The Cult of Black and white Cinematic Symbolism (Part 19)...Superfly vs. Solo vs. A Wrinkle In Time...why did these flicks fail?

“Solo: A Star Wars Story”, was released on May 28^th, 2018, and is the latest installation of the “space western/opera” that is the “Star Wars” movie franchise. “Solo” was directed by Ron Howard, produced by Lucasfilm, and distributed by Disney.

Now, the plot to this flick takes place 10 years prior to the events of another Star Wars film, “A New Hope”, and it explores the early (mis)adventures of Han Solo and Chewbacca. Basically, Han and “Chewy” are involved in pulling off a heist in the criminal underworld, where they meet a young “Lando Calrissian” (originally played by Billy Dee Williams in “The Empire Strikes Back”), and who’s now played by Donald Glover.

And family, I was gonna’ write a bit more of a preamble as to why I made a decision to never see another Star Wars flick after seeing “Empire”, but I just gotta’ get this out—I saw “Empire” or was taken to see it in my pre-teens. And even at that young an age, Lando Calrissian turned me off. Cause even in my preadolescence, I understood that when he betrayed Han Solo and turned him over to Darth Vader and his minions, I immediately knew, this is some bigoted B.S.

Decades later, Donald Glover, playing the young Lando, has been scripted as a “pansexual”. And for those who don’t know, a “pan”-sexual (pan is the Greek word for “all”), is a person who’ll fornicate wit’ anything that’s got a pulse. Man, woman, child, farm animal, whatever.

Now, the textbook definition of a “pansexual”, or an “omnisexual” (remember the freemasonic credo: “Ordo Abcao”, meaning “order out of chaos”) is a person who is emotionally or sexually attracted to someone regardless of their “sexual” or “gender” identity. But let me show you why this is a thinly-veiled attempt to mainstream “pedophilia”.

Understand that freemasons worship the “goat god” “Pan”. And mind you, this is where the fable of “Peter Pan” comes from. And if you notice in the picture (left), Pan is known for playing the “Pan Pipes”—and this is where the mythology of the “Pied piper” comes from. Also, Pan is almost always depicted as being with a young boy, or young boys, again, like Peter Pan. And the real (hidden) narrative of Peter Pan, or the god Pan, is how he’d lure boys into the woods with music from his pan pipes, and once they’re deep in the woods, he’d have his way with them. Additionally, the god Pan is noted for, and has an (infamous) statue of him engaging in an act of bestiality (The statue portrays pan “mating” with a goat. And mind you, pan’s mythology is where the vernacular term, “horny”, comes from).

Oddly enough, I didn’t mean to segue into this topic—but at this juncture, you may be asking yourself, why’s whitey mainstreaming the mores of “pedophilia/gender confusion” now?

And if you’re a Black man or woman reading this, you should understand that ALL of this non-sense is directly aimed at US.

But in regard to the question of why whitey’s doing this, there’s a three-fold answer, and it’s as follows…

Reason#3:

white fascists know that “trauma” is the only way homosexuals can reproduce themselves.

Now, you may be thinking, what the heck does trauma have to do with this insidious equation? Welp, if you wanna’ talk about how homosexuals “create” other homosexuals, then you have to take about what precipitates anyone calling themselves a queer, and that’s the trauma that made them that way. And don’t take my word for it, look into the life of anyone who calls themselves gay, and you’ll find the trauma (usually childhood molestation) that came before their identifying wit’ that lifestyle.

And the same goes for pedophiles.

Now, am I saying that every gay person is a pedophile?

NO.

But just like the homosexual, the person engaging in pederasty, 99.9% of the time, was preyed on by a pedophile themselves. And if that’s not the case, again, with some investigating, you’ll find this person suffered some sort of severe childhood trauma.

And whitey’s contribution to “traumatizing” the proletariat, is the introduction of the “trans” movements: “transgenderism”, “trans-racialism”, and soon to follow will be “trans-humanism”. And all this serves to do is destabilize the minds of the public (especially the young public), ‘cause whitey knows the best way to control any organism or organization, is through a process, or myriad processes, of throwing them into chaos.

Reason#2:

Lando Calrissian’s pansexuality is “queer baiting” for the negro nerds who watch Star Wars movies.

whitey understands the demographic(s) of the Black men who watch this particular sci-fi flick. And more than likely, the brotha who’s paying to see these movies is indulging in the holy trinity of american male social engineering, which is: reading comic books (graphic novels included), playing video games, and watching super-hero movies. And whitey’s goal with negro nerdom, is to produce Black men who are immature and effeminate, ‘cause they know a nerdish negro is more than likely a closeted homosexual anyways, and he’ll be more willing to conform to the white fascist status quo, than a strong-minded heterosexual Black man would.

