’ll show you a video clip of this at the end of the post, so you can see what I'm talking about. Now, at the back-end of this conversation about Barry's film, there's a question and answer period held for the audience. This is where Terrance Laney (above right), who worked for the Mayor’s office of Washington D.C. in a department dealing with “LGBTQ” affairs, posed a question to Barry about Moonlight's main character, “Chiron”. Terrance wanted to know about Chiron’s “stunted” sexuality, his words, and why Barry felt a need to make this character so “sexually immature”. At first, the question threw me for a loop, ‘cause this film is widely lauded as a masterpiece by the movie industry—but really, more than anything, it's just an exquisite piece of “queer baiting”. Then, I thought to myself, okay, I see what Terry really meant now.

What Terrance was saying is because Chiron’s young, Black, and a brotha with a muscular physique, he should be a stud—regardless of what he’s been through emotionally. See, in this movie, there’s no explicit sex scenes where Chiron proves his sexuality—thus, Terrance was saying Chiron’s not “gay enough” (or he's too straight) for him. So, even when we try to placate the gay community with one of their own narratives, it’s still not enough for them to see heterosexual Black men outside the purview of white racists. Meaning, since gay Black men think like Black women, they’ll always see straight Black men as brainless brutes—just like whitey does. This is also congruent with comments Kehinde made about the long-haired brothas in his paintings and a scene from Whoopi Goldberg’s one-woman show, “Direct from Broadway”, where she puts a white shirt over her head and says jokingly, “This is my long, luxurious blonde hair…” Meaning, both gay Black men and Black women are hard-wired to follow power. Thus, for them, white fascism will always be the more secure choice. No matter what kind of suicidal or self-destructive path it leads them down.  

Hence, it’s up to straight Black men to point the way out of this white fascist social order towards anything remotely resembling a “FUBU” (For Us By Us) NATION. Since there’s no place for straight Black men in white fascism, we’re the only ones equipped to understand how Black people’s salvation lies in our SEPARATION from white and non-Black people(s). Once we unify and do this, then we can build the communities and sovereign cities which’ll return us to our rightful place, which is a peaceful harmony with ourselves and each other.  

And like Samuel L. Jackson said in Spike Lee’s classic film, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

--MontUHURU Mimia

*Addendum: 3/5/2022: On February 19^th, in Kansas City, Missouri, Asia Maynard (left) went out on a date with a white guy named Isaiah James Crown. She wound up dead in Isaiah’s apartment the next morning. Before a toxicology report could be done, Kansas City police decreed her death was a result of "natural causes”, thus, no further investigations have been made. Asia's family says she was in good health with no "pre-existing conditions" and they're preparing to sue the Kansas City P.D. for their negligence in handling this case. Asia was 29 years old and a mother of four. The “DIEvestment” continues… 

Family, if you wanna' see the article which talks about the COVID vaccine causing a rise in miscarried births, you can do it HERE.

Lastly fam, here’s the video I promised showing Kehinde Wiley’s explanations about his early paintings and Barry Jenkins responding to Terrance Laney’s questions about his movie, “Moonlight”.