Sunday, May 8, 2016

Afeni Shakur (January 22,1947-May 2,2016)


Afeni Shakur was born Alice Faye Williams in Lumberton, North Carolina on January 22nd, 1947.

At the age of eleven, Afeni’s family moved to the Bronx in New York City. Years later, Afeni attended the Performing Arts High School in Manhattan, New York popularized in the movie ‘Fame’ behind her wanting to pursue a career in acting.

In her late teens, Afeni met up with a young Muslim brotha named Shaheed who introduced her to the teachings of Malcolm X and the Nation of Islam. Afeni took these lessons to heart because they introduced her to the concept of African/Black physical beauty and counter-acted all of the conditioning she’d gotten that told her she couldn’t think of herself as beautiful.

*Side note: Any Black man or woman reading this who’s also read my post: ‘Why do so many gay men have model looks?’, should realize the above fact about Afeni is why I opened that post with an explanation of what I meant when I used the term ‘model looks’. Now I remember when I was in high school, this young sista said to me: “Man, God didn’t give us nothing, he gave us big lips and nappy hair.” And I didn’t say anything to counter that cause I felt the same way.

Now, a woman’s physical attractiveness means something a little different to her than it does to a man. Cause a man can be considered unattractive by european standards, but society tells him he can compensate for that by making a lot of money. Whereas, a woman is told that in most cases, ALL the social currency she has is directly connected to her level of physical attractiveness. So can you imagine the pain that both the young sista I was talking about and Afeni were in? Can you imagine being told that women who look like you are considered the least attractive in the world? All I can say is, now that white women are injecting silicone into their lips and butts to look more like Black women, I hope wherever that sista is, she feels differently about herself today.

Moving on…

At the age of 19, while working in the post office, Afeni began hearing about the Black Panther Party. Shortly afterwards, she attended the Black Power Conference in Philadelphia, Pennsylvania in 1968. People who knew her say this was the event that changed her life more than any other. It was then that Afeni decided to dedicate herself to the struggle for Black liberation. And it was shortly afterwards that Alice Faye Williams was given the first name ‘Afeni’ by a brotha who built a Yoruba village in South Carolina. And the name ‘Afeni’ means ‘dear one’ or ‘lover of the people’.

Afeni joined the Harlem, New York City chapter of the Black Panther Party. And within months, she fell in love with and married its chapter leader Lumumba Shakur.

In 1969, the CIA and FBI coordinated efforts to neutralize the Black Panther Party nationwide. As a result, 21 members of New York’s Black Panthers were arrested on bogus conspiracy charges, and two of those 21 members happened to be Afeni and Lumumba.

While imprisoned, Panther members decided that monies should be made available to bail out Afeni first, being that she was the most capable of acting as a criminal defense attorney for the rest of the 21 Panthers. This was before the american government revoked Afeni’s bail. New York City’s Panther 21 trial was well publicized and written about in many books. There, Afeni’s criminal defense efforts freed herself and 20 of her other Panther comrades. And Afeni was pregnant with her son Tupac, at the time.

Now, a couple of days ago, I heard about Afeni’s passing. And from the research I gathered, she made her transition on May 2nd of this year. And when I read a Washington Post article about this I was immediately pissed off for two reasons: One, that rag of a periodical focused more on Tupac’s life than it did his mother’s, which in my opinion, does Afeni a terrible disservice. And believe me, I have no qualms about reading up on the late Tupac Shakur, cause I too agree he was not only one of the world’s greatest emcee’s but he was also my generation’s last best hope for a real Black leader. I’m just saying that everyone reading this should know how Afeni’s life was just as full as her late son’s.

Two, the inbreds at the Washington Post focused on Afeni’s drug use nearly as much as they concentrated on Tupac’s life. Now, in the interest of time, anyone wanting to know about the origins of the 80’s crack cocaine epidemic should get a book called ‘Dark Alliance’ by Gary Webb. In it, Gary details how the CIA worked with the South American Contras, who the CIA created by the way, to funnel cocaine into California. This same alliance later turned the cocaine into crack which they flooded Black neighborhoods with, and this is the same drug Afeni got addicted to. But the plot gets even thicker in Afeni’s case. Meaning, due to her affiliations with the Black Panthers, the FBI made sure Afeni was unable to keep a job in New York. It was at this time that a man named ‘Legs’ McNeil came into Afeni’s life. Turns out McNeil wasn’t only a drug dealer, but he was an undercover agent tasked with getting Afeni hooked on this drug.

Now, Afeni passed in the midst of a contentious divorce battle surrounding her son’s estate. Her net worth had been valued at 50 million dollars and her son’s estate is said to reap $1 million dollars annually. She filed for divorce from her husband, a minister named Gust Davis, but didn’t have a prenuptial agreement. Davis requested alimony payments that would amount to about half of Tupac’s estate, and at the time of Afeni’s death the divorce was unresolved.