Reason#1:

whitey figures the best way to make anything, up to and including bi-sexuality, homosexuality, and even “pedophilic pansexuality” “cooler”, is with the invaluable social currency of “Black street cred”.

With that in mind, Issa Rae, the modern-day mammy, I mean, Black woman behind the HBO series, “Insecure”, has a new show slated to hit the airwaves, about the (mis)adventures/ “sex-capades” of a bisexual Black man. And we already know about the queers of the FOX TV show, “Empire”.

So, the pansexual Lando, is just one more sexually “fluid” and morally nebulous character to throw on the same trash heap as the ones on the aforementioned shows. Cause like I’ve said before, the “gold standard” of social currency is “Black street cred”, and whitey’s working at “light speeds” to get as many of these sexually confused types in our cultural construct of Black cool points, so they can appear (post-haste) on a TV screen near you.

Now, with all that said, the movie “Solo” flopped at the box office, for some of the aforementioned reasons, but mostly because of a troubled production history, too much cinematic competition, too many Star Wars flicks coming out too close to one another, and mostly because of a general disinterest in the early life of Han Solo.

And I can hear someone saying right now, wait a sec’ bruh, over the last Memorial Day weekend, “Solo” was america’s top-grossing film, with box office receipts of $103 million dollars. True, but it was a failure in comparison to the other recent movies in this franchise, namely: “Rogue One”, which grossed $155 million in its opening weekend, and “The Last Jedi”, which took in $200 million during its opening. And I even saw one person on their YouTube channel say that they’re suffering from “Star Wars fatigue”, in regards to why they wouldn’t pay to see this flick. But I think there’s another reason this movie didn’t do as well as expected, and I’ll explain what that is at the end of this post.

The movie, “Superfly”, is a remake of the 1972 “Blaxploitation” film of the same name. Only instead of the main character being named “Priest”, this movie’s star, Trevor Jackson, is named, “Young-blood Priest” (that took some imagination, didn’t it? *lol*).

Now, for those of you under 30 who’re too young to remember the original, or for anyone who hasn’t seen the original, the plot goes like this: Priest and “Young-blood” Priest, are two dope dealers, the original Priest was from New York, and Young-blood is from Atlanta, who see an opportunity to get outta’ the drug game before their premature demise, by pulling one last heist, that’ll set them up fo’ life.

So, let me just say straight off—this is one flick I’m NOT gonna’ see for a number of reasons, but mostly cause of this—and this might be a “spoiler”, but it’s in the trailer, so they didn’t even get that right—the original Superfly, as morally repugnant as it was, had a redeeming quality that came by way of the movie’s soundtrack. Mind you, Curtis Mayfield created the whole of the original movie’s soundtrack (pic above), and sonically, it provides a cautionary tale of what happens to street pharmacists like the “Priests”.

One great example of this is Curtis’ song, “Freddie’s Dead”, and some of those lyrics are:

“Everybody’s misused him, ripped him off and abused him, another jug-head plan, pushin’ dope for the man…”

And beyond this, at the end of the original Superfly, Priest beats up a bunch of crooked white cops and drives off in his Cadillac. That speaks to the sentiment of the 70’s film genre, wrongly titled “Blaxploitation” by the NAACP (and if you don’t know what that acronym stands for, google it), cause these films (“Buck Town”, “The Spook Who Sat By the Door”, “Three the Hard Way”, etc.) were actually “uplifting” to the esteem of the Black community. Cause we got sick and tired of seeing ourselves portrayed as dehumanized, deflated and defeated butlers and slaves. This new flick doesn’t have any of that quality. And, like I mentioned earlier, in the new film’s trailer, “Scatter”, Young-blood Priest’s mentor, turns on him. So, we went from fighting whitey, to ultimately fighting (and turning) on each other.

But ultimately, this flick failed for the same reason Solo did—and I’ll also explain that at the end of this post.

Ava Duvernay’s movie, “A Wrinkle In Time”, was released on March 9^th, 2018, and is based on the 60’s surrealist novel of the same name, written by Madeleine L’Engle. And like Solo, this movie was distributed by Disney Studios.

Now, the movie’s plot goes something like this: 13-year-old maladjusted middle-schooler, Meg Murray, the flick’s main character, is troubled behind the disappearance of her father, Alex, who vanished in the midst of his studies in astrophysics. Meg and her mother, Kate, believe Alex was transported to another world while trying to solve the question of humanity’s existence. So, Meg, along with her mom, friends, and an assortment of “Wizard of Oz-like” people/creatures, set about the nearly impossible task of finding her father.

This flick costs between $100-130 million to make, and it grossed $132.1 million. Meaning, this film was a “mega-flop”. And in accordance to this post’s theme, this movie bombed for the same reason as the other two.

So, let’s get to that reason…

What Disney Studios should have learned about america’s movie-going audiences, especially after the success of the “Black Panther” film is this: people want more REALISM, and less escapism in their movie-going experiences.

Now, you might be thinkin’, wait a sec’ bruh, how you gonna’ call the “Black Panther” movie realistic? Wakanda ain’t real.

Here’s how—what made the Black Panther movie so successful, besides the special effects and all, was the “Killmonger” character. When Killmonger says, “There’s 2 billion (Black) people all around the world that look’s like us, but their lives are a lot harder. Wakanda has the tools to liberate ‘em all.” That immediately grounded the movie in a stark reality, that immediately steeped the film in a realism that enraptured audiences worldwide.

And that ain’t just the case for Black folks, cause “The Dark Knight’s” Joker (Heath Ledger), brought the same element to that Marvel Studios movie.

So, when you talk about a young Han Solo flying around in a spaceship, being a futuristic “swashbuckler”, or Superfly’s drug-funded, hyper-opulent lifestyle, or A Wrinkle In Time’s pre-adolescent Meg, exploring different dimensional worlds to find her father, movie studios should understand, the modern day movie-goer can’t relate to that crap. Thus, they’ll turn a deaf ear and a blind eye to it everytime.

Now, for one sec’ let’s just focus on Superfly and “Wrinkle”.

Movie studios should get the message that the Black Diaspora realizes how Young-blood Priest’s drug operations, no matter how well laundered his money may be, is a mockery of us knowing that the only thing that comes from that lifestyle is death or jail.

As for Ava’s “Wrinkle”, what she’s really saying throughout this film is that she wishes she was the flick’s main character: a bi-ethnic Black girl, who has a white father.

PERIOD.

So personally, I’m glad these flicks failed. Cause behind these flops, maybe film studios will realize what audiences really want from a modern day movie. But it’s in whitey’s nature to think he knows it all. Thus, we can expect more of these cinematic fowl-ups in the future.

And like Sam L. Jackson said in Spike Lee’s movie, “Do the Right Thing”: “That's the double truth, Ruth.”

Later…

MontUHURU Mimia

P.S.

Here’s a vid with A Wrinkle In Time’s director, Ava Duvernay, and the movie’s star, Storm Reid, who plays “Meg Murray”. Now, I want you to concentrate on how Ava tries to hide facts about the film and herself, but then reveals them as true through her responses. Ava says, “This movie’s not about a girl trying to find her father…”, then she talks about how she watched this movie as the, “12-year-old Ava, (being) all the things that I hoped and dreamed that I wanted to be.” Meaning, what she really hoped and dreamed she'd be, is the bi-ethnic Black girl, with a white father, like I mentioned earlier. But it also speaks to Ava’s (past and future) endeavors to move time and space to get to the affections of the man she really desires. A white man. And Disney Studios banked on the fact that “Wrinkle” would ride the coat tails of “Black Panther’s” success, but there was only one problem, Black Panther was about bringing our people together, not indulging in some hyper-anglophilic fantasy that would fulfill a deep longing to be with some white person. And that’s why “Wrinkle” flopped with a thud. 

P.P.S.

Here’s Curtis Mayfield’s song, “Freddie’s Dead”, off the original Superfly movie Soundtrack. And trust me fam, ya' betta' off listenin' to the whole album, 'cause the whole record’s dope.

The Cult of Black and white Cinematic Symbolism (Part 17)...Coltan: the real "Vibranium"...

According to Stan Lee and Jack Kirby, the comic book creators of Black Panther, the mythology surrounding the “Wakandan” metal, “Vibranium”, goes something like this: 10,000 years ago, a meteorite landed in the country of Wakanda in northeast Africa, and this crash created a mound that was discovered by Wakanda’s “Panther Tribe”. Thus, from that day forward, this tribe, and its leader, “The Black Panther”, became the guardians of this mound.

Now, Vibranium’s power comes from the compound’s ability to absorb, store, convert and discharge energy. Meaning, whatever objects strike it, will actually help the person wearing or surrounded by this substance, to take that same energy and redirect it back towards the person who struck the first blow.

But before I go any further, I’d be remiss if I didn’t mention the YouTube video that inspired this post. A certain Black Male Rights Activist (BMRA) who’s vids I’ve watched for a few months now, laughed while making the point that “Wakanda is fictional”.