So I’m hoping Afeni made out a will before she passed, if not, the courts will decide who gets the proceeds of Tupac’s estate. Hopefully they will go to Tupac’s sister Sekyiwa, but even then, the courts could order her to make payments to Gust based on the fact that he was legally married to Afeni.

I’ll just say for the record that I believe both Prince and Afeni were murdered. And isn’t it funny how they both presided over music catalogs worth millions and possibly billions of dollars without a will?

You’re probably saying, damn bruh…can’t people just die no more, does everything have to be a conspiracy?

Now, behind my making this statement, I know the onus is on me to bring proof of this to anyone reading this Blog, and that’s what I’ll do in my upcoming posts. But before I can provide anyone with any more information, I must do some more research, and that’s what I’ll be mired in over the course of the next few months, so stay tuned.

Until then, I’m documenting the passing of these great icons, and will conclude this post by saying: To the QUEEN AFENI SHAKUR, FOR A LIFE WELL LIVED AND A BATTLE WELL FOUGHT, I SAY REST IN PEACE AND POWER AS YOU TAKE YOUR RIGHTFUL PLACE WITH THE ANCESTRAL ELITE!

AND TELL YOUR SON WE MISS HIM AS MUCH AS WE’LL MISS YOU IN THE YEARS TO COME!

Later…

MontUHURU Mimia

Tuesday, April 26, 2016

Prince Rogers Nelson (June 7,1958-April 21,2016)


Prince was murdered.

Point blank period.

And it pisses me off.

Now, the question you’re probably asking is: Ya’ got any proof of that bruh?

And my answer would be: Do you think it’s a coincidence that Prince was found dead two years almost to the day that he got his master recordings back from Warner Brothers Records?

Now you might follow up my answer with this comment: Bruh…that don’t mean he was murdered.

To that I’d reply: I’m positive Prince was killed cause the white fascist freemasons who run the record industry are notorious for killing Black musicians who reclaim the rights to their music.

Don’t believe me?

Then reference what happened to Jimi Hendrix when he was about to take his manager Mike Jeffries to court over royalties he never received. Mind you, Mike not only worked for british intelligence, but he also had ties to organized crime families. After that, look up what happened to Sam Cooke when he created his own record label in an effort to keep his publishing. Then read up on what happened to Michael Jackson after executives at Sony Music told him he was in debt to them for the ‘Invincible’ album under-selling, and how they’d cancel the debt if Mike gave up his ownership of the Beatles and Elvis music catalogues. Now besides Mike being a masterful performer, he was also a savvy business man and told them those catalogues were worth more than his debt. So, Mike went on the ‘This Is It’ tour to pay off what he allegedly owed Sony. And when Sony executives saw how quickly those tickets sold, they knew Mike would clear his debt to them…and we know what happened to Mike after that. 

Besides these facts, ‘Billboard’ magazine released an article on Prince getting back his masters on April 25th, of 2014 titled:Prince Gets Masters Back, Which Labels Say 'Scares Us Silly'.

Now, you’re next question after the above fact might be: Well, if Prince hated Warner Brothers so much, why did he sign another contract with them in 2014? 

Answer: He signed a new deal with Warner’s so he could have access to their large distribution network(s). Difference is, under the terms of Prince’s new contract, he would’ve had full rights to his back catalogue. Meaning, he would have gotten the lion’s share of any profits from his old and new hits. Thus, he wouldn’t have had to write the word ‘slave’ on his cheek anymore. And what he also did was strike a deal with Jay-Z’s ‘Tidal’ music steaming service, which gave Prince an outlet to put out music whenever he wanted. Warner’s would often criticize Prince for putting out too many albums. They said he’d flood the market with his product, thus making it less profitable. 

But more than anything, white fascists killed Prince to send a message to other artists who want to follow his lead in regards to master recordings. Young artists especially. 

Prince’s murder tells them that if they join a freemasonic fraternity to become a celebrity musician, they shouldn’t even think about trying to buck the system. And more than likely, what they’re saying to themselves now is: Well damn, if they’d kill an icon like Prince, then they won’t think twice about takin’ me out. 

But beyond all of the aforementioned goings-on, I have to say that Prince’s death hit me the hardest of all the musicians who’ve passed recently. 

And here’s why… 

On July 27th, of 1984, the film ‘Purple Rain’ was released into american theaters. 

Now, at the time I was in my mid-teens, and I would immediately wave the film off if anyone mentioned it. Then, after I talked disparagingly about the flick around my brother, he declared: “Nah, that movie’s dope.” I was immediately taken aback. Cause my brother was the harshest of cultural critics. So after pondering what my brother said, I thought, well maybe I should go see it. 

So my friend and I went to the theater. And about half-way through the film my friend casually looked at the movie, while I was in my seat having a religious experience. The narrative of Prince (who played ‘the Kid’) enduring an unstable and abusive household and feeling like a complete pariah resonated with me instantly. And suddenly Prince’s ‘freak factor’ was not only embraced by me, but his film showed me that I should involve myself with, and make some kind of living in, a community of artists. And I’ve never had that kind of experience with another artist since. 