Now, let me put his statement into context. This BMRA is always waxing philosophic on how dumb-founded Black Nationalists, or as he calls us, “Blackity-Black, Pro-Blacks” are. Meaning, he figures that we’re so gullible and naïve, that we couldn’t make a distinction as to whether or not the existence of “Wakanda” was fact or fiction. 

Moreover, he thinks we’re so desperate for reasons to feel good about ourselves, that we’re insipidly looking towards Marvel’s Black Panther movie, as a source of pride. He’s also said we don’t do any kind of research on topics, we just let our feelings dictate current or historical facts and events. In other words, he’s telling us that there’s nothing in the Black Panther movie, that we’ll be seeing in real life.

Also, I should tell you, that this man bases all his beliefs on the Bible. And what I’ve noticed about the majority of BMRA’s, is they never seek out any religious, or “spiritual” text, other than the Bible, thus they all tend to be anglophiles. Meaning, every time I watch a vid by a BMRA, instead of hearing something positive about Black men, or about our community, 99.9% of the time, they only talk about what’s wrong with Black people.

And what’s most dastardly is how they talk about Black dysfunction outside the context of the white fascism that created it. And like I’ve said in the past, the only conclusion you’ll draw from doing this, is how right you are for hating Black people, and hating yourself for being Black.

Now, with that said, check this out…

Elon Musk, the multibillionaire inventor who created “Pay Pal” and the “Tesla” car company (modern media calls him the real “Tony Stark/Ironman”), is now building a “Hyperloop” transportation system—just like the one we saw in Marvel’s Black Panther movie. And, Elon’s real-life “Hyperloop”, was green-lit for construction by Los Angeles, California’s, Board of Building and Safety Commissioners.

On top of that, the metal that’s slated to adorn the outer-hull of the Hyperloop train (And mind you, this train will reportedly travel at speeds of up to 700 mph), is a newly created metal called, “Vibranium”.

And nope, I’m not kidding.

“Hyperloop Transportation Technologies”, a company operating out of southern California, is collaborating with the Slovakian tech. company C2i, to create a carbon fiber-based metal that’s supposedly ten times stronger than steel—and they’re actually calling it “Vibranium”.

And that means what?

Well, it confirms the 3 points I made in my Blog posts: “The Gospel of white fascism (Part 30)”, and “The Cult of Black and white Cinematic Symbolism (Part 13)” respectively, and those are…

Point#1: The most valuable social currency, not just in america, but globally, is “Black Street Cred” (i.e. Black Cool Points).

Point#2: Marvel (and every other corporation) wants our Black Street Cred, to give the whole of the Marvel universe and their institutions/inventions, some “legitimizing” cool points, so they can sell better.

And…

Point#3: Like I said previously, when you watch Marvel’s Black Panther movie, understand that Wakanda’s “technological advancements” aren’t something to be witnessed strictly in “science-fiction”, cause they’re firmly rooted in TODAY’S FACTS.

So, to any BMRA’s who’re reading this (RPB’s, SYSBM’s, BLACK MGTOW’s) keep doting on whitebois and the Bible. Cause whether you know it or not, you’ve been so thoroughly brain-washed to hate yourself and your people, that you’re useless to us. And more than likely, you’ll go to your grave with your self-hatred. On top of that, even if you knew the problem and how to fix it, you still wouldn’t—cause feeling inferior to whites, is what you love more than anything.

YOU DUMB-ASSES!!

Moving on…

Columbite-tantalite, or “Coltan” for short (pic to the right), is a dull metallic ore, found in major quantities in the eastern areas of the Congo. When refined, Coltan becomes metallic “tantalum”, a heat-resistant powder that can hold a high electrical charge. These properties make it a vital element in creating capacitors, the electronic elements that control current flow inside miniature circuit boards.

So just like the mythological, and soon to be real compound, “Vibranium”, what Coltan is best at, is absorbing, storing, converting and discharging energy.

Mind you, Tantalum capacitors are used in almost every cellphone, laptop (like the one I’m using to write this post), tablet, pager, TV, etc. And the recent technology boom caused the price of Coltan to skyrocket to $400 a kilogram at one point, as companies like Nokia and Sony struggle to keep up with demand.

And keep in mind, this is the reason why Africa’s Congo, is suffering under so much strife. The western powers fund private militias and mercenaries to incite tribal and civil wars that keep Congo’s living conditions destabilized. And white fascists do this so they can gain access to our people’s resources. And that’s also how the Congolese are kept in poverty.

In conclusion, I couldn’t end this post without one mo’ shout out to a living legend—Dr. Henry T. Sampson, the Black PhD who created the “Gamma Electric Cell” (GEC), which is where we get the term “cellphone” from. Mind you, the GEC is what’s responsible for making all mobile telecommunication(s) possible.

And like the Coltan-fueled capacitors, the GEC is in almost every cellphone, tablet, laptop, modern TV, and every other telecommunications device.

So I’ve said all that to say this: if you do enough research, you’ll find indigenous Black people, and our elemental contributions (in this case, the mineral Coltan), at the genesis, evolutionary, and revolutionary phases of every art and science.

And the reason for this is, every non-Black person is a descendant of ours, while we come from “natural” forces. The divine darkness that “hue-man” consciousness and creation came out of, is where we come from. 

So, if you’re Black like me, and you want to see the universe’s real Gods and Goddesses—just look in a mirror. And understand that everything on this earth, begins and ends with “hue-man” beings that look like us. 

And like Sam L. Jackson said in Spike Lee’s movie, “Do the Right Thing”: “That’s the double truth, Ruth.”

Later…

MontUHURU Mimia

P.S.

Here's the "Hyperloop" scene in Marvel's Black Panther movie, where T'Challa fights Killmonger.

And here's the real life "Hyperloop" being tested for future use. Mind you, the metal they're gonna' use to encase this train is actually being called, "Vibranium". Thus giving further credence to my theory on "Black Street Cred", and how it's being used to make whitey's inventions/institutions legitimately "cooler", so they can sell better.

The Cult of Black and white Cinematic Symbolism (Part 16)...What do Walt Disney, Michael B. Jordan, Barack Obama, Kehinde Wiley, Stephon Clark, the Hegelian Dialect and Ryan Coogler, all have in common?

 

To the readers of this Blog: the reason this post is a bit long-winded, is over the course of the last two weeks, I debated about which subject I wanted to tackle first. It was a toss up between Vanity Fair magazine’s controversial pic of Michael B. Jordan and Ryan Coogler, or Kehinde Wiley’s portrait of Barack Obama, or the shooting of Stephon Clarke. So I decided to put all 3 topics in this post. On that note, I ask you to indulge me regarding this editorial’s length, for the simple reason that all of these topics are inter-related. Now, as always, I’m writing with the reader in mind, so I’ve made sure this post’s structure gives you a comfortably fluid read. And I dare say, that there’s no way you’ll come to the end of this, without a nugget of knowledge you didn’t have before. So once again, I thank my audience for your kind indulgences.

--MontUHURU Mimia

Walter Elias Disney was born on December 5^th, 1901, in Chicago, Illinois, and was the fourth son of Elias Disney and Flora Call. In 1911, the Disney family moved to Kansas City, Missouri, and it was while attending “Benton Grammar School”, that a young Walter developed a love for drawing cartoons. 

Walter attended Saturday courses at the Kansas City Art Institute, and took a correspondence course in cartooning, with monies he earned from a paper route. In 1917, Walter’s father bought stock in Chicago’s “O-Zell” jello company, and moved the family back to the city as a result. And it was back in Chi-town, that Walter became the cartoonist for McKinley High School’s newspaper, while also taking courses at the Chicago Academy of Fine Arts.  

In 1918, Walt faked his birth certificate’s date, so he could join the Army. After successfully fooling armed forces personnel, Walt became a Red Cross ambulance driver. Shortly afterwards, he was shipped to France, and began drawing cartoons on the side of his ambulance for decoration. Recognizing his exceptional talent, Army administrators featured Walt’s work in the army newspaper “Stars and Stripes”. Returning to Kansas City in 1919, Walt worked as an apprentice at the Pesman-Rubin Commercial Art Studio. There, he drew commercial illustrations for advertising, theater programs, and catalogs. And there, he befriended his future business partner, Ubbe Iwerks.

In 1920, the Pesman-Rubin Art Studio laid off Walt and Ubbe. In response, they started their own business—the short-lived Iwerks-Disney Commercial Artists Studio. Unable to attract customers, Walt and Ubbe both joined the Kansas City Film Ad company. And this company produced commercials using the “cutout animation” technique. But after doing some research on other methods of animating, Walt saw that “cell animation” would be the most promising way to make his animated features. With this method in mind, he created a company with a friend he’d made in Kansas City, that went by the name, “Newman’s Laugh-O-grams”. And the earliest Laugh-O-grams, were adaptations of Paul Terry’s, “Aesops Fables”. And for the sake of brevity, you can google Aesops Fables, if you don’t know what they are.

In 1921, the success of “Laugh-O-grams”, led to the creation of the “Laugh-O-gram” studios. Additionally, it led Walt to hire employees he could delegate some of his work to. Unfortunately, the company still couldn’t turn a profit. As a result, Walt moved to Hollywood in 1923.