I especially remember the scene in the film where Prince finds his mother sitting on the sidewalk after being assaulted by his father (played by the masterful thespian Clarence Williams III). After Prince rushes into his house, he screams out for his father, who suddenly starts playing the piano. Prince forgets his anger momentarily and follows the sound of his father’s playing. He sits down besides his father and asks: “You got that music written down somewhere?” 

‘Francis L.’ played by Clarence Williams III replies: “Nah man, I don’t write ‘em down cause I don’t have to. That’s a big difference between you and me.” 

Prince takes offense and replies: “I seen mom up the street. She looks pretty bad…got any idea how she got that way?” 

Francis L. asks Prince: “You got a girlfriend?” 

Prince: “Yeah, I got a girlfriend.” 

“You gonna’ get married?” 

“I don’t know.” 

Francis L. says wearily: “Never get married.” 

A beat after Francis makes this statement, the song ‘Computer Blue’ starts. The scene then cuts to a masked, bare-chested Prince on stage and we see how he’s masterfully created the song’s main guitar riff from what he heard his father playing on piano. And that’s before he launches into the salaciously charged ‘Darling Nikki’. Shouts out to the film’s cinematographer Donald Thorin, cause during Darling Nikki, the stage is literally bathed in devilishly red lights, adding to the scene’s power. And besides the movie’s musical performances being intoxicating, the movie’s one sex scene is scalding hot. At least by that decade’s standards. 

And when Prince performed the song ‘The Beautiful Ones’, I think every young woman felt her loins ignite when Prince yelled: “Do you want him? Or do you want me? Cause I want you.” 

Now, this film won’t win many accolades with hard-core cinephiles, but its status as a bona-fide cult classic is irrefutable. 

And it was about two decades after this movie’s debut that I started looking at it from a Black Nationalist/Pan-Africanist perspective. 

I distinctly remember one white movie critic saying that Prince was suffering ‘prettily’, he then went on to say Prince’s troubles weren’t realistic cause he wasn’t ‘ugly and poor’. So literally, this film critic was telling anyone reading his review that all he knew about Black people (and all he wanted to know), was what he saw on TV. I guess he watched several episodes of ‘Good Times’ and thought it was impossible for any Black family, dysfunctional or not, to be financially stable enough to live in a two-story house. 

Also, I remember being puzzled for years about why Prince would put out the album ‘Around the World In A Day’ right after ‘Purple Rain’. I mean, I understood he wanted to be ‘eclectic’ and all, but it didn’t make sense to me that he’d put out an album so ‘left of center’ after he worked so hard to get to the success of ‘Purple Rain’. Then I found out why Prince did what he did… 

The same fascist freemasons who killed Prince, always want the public to be reminded that ‘The Beatles’ were the world’s greatest rock and roll band. Even though the Beatles were copying the stylings of Little Richard and Chuck Berry. Thus, they tasked Prince with making an album that sounded like the Beatles ‘Sgt. Pepper’s Lonely Hearts Club Band’. And that’s why Prince put out ‘Around the World In a Day’ after Purple Rain. 

This was but one price Prince had to pay to stay in the good graces of white fascists, while they kept him at the top of the charts. And anyone listening to that album could tell that the funkiest tracks, like ‘Tambourine’, were where Prince’s heart was really at, not in that album’s ‘quasi-psychedelic’ overtures. And I’d be remiss if I didn’t mention that ‘Tambourine’ is my favorite Prince song of all time. 

Now, all of Prince’s movies outside of ‘Purple Rain’ were pretty much b-rated flops, but one thing I can say in all honesty is his soundtrack albums were always slammin’! 

If you look at the ‘Parade’ album apart from the Black and white flick meant to accompany it, you’ll hear some of Prince’s best work. Songs like ‘Anotherloverholeinyourhead’ are nothing short of sonic masterpieces, and that whole album is one of those rare records you can put on and just let play from beginning to end. It’s that good. And I can’t forget to mention the album’s sweetly melancholic and brilliant song, ‘Sometimes it snows in April’. Which ironically enough, is what I was gonna’ title this post. Oddly, this song is reminiscent of how Prince’s own life was cut short. The last lyrics of this track are: “I often dream of heaven and I know that Tracy’s there (Prince plays Christopher Tracy), I know that he has found another friend. Maybe he’s found the answer to all the April snow. And maybe one day I’ll see my Tracy again.” 

Another of Prince’s movies, ‘Grafitti Bridge’, was just a laughable excuse for a film, but damn that album was DOPE! Songs like ‘Elephants and flowers’ with its main guitar riff, the raw power of the George Clinton-influenced ‘We can funk’, and the wholly intoxicating ‘Joy in repetition’, tell the movie’s story better than the film does. 

In addition, the ‘Batman’ soundtrack album was very under-rated. Songs like ‘Lemon Crush’ had Prince returning to his funk roots, even though he was more invested in his rock-guitar stylings at the time (Love the song’s lyric: “When I’m workin’ at my jobba’, I’m the victim and you’re the robber.”) The song ‘Trust’, showed how Prince could slip his advanced musicality into a commercial pop song, and ‘Batdance’ had him in full-on Hendrix mode with that guitar solo. And also, it showed Prince’s embracing of technology. In the song’s latter section, Prince samples a line of the movie’s dialogue: “I gotta’ go to work.” Then he loops that with the refrain: “Work, work.” And in the midst of that comes the lyric: “If a man is considered guilty for what goes on in his mind, then give me the electric chair for all my future crimes, oh.” 

Now, many would argue that the album, ‘Sign O’ the Times’, was Prince’s real masterwork. And I’d agree, but the album, ‘LoveSexy’ was also very under-rated…at least to me. To start off with, the guitar riff on ‘Alphabet St.’ sounded like it came directly from heaven. I liken that riff to the masterful ‘vamp’ in the ‘Muddy Waters’ song, ‘Mannish Boy’. In so much as, in Prince’s chords you can hear several musical genres playing at once. It harkened back to the beginnings of Rock and Roll and R&B ala Chuck Berry, Little Richard and Bo Diddley. Then you had the funk elements of James Brown thrown in for good measure. And the album’s stand out track, ‘Anna Stesia’, is preceded by a keyboard solo that sets the song up beautifully. 

So I’ve said all that to say, I was really a fan of this man’s music. 

And now he’s gone before his time. 

Ponder this for a sec’. Stevie Wonder is still living, Smokey Robinson is still alive and so is Berry Gordy. But Prince and Michael Jackson are both dead. 

What’s wrong with this picture? 

Both Prince and Mike died young cause they had the testicular fortitude to take on the white fascist status quo. Regardless of how they looked. 

So finally I’ll say . . . goodnight sweet Prince. 

You added so many vibrant colors to my life, in a world where some fair-skinned folks are literally still dreaming in Black and white. 

You also provided sweetness in my times of suffering with lyrics like… 

“Have you ever been so lonely that you felt like you were the only one in this world? Have you ever wanted to play with someone so much, you’d take any one boy or girl?” 
--(The song ‘Anna Stesia’ from ‘LoveSexy’) 

“Don’t sleep ‘til the sunrise, listen to the falling rain, don’t worry about tomorrow, don’t worry about your pain.” 
--(1999’s song, “Free”) 

Do I believe in God, do I believe in me. Some people wanna’ die just so they can be free.” 
--(The album ‘Controversy’s’ title track) 

And now you are free. 

And it must be wonderful. 

So Rest in Peace and Power, Prince Rogers Nelson…you rocked my world and I’ll never forget you. 

Oh…and say hello to Vanity for me. 

Later… 

MontUHURU Mimia

Sunday, April 17, 2016

Why do so many gay men have model looks?


Now, before I start this post, let me make one thing emphatically clear…when I use the term ‘model looks’ in my description of gay men, I’m making reference to gay men who are ‘exceptionally good-looking’ by EUROPEAN STANDARDS OF BEAUTY.

So this is in no way an endorsement by me of physical features that conform to those standards. And in more layman’s terms, I’m saying that in no way do I deem long hawk noses, pale skin, icy blue eyes, pin thin lips and stringy blond hair as the epitome of beauty. To me nothing is more beautiful, especially on women, than dark, rich flawless-looking skin, full lips, warmly dark and soulful eyes, broad noses, ‘locked’ hair and the natural curves that grace the form of a Black woman.

So the last thing I want to do with this post is reinforce reasons why any Black man or woman should hate the way they look…especially citing the fact that white women now more than ever, are showing how much they envy the physical features of Black women.

And if you think that’s hyperbole, all you have to do is look at how white females are getting shots in their lips and butts to basically turn themselves into Black females. Now, for any brotha reading this, you should understand why white men are sporting bald heads like us, tanning their skin to look more like us and smoking cigars to make themselves look as genetically powerful as we are. This is the reason white men give out cigars when a baby’s born. It’s to legitimize that they’re sexual power or prowess is equal to ours. Cause they’ll never tell you this, but they all feel sexually inferior to us. And deep in their souls, they know we have the most genetic power to breed them out of existence.

Now with that said, let’s go in…

In 2010, the singer Ricky Martin said: “I am proud to say that I’m a fortunate homosexual man, I am very blessed to be who I am.”

He posted this on his website ‘RickyMartinmusic.com’ and also said that his twin sons bring him boundless amounts of joy. His direct statement was: “Everything they do, from smiling to crying, feels like a blessing. Being a father feels amazing. This has been the most spiritual moment in my life."

But what Ricky failed to realize is, natural ‘heterosexuality’ bought his sons into being (through surrogate motherhood), not his exalted homosexuality. So my question is: if he really feels being a father is so amazing, then you’d think he’d research ways to correct his sexuality. How could he reconcile being a proud father, when his sexuality prohibits him from having children?

But in today’s gender-confused american social order, elites have told everyone that you can basically have your cake and eat it too. Meaning, you can call yourself gay and have kids through (other peoples) normal heterosexual means. It’s kinda’ like being a gay christian. Even the dumb-founded George Bush jr. said: “I wonder which bible they’re reading?”

CNN news anchor Don Lemon published an autobiography in 2011 where he basically came out and said he was gay. His book, ‘Transparent’, talks about his sexuality in a way that he says is ‘inspirational’ to those like him. Oddly enough, he said he was most fearful of how the Black Diaspora would react to his revelation. And I’ve personally encountered some brain-washed Black men like him who pretty much put their homosexuality first and their ethnicity second.

Let me just say, I can’t understand how any Black man can be conditioned out of his common sense to those extremes. But then again, the white fascist social order looks more kindly on Black men who give up their masculinity, so any Black male wanting to be more palatable to whatever social order they’re in can always swap their manhood for an entrée into the social mainstream.

Cause if we just look at employment disparities, Don’s network CNN did a study where they found that white men who were felons got more call backs for jobs than Black men who had no criminal history at all. So Don’s coming out, calculated or not, can only help him stay in the good graces of white fascism.

Now, in the case of Shemar Moore, he hasn’t officially ‘outed’ himself yet, but if you look into his history, he’s known to travel in circles of homosexuals and transvestites in every town he touches down in. So it’s only a matter of time before the brotha, or half-bred brotha, cashes in his ‘gay chips’ to boost his commercial viability in Hollyweird.

Now, I can remember my freshman year of high school, where I watched a certain young brotha flirt continuously with other young men. I always shook my head at this, cause this fellow was light-skinned and had european-looking facial features that included a set of cool-colored eyes that one sista called ‘dreamy’, so I was like, why would he be gay when he could have any young woman he wants?

Then a couple of years after high school, I met a latin fellow named ‘Gil’ who was one of my co-workers in a book store. Now, this guy literally was trying to break into the modeling industry and I actually saw his headshot portfolio. And I also can attest to the fact that whenever he walked down the street almost every female head would turn. One day when I was going into the bookstore’s break room, I caught Gil kissing up on one of the store’s male workers. I just bolted outta’ there. And once again, I shook my head in disbelief thinkin’ damn, he could have any woman he wants, why the hell would he be gay?

And I think anyone reading this knows that nearly every male model and/or male stripper is a homosexual.

So let’s get down to what causes this.

The reason why so many male models, or men with ‘model looks’ are gay is because as young boys their exceptionally good looks (by european standards) made them prime targets for pedophiles.

So their first sexual encounter(s) with men traumatized them into believing that homosexuality was their natural sexuality.

Now, you might be thinkin’, c’mon bruh…there’s no way you can qualify that. To that I’ll say, look into the childhood of any homosexual person and you’ll find the trauma that made them sexually conflicted.

For instance, in 2010 Don Lemon confessed to being sexually victimized by a pedophile live on CNN while discussing the scandal surrounding Georgia Bishop Eddie Long. So this is no theory.

And the reason homosexuality is being pushed so hard in the Black Diaspora is again, Black men have the most genetic power to breed whites out of existence. So white fascists either want Black men to be gay or if we’re straight, they want us to marry and mate with white women so our offspring will have less of the genetic power we do to bring about the demise of their people.

Now, what I’m not saying is that gay men are intrinsically evil or morally obtuse because of their sexual victimization or orientation. What I am saying is when you come across one of these ‘good-looking’ gay men, you should feel more empathy than anger towards them. Cause you now know he was NOT BORN THAT WAY! AND NO ONE IS! He was victimized into that sexual orientation, and more than likely, he’ll never know what it’s like to operate in his natural sexuality.

Like I’ve said in the past, homosexuality is a ‘death-style’ not a lifestyle. But there is a cure for this ‘death-style’ if anyone reading this is interested in correcting and getting back to their natural sexuality.

And fortunately, the cure is the same for dealing with any other mental trauma. Anyone wanting to rid their psyche of a trauma must first consciously recognize the event that is causing some kind of character defect, and then subconsciously, they must recondition themselves out of that pain.

So, in Don Lemon’s case, he’d have to revisit the trauma he lived through, meaning, he’d have to see what happened to him and who it was that preyed on him consciously, then subconsciously, he’d have to create some kind of healing mantra to neutralize that pain. Then, he’d have to diligently repeat this mantra in his subconscious until he began seeing the results he desires.

Mind you, no one said this was gonna’ be easy. It would be hard as hell…but this method would not only take whatever character flaws have resulted from his trauma away, but it would correct his sexuality at the same time.

But the question is: Would Don ever commit to this?

I doubt Don ever really recognized his problem at subconscious levels, and if he did, I doubt he’d take on the challenge of putting in the kind of work necessary to correct his conflicted sexuality.

And there’s another hurdle…Don’s let the american social order convince him that he was born this way, even though he admitted to being sexually victimized as a child. So unfortunately for him, it’s check and mate…the game’s over.

But for anyone reading this who’s struggling with any kind of trauma, understand living with its effects is not an inevitability. We have psychic tools to help us master our minds and conquer these demons.

But again, it takes work to be victorious over these psychic maladies. And in the case of mainstreamed homosexuality, its victims are duped into believing that their sexual orientation is a life sentence.

So for anyone reading this, regardless of your sexual orientation, understand there’s no mental oppression that can’t be overcome by working it out in the subconscious. But you have to choose to do the hard work associated with winning out over whatever trauma ails you.

And this is your life we’re talking about people…so for your own future’s sake, choose wisely.

Later…

MontUHURU Mimia

Monday, March 28, 2016

The cult of Black and white cinematic symbolism (Part 7)...'Dopey' white fascism and brothas who are 'Strictly Business'...


In January of 2015 the movie ‘Dope’ debuted at the Sundance Film festival. It won such critical acclaim that on June of that year, the film was released into american theaters by Open Road Pictures. A short time later, the flick was re-released on September 4th, 2015 during the Labor Day weekend.

The movie Dope was written and directed by Rick Fumuyiwa, a brotha who grew up in the city of Inglewood, California, where this story takes place. He’s been quoted as stating how this movie is semi-autobiographical and shows some of the travails he encountered trying to stay on the right path in that community. This film was produced by Forrest Whitaker (The Butler, upcoming Roots remake) and co-executive produced by Sean Combs (Diddy) and Pharrell Williams. So the freemasonic agenda is deeply embedded in this piece of propaganda posing as a movie.

The plot of this flick is as follows: Malcolm (Shameik Moore) is a high school senior whose best friends ‘Jib’ and ‘Diggy’ all live in the Inglewood, California neighborhood known as ‘the bottoms’.

Malcolm is a straight A student with high SAT scores who dreams of going to Harvard, but his ambitions come under fire from a school counselor who says the college’s administrators will be dismissive of his achievements due to where he lives. The counselor then tells Malcolm he should find another way to impress the Harvard interviewer he’ll have to meet in order to get into the school.

While biking home, a drug-dealer named ‘Dom’ (A$AP Rocky) asks Malcolm to invite a certain girl to his birthday party, the girl becomes so enchanted with Malcolm that she lets Dom know she won’t come to the party unless Malcolm does too.

Malcolm attends the party where Dom tries to buy some ‘dope’ but the transaction gets interrupted by rival drug dealers. While hiding from the invaders, Dom puts the drugs, a gun and a cellphone into Malcolm’s back pack.

After Malcolm discovers the drugs and receives instructions to return them, he runs into several characters that lead him to the house of his Harvard interviewer, who happens to be the person the drugs belong to. Once Malcolm realizes this, the Harvard interviewer (played by Roger Guenveur Smith) orders Malcolm to sell the dope. And if he accomplishes the task he’ll make sure Malcolm gets into Harvard. But if Malcolm fails, the Harvard interviewer lets him know he’ll suffer dire consequences.

Malcolm, Jib and Diggy devise a plan to sell the dope with the aid of a veteran stoner/hacker they’d met in ‘band camp’ years ago. And basically, they set up a scheme where the Harvard interviewer will be exposed for his drug-dealing if anything happens to Malcolm. And from this same schemeMalcolm extorts a guaranteed acceptance into Harvard out of the drug-dealing interviewer.

And my apologies for 'spoiling' the film to those who haven't seen it, but I’m trying to make a point.

‘Strictly Business’ is a comedic film released into american theaters on November 8th, 1991.

This movie was directed by Kevin Hooks and written by Nelson George (the famous music journalist) and Pam Gibson. And it was produced by Andre Harrell, Diddy’s former boss over at ‘Uptown records’.

Now, unlike ‘Dope’, Strictly business had a limited release into theaters…or in industry terms, it was made available to a ‘selected audience’. And I’ll discuss why in a ‘sec.

Strictly Business is about ‘Bobby’ (Tommy Davidson) a mail-room clerk who works for a big firm and how he strikes up a deal with one of the firm’s Black executives, Wayman Tisdale (Joseph C. Phillips). The deal is this: If Bobby introduces the uptight, token-ish Wayman to his dream-girl Natalie (Halle Berry), Wayman will get Bobby into the firm’s ‘broker trainee’ program.

Ultimately what happens is the deal Wayman is banking on to make him a partner gets sabotaged by one of his white co-workers. In the midst of the scandal, Wayman is tricked into believing Bobby's responsible for delivering a wrong set of documents to his intended clients.

Fortunately Wayman’s secretary discovers the error and lets him know Bobby wasn’t at fault. Once Wayman realizes this, he finds Bobby and apologizes. After Wayman tells Bobby his plans to quit, Bobby uses his ingenuity to make Wayman’s deal happen with some Black men who own a Harlem Bank (The Holloran Brothers/Brothas).

Shortly after the deal’s made, the white co-worker who sabotaged Wayman’s deal confesses and Wayman is made a partner at the firm. Also, Bobby gets into the trainee program and Wayman gets Natalie at the end.

Now with that said, I’d like to concentrate on these movie’s protagonists: Bobby, Wayman and Malcolm.

In Dope, the movie’s main character Malcolm, is a geek who hangs out with ethnically and sexually confused friends like Jib and Diggy. And Malcolm also does everything he can to distance himself from contemporary Black culture.

Whereas in Strictly Business, we see Bobby and Wayman as two straight and strong-minded brothas who aid in each other’s upward mobility.

Now you might be thinkin’, c’mon bruh…Wayman’s a complete sell-out who's happy to be the white man’s lap dog. Difference is, at the film’s end, Wayman, Bobby and his coterie of Black men all win together. Whereas Malcolm’s win involves a motley crew composed of one white guy, his asian looking friend Jib and ‘Diggy’, a sexually confused bi-ethnic girl who calls Malcolm's sexuality into question for hanging with her.

But let’s get at the heart of Dope’s real message, which is twofold. The first message being: SMART YOUNG BLACK MEN DON’T HANG AROUND OTHER YOUNG BLACK MEN! 

This movie makes the emphatic point that if any young Black man wants to excel in academics, or in life period, he should hang out with friends who don’t look like him. Meaning if a young Black men who wants to be an over-achiever, you should hang out with asians, latinos, whites and even sexually conflicted peers…anyone but your own kind.

And two: A YOUNG BLACK MAN CAN BE SMART OR STRONG, BUT NOT BOTH

The TV character ‘Urkel’ was a prime example of the white fascist’s agenda to mainstream the emasculation of young Black men. And speaking of Urkel, on the show 'Family Matters' we see how Urkel’s smart and weak, yet the character 'Eddie Winslow' is physically strong and stupid. The message white fascists were sending there is it’s already bad enough that Black men have the most genetic power to breed them out of existence, so what they really don’t wanna’ deal with is a Black man who’s STRONG AND SMART at the same time.

Cause truth be told, they know it’s the strong and smart Black man who more than any other man, poses the greatest threat to them…and dealing with this kind of man, especially in a physical confrontation, is every white guy’s worst nightmare.

So I’ve said all that to say this, if you’re a Black man or woman trying to inspire any young Black man to be achievement-oriented with either of these movies, show him Strictly Business, not Dope.

Cause if you give a young Black man a character like ‘Malcolm’ to aspire to, what you’re doing is reinforcing reasons why he should hate himself for being Black. And that’s cause in Dope, straight and strong young Black men are portrayed as drug-dealers and/or bullies who are headed for either a life of crime or prison. And what Dope doesn’t show is how the overwhelming majority of young Black men can’t be geeks if they want to survive living in their neighborhoods.

So I’ll close out this post with a saying that was continually repeated to me when I was Malcolm’s age, and that is: DOPE IS FOR DOPES!

Moreover, if you wanna’ keep a young Black man from overdosing on any kind of anglophilic brainwashing, you should tell him to avoid Dope at all costs.

Later…

MontUHURU Mimia

P.S.

If you'd like to look at the video I created for this post, you can check it out here.

Saturday, March 19, 2016

The Wachowski sisters and the 'real life' matrix...


Move your money was a campaign organized by Arianna Huffington (co-creator of The Huffington Post) in 2009 as a response to 2008’s financial crisis. And behind this and similar initiatives in the last decade, more than four million accounts have been closed out of too big to fail banks in america.

As a testament to this, one day during the Occupy Wall Street movement, several protesters were arrested for trespassing in front of a New York Citibank. When cops questioned them, they told the officers they were only there to close their accounts.

Now in an ancillary movement, documented in an article titled: People are leaving the workforce in droves, and what it means for businesses, stats from the 2013 u.s. Department of Labor report that americans are leaving jobs at such a high rate, that in roughly four years the number of americans working traditional jobs will be eclipsed by the number of them opting out of the american workforce altogether.

In another related article titled: I'm Outta Here!, Why 2 Million Americans Quit Every Month, what’s stated emphatically is the biggest reason for quits is employees no longer trust corporations.

And what will these workforce drop-outs do for a dollar? According to these articles and others, they’ll become entrepreneurs and work for themselves.

With the advent of the internet and better on-line technologies, more and more americans are trading in their corporate cubicles for a home office.

And that spells trouble for the elite.

Why? Cause as more and more people depend less on a check from corporations and government jobs, more of the proletariat can acquire and circulate monies amongst themselves, thus cutting out elitist middle-men. In laymen’s terms, if this viral entrepreneurism goes national and global, we could see a day in the near future where the elites could be put out of business.

And for every person thinking about taxes associated with opening a business, I’d like to note that if the working classes are the ones generating and circulating the lion’s share of america’s capital outside the realms of corporate and government jobs, we’d have the majority say of how and where these monies are spent. Or we could just realize that we never needed money in the first place. Cause before the elitist monetary system was created, the proletariat ‘bartered’ for goods and services.        

Truth be told, money was only created to restrict our access to resources. Currency notes and coins are nothing but monetary gate keepers meant to provide access controls and barriers between us and the 1% of persons controlling all the world’s material goods.  

And here’s the underscored bottom line, the elite know that the proletariat can shut their global sham down simply by not showing up to work for a day or two.

So I’ve said all that to say this: Too many of us are unplugging from the ‘Real life’ Matrix, and it's making the ruling elite nervous.

Now, the phrase ‘Ordo Ab Chao’ is latin and translates into ‘Order out of chaos’. And this is one method fascist freemasons use to keep the proletariat under their collective thumbs.

And there’s several ways I could explain how this concept works, but for the sake of not making this post any lengthier than it needs to be, I’ll say this ideology deals with elites knowing that if you want to better control any organization…or organism, one of the best ways to do it is by destabilizing the target and throwing it into a state of dysfunction. Then, you offer the target your solution to the problem. And once this solution is administered, it’s diagnosis will make the target operate in accordance with the desires of the fascist elite.

For example, in the early 1970’s a rich business tycoon said he was at a dinner party and happened to strike up a conversation with a member of the Rockefeller family. While conversing the Rockefeller asked the businessman: “Tell me, what do you think of the Woman’s Lib movement?”

The tycoon responded: “Well, overall I think it’s positive, women getting equal pay for equal work and all.”

The Rockefeller replied: “Listen, we funded Women’s Lib, and the main reason was because we couldn’t tax half the population if women were staying at home and being housewives. Not only did we want to get women into the workforce, but we knew that with both parents out of the home, what essentially would be raising their kids would be the TV, so the generations after theirs would be much easier to program.”

Now, I’d like to focus on the Rockefeller’s last statement about kids being raised by TV. This sentiment is telling when it comes to the elite’s main target for destabilization over the course of the last half-century.

And that target is the nuclear family.

See, if you destabilize the nuclear family and have a spate of one-parent households dominating any country, the children of those households will be infinitely more corruptible than a child coming from a stable two-parent home. Now let me expound on this further

What I’m not saying is that children from single-parent households are destined to be morally obtuse and criminal-minded, what I am saying is these children will more than likely have some sort of emotional instability from not growing up with both parents. And more than likely, this will affect their decision making to the point where they’ll be more willing to do certain things that the child who has the counsel of both parents won’t. And monetarily, the child may not have access to items they want or need because there’s only one household income. And this more than anything may affect their decision making. 

So for the last several decades, the elite have thrown every effort into destroying the nuclear family and keeping it dysfunctional. And one of the best ways to do this is by eradicating traditional gender roles.

Enter the Wachowski brothers…siblings….I mean, sisters.

Now, last year I wrote about Larry Wachowski becoming Lana, and a week ago, I found out that his brother Andy has now taken the transgender plunge and become ‘Lilly’. After shaking my head for several minutes, I have to admit to being mildly shocked, but I wasn’t surprised. Here’s why…

Like I said earlier, with more and more americans/global citizens being distrustful of corporations and with the elite seeing our exodus from the traditional workforce, the powers that be need to be reassured that we're kept in the construct that the real-life Matrix is built on. Thus, they have to up the ante with their techniques of keeping us ‘corruptible’.

So the Wachowski’s are not only helping to mainstream homosexuality, but they and others like Caitlyn Jenner are ushering in an era of total gender confusion. Our children are being told that they don’t have to be boys or girls. Thus, the elites are asking them to be some kind of human hybrid.  

And soon the elites will have an official title for the ‘genderless’ human. This will be followed by initiatives to bait them back into the Real-Life Matrix with the promise of more access to resources via government programs that cater specifically to them.  

And that’s what the Wachowski sisters and Caitlyn Jenner are really spearheading. 

So let me break this all the way down and say:

The matrix has you…

But the good news is, it can’t keep you…not unless you want to be kept.

And the solution to this is simple. The proletariat…us, we need to endorse and sponsor a return to traditional gendered, two-parent households that have the greatest chance at producing less corruptible children…or children period. Remember, more than likely, a genderless hybrid won’t be interested in producing offspring. They’ll probably wind up with a same-sexed person that’s just as confused as they are.

So it’s time for everyone in this age of gender confusion to choose between the red and the blue pill.

Cause I know which capsule I’m clutching.

It’s the one leading me out of all this sexually ambiguous non-sense and has me realizing that the behaviors associated with this kind of confliction are more conducive to a ‘death-style’, not a life-style.

So which pill will you pick?

And remember, if you don’t care about the elites plans for you, you should at least be concerned about their plans for our children.

So for their sakes, choose wisely.

Later…

MontUHURU Mimia