In Hollywood, Walt continued to struggle behind plying his trade, until he got a call from a New York film distributor, who was interested in his work. As a result, Walt and his brother Roy, formed the “Disney Brothers Studio” behind their success. Later, this venture would become the “Walt Disney Company”, to produce animated feature films.

In 1927, Walt grew tired of the work he was doing for the New York distributors. Thus, he and his company began to work on a character and a cartoon series called, “Oswald the Lucky Rabbit” for Universal Pictures. In 1928, Walt wanted to renegotiate his contract with Universal. What he soon learned was, not only were some of the top brass at Universal unwilling to pay him and his company higher wages, but they actually wanted to decrease their pay. And, Universal’s administrators threatened to produce the Oswald cartoon themselves, if Walt wouldn’t heed their demands. Also, the fact that Universal owned the rights to Oswald, didn’t help any. 

Desperate to find a character that could replace “Oswald”, Ubbe and Walt thought about a pet they’d adopted while they were in “Laugh-O-Gram” studios. This was a pet mouse. Now, originally Walt wanted to call this cartoon mouse, “Mortimer”—but thinking that was too pretentious, Walt’s wife Lillian, suggested the name “Mickey”. Thus, in 1928, the cartoon character, “Mickey Mouse”, made his first appearance in a cartoon short called, “Plane Crazy”. But it wasn’t until Walt and his company created the animated short, “Steamboat Willie”, featuring Mickey Mouse, that the character developed a successful following. Thereafter, Disney Studios signed a contract with Columbia Pictures for more of “Mickey’s” cartoons.

A few decades later, under Walt’s tutelage, Disney Studios would go on to create such notable animated features like Snow White and the Seven Dwarves (1937), Dumbo (1940), Fantasia (1940), Pinocchio (1940), and many other “classic” hits. In the 1950’s, Disney Studios would expand their brand by opening “Disneyland” and creating the successful TV show, “The Mickey Mouse Club”. And in 1965, the Disney Corporation started the development of the “Experimental Prototype Community of Tommorrow”, or “EPCOT” Center for short.Sadly, on December 15^th, 1966, Walt Disney died of lung cancer, at the age of 65. And after Walt’s death, an enduring legacy of animated films was left by him for you, me, and future generations to enjoy. Now, this is what white fascists want you to think—but let’s get to the straight dope of who this man really was…

Walt Disney was a 33^rd degree freemason. And to commemorate this, at Disneyland, there’s an establishment called the “33” Club. Additionally, he was a charter member of a freemasonic fraternity called the “Ordo DeMolay”—and coincidentally, two other members of this frat, just happen to be american president, Bill Clinton, and the movie actor, John Wayne. To top that off, Walt was a notorious pedophile, and his company had decades long ties with the american mafia, and the CIA. Lastly, it’s on record that the Disney Corporation has the largest homosexual employees organization in the entertainment industry. And mind you, this man’s company, is the same one that put out Marvel’s “Black Panther”.

Now, early last month, Vanity Fair, put out this pic of Black Panther Director Ryan Coogler, and his muse, Michael B. Jordan (right). And as a result, “Black Twitter” (whatever that is), was peeved about this photo, saying it was too homoerotic. Now, if you wanna’ know my thoughts on whether or not this pic is emasculating, especially to Ryan, here’s my answer…

HELL YEAH IT IS!!

No straight brotha would let another man “palm” his head, in this suggestive a manner. Here, it looks like Ryan’s being guided downward to fellate his friend. And that’s what it’s meant to look like. Also, as par for the course, whitey’s media is obsessing on what’s being called Black men’s "collective homophobia", in regards to this pic.

Now, I wasn’t planning on this, but regarding this pic and whitey’s media, I gotta’ list 3 points I need to make about the role white gays play in furthering the agenda of white fascism…

Point#3: If you’re a Black person who’s offended by this pic, then you’re missing it’s true agenda…

And that means what? It means that we should expect this kinda’ sexually-conflicted crap from artists associated with ‘Disney Studios”. Cause knowing Walt belonged to white fascist freemasonry, we should understand that he was tasked with mainstreaming homosexuality—especially to children. And with that end in mind, Disneyland annually sponsors a “Gay Day”, for its amusement park. And on this day, Mickey Mouse and Donald Duck peruse the park, passing themselves off as gay lovers. So please don’t think this company is gonna’ invest hundreds of millions of dollars on Marvel’s Black Panther, without pushing that part of the white fascist agenda through this film. And even though there’s a lot of subversive symbolism in the actual movie, I knew that was just the tip of the iceberg. Thus, the gay pic featuring Mike and Ryan.

Point#2: What white fascists will never talk about, is how gays reproduce themselves…

Now, you might be thinkin’, bruh—this point don’t make no sense. First off, why would anyone broach this question in any form of media, since we know gays can’t have children. At least not naturally. And I totally get that. But the reason I'm bringing this up is, whitey knows once this conversation gets started, they’re gonna' have to talk about the childhood traumas that go into making someone gay.

See, whitey will talk about accusations of “Black male homophobia” from here to Gibraltar, but if they ever get around to how queers create other queers, they’d have to talk about the rampant amount(s) of sexual molestations and abuses that inevitably precede someone calling themselves a homosexual.

And this fact leads us to…

Point#1: Whitey won’t talk about traumas preceding homosexuality, cause then they’d have to admit that homosexuality is UNNATURAL.

Now, I don’t want anyone reading this post to take my word for this, so do your own research into the childhoods of any homosexual. Cause when you do, you’ll find the trauma that made them sexually-conflicted. And if this fact becomes mainstreamed, then the gay lifestyle couldn’t be sold as effectively to the proletariat, and whitey couldn’t try to shame Black people, and Black men specifically, into thinking that queers were born with specific genes, that make them that way. 

And speaking of queers, I’ll remind everyone that on February 12^th, of this year, the painter Kehinde Wiley unveiled his portrait of this country’s 44^th President, Barack Obama. (*Note: Obama was not america’s first Black president. Look up the name “John Hanson” sometimes. He was a Black man and this country’s first president, under the “Articles of Confederation” which preceded the Constitution. And he’s portrayed on the back of america’s $2 dollar bill—which is probably why they took it out of circulation.)

Now, as you can see, President Obama is seated in what looks like a garden (And Barack’s “hand-over-hand” gesture is freemasonic, by the way. Just like the pic next to it of Nava “Barak”, wife of Ehud “Barak”, former Prime Minister of Isreal. And we not only see Nava’s hand-over-hand sign, but her earring has the emblem of the Masonic “Double-headed Eagle”. And you can always click on my pics to make them larger). With that said, let’s further break down the symbolism embedded in this painting…

First off, the color “green” is used to represent “melanin”.

And I can almost hear people thinkin’—bruh, that don’t make no kinda’ sense. Well, it does when you consider that chlorophyll is what gives plants their green color, just like melanin is what makes our skin Black. Additionally, the ancient kemetic Netcher Ausar (left), was depicted on pyramid walls with “green” skin. At the same time, Ausar also went by another name—and that was: “LORD OF THE ‘PERFECT’ BLACK” (which is DOPE by the way). 

Additionally, the Marvel superhero, “The Hulk”, represents the Black phallus. Now, I can hear all the boos and hisses behind this theory. But ask yourself, what color is the Hulk's skin? Exactly. And when Bruce Banner's aroused or enraged, he grows to three times his size until he transforms into this character. But another clue as to who this character's supposed to represent, is the Hulk wearing “purple” pants. Now, every Black person has heard someone say that a heavily melanated brotha or sista is, “blue, Black, purple”, well that's the reason Marvel’s comic book creators, chose that pants color for this superhero (Alice Walker’s, “The Color Purple”). Cause again, he represents the white man’s fear of a Black phallus.

But the garden scene, is ultimately meant to effeminize Barack, and that's also why he's “seated” in the painting. Cause what this painting's really showing, is how whitey has a problem with “erect” Black men.

Meaning, white fascists know that a Black man’s erection, especially in sexual terms, has the power to breed them and their kind out of existence. Additionally, a mentally and spiritually erect Black man, has the most power to lead himself and others away from internalizing the tenets of white fascism (i.e. J. Edgar Hoover’s threatening “Black Messiah”).

Now recently, I also read about Tamar Braxton (left), Toni Braxton’s sister, cutting off all her hair. And at first, I was like—nah, that’s just a rumor. Cause I knew how infatuated she was with blonde weaves and wigs. Then I saw the above picture. But instead of being shocked, her actions actually made sense. Here's why—whitey knows that since the Black Panther movie came out, more and more Black women are doting on the “Dora Milaje” (DM). And when you think of them, what’s the first mental image you see?

A bald Black woman.

Now, here’s how this fits into the white fascist narrative. whitey understands that for Black women to remain in 3 states of being: well-paid, oversexed and alone, it’s best to have them looking like hypermasculine “she-males”. Thus, the bald heads.

And mind you, I understand Black women see the DM as strong, smart and fiercely independent, but what Black women really need to understand is, the world’s men see the DM as the exact type of women they’d never marry or be in a long-term relationship with. Cause they look too much like men themselves.

And, if you look at the Marvel comic series, “World of Wakanda” (right), there’s a running theme of homosexuality throughout its pages.

So ultimately, this is another way whitey intends to promote the gay lifestyle to Black men and women. Cause again, we have the most genetic power to breed them out of existence. So the last person white fascists want Black women dating, marrying, and having children with, is a Black man. And vice-versa.

Now, onto the “Stephon Clark” shooting…

So, I’m guessing if you’re a Black man or woman reading this, then you know about what happened to Stephon Clark. And if you’re not a Black man or woman, you shouldn’t be reading this Blog anyway, cause this message isn’t for you. And if you don’t like me saying that, please stop reading this and go find another Blog to amuse yourself with. Now, for the rest of us who’ve heard of Stephon, I’m not gonna’ go into the gory details of what happened to him on the night of March 18^th, of this year, in Sacramento, CA. But I will tell you how this fits within the white fascist narrative of the “Hegelian Dialect” (HD).

Now, conspiracy theorist and CIA agent, David Icke, calls the HD a white fascist methodology consisting of 3 parts, and those are: problem, reaction, and solution.

And I’ll tell you—the main reason this story is getting so much publicity, is because of Marvel’s Black Panther movie. And again, Marvel Studios is owned by Disney.

Now, you might be sayin’, wait a sec’ bruh—that sounds like some hair-brained theory you came up wit’ last night. Well if you think that, let me list you reasons why Stephon’s life was cut short, and why whitey specifically chose his story to put out to the public, using the HD.

Part#1: Problem

Love it or hate it, Marvel’s Black Panther movie is expelling so much positive energy for Black people, and Black americans especially, that whitey knows, if this movie’s effects on us go unabated, we’ll continue to harness that energy. And that could potentially keep us out of the self-hating mind-state they’ve fought so hard to keep us in. See, any time we feel proud about ourselves, that pride has the potential to unify us. And whitey knows that’s the only virtue that will help us defeat them.   

Part#2: Reaction

To diffuse the Black Panther’s positive influence on Black americans, once Stephon Clark is shot multiple times, whitey's media quickly makes it front page news. And within hours, Stephon Clark becomes a household name. So with this action, white fascists have effectively swapped the positive energy and pride we felt over the Black Panther movie, with fear and self-loathing.

Part#3: Solution

And it gets worst—cause whitey’s gotta’ make sure our self-hating "spell" isn’t broken over time. See, they know that any group of people will forget an incident that doesn’t directly affect them, in a matter of days or weeks. So the real reason they’re throwing so much publicity at this story, is cause white fascists understand the divisive value of Stephon’s “tweets” that castigate Black women (and if you haven’t read these tweets, just google them). And their plan worked. Cause as I’m writing this, Black men and women are too busy “gender-warring” to realize the game that’s being played on them. And in more layman’s terms, Black men and women are at each other’s throats again, which is right where whitey wants us. Proof, that the good ol’ DIVIDE AND CONQUER technique still works.

So I’ve said all that to say this: NOTHING, and I mean NOTHING is gonna’ help us defeat white fascism except UNITY!

PERIOD.

And our battle with white fascism is one we can’t buy or educate our way out of, cause those are resources they control. Meaning, whatever currency we have an abundance of, or whatever kind of degree we get, whitey can devalue. Now, I’m not knockin’ money or education, but the only way these things are gonna’ work towards our collective benefit, is though UNITY.

Now, I’m not only a Black Nationalist, but I’m a realist also. And I know good and well, that anyone over 30 ain’t really trying to hear any talks about changing themselves, so our people can be more unified. So what I propose, like I’ve done several times in the past, is that we turn the focus of these kinds of initiatives towards our children, in the form of homeschooling, or truly independent schooling. Meaning, we should pull our children out of public and charter schools (which are still state-owned schools anyway), and give them learning environments where they won’t be poisoined with the same self-hating cirriculums that I, or we got, going to P.S. whatever-number school, where we live. And I will dedicate a series of posts to homeschooling in the near future. Promise.

So in conclusion, and as always, I’ll tell you that the proposition of Black unity is simple, but it’s not easy. Cause the social orders we currently live in are engineered towards keeping us apart and hating ourselves. But embracing the hardest initiatives, is what yields the best rewards. So by any and all means necessary, let’s get to work. NOW!

Later…

MontUHURU Mimia

*Addendum: 4/13/18--In regards to the cartoon superhero, “The Hulk”, and how he truly represents the “Black phallus”, the NEGUS/scholar/YouTuber “LLO525STAR” curated the video below. And this clip delves much more deeply into where The Hulk's mythological origins really come from. Enjoy.

And if you'd like to see a larger version of this vid, you can do that HERE